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The Vow (Full Movie)

  • 0:57 - 1:00
    Wow, it was barely
    an inch when we went in.
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    It's so beautiful.
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    It's good,
    it's good, it's good.
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    I can't feel my fingers.
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    Thank you.
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    ♪... do anything for love
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    You do not like this song.
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    ♪ I would do anything for love
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    ♪ I would do anything for love
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    You have to turn it off.
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    ♪ But I won't do that
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    ♪ Oh, no, I won't... ♪
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    I'm married to a cheeser!
    Please, stop!
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    You love it.
    Say you love it. Stop! Ow!
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    Stop it!
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    You love that song.
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    Oh, Leo.
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    Hey, I have this theory.
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    Mmm-hmm.
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    That a girl's guaranteed to get
    preggers if she does it in a car.
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    What?
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    Mmm-hmm.
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    I have a theory, too.
    My theory is about moments.
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    Moments of impact.
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    My theory is that
    these moments of impact,
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    these flashes of high intensity
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    that completely turn
    our lives upside down,
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    actually end up
    defining who we are.
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    Thanks.
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    Next in line.
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    One of my absolute
    favorite moments.
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    Oh!
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    You forgot your permit.
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    Yeah. Well, I just sort of come
    here to enjoy the two-hour line.
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    The permit's sort of a bonus.
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    The Art Institute.
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    You work there?
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    No, I'm a student.
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    I'm Paige.
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    I'm sorry. I'm Leo.
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    Well, thank you for this, Leo.
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    You know what, I noticed, in a
    totally non-threatening way,
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    we have the same RPP zone.
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    Is that right?
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    Yup.
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    Hmm.
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    You have impressive
    powers of observation.
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    Yes.
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    What's an RPP zone?
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    Residential
    permit parking zone.
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    Oh.
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    That sounds intimate.
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    Yeah.
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    Okay.
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    What I was thinking is that...
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    I think we owe it
    to ourselves, really,
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    to maybe get a drink,
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    out of respect for our
    zone compatibility and all.
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    Okay.
    Okay?
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    Mmm-hmm.
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    All right, okay.
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    After you.
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    Pick a hand. Pick a hand.
    Pick a hand.
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    That one.
    Here we go.
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    Mmm.
    Mmm.
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    This is good.
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    ♪ Of the water's waves
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    ♪ Still I know you're
    in the darkness shining
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    ♪ When the sun
    starts coming through
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    ♪ Or when the cardinal
    chides the moon
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    Let me know if you
    need anything else.
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    ♪ I believe in energies
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    ♪ That no one has to see
    for us to prove
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    ♪ I believe in you and me
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    ♪ And everything
    we'll ever see and do
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    Oh.
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    Oh.
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    Mmm.
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    ♪ Specks of gold
    in the river running
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    ♪ From the deep moonlight
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    ♪ When the sun
    starts coming through
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    ♪ Or when the cardinal
    chides the moon
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    ♪ That no one has to see
    for us to prove
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    ♪ The rain pours down
    in a million rivers ♪
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    Did you just fart?
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    No.
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    Oh.
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    Maybe a little.
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    That is so twisted.
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    But totally romantic.
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    God, I'm so in love
    with you, it's insane.
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    As you know,
    your wife's CTscan
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    showed
    intracranial hemorrhaging.
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    We purposely keep patients
    with traumatic brain injuries
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    in a comatose state in order
    to calm their systems
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    and allow the brain time to heal
    itself while the swelling subsides.
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    And then we slowly
    wean them off it. Now...
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    The thing is, each one
    of us is the sum total of
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    every moment that
    we've ever experienced,
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    with all the people
    we've ever known.
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    And it's these moments
    that become our history.
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    Like our own personal greatest
    hits of memories that we play
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    and replay in our minds
    over and over again.
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    Aren't you hungry?
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    Hey.
    Hi.
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    What you doing?
    Nothing.
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    Really?
    No.
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    What's that?
    Nothing.
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    Oh, nothing?
    Food's ready.
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    Look, if you keep
    feeding that fleabag,
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    it's gonna keep coming
    back and I'm allergic.
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    Like you claim to be
    allergic to cilantro?
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    I can't stand cilantro.
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    Exactly.
