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Tupac Resurrection - In His Own Words (Full Movie)

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    [But for the person I tried to reach,] he'll
    pick it up, and I'll be able to talk to him.
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    I try to be responsible,
    but it's hard.
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    If you worry about what you're saying,
    I get writer's block.
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    Kind of like, "I can't say that.
    That's too harsh. Can't say this."
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    I have to block it out and trust
    my heart that I'm doing the right thing.
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    Pretty spit...
    I was spitting.
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    - Chill out. Chill out.
    - That's my style. That's my new style.
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    - That's my new style.
    - 'Pac, chill out.
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    That's my new style.
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    Hey, have a good summer.
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    Have a good summer, bitch!
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    But I'm not saying
    I didn't make mistakes.
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    Like some of the things I said when
    I was fighting the Hughes brothers.
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    I beat up the directors
    to Menace II Society.
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    - All right, tell them why you did that.
    - These chump, punk, slump...
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    - You'll be able to rebuttal to that.
    - No, they better come now.
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    Check this out, they fired me
    in a roundabout, punk, snitch way.
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    So I caught them on the streets
    and beat they behinds.
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    I was a menace to the
    Hughes brothers. It ain't over!
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    I still got more for you chumps!
    I read what you said about me!
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    I'm gonna kick their ass!
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    My big mouth.
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    Mind y'all business, I'll mind mine.
    I do what I gotta do,
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    you do what you gotta do.
    Long as I give you 12 tracks,
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    you give me my $12, and we even.
    I don't gotta be a role model.
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    I don't gotta hold your hand.
    I don't gotta do shit.
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    My big mouth.
    I got a big mouth, can't help it.
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    - I talk from my heart, I'm real.
    - We talked about
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    people in this business that you feel
    don't have a love for their own people.
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    We was talking about
    Spike Lee, Arsenio Hall,
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    Eddie Murphy and the rest of them.
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    I thought I was charming, but I was
    immature. I did things without thinking.
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    Michael Jackson, Randy Jackson,
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    Janet Jackson, Paula Abdul,
    all of them.
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    She wants to not be black,
    but sell to blacks.
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    I don't appreciate her going
    out of her way to say she's not black.
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    My actions came before thought.
    Things that I did, things I said.
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    So many things I wanna take back.
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    Eddie Murphy, with all that dough he's
    making, hasn't done nothing for us.
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    - He does a lot of charity.
    - Charity doesn't get to the ghetto.
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    Everybody knows that.
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    I was young and dumb.
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    Being mad at Spike Lee
    and all those people, all of that.
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    The thing I said of Quincy Jones,
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    he shouldn't mess
    with white women.
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    I said I was sorry personally for that.
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    I didn't think of how
    it would hurt people.
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    I'm gonna catch y'all in traffic and
    be the roughest nigga you ever seen.
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    That turned into
    more legal problems.
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    The People truly believe that
    Mr. Shakur has shown no remorse
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    whatsoever for his action in this case.
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    We view Mr. Shakur's appearance
    on Yo! MTV Raps as bragging.
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    He was proud of what he did
    and does not feel sorry.
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    I just want to say, judge,
    that I have a great deal of remorse.
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    As far as I want you to treat
    me different, I don't want that.
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    I just want the chance to make right
    from all the bad things that I got.
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    I got things against me
    and people that look up to me.
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    I don't want the last place
    they see me to be jail.
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    I guess it's now time
    for me to render the sentence.
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    I obviously find that the defendant
    is a talented individual.
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    However, this court believes that jail
    time is warranted with a battery
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    with some injury involved.
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    The defendant will serve 15 days
    in the county jail.
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    I think the judge was fair.
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    I still don't feel like I got
    the decision that I wanted,
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    but he was as fair as he could be.
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    Really, to my homeboys, I mean,
    a fight is a fight, battery is battery.
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    A two and a half minute problem
    just cost me 15 days in jail,
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    and that was lenient.
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    But my most serious legal problems
    came from women.
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    How I was acting with women.
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    The Underground just don't stop
    For ho's, I get around
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    I will no longer sit passively,
    allowing this degradation
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    to be continued by our children.
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    I think we live in a very sexist society,
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    and everybody's pointing
    the finger at me.
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    When somebody asks me,
    "Do you exploit women?"
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    With her permission, I might
    smack a girl on the butt in the video.
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    I might be drinking champagne,
    but everything in moderation,
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    and everything with class.
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    Fingertips on the hips as I dip
    Gotta get a tight grip, don't slip
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    Loose lips sink ships, it's a trip
    I love the way she licks her lips
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    See me jocking, put a little twist
    In her hips because I'm watching
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    I don't have to always do a song
    with the good woman.
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    I don't see women as all one thing.
    I think all women are different.
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    You wonder why they call you bitch
    You wonder why they call you bitch
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    We African-American
    women, particularly,
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    are tired of being called ho's,
    bitches and sluts by our children.
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    Dear Ms. DeLores Tucker
    You keep stressing me
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    Fucking with a motherfucking mind
    I figured you wanted to know
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    Why we call them ho's bitches
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    If I do something that has a bad
    woman, people go, "He hates women."
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    I don't think like that. But there
    are definitely a type of female,
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    label them a bitch, whose main thing
    is to get what they can,
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    and they revel in breaking a nigga's
    heart and taking what he owns.
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    Shut the fuck up!
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    There's male bitches too.
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    Women know there are bitches.
    I don't know why they're surprised.
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    They know. They say it louder.
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    They think we say they're all bitches.
    That's not what we're saying.
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    I give a holler to my sisters on welfare
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    Tupac cares
    And don't nobody else care
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    That's "Keep Ya Head Up"
    and "Get Around".
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    I said, "I'm gonna write a song
    about women like my mom,
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    "who represent a strong
    black woman." I did that.
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    I'll rap about women I see daily.
    That's "Get Around".
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    If I just did "Keep Ya Head Up",
    it makes me seem more than I am,
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    but I'm just a normal man.
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    America, America
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    - God shed his grace on thee
    - Stop.
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    I'm gonna close the door.
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    Come on, Mr. Cameraman.
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    This is some real private shit that's
    about to happen, Mr. Cameraman.
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    Bye.
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    Anyway, I'll let you hear the sounds.
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    Is there a double standard
    for men being promiscuous?
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    Yeah, but we didn't start
    that double standard.
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    - I'm not saying you did.
    - And I'm not saying it's fair.
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    I'm saying this is how it is. How can we
    rap about a world that is not like that?
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    - This is how it is.
    - Do you look down on males
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    if they're as promiscuous as women?
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    I don't look down on anybody
    that's promiscuous.
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    I only look down on people
    who don't control the situation.
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    If a girl sleeps with a lot of guys,
    she's still my homegirl.
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    You're only a bitch, not if you
    sleep with a lot of guys,
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    but if you're sleeping
    with them for money.
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    - So you put a price on yourself.
    - Because they have a nice car.
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    Guys, when they sleep around,
    they do it for free.
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    At that time, a lot of girls, they'd seen
    my face on TV so many times,
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    they wanna be associated
    with that person.
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    It's the fame that gets these people.
    It's not me. It's the fame.
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    I've seen females look at
    me when they didn't know me,
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    and I can see it, nothing.
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    Then someone whisper who I was,
    it's this glare in the eye.
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    - You make yourself want them.
    - How do you feel about that?
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    I don't understand how people can
    stand next to you one year,
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    and next year, they cannot.
    They're going crazy, screaming.
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    They can't take it that you're there.