    But you're not allergic.
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    Does anybody want strawberries I
    bought at the farmers' market?
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    Buying groceries, bad sign.
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    What?
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    And we all know
    what that means.
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    I like her.
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    She's like our mascot.
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    Thanks, I think.
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    I would rather have her than that
    ferret you tried to make us adopt.
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    And she makes great coffee.
    Let's keep her.
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    Thank you.
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    - Have some.
    - Thank you.
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    "Movie"? I think you
    spelled "movie" wrong.
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    No.
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    Told you.
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    Yes.
    Mmm-hmm.
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    I vow to help you love life,
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    to always hold you
    with tenderness,
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    and to have the patience
    that love demands.
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    To speak when words are needed
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    and to share the silence
    when they're not.
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    To agree to disagree
    on red velvet cake.
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    And to live within
    the warmth of your heart
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    and always call it home.
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    Wow, you set the bar
    kind of high.
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    Did you write
    your vows on a menu?
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    Yeah. Why?
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    I vow to fiercely love you
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    in all your forms,
    now and forever.
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    I promise to never forget that
    this is a once-in-a-lifetime love.
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    And to always know in the
    deepest part of my soul
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    that no matter what challenges
    might carry us apart,
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    that we'll always find the
    way back to each other.
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    Do you take each other
    as spouses forever?
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    I do.
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    I do.
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    Then by the power vested in me
    by the State of Illinois, I...
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    Security.
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    I now pronounce you man and
    wife and best friends for life.
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    Kiss! Run!
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    ♪ You had to run
    for the weekend
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    ♪ And you had nowhere to be
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    ♪ You had enough of the sorrow
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    ♪ And it was all on TV
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    ♪ You blew a kiss
    to a goodbye and
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    ♪ That's how you met me
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    ♪ Oh, it's ours
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    ♪ Oh, it's ours
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    ♪ Oh, it's ours
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    ♪ Oh, it's ours ♪
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    I have one piece.
    One piece.
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    It's...
    It's not happening.
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    I don't...
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    Oh, my God.
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    You're gonna be fine.
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    Oh, my God. I'm gonna
    have to call them.
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    I'm gonna have to call them
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    and tell them
    that I can't do it.
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    Come to bed with me.
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    Come on. I know you wanna
    come to bed with me.
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    Don't!
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    Oh, no, please, no.
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    Stop it!
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    Okay, okay, okay.
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    I think this one's
    coming along fine.
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    I mean,
    I know it's not finished,
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    but I'm already starting
    to see a mood.
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    It's got like a darkening
    curtain thing happening there,
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    and then a competing
    light element, there.
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    Mmm-hmm.
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    It's abstract, but,
    I mean, I don't know,
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    I kind of think
    it's already powerful.
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    What?
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    You totally love me.
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    Yeah, I do.
    Yeah.
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    I know because
    this is my piece,
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    and that's the scrap pile,
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    which I'm now saving.
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    Hmm.
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    A moment of total physical,
    mental, and every other kind of love.
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    Don't crowd her.
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    She's gonna be a little groggy,
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    so let's just
    give her some space.
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    Hey.
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    It's so good to see you.
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    Paige?
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    It's okay.
    You're in the hospital.
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    You were in a car accident.
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    You hit your head,
    but you're okay.
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    We just kept you asleep
    for a little while.
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    How do you feel?
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    My head hurts.
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    Yeah, well,
    that's perfectly normal.
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    I'll get you
    something for that.
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    Was anyone else hurt, Doctor?
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    Uh...
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    Paige,
    you know who I am, right?
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    Yeah. You're my doctor.
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    Um...
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    I'm your husband.
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    Paige?
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    Mr. Collins?
    You said things were very good.
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    A brain injury isn't like a
    broken bone or a laceration.
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    Brains are
    much less predictable.
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    Sometimes, due to the way the swelling
    tissue presses against the skull,
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    it can cause some impairment.
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    Some impairment?
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    She doesn't remember me.
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    Even though she's awake,
    the swelling
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    can cause confusion
    or memory loss,
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    erratic mood swings.
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    What?
    But that's normal.
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    So, that's my theory.
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    That these moments of impact
    define who we are.
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    But what I never considered
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    was what if, one day, you could
    no longer remember any of them?
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    Hi.
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    What are you up to?
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    Sleeping.
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    Right.
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    I brought you some clothes.
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    Thank you.
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    I'm kind of hungry.
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    Okay.
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    Come on.
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    So, I just wanted to verify a
    few things with you about me,
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    about us.
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    Great.
    So, we're married?
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    Yes.
    Yeah.
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    And I have weird hair.
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    I think that's
    taking a narrow view.
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    You said it takes
    too long to straighten
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    and you'd rather use that
    time to work in your studio.
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    My studio?
    Why do I have a studio?
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    You're an artist.
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    Sculptor.
    A really good one.
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    Right now, you're
    working on four pieces
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    for the Tribune Tower lobby,
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    which is huge.
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    Everyone in town
    wanted that commission.
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    But your show at the MCA's
    12 x 12 was amazing,
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    so you won it.
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    What about my law degree?
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    I don't have a law degree?
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    I think you were
  • 19:01 - 19:02
    a few credits shy.
  • 19:04 - 19:06
    Last time I wanted
    to be an artist,
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    I was in high school.
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    I think you need to
    look at it like a win.
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    Traumatic brain injury is a win?
    You're an idiot.
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    If she doesn't
    remember who you are,
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    then she doesn't remember all
    the stupid shit you ever did.
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    You can start over,
    wipe the slate clean.
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    I'm just worried if
    she doesn't remember you,
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    how's she going to remember
    she's in love with you? What?
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    I was frankly a little stunned
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    she went for you
    the first time.
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    If anything, you've
    become less attractive.
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    You guys are
    a great support system.
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    Seriously, though.
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    What if she doesn't
    remember me?
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    Then what?
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    She's gonna remember you.
  • 19:49 - 19:50
    She's gonna remember all of us.
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    We're her family.
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    Yeah, you're right.
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    Excuse me. I'm looking
    for my wife, Paige Collins.
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    She was right
    over here yesterday.
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    Well, it looks like they moved
    her up to the VIP floor.
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    That sounds expensive.
    It's a donor's wing.
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    Just go down here
    and take the elevator
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    to the second floor
    and make a right.
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    Okay. Thanks.
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    Paige, your long-term
    memory recall is intact
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    and I'm very optimistic the rest of your
    memory is going to improve with time.
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    Mr. Collins,
    I'm so glad you're here.
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    This is bizarre.
    I'm Leo, Paige's husband.
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    Do you know how disconcerting
    it was to hear second-hand
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    that my daughter had been
    in the ICU for weeks
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    and we hadn't been told?
  • 21:04 - 21:05
    You should have called us.
  • 21:05 - 21:06
    I'm sorry.
  • 21:08 - 21:10
    You've never met my parents?
  • 21:10 - 21:12
    I don't understand.
    Why haven't you met him?
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    So, Doctor, now what
    is the next step?
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    The sooner she settles
    back into her life,
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    her normal routine, the better.
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    Starting in a week or so,
    I'm gonna recommend
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    that Paige see
    a neural psychologist.
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    - Okay.
    - Whatever she needs.
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    Therapy, specialists,
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    I'll make sure
    she gets the best.
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    You'll come home where I
    can take care of you.
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    Mom can make up
    your old room,
  • 21:31 - 21:33
    and I can take
    some time off work.
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    I don't mean to
    be disrespectful,
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    'cause we really
    appreciate that,
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    but you just heard
    Paige's doctor say
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    that she needs to go back
    to her normal routine.
  • 21:43 - 21:45
    Her life with me is
    her normal routine.
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    Yes, but that's a life
    she doesn't remember.
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    She will.
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    That's what her doctor
    just got through saying.
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    No. What she said was that
    maybe Paige will remember.
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    Now, why not
    let her come home
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    and recover with
    people that she knows?
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    And loves?
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    We're only trying to
    do the best for Paige.
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    That's interesting, 'cause you
    haven't even asked her once.
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    Well, no, but...
    What I really need is for everyone
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    to just stop bickering!
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    Listen, none of this
    needs to be decided right now.
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    No. Sorry.
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    I think you should
    all head home, get some rest.
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    I'm sure everyone could use it.
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    How is it that
    you're my husband
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    and you've never met my family?