    But last year I was in the same club,
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    walking around,
    lonely like a motherfucker.
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    Couldn't get a date or a dance.
    I was too skinny, too something,
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    and now, "He's just adorable.
    He's just, oh!"
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    But I still enjoyed sex without
    the emotional connection.
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    And it was always a fantasy
    for me to have sex
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    with a lot of people in the room.
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    But I didn't play
    one situation correctly.
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    Rap singer Tupac Shakur was
    released on $50,000 bail today,
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    accused of a sexual attack
    in a New York hotel.
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    The singer was arrested Thursday
    night after a woman claimed
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    he and three other men
    overpowered her in a hotel suite.
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    - Are you disappointing your fans?
    - Very, but they're gonna support me.
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    With bodyguards and attorneys, he
    went into Manhattan Criminal Court.
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    There, the rapper and two friends were
    charged with first-degree sodomy.
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    The allegations stem
    from an incident last Thursday
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    in which a woman claims
    she was held down
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    as he and two others
    allegedly sodomized her.
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    The allegations by this
    young lady are without merit.
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    Defense attorneys say the woman
    went there consensually,
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    and answering machine tapes
    that indicate
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    her interest in Shakur
    were erased by police.
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    OK, so you tell me when your
    lawyers have asked you to stop.
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    The girl who claims that...
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    What does she claim?
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    - I can't even say it, man.
    - OK.
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    But technically, it's a rape case.
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    I wasn't convicted of no rape charge.
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    My charge was sexual abuse,
    forcibly touching the buttocks.
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    I have a female saying that...
    I can't say it, but...
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    It just bothers me so much,
    you know?
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    To go through my life
    and everything I did, coming out
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    of a family and household
    with just women,
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    to get to this point to have a woman
    say that I took something from her.
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    It was hard.
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    It was an emotional day
    for a 20-year-old female fan,
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    who admitted that she had consensual
    sex with Shakur on Sunday night,
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    four days before her alleged rape
    in the hotel room.
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    During her cross-examination,
    defense attorney Michael Warren
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    painted a picture of a starstruck, naive
    girl anxious to have sex with Shakur.
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    Word is, you had a relationship with
    this woman prior to all this friction.
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    If you can say that's a relationship.
    I bumped in a club. I seen her.
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    Let's use a clinical term.
    There was oral copulation?
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    Yeah, she performed oral sex
    on the dance floor.
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    A lot of guys could say
    what they wouldn't do
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    and what they would do,
    but when it happens, you know...?
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    - Yeah.
    - It just goes down. And it's... Really.
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    She did some things there at the club,
    and we got together later that night.
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    I saw her again another time with
    these guys that introduced me to her.
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    Everybody was having a good time,
    nothing sexual, just a good time.
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    Me and her went in, she gave me
    a massage, went to sleep, woke up,
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    she's screaming,
    "Rape, rape." I raped her.
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    And she's yelling at me, "This is not
    the last you're gonna see of me."
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    I'm cursing her out because I'm not
    thinking she's really gonna do that.
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    And the next thing I know,
    I'm going to jail.
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    In your opinion there was no truth
    to the sexual abuse charges?
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    Not on my part at all.
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    The defense pounded away at her,
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    asking her why she didn't scream for
    help at the time of the alleged attack.
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    The woman testified
    that Shakur's friends said:
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    "Tupac needs his fans.
    Don't go to the White Man with this.
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    "Millions of girls would love
    to be in your shoes right now."
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    What about your cronies?
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    That was a big misconception.
    The people with me weren't friends.
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    - Why were they in your room?
    - I hang with lots of people.
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    And that's how I am.
    It's similar to like you said,
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    about Led Zeppelin. They don't
    know all of the people with them.
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    This guy got the weed?
    OK, you can kick it.
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    Got the money?
    You can kick it.
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    This guy has connections to the clubs?
    OK, you can kick it. I don't know him.
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    But that was my fault, I had that
    kind of environment around me.
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    I didn't do nothing. I'm charged with
    being in concert with some guys.
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    Well, where are they at?
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    Why me? Because I'm Tupac...
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    I'm not mad at them.
    I'm mad at the system.
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    I don't want nobody to go to jail,
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    but I don't wanna go
    for something I didn't do.
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    I just don't wanna be the scapegoat.
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    I just couldn't believe
    this was going on in my life.
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    See the cameras. It wasn't like I had a
    chance for justice like a normal citizen.
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    Hi, Tupac. Can you tell me
    how you're doing today?
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    Well, I just had to listen to the
    prosecution's closing argument,
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    and it was so far from the truth that it
    has me drained at the end of the day.
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    But I'm leaving it in
    the hands of the jury.
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    I'm learning a lot about people's
    innermost fears in this trial.
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    It's not even about my trial no more.
    It's just about
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    Ioud rap music, tattoo-having thugs.
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    It's about some nightmare
    that these people are having.
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    I can't understand why it's so close.
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    There's no evidence I sodomized her,
    even though you put that in the paper.
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    Print the facts so everybody
    can sort it out.
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    My life is ruined because nobody
    has a chance to get the facts.
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    Fact is, there was no semen found.
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    No semen found, no forcible entry,
    no entry into the anal, no nothing.
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    I wanted to explain it.
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    If you could go back to the night
    when the abuse occurred,
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    - Is there anything you'd do differently?
    - Yeah.
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    I would not have closed my eyes
    until she was out of the room,
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    until everybody was out of the room.
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    So when you left the room
    and left her with those people...
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    I didn't leave her with those people
    or bring her to them.
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    - She came over?
    - Right.
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    She came over, knew
    those people, knew everything.
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    I just didn't grab her out of there.
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    I'm guilty of not being a smart man,
    not being a goodhearted man,
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    I guess, or being more considerate.
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    At any point, were you aware she
    was involved in something she...
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    - Cut. That's a problem right there.
    - Excuse me.
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    None of these legal matters
    can be asked.
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    I have a list of the stuff
    you'll have to cut out. Sorry.
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    - All right.
    - The gentleman is out on bail.
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    I see.
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    I couldn't defend myself.
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    This would never have happened
    to anybody else.
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    They have no evidence on me,
    and it's about to come out.
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    Now my life is over.
    This is a year later.
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    A year after the world's
    been thinking I'm a rapist.
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    The whole world
    owes me an apology.
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    I went through it and didn't
    kill myself like Kurt Cobain.
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    And I should, because this is
    some crazy madness.
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    Central, I got a black male
    shot at 48th and 7th.
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    Last night, just after midnight,
    at 723 7th Avenue,
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    that's between 48th and 49th Street,
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    rap star Tupac Shakur and
    three members of his group
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    were robbed and shot.
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    They shot me, straight up.
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    I just kept thinking,
    "They really did shoot me."
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    When I wasn't dead,
    immediately I was like, "Oh, man."
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    I was like, "No, this ain't it."
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    I know how it's gonna be when I die.
    It's gonna be no noise.
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    You ain't gonna hear people
    screaming. I'm gonna fade out.
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    And I didn't... None of that was there.
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    I was like, "I got shot five times.
    I'm not dead. They missed. I'm back."
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    When Shakur resisted,
    he was shot five times,
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    twice in the head
    and twice in the groin area.
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    And his most serious wound,
    a gunshot through the hand,
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    hitting an artery in his thigh.
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    He's listed in serious
    but stable condition.
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    Until it happened, I really did believe
    no black person would ever shoot me.
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    I believed that I didn't have to
    fear my own community.
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    You know, I was like,
    "I represent them.