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    You haven't spoken
    to them in years.
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    Why would I ever stop
    speaking to my family?
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    It all went down before we met.
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    And we never talked about it?
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    No, we did.
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    So?
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    For starters, you wanted
    to move into the city
  • 22:40 - 22:41
    and go to the Art Institute.
  • 22:42 - 22:45
    And your father insisted
    that you stay in law school.
  • 22:46 - 22:47
    He had some pretty strict views
  • 22:47 - 22:48
    on what you ought to be doing.
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    Things just
    spiraled from there.
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    Okay. Look, what I remember
    is being in law school
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    and being engaged to Jeremy.
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    I... I don't know.
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    Paige.
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    Okay, babe, babe, just, just...
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    The best thing to do
    at this point
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    is to go back
    to your life with me.
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    You heard what the doctor said.
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    It's the best thing
    for your recovery.
  • 23:27 - 23:29
    Okay, but I don't know you.
  • 23:30 - 23:32
    And I'm just supposed
    to get in your car
  • 23:32 - 23:34
    and go and live at your place?
  • 23:34 - 23:35
    It's our place.
  • 23:35 - 23:37
    Without any proof of us
    even being in love?
  • 23:37 - 23:38
    Other than our marriage?
  • 23:38 - 23:40
    People get married for all
    kinds of different reasons.
  • 23:41 - 23:42
    Okay. Like?
  • 23:42 - 23:43
    Like for a green card.
  • 23:44 - 23:46
    I'm from Cincinnati.
  • 23:48 - 23:49
    Did I keep a journal?
  • 23:51 - 23:53
    No, not that I know of.
  • 24:08 - 24:10
    I guess this is
    all he could find.
  • 24:11 - 24:14
    Oh, well.
    It looks fine, honey.
  • 24:14 - 24:16
    I mean, we're
    just going home, so...
  • 24:16 - 24:17
    It's horrible...
    Paige?
  • 24:18 - 24:20
    I understand you're
    finally leaving us.
  • 24:20 - 24:23
    Oh, yes, that's
    what they tell me.
  • 24:25 - 24:28
    So, no driving until
    I give you the say-so.
  • 24:29 - 24:31
    But other than that, I'm gonna
    see you in four to six weeks.
  • 24:32 - 24:33
    All right?
    Thank you so much.
  • 24:33 - 24:35
    - Thank you, Doctor, for everything.
    - Thank you, Doctor.
  • 24:35 - 24:37
    Okay.
    You ready? Let's go.
  • 24:37 - 24:39
    Wait, hold on.
    I got a voicemail.
  • 24:39 - 24:41
    It's from before the accident.
  • 24:42 - 24:44
    You said you wanted evidence.
  • 24:44 - 24:47
    Okay, yeah.
    Well, let's have a listen.
  • 24:48 - 24:50
    Hey, baby.
  • 24:51 - 24:53
    Ugh. I'm sorry,
    I'm still at my studio.
  • 24:53 - 24:57
    I miss you so bad my
    sculptures are starting to look like you.
  • 24:57 - 25:00
    So, what are you doing later?
  • 25:00 - 25:03
    I kind of need some Leo time,
    if you know what I mean.
  • 25:05 - 25:08
    Yeah. Anyway, call me back.
  • 25:08 - 25:10
    Love you.
  • 25:14 - 25:17
    I don't know, I guess
    in listening back to it,
  • 25:18 - 25:19
    it doesn't
    exactly prove anything.
  • 25:19 - 25:21
    No, no, it's...
  • 25:21 - 25:26
    It's cute.
    I mean, I sound happy.
  • 25:28 - 25:30
    Okay, look.
    Think about it.
  • 25:31 - 25:33
    You quit law school,
    you broke off your engagement
  • 25:33 - 25:35
    and you moved into the city.
  • 25:35 - 25:37
    Those were all
    choices that you made,
  • 25:37 - 25:40
    way before you even met me.
  • 25:40 - 25:42
    I think that
    you owe it to yourself
  • 25:42 - 25:46
    to honor those decisions,
    at least for right now.
  • 25:48 - 25:50
    This is a mistake, Paige.
  • 25:50 - 25:53
    I promise that
    I will take care of her.
  • 25:54 - 25:57
    Please, come home with me.