  • 67:00 - 67:03
    "I'm their ambassador to the world.
    They would never do me wrong."
  • 67:03 - 67:06
    I believe that this was a robbery.
  • 67:06 - 67:09
    Anybody who was gonna walk into
    that building was gonna be robbed.
  • 67:09 - 67:14
    The police don't wanna find out
    who shot me. They're happy.
  • 67:21 - 67:24
    As far as that Vibe interview,
    just read everything over
  • 67:24 - 67:29
    and read my reply, read their reply,
    read what people say.
  • 67:29 - 67:36
    Everybody that was there
    knows what happened.
  • 67:37 - 67:40
    My recollection was, I was shooting
    a video, the second half of "Warning",
  • 67:40 - 67:44
    which is the B-side of "Big Poppa",
    and I was shooting around the block.
  • 67:44 - 67:48
    And I heard my man was up at the
    studio doing a Junior M.A.F.I.A. session.
  • 67:48 - 67:52
    So I got off at the reception area,
    and I saw Andre and Little Shawn.
  • 67:52 - 67:59
    I said, "What's up?" about to get on
    the elevator, and he comes out shot.
  • 68:06 - 68:09
    The Tupac article had me pissed off,
    you know what I'm saying?
  • 68:09 - 68:13
    Because first of all,
    he dissed my man,
  • 68:13 - 68:18
    saying he turned his back on him,
    and I know for a fact it didn't happen.
  • 68:19 - 68:22
    And, like, the rumors that's spreading
  • 68:22 - 68:28
    is on some tip like we set him up.
    And that's crazy.
  • 68:29 - 68:32
    As soon as he comes out shot,
    me and my man try to sit him down.
  • 68:32 - 68:35
    He called his mom. He asked
    my man if he can roll him a blunt.
  • 68:35 - 68:41
    We asked if he was all right. He's like,
    "Yeah, I don't know what's going on."
  • 68:42 - 68:50
    We were just trying to comfort him.
    Andre Harrell called the ambulance.
  • 68:50 - 68:56
    And everybody there was
    very supportive of him.
  • 68:56 - 69:00
    It was just the total opposite. He
    came out and everyone ran to him.
  • 69:00 - 69:02
    It was nothing but love and concern.
  • 69:02 - 69:06
    They got different accounts of it,
    and I'm the one with the bullet wounds.
  • 69:06 - 69:10
    I also understand that if you
    was to get shot five times,
  • 69:10 - 69:12
    your mind is just
    completely spinning.
  • 69:12 - 69:15
    You're real confused
    about your situation.
  • 69:15 - 69:17
    It'll make you say things
    you don't mean.
  • 69:17 - 69:21
    I was there for the whole thing. No one
    else was there for the whole thing.
  • 69:21 - 69:26
    I don't know the purpose of why
    the story was said in another context.
  • 69:26 - 69:29
    It's not important that others know
    what happened. I said it.
  • 69:29 - 69:33
    Now that I said it, it's dead.
    Believe me or not, I did what I had to.
  • 69:33 - 69:34
    God knows the truth.
  • 69:34 - 69:39
    There's no religion about getting shot.
    I don't want any converts.
  • 69:41 - 69:45
    After getting shot, I was like,
    "Shit, I don't know who to trust."
  • 69:45 - 69:47
    In a bizarre twist of events,
  • 69:47 - 69:52
    Tupac Shakur checked himself out of
    Bellevue Hospital Wednesday night.
  • 69:52 - 69:57
    After surgery, Tupac checked himself
    out of Bellevue against doctor's orders.
  • 69:58 - 70:01
    It was just time to leave.
    I didn't feel safe there.
  • 70:01 - 70:04
    I kept getting
    these crazy phone calls.
  • 70:07 - 70:10
    At that point, I'm just paranoid,
    just bugging out.
  • 70:10 - 70:16
    I couldn't sleep or rest. I was like,
    "I'm just tired, and I wanna just..."
  • 70:16 - 70:22
    And I felt like I'm like a victim,
    a target.
  • 70:22 - 70:25
    I couldn't even sleep at home.
    People could kill me at home.
  • 70:25 - 70:27
    And are the police gonna
    come in and kill me?
  • 70:27 - 70:31
    You know, is there secret police?
  • 70:31 - 70:35
    I was so deep into the weed
    at that point.
  • 70:35 - 70:40
    And I was like,
    "I'm petrified. I'm vulnerable."
  • 70:40 - 70:44
    I felt like just a prisoner
    to my own fame.
  • 70:44 - 70:48
    That's why I wanted to die at that point.
  • 70:48 - 70:53
    I felt like, "If everybody's so worried,
    why ain't nobody came to help?"
  • 70:53 - 70:57
    - Mr. Shakur?
    - Open up, please. Open up.
  • 70:57 - 70:58
    - Excuse me.
    - Step back, please.
  • 70:58 - 71:02
    - Just keep it tight, that's all.
    - How are you this morning?
  • 71:02 - 71:07
    The jury deliberated, then, after days
    of twists worthy of a Hollywood drama,
  • 71:07 - 71:10
    Tupac Shakur has finally had
    one question answered.
  • 71:10 - 71:13
    Tonight, the jury found him guilty
    of three counts of sexual abuse,
  • 71:13 - 71:17
    but innocent on six other charges,
    including sodomy.
  • 71:17 - 71:22
    Please, give me some space.
    Please, man.
  • 71:22 - 71:23
    Why did you decide to
    leave the hospital?
  • 71:23 - 71:27
    Please, y'all are not letting me get
    through, man. Let me get through!
  • 71:27 - 71:30
    - Back it up.
    - Why did you leave?
  • 71:30 - 71:35
    And sentencing for this trial
    has yet to be scheduled.
  • 71:45 - 71:49
    Where I was sent was
    a maximum-security penitentiary.
  • 71:58 - 72:02
    I know when I was young,
    I couldn't wait to get to jail, straight up.
  • 72:02 - 72:09
    I mean, I was scared and everything,
    but I felt that's part of being a man.
  • 72:10 - 72:13
    Now that I'm here,
    this is not the spot.
  • 72:13 - 72:17
    I know everybody that comes out says,
    "This ain't the spot." This isn't the spot.
  • 72:17 - 72:21
    Somebody tells you when to get up,
    when you can shower, do this, do that.
  • 72:21 - 72:27
    They can speak to you any way they
    want to, and you've gotta accept it.
  • 72:27 - 72:32
    You can die here, know what I mean?
    Yesterday, a dude was murdered.
  • 72:32 - 72:34
    He wasn't in here on no murder beef.
    He was in on a drug beef.
  • 72:34 - 72:38
    He's gone. He's dead in jail,
    you know what I mean?
  • 72:38 - 72:40
    By another prisoner who had life.
  • 72:40 - 72:43
    He had nothing to lose,
    you know what I mean?
  • 72:43 - 72:49
    I came to jail. I'm telling you, it's dirty.
    It's filthy. It's like you're an animal.
  • 72:50 - 72:52
    At first, me and the guards
    had problems.
  • 72:52 - 72:55
    I got smacked and treated bad.
  • 72:55 - 72:59
    They did whatever they could to break
    me because I used to talk a lot of shit.
  • 73:00 - 73:03
    As soon as I got there, they went,
    "There he goes, the rich nigger."
  • 73:03 - 73:09
    I was like, "Oh, shit, he said nigger!"
    Everybody's looking at me like, "So?"
  • 73:09 - 73:12
    And I was like, "My God, this is where
    I'm gonna be staying?"
  • 73:12 - 73:14
    He just said "nigger"!
  • 73:14 - 73:16
    You've got "niggas"
    in one of your records.
  • 73:16 - 73:19
    Niggas. He's talking about niggers.
  • 73:19 - 73:23
    Niggers was the ones on the rope,
    hanging off the thing.
  • 73:23 - 73:29
    Niggas is the ones with gold ropes,
    hanging out at clubs.
  • 73:33 - 73:37
    I learned things there. In jail, it's like
    how we should be in life, humble.
  • 73:37 - 73:40
    I was talking to skinheads
    because if you don't like black people,
  • 73:40 - 73:42
    all right, that's fine.
    That's your opinion.
  • 73:42 - 73:46
    I want people to respect my opinion
    when I'm rapping, so I'll respect yours.
  • 73:46 - 73:51
    You treat me with respect, I'll treat you
    with respect, and we'll get along.
  • 73:51 - 73:55
    This skinhead, "hate black people" all
    over, getting autographs for cousins.
  • 73:55 - 73:56
    I accomplished something.
  • 73:56 - 74:01
    I know, by him getting my autograph,
    that meant something to me.
  • 74:01 - 74:06
    He couldn't hate black people
    and get my autograph.
  • 74:06 - 74:08
    - The food was terrible, I guess.
    - Oh, my goodness.
  • 74:08 - 74:10
    They've got this liver surprise thing.
  • 74:10 - 74:14
    The liver surprise. They're trying
    to pump that jail on the menu.
  • 74:14 - 74:17
    They're trying to get it to go prime-time,
    get it in the rotation.
  • 74:17 - 74:21
    I was like, "We had this yesterday.
    I liked it already, goddamn."
  • 74:21 - 74:24
    - No Tater Tots?
    - No. Are you crazy? Tater Tots?
  • 74:24 - 74:29
    I used to get baked potatoes
    with a huge finger imprint on it.
  • 74:29 - 74:31
    - All right.
    - It was bad.
  • 74:31 - 74:34
    No, you don't wanna get me started.
    Jell-O with hair all in the mold.
  • 74:34 - 74:39
    I'd be like, "Damn, man,
    how are you gonna mess up Jell-O?"
  • 74:39 - 74:43
    Jell-O is so wholesome and family-like.
    It just ruins it for me.
  • 74:43 - 74:44
    To have a hair in there, yeah.
  • 74:44 - 74:49
    I mean, I'm like, "Come on,
    Bill Cosby pumps this, man!"
  • 74:49 - 74:52
    Put the hair in my Jell-O.
  • 74:52 - 74:57
    And you can't go, "There's a hair in
    my Jell-O. I'd like to send this back.
  • 74:57 - 74:59
    "Can I see the cook, please?"
  • 74:59 - 75:03
    The cook is a big dude
    named Bubba Joe.
  • 75:03 - 75:07
    The first eight months I spent in
    solitude 23 hours a day, reading.
  • 75:07 - 75:09
    I wrote a script called Live 2 Tell.
  • 75:09 - 75:13
    I got How to Write a Screenplay,
    that big famous book by Syd Field.
  • 75:13 - 75:18
    I got that, and I remembered all of the
    scripts I ever read, and I wrote one.
  • 75:18 - 75:20
    I read a lot of good books.
  • 75:20 - 75:25
    I read a lot of Maya Angelou's books.
    The Art of War by Sun Tzu.
  • 75:26 - 75:29
    But in terms of writing music
    and lyrics, I couldn't do it.
  • 75:29 - 75:33
    Everybody's like, "He's in jail now.
    He's gonna have the bomb album."
  • 75:33 - 75:35
    But it's the opposite.
  • 75:35 - 75:38
    Prison kills your spirit, straight up.
    It kills your spirit.
  • 75:38 - 75:45
    I couldn't write. My inspiration was
    gone because I was a caged animal.
  • 75:45 - 75:48
    But when I was in jail,
    a lot of people supported me.
  • 75:48 - 75:51
    Jasmine Guy, Jada Pinkett,
  • 75:51 - 75:53
    Mickey Rourke,
    he just wrote me funny stories.
  • 75:53 - 75:57
    The name that sticks out the most,
    I'll keep saying this, is Tony Danza.
  • 75:57 - 76:01
    To me, he is the bomb forever.
  • 76:01 - 76:03
    I will be his number one fan forever,
  • 76:03 - 76:06
    because when I got his letter,
    I was like, "Whoa!"
  • 76:06 - 76:10
    I was screaming out to everybody,
    "Guess who wrote me!"
  • 76:10 - 76:15
    They had a story on the local news
    that Madonna was coming to visit me.
  • 76:15 - 76:18
    Madonna has so much power that
    the guards gave me an extra shower
  • 76:18 - 76:21
    because they thought
    she was coming to visit me.
  • 76:21 - 76:25
    I had guards walking me downstairs,
    everything, trying to peep a look.
  • 76:25 - 76:26
    - Did she come?
    - No. No, I'm glad.
  • 76:26 - 76:31
    - But you got the extra shower?
    - Hey, I got the shower.
  • 76:33 - 76:37
    The person that supported me
    the most was my mother.
  • 76:37 - 76:41
    When my mother got clean,
    we got real close again.
  • 76:41 - 76:46
    And even as a crack fiend, Mama
    You always was a black queen, Mama
  • 76:46 - 76:51
    I finally understand, for a woman
    It ain't easy, trying to raise a man
  • 76:51 - 76:55
    I don't blame her for anything.
  • 76:55 - 77:02
    My mom's the bomb, you know.
    The world's best mom.
  • 77:02 - 77:04
    - You are appreciated
    - Lady
  • 77:04 - 77:09
    Don't you know we love you
    Sweet lady
  • 77:09 - 77:11
    "Dear Mama" is the song
    I wrote for my mother.
  • 77:11 - 77:13
    But it's also for all the mothers.
  • 77:13 - 77:16
    I'm proud of that.
    It affected a lot of people.
  • 77:16 - 77:18
    It was from Me Against the World,
  • 77:18 - 77:21
    which was completed
    before I went to jail.
  • 77:21 - 77:26
    It's just me against the world
  • 77:26 - 77:28
    Me against the world, baby
  • 77:28 - 77:30
    It was the number one record.
  • 77:30 - 77:35
    Me Against the World was
    one of those... My career highs.
  • 77:35 - 77:36
    It was a trip in jail.
  • 77:36 - 77:40
    They'd say stuff like, "You're in jail.
    Won't be any rapping for a long time."
  • 77:40 - 77:44
    I'd be like, "My album is
    number one in the country.
  • 77:44 - 77:46
    "It just beat Bruce Springsteen."
  • 77:46 - 77:49
    And they'd be like,
    "Go back to your cell."
  • 77:49 - 77:53
    I used to get Entertainment Weekly
    and see where my record was
  • 77:53 - 77:57
    and just trip out and be like,
    "Number one in the whole country."
  • 77:57 - 78:04
    To me, it will always be my favorite,
    and jail made me wanna dig deeper.
  • 78:13 - 78:17
    It took five bullets for me to see
    what was really going on.
  • 78:17 - 78:20
    In jail, you get perspective, and you
    start looking at things differently,
  • 78:20 - 78:22
    like everything is not so important.
  • 78:22 - 78:26
    You know, you try not
    to take it personal.
  • 78:26 - 78:28
    Because you're talking to killers.
  • 78:28 - 78:30
    They say something you don't like,
    you can't say, "What?"