    Come home with me.
  • 25:58 - 25:59
    We'll figure this out together.
  • 26:06 - 26:08
    I guess I could just try it out
  • 26:10 - 26:12
    to see if it would
    help my memory and...
  • 26:12 - 26:13
    Mmm-hmm.
  • 26:14 - 26:17
    I could always come home
    if I change my mind.
  • 26:18 - 26:20
    I married him. It must
    have been for some reason.
  • 26:21 - 26:23
    A guarded endorsement.
  • 26:23 - 26:24
    But I will take it.
  • 26:35 - 26:37
    I look like a freak.
  • 26:38 - 26:40
    I think you look great.
  • 26:46 - 26:47
    Where do we live?
  • 26:48 - 26:49
    On the north side.
  • 26:53 - 26:55
    Who's the president?
  • 26:55 - 26:57
    Of the country?
    Yeah.
  • 26:58 - 26:59
    Obama.
  • 27:00 - 27:02
    The senator?
  • 27:03 - 27:05
    Yeah. You voted for him.
  • 27:06 - 27:07
    I did?
  • 27:20 - 27:21
    Welcome home.
  • 27:24 - 27:26
    After you.
  • 27:32 - 27:33
    Surprise!
  • 27:37 - 27:38
    Uh...
  • 27:39 - 27:41
    It's good to see you.
  • 27:41 - 27:42
    We were there every day
    at the hospital,
  • 27:42 - 27:44
    but Leo didn't want us
    to overwhelm you.
  • 27:44 - 27:46
    Yeah. They were.
    Every day.
  • 27:46 - 27:47
    We really missed you.
  • 27:48 - 27:51
    I gather we're close?
  • 27:52 - 27:56
    I'm Sonia. And this
    is my boyfriend Kyle.
  • 27:56 - 27:57
    Hey, Paige.
  • 27:57 - 27:58
    And this is Jim.
  • 27:59 - 28:00
    You look great, Paige.
  • 28:00 - 28:02
    And Lily.
  • 28:02 - 28:04
    Hey. What, were you, like,
    working out at the hospital?
  • 28:05 - 28:07
    - Hey, Paige.
    - And Josh.
  • 28:07 - 28:10
    I... Sorry, I... Excuse me.
  • 28:16 - 28:18
    Thank you all for coming.
    I'm sorry it ended early.
  • 28:18 - 28:20
    It's all right.
    Take care, Leo.
  • 28:50 - 28:51
    Are you okay?
  • 28:52 - 28:53
    What do you think?
  • 28:54 - 28:57
    I know. It's a lot to take in.
  • 28:58 - 28:59
    No.
  • 28:59 - 29:03
    A lot to take in
    would've been coming home,
  • 29:04 - 29:08
    to a strange apartment,
    with a man I don't know.
  • 29:09 - 29:11
    That would be a lot to take in.
  • 29:12 - 29:14
    But coming home to all of that,
  • 29:14 - 29:16
    plus a house full of people
  • 29:16 - 29:20
    pulling on me, and hugging
    me, and crying in my face,
  • 29:20 - 29:23
    and talking about more shit
    that I don't remember,
  • 29:23 - 29:26
    that's not a lot to take in,
    that's total bullshit.
  • 29:27 - 29:28
    You're right.
  • 29:28 - 29:30
    It was only supposed
    to be a few people.
  • 29:31 - 29:33
    Will you please just get out?
  • 29:37 - 29:40
    Paige, I'm sorry.
  • 29:41 - 29:43
    Are you honestly not
    gonna leave me alone?
  • 29:43 - 29:45
    I'm sorry.
    I'm sorry.
  • 29:46 - 29:48
    Of course.
  • 29:53 - 29:54
    I'm sorry.
  • 30:41 - 30:42
    Oh.
  • 30:42 - 30:45
    Oh, my God.
    Oh, my mother's gonna kill me.
  • 31:04 - 31:06
    Good morning.
    Good morning.
  • 31:07 - 31:10
    What?
    You didn't knock!
  • 31:10 - 31:12
    It's habit. I'm sorry.
  • 31:13 - 31:15
    It's not like you haven't
    seen it before. Come on.
  • 31:19 - 31:22
    This is not funny.