  • 78:30 - 78:36
    You gotta be like, "OK, look man,
    would you mind not calling me...?"
  • 78:36 - 78:39
    Anger management like
    a mother.
  • 78:40 - 78:44
    In jail, I tried not to have
    negative feelings towards nobody.
  • 78:44 - 78:47
    It's not like I wanted to get out
    and go shoot somebody up.
  • 78:47 - 78:53
    People said, "You softened up."
    Ain't nothing soft. Nothing changed.
  • 78:54 - 78:58
    If anything, my mentality was like,
    "Trust nobody.
  • 78:58 - 79:02
    "Trust nobody."
  • 79:03 - 79:08
    It's not like I'm untouchable.
    I could be killed as soon as I get out.
  • 79:08 - 79:10
    I just thought,
    "I already took five bullets,
  • 79:10 - 79:14
    "and if I can help it,
    I don't plan on taking more."
  • 79:16 - 79:20
    Rapper, actor and convict, Tupac
    Shakur, walked out of jail last week,
  • 79:20 - 79:24
    bailed out to the tune of $1.4 million by
    Suge Knight of Death Row Records,
  • 79:24 - 79:26
    which signed Shakur to a deal.
  • 79:26 - 79:29
    My closest friends did me in.
    My closest friends, my homeys.
  • 79:29 - 79:32
    I took care of their whole family,
    took care of everything,
  • 79:32 - 79:35
    Iooked out for them, put them
    in the game, turned on me.
  • 79:38 - 79:41
    So I just thought, "How could I make
    them sorry they ever did this to me?
  • 79:41 - 79:47
    "How can I come back, like,
    50 times stronger and better?"
  • 79:50 - 79:54
    Fear is stronger than love. Remember
    that. Fear is stronger than love.
  • 79:54 - 79:58
    The love I gave meant nothing
    when it came to fear.
  • 79:58 - 80:02
    No question, sign with Death Row.
  • 80:11 - 80:13
    Suddenly, I was out on bail,
    pending appeal.
  • 80:13 - 80:16
    If I win my appeal, which,
    if God wills, I will,
  • 80:16 - 80:19
    I would've done 11 months
    for nothing.
  • 80:27 - 80:31
    You see that, judge? I didn't curse.
    Probation people, I didn't curse.
  • 80:31 - 80:33
    Give me my props. Let me stay free.
  • 80:33 - 80:38
    I was relieved, happy to be home.
  • 80:39 - 80:42
    I wanted to drive up
    and down Sunset
  • 80:42 - 80:47
    because I love L.A. with a passion.
    I love Sunset, everything about L.A.
  • 80:47 - 80:50
    Can I get tatted up real quick?
    I want a crown here.
  • 80:50 - 80:52
    You know, the energy, that's L.A.
  • 80:52 - 80:54
    - Hello?
    - I'm saying,
  • 80:54 - 80:57
    we on Venice Beach. It's what you do.
    I've been in jail 11 months, Tabitha.
  • 80:57 - 81:00
    You're supposed to put "I love you".
  • 81:00 - 81:02
    You got to let me get a look
    at something.
  • 81:02 - 81:05
    It's a trip when last week
    you were in a cell,
  • 81:05 - 81:08
    and then, next week, I'm up at Monty's
    with Cristal champagne
  • 81:08 - 81:13
    and filet mignon and lobster
    and shrimps.
  • 81:13 - 81:18
    Everybody went, "Let me take you out.
    You're home? Let me take you to this!"
  • 81:18 - 81:23
    We was all up in Roscoe's.
    I even celebrated at El Pollo Loco
  • 81:23 - 81:27
    because I was dreaming about
    El Pollo Loco the whole time.
  • 81:27 - 81:31
    Then I went straight to the studio.
  • 81:31 - 81:34
    And I did 24 tracks in
    less than two weeks.
  • 81:34 - 81:37
    You can mix it later and have niggas
    that love being in the studio
  • 81:37 - 81:41
    just add the drumbeat and shit. You
    can do that after the rappers leave.
  • 81:41 - 81:43
    That's when it's fresh.
  • 81:43 - 81:47
    Get that beat popping, throw them
    niggas on the track, put it down.
  • 81:47 - 81:50
    Everybody will listen, be like,
    "This is the hook."
  • 81:50 - 81:52
    We'll go lay the hook.
    That's the song.
  • 81:52 - 81:56
    Plus, I had so much to say,
    I figured this was the best way to vent,
  • 81:56 - 81:58
    instead of paying some
    psychotherapist $50 million.
  • 81:58 - 82:01
    I went in the studio. It was cheaper.
  • 82:01 - 82:05
    Here we go! California, get up!
  • 82:08 - 82:10
    Out on bail, fresh out of jail
    California dreaming
  • 82:10 - 82:13
    Soon as I step on the scene
    I'm hearing hoochies screaming
  • 82:13 - 82:16
    Fiending for money and alcohol
    The life of the West Side player
  • 82:16 - 82:18
    Where cowards die
    And the strong ball
  • 82:18 - 82:20
    Only in Cali, where we riot, not rally
    To live and die
  • 82:20 - 82:23
    In L.A., we wear Chucks, not Ballies
  • 82:23 - 82:25
    Dressed in Locs and khaki suits
    And ride is what we do
  • 82:25 - 82:28
    Flossin' but have caution
    We collide with other crews
  • 82:28 - 82:32
    You gotta realize one thing:
    Tupac is Death Row.
  • 82:32 - 82:35
    I feel I have more than just
    a business relationship with him.
  • 82:35 - 82:37
    He can be like a brother, a friend.
  • 82:37 - 82:42
    I like everyone on the record company.
    I like Suge, Snoop and Dre.
  • 82:42 - 82:44
    I hang out with them anyway,
    now it's official.
  • 82:44 - 82:47
    This is Tupac and Dr. Dre,
    and this is the Week in Rock!
  • 82:47 - 82:51
    - Week in Rock, baby!
    - Week in Rock, baby!
  • 82:51 - 82:54
    I came out, I was like,
    "Dre, I want some beats right now."
  • 82:54 - 82:57
    He's like, "I'm working on
    'California Love'."
  • 82:57 - 82:59
    I said, "You know you owe me this.
  • 82:59 - 83:01
    "I'm new on Death Row,
    fresh out of jail.
  • 83:01 - 83:04
    "You ain't gonna be finishing
    your album soon."
  • 83:04 - 83:08
    I love collaborating with creative people
    that's as talented as 'Pac.
  • 83:08 - 83:11
    He got right in and wrote his lyrics
    while he was behind the mike
  • 83:11 - 83:13
    and dropped it, and it's funky.
  • 83:13 - 83:15
    Say what you say
    But give me that bomb beat from Dre
  • 83:15 - 83:18
    Let me serenade the streets of L.A.
  • 83:18 - 83:22
    Me coming to Death Row,
    for another reason was Snoop.
  • 83:22 - 83:24
    Please welcome
    America's Most Wanted,
  • 83:24 - 83:27
    Snoop Doggy Dogg and Tupac.
  • 83:27 - 83:29
    The man got so much style.
  • 83:29 - 83:32
    Ya'll know we down with this
    rock thing, nine-six flavor, Death Row.
  • 83:32 - 83:36
    But who knew it would last,
    this West Side staff?
  • 83:36 - 83:40
    Yep, yep, yep. This is me and Snoop,
    "2 of Amerikaz Most Wanted",
  • 83:40 - 83:42
    the bomb track. It's the first single.
  • 83:42 - 83:45
    It's gonna be like the anthem
    of West Coast rap.
  • 83:45 - 83:48
    This is gonna shake the whole
    music scene, guaranteed.
  • 83:48 - 83:53
    Ain't nothing but a gangsta party
  • 83:53 - 83:57
    Oh, shit
    You done fucked up now
  • 83:57 - 83:59
    You done put two of
    America's Most Wanted
  • 83:59 - 84:03
    In the same motherfucking place
    At the same motherfucking time
  • 84:04 - 84:08
    Y'all niggas about to feel this
    Break out the champagne glasses
  • 84:08 - 84:10
    Picture perfect
    I paint a perfect picture
  • 84:10 - 84:12
    Bomb the hoochies with precision
    My intention's to get richer
  • 84:12 - 84:15
    With the S-N-double-O-P Dogg
    My fucking homey
  • 84:15 - 84:17
    You's a cold-ass nigga
    On them hogs
  • 84:17 - 84:19
    I keep my hand on my gun
    'Cause they got me on the run
  • 84:19 - 84:21
    Now I'm back in the courtroom
    Waiting on the outcome
  • 84:21 - 84:25
    Me and Snoop represent the nucleus
    of the entire ghetto.
  • 84:25 - 84:29
    Snoop represents the more calm,
    all legit, by the book,
  • 84:29 - 84:31
    no waves,
    let's get our business handled.
  • 84:31 - 84:33
    You're doing your job every day
  • 84:33 - 84:35
    And then you work so hard
    Till your hair turn gray
  • 84:35 - 84:37
    Let me tell you about life
    And about the way it is
  • 84:37 - 84:40
    You see, we live by the gun
    So we die by the gun's kids
  • 84:40 - 84:42
    Tell me not to roll with my Glock
    So now I gotta throw away
  • 84:42 - 84:45
    Floating in a black Benz
    And trying to do a show a day
  • 84:45 - 84:50
    I represent the hard-core, no-holds-
    barred, no-prisoners, relentless thug.
  • 84:50 - 84:54
    They wonder how I live with five shots
    Niggas is hard to kill on my block
  • 84:54 - 84:56
    Schemes for currency
    And dough-related
  • 84:56 - 84:59
    Affiliated with the hustlers
    And so we made it
  • 84:59 - 85:02
    We both represent
    both sides of the game.
  • 85:02 - 85:06
    The calm one and the relentless one.
  • 85:06 - 85:09
    My nigga, Dogg, with me
    Eternally the most wanted
  • 85:09 - 85:11
    Here's my commercial for Death Row.
  • 85:11 - 85:14
    If you come to Death Row,
    you will see
  • 85:14 - 85:19
    your art brought to a bigger plateau,
    and you will be paid one of these days.
  • 85:19 - 85:21
    Death Row. Count with me.
    Count with me.
  • 85:21 - 85:23
    This is for my homeboys in jail.
  • 85:23 - 85:25
    These are 100s.
    And they ain't counterfeit.
  • 85:25 - 85:29
    If I said it was the money,
    the struggle continues.
  • 85:29 - 85:33
    I got money, but I have to pay
    everybody even more money.
  • 85:33 - 85:35
    I owe money to Death Row.
  • 85:35 - 85:42
    So it's not just, "Oh, he's paid.
    He's living large." It's not like that.
  • 85:43 - 85:47
    People wanna sue you,
    and I have to settle for this and that
  • 85:47 - 85:49
    when I know I didn't do anything,
    just because it's like:
  • 85:49 - 85:54
    "I don't wanna go to court another
    eight months." Makes you work harder.
  • 85:59 - 86:02
    Next year, Death Row is gonna
    print our own money.
  • 86:02 - 86:04
    We make so much,
    we need to start printing our own.
  • 86:04 - 86:07
    It's gonna be me and Suge
    on the $100 bill.
  • 86:07 - 86:10
    Me, Suge and Damu gonna be
    on the $100 bill.
  • 86:10 - 86:12
    I felt I'm getting pimped.
  • 86:12 - 86:14
    This is the $100 bill
    on Death Row money, here.
  • 86:14 - 86:19
    But you have to come up, start from
    the bottom and work up to the top.
  • 86:19 - 86:23
    Ladies and gentlemen,
    please welcome acclaimed rap artist
  • 86:23 - 86:26
    and Grammy nominee, Tupac.
  • 86:30 - 86:33
    People fail to realize
    this is not just play. I work.
  • 86:33 - 86:35
    Run! Scatter, scatter!
  • 86:35 - 86:38
    Drag K off the stage.
    Y'all come on, man.
  • 86:38 - 86:41
    Do it for real, man. One, two, three.
  • 86:41 - 86:45
    When it's time to get down
    and do my business, I'm going to.
  • 86:45 - 86:47
    I can't get no blood on the set?
  • 86:47 - 86:48
    Shit.
  • 86:53 - 86:57
    I believe I'm more responsible,
    more mature and more focused.
  • 86:57 - 87:01
    You don't say you need me
  • 87:01 - 87:05
    You don't sing me love songs
  • 87:05 - 87:11
    Y'all don't bring us flowers anymore
  • 87:14 - 87:16
    When I was in jail, I couldn't
    remember why I was rapping.
  • 87:16 - 87:21
    But I was away from it so long, I said,
    "I really like going to the studio.
  • 87:21 - 87:23
    "I really like creating."
  • 87:23 - 87:25
    Living held down
    My game plan, to be trained
  • 87:25 - 87:27
    And military mind of a thug lord
  • 87:27 - 87:30
    I like music, and I like acting.
    I like doing it.
  • 87:30 - 87:35
    She's a super freak, super freak
    She's super-freaky
  • 87:38 - 87:41
    I can be me. I can be whoever
    because I'm true to me.
  • 87:41 - 87:43
    The reason I sell six million records,
  • 87:43 - 87:46
    the reason I can go to jail
    and come out without a scratch,
  • 87:47 - 87:52
    the reason I am who I am is because I
    can look into my face and find my soul.
  • 87:52 - 87:54
    It's there. I didn't sell it.
  • 87:54 - 87:55
    So lash out and get a glass
  • 87:55 - 87:58
    Done finally got his own drink
    Call it the best
  • 87:58 - 88:00
    Introducing a special brew
    Made for a chosen few
  • 88:00 - 88:04
    I'm thugged out
    While Snoop Dogg's sipping blue
  • 88:04 - 88:08
    I thought, "I'm a superpower.
    Death Row is a superpower.
  • 88:08 - 88:12
    "Let's combine superpowers and ally."
  • 88:15 - 88:19
    Damu! My dog's going crazy,
    ready to kill a few people.
  • 88:19 - 88:21
    - Yeah. Yeah.
    - He wanna kill.
  • 88:21 - 88:23
    I love my artists.
  • 88:23 - 88:26
    I don't consider my people artists.
    I consider them family.
  • 88:26 - 88:30
    It's just a big difference, if they
    decided to turn in rapping or singing,
  • 88:30 - 88:33
    they'd still be my homeboys.
    We'd still travel together.
  • 88:33 - 88:35
    If they needed something,
    what's mine will still be theirs.
  • 88:35 - 88:40
    It's no situation where I'm dealing
    with them strictly for business,
  • 88:40 - 88:42
    because they're good.
    It's not like that.
  • 88:42 - 88:44
    You've gotta have more respect
    for your people.
  • 88:44 - 88:47
    Plus we've got a Death Row East
    going on.
  • 88:47 - 88:50
    - I'm sure you heard about that.
    - Tell me about that.
  • 88:50 - 88:52
    Hold on. Damu! Damu, sit!
  • 89:04 - 89:09
    But Death Row has a reputation
    for having a thug-like mentality.
  • 89:09 - 89:13
    Won't that get you in trouble?
  • 89:13 - 89:16
    Death Row has a bigger reputation
    for success than anything else.
  • 89:16 - 89:19
    The reason for all of the fear
    involves the world of this man,
  • 89:19 - 89:21
    the man getting out of the limousine.
  • 89:21 - 89:26
    Six-foot-three, 335-pound
    Marion Knight,
  • 89:26 - 89:29
    known by the nickname of "Suge",
    short for "Sugar".
  • 89:29 - 89:32
    It's an efficient camp over here,
  • 89:32 - 89:36
    professional, business-oriented.
    I like that.
  • 89:36 - 89:39
    At the age of only 30,
    and with a lengthy criminal record,
  • 89:39 - 89:42
    including three felony convictions,
  • 89:42 - 89:45
    Suge Knight has managed
    to become the head
  • 89:45 - 89:47
    of a $100 million record company
  • 89:47 - 89:51
    and one of the most powerful
    and feared men in the music industry.
  • 89:51 - 89:54
    The controversy
    over Death Row Records
  • 89:54 - 89:59
    and its owner
    being sort of a gangster.
  • 89:59 - 90:01
    Everybody's asking about Death Row.
  • 90:01 - 90:03
    - Suge ain't no gangsta. He's chilling.
    - No?
  • 90:03 - 90:07
    No, man, Suge a rider.
  • 90:07 - 90:10
    I know what good morals are,
    but you're supposed to disregard
  • 90:10 - 90:13
    good morals when you're
    living in a crazy, bad world.
  • 90:13 - 90:15
    If you're in hell,
    how can you live like an angel?
  • 90:15 - 90:18
    You're surrounded by devils,
    trying to be an angel?
  • 90:18 - 90:21
    That's like suicide.
  • 90:21 - 90:24
    I'd like to tell Tupac to keep
    his guards up. We're with him.
  • 90:24 - 90:25
    One other thing I'd like to say,
  • 90:25 - 90:27
    any artist out there
    that want to be an artist
  • 90:27 - 90:31
    and wants to stay a star
    and don't wanna have to worry
  • 90:31 - 90:34
    about the executive producer
    trying to be all in the videos,
  • 90:34 - 90:39
    all on the records, dancing,
    come to Death Row.
  • 90:40 - 90:44
    When I got out of jail, the West Coast-
    East Coast shit was really starting.
  • 90:44 - 90:47
    Wait, the East Coast don't love
    Dr. Dre and Snoop Dogg?
  • 90:49 - 90:51
    The East Coast
    ain't got no love for Dr. Dre
  • 90:51 - 90:54
    and Snoop Dogg and Death Row?
  • 90:54 - 90:57
    West Coast was Death Row.
    The East Coast was Bad Boy.
  • 90:57 - 90:59
    Check this out.
  • 90:59 - 91:02
    I'm the executive producer that
    a comment was made about earlier.
  • 91:02 - 91:07
    Everybody thought it was a war,
    a war for record sales and attention.
  • 91:10 - 91:12
    But to me it was personal.
  • 91:12 - 91:15
    I love the East Coast.
    I'm from the East Coast.
  • 91:15 - 91:19
    But I felt like Puffy and Biggie wanted
    to dirty up everything I worked for.
  • 91:19 - 91:22
    So it made me come back
    more relentless.
  • 91:22 - 91:24
    I'm mad at Biggie. I'm rushing
    the nigga. What's the problem?
  • 91:24 - 91:27
    Yo, Piggie, man,
    we got it going on, baby.
  • 91:27 - 91:30
    It's on and cracking, man.
    He's gone, baby. You the man.
  • 91:30 - 91:33
    So I directed videos.
  • 91:33 - 91:37
    'Pac, you alive? I mean, you safe?
    Man, I'm so happy you're free.
  • 91:37 - 91:42
    Yeah? Happy to see you,
    lying piece of shit.
  • 91:42 - 91:45
    'Pac, please don't kill me.
    It was Buff's idea.
  • 91:45 - 91:47
    - No, man.
    - I'm just a rapper.
  • 91:47 - 91:49
    Please don't take me out of the game.
  • 91:49 - 91:52
    I ain't going to kill you.
    We was homeboys once, Pig.
  • 91:52 - 91:55
    Once we homeboys,
    we always homeboys,
  • 91:55 - 91:57
    even if you is a fat phony.
  • 91:57 - 92:00
    And I did a song
    with Faith, Biggie's wife.
  • 92:00 - 92:04
    Faith's my homegirl. I just want
    to send a shout-out to Faith. Hey, girl.
  • 92:04 - 92:07
    Then I did "Hit 'Em Up".
  • 92:07 - 92:10
    That's why I fucked your bitch,
    You fat motherfucker
  • 92:10 - 92:12
    Which is a classic battle record.
  • 92:12 - 92:14
    First off, fuck your bitch
    And the clique you claim
  • 92:14 - 92:17
    West Side, when we ride
    Come equipped with game
  • 92:17 - 92:19
    You claim to be a player
    But I fucked your wife
  • 92:19 - 92:21
    We bust on Bad Boys
    Niggas fucked for life
  • 92:21 - 92:23
    I'm a self-made millionaire
  • 92:23 - 92:26
    Thug living out of prison
    Pistols in the air
  • 92:26 - 92:29
    Biggie, remember when I used
    To let you sleep on the couch
  • 92:29 - 92:31
    And beg a bitch
    To let you sleep in the house
  • 92:31 - 92:34
    - Now it's all about Versace
    - You copied my style
  • 92:34 - 92:36
    - Five shots couldn't drop me
    - I took it and smiled
  • 92:36 - 92:38
    Now I'm about set the record straight
  • 92:38 - 92:40
    With my AK, I'm still the thug
    That you love to hate
  • 92:42 - 92:44
    Grab your Glocks
    When you see Tupac
  • 92:44 - 92:46
    Call the cops when you see Tupac
  • 92:46 - 92:49
    Who shot me?
    But you punks didn't finish that
  • 92:49 - 92:50
    You're about to feel
    The wrath of a menace
  • 92:52 - 92:55
    Everything happened
    so fast at that point.
  • 92:56 - 92:58
    I was looking at things,
    the East Coast-West Coast thing,
  • 92:58 - 93:00
    it just got out of control.
  • 93:00 - 93:02
    Dudes was getting killed,
    and I felt responsible.
  • 93:02 - 93:05
    But I couldn't stop it.
  • 93:05 - 93:07
    We ain't mad at the whole New York,
    just certain people.
  • 93:07 - 93:11
    I got this project coming out along with
    some brothers called One Nation.
  • 93:11 - 93:14
    It's like an East Coast-West Coast
    collaboration
  • 93:14 - 93:16
    to kill this whole new vibe.
  • 93:16 - 93:18
    Everybody want it to be a war
  • 93:18 - 93:20
    between the East Coast
    and West Coast.
  • 93:20 - 93:22
    It's really a problem
    with two rappers.
  • 93:22 - 93:24
    The East Coast-West Coast thing
    is something journalists
  • 93:24 - 93:27
    are making up to get paid off,
    so it can drag out
  • 93:27 - 93:29
    and everybody can have albums. They
    perpetuate this, so it can be drama.
  • 93:29 - 93:33
    When it go down,
    don't look at me and Biggie
  • 93:33 - 93:35
    and be like, "Why is there a big
    East Coast/West Coast war?"
  • 93:35 - 93:39
    When you're shooting this
    to 3,300 homes, 300 countries,
  • 93:39 - 93:41
    telling them about a war
    that they would never know exists.
  • 93:41 - 93:44
    That's where information
    becomes a problem.
  • 93:44 - 93:46
    We both need
    to exercise greater restraint.
  • 93:48 - 93:54
    Damn, sometimes life gets
    messed up.
  • 93:58 - 94:03
    When I was on Death Row,
    I was successful but not happy.
  • 94:03 - 94:07
    Tupac, your life has been marred
    by considerable pain.
  • 94:07 - 94:10
    Do you think you'll get to the point
    where you can live a normal life?
  • 94:10 - 94:12
    No. But, I...
  • 94:14 - 94:17
    I'm going for it. I'm trying for it,
    and until then
  • 94:17 - 94:21
    I have to make the life that I do live
    as happy as I can
  • 94:21 - 94:24
    and try to do the best
    with what I have.
  • 94:24 - 94:27
    Live the best life I can live,
    be as happy as I can be.
  • 94:27 - 94:31
    Nothing is perfect for anybody,
    I don't think.
  • 94:31 - 94:35
    I felt trapped.
  • 94:35 - 94:36
    They say, "You made your bed,
    lay in it"?
  • 94:36 - 94:38
    I tried to move.
    I can't move to no other bed.
  • 94:38 - 94:42
    I felt I can't live a different lifestyle.
  • 94:42 - 94:44
    This the life they gave me,
    this the life I made.
  • 94:44 - 94:48
    I felt I can't change, not for the courts,
    not for the parole board,
  • 94:48 - 94:50
    not for nobody. This is it.
  • 94:50 - 94:54
    I also felt like something was gonna
    happen to me because I'm paranoid.
  • 94:54 - 94:57
    And I put it in my videos.
  • 95:02 - 95:05
    That nigga ain't want none.
    I been drinking. Where he at?
  • 95:05 - 95:07
    No, no, no, where he at?
  • 95:07 - 95:09
    Yo, watch out.
  • 95:15 - 95:18
    It was a prophecy.
  • 95:25 - 95:28
    I had a prophecy about my death.
  • 95:28 - 95:33
    That's why I go in the studio and do
    three songs a day, get things ready.
  • 95:33 - 95:35
    We don't have time or the luxury
  • 95:35 - 95:38
    to spend all of this time
    doing one song. We don't have it.
  • 95:38 - 95:40
    If I die, it can happen.
  • 95:40 - 95:44
    If anything were to happen to me,
    that album's ready to go.
  • 95:44 - 95:46
    So it's all good.
  • 95:46 - 95:48
    I felt as if the only thing
    that can kill me is death,
  • 95:48 - 95:48
    and even then my music
    will live forever.
  • 96:46 - 96:50
    At approximately 9:00 p.m.,
    security cameras at the MGM Grand
  • 96:50 - 96:53
    captured Tupac, Suge Knight and
    members of the Death Row entourage
  • 96:53 - 96:56
    beating an alleged South Side Crip,
    Orlando Anderson.
  • 96:56 - 96:59
    Tupac, Suge and others jumped
    Anderson, punching and kicking him.
  • 96:59 - 97:04
    Terrified bystanders scattered
    as the group streamed into the casino
  • 97:04 - 97:05
    then out into the street.
  • 97:36 - 97:39
    Whoa.
  • 97:41 - 97:44
    Just after the Mike Tyson fight,
  • 97:44 - 97:47
    Shakur, with record company
    executive, Suge Knight,
  • 97:47 - 97:49
    headed for a club.
    While stopping at this intersection
  • 97:49 - 97:53
    a car with four people pulled up
    and fired on Shakur and Knight.
  • 97:53 - 97:55
    Shakur was shot
    several times in the chest.
  • 97:55 - 97:58
    The driver, his record producer,
    was grazed in the head.
  • 97:58 - 98:01
    He's returned to intensive care
    after another surgery,
  • 98:01 - 98:03
    still in critical condition.
  • 98:03 - 98:06
    All week long fans of Tupac
    have gathered outside the hospital.
  • 98:06 - 98:08
    He's undergone two operations.
  • 98:08 - 98:10
    His right lung was removed.
    He's intermittently conscious.
  • 98:10 - 98:13
    Jesse Jackson's been here.
    Family is keeping vigil.
  • 98:13 - 98:16
    Despite reports that his wounds
    were not life-threatening,
  • 98:16 - 98:20
    people at the hospital continue to tell
    us he is in very serious condition.
  • 98:22 - 98:29
    At 4:03 this afternoon,
    Tupac Shakur was pronounced dead.
  • 98:34 - 98:37
    Who shot me?
    Shit, I don't know.
  • 98:37 - 98:42
    Sorry.
  • 98:42 - 98:45
    My death, it's a tragedy
    like Shakespeare, I guess.
  • 98:45 - 98:48
    But I have no bad feelings.
    I have love for everybody.
  • 98:48 - 98:52
    Please welcome the mothers
    of Biggie Smalls and Tupac Shakur,
  • 98:52 - 99:03
    Afeni Shakur and Voletta Wallace.
  • 99:14 - 99:17
    Coming to grips
    with my past, it was hard.
  • 99:17 - 99:20
    I don't feel what I did was evil.
    I feel like the way I was living
  • 99:20 - 99:27
    and my mentality was a part
    of my progression to be a man.
  • 99:29 - 99:31
    But we grow. We all grow.
    We're made to grow.
  • 99:31 - 99:35
    You either evolve,
    or you disappear.
  • 99:35 - 99:37
    I don't want to be forgotten.
  • 99:37 - 99:40
    I'll always be a troublemaker
    to some people.
  • 99:40 - 99:45
    But I still get love
    from my community.
  • 99:52 - 99:57
    I owe them everything. That's why
    I owe everything to the 'hood.
  • 99:57 - 99:59
    I've got love there.
  • 99:59 - 100:03
    I've got love from thugs
    and the street dudes.
  • 100:03 - 100:06
    And that focuses me back
    on what I should be doing,
  • 100:06 - 100:12
    lay out the real mat
    on the world and how it is.
  • 100:13 - 100:16
    The message is,
    young black males could do anything
  • 100:16 - 100:19
    if you just give us a shot,
    stop trying to beat us down.
  • 100:19 - 100:26
    And to my homeboys, we need
    to be in control of ourselves.
  • 100:26 - 100:29
    I'm not saying I'll change the world,
    but I guarantee I'll spark
  • 100:29 - 100:33
    the brain that will change the world.
  • 100:36 - 100:39
    So keep your head up.
  • 100:39 - 100:43
    Do what you've gotta do.
  • 100:43 - 100:48
    And then inside of you,
    I'll be reborn.
Title:
Tupac Resurrection - In His Own Words (Full Movie)
Description:

Tupac: Resurrection is an American documentary directed by Lauren Lazin released in 2003, produced by MTV Films and Amaru Entertainment. It chronicles the life and untimely death of rapper Tupac Amaru Shakur.
Original release date: 2003
Director: Lauren Lazin, Producer: Karolyn Ali
Production Companies: Paramount Pictures, Music Television, MTV Films
Edited by www.pac-side.com
Soundtrack: Tupac Shakur
Actors: Tupac Shakur, Eminem, Marlon Wayans

more » « less
Video Language:
English
Duration:
01:48:23

English subtitles

Incomplete

Revisions