    You should knock.
  • 31:22 - 31:23
    I'm sorry.
  • 31:40 - 31:41
    You look nice.
  • 31:41 - 31:42
    Really?
  • 31:44 - 31:48
    This is about the only piece of my
    clothing I feel comfortable in.
  • 31:48 - 31:50
    That's mine, actually.
  • 31:51 - 31:52
    Oh.
  • 31:52 - 31:54
    No, it's fine.
  • 32:02 - 32:03
    What?
    Huh?
  • 32:04 - 32:06
    You're looking at me like I'm
    some kind of zoo animal.
  • 32:08 - 32:09
    Sorry, I don't know.
    I'm just trying
  • 32:09 - 32:11
    to figure this out,
    too, I guess.
  • 32:16 - 32:18
    You normally do all this?
  • 32:19 - 32:21
    This is my apology
    for last night.
  • 32:21 - 32:24
    That was such a bonehead move.
    I just wasn't thinking.
  • 32:24 - 32:26
    No, please.
    I'm sorry. I...
  • 32:28 - 32:30
    I don't want you to
    worry about me, okay?
  • 32:30 - 32:33
    Just go about your
    normal routine and...
  • 32:35 - 32:37
    Do you work?
    Do you have a job?
  • 32:39 - 32:41
    Yeah. Well, that's
    if I'm still in business.
  • 32:43 - 32:45
    I own a recording studio.
  • 32:46 - 32:47
    Hmm. Cool.
  • 32:52 - 32:56
    So, what is my routine?
    What do I do all day?
  • 32:57 - 32:58
    Well...
  • 33:00 - 33:02
    You usually get up
    and make coffee.
  • 33:02 - 33:04
    All right. No, no, no.
    I got it, I got it, I got it.
  • 33:04 - 33:07
    I did it this morning, I think.
  • 33:08 - 33:12
    And then you... Oh, no, don't.
    That one's for me.
  • 33:12 - 33:13
    You don't eat meat.
  • 33:15 - 33:16
    Oh.
  • 33:19 - 33:22
    Then you check e-mails
    and pay bills.
  • 33:23 - 33:24
    Okay.
  • 33:24 - 33:27
    Which I'm betting that you don't
    remember any of the passwords
  • 33:28 - 33:30
    or account numbers, huh?
    Mmm-mmm.
  • 33:30 - 33:31
    So, I guess I'll do that.
  • 33:31 - 33:32
    Okay.
  • 33:33 - 33:36
    And then you go down
    to your studio.
  • 33:36 - 33:38
    I could take you down there,
    show you what you're working on.
  • 33:39 - 33:41
    You know what? We don't have to
    rehash everything right now.
  • 33:42 - 33:43
    I mean, just...
  • 33:43 - 33:46
    You go to work, and we can make
  • 33:46 - 33:48
    flashcards later, or something.
  • 33:50 - 33:51
    Are you sure?
  • 33:51 - 33:53
    Yeah. Yeah, I'm fine.
  • 33:54 - 33:57
    Okay. Well, your, look...
  • 33:58 - 34:00
    You got keys, phone here.
  • 34:01 - 34:04
    If you need me, all my
    numbers are on there.
  • 34:04 - 34:06
    Okay.
    Okay.
  • 34:10 - 34:11
    All right.
    Yup.
  • 34:13 - 34:14
    Have a good day.
  • 34:37 - 34:39
    What's up, Lil?
    Hey.
  • 34:39 - 34:40
    Fill me in.
  • 34:40 - 34:42
    That guy, Pointy Shoes?
    He's a really bad kisser.
  • 34:43 - 34:44
    I don't think I'm gonna
    keep him in rotation.
  • 34:45 - 34:47
    Okay.
  • 34:47 - 34:50
    Honestly, though,
    it's actually been hell.
  • 34:50 - 34:53
    Yesterday, we were
    somehow double-booked.
  • 34:53 - 34:55
    Too many clients,
    that's a high-class problem.
  • 34:55 - 34:57
    Yeah, but with only one studio,
  • 34:57 - 34:59
    it's pretty impossible
    to take on both gigs.
  • 34:59 - 35:02
    Right? So, Dune Advertising
    weren't flexible
  • 35:02 - 35:03
    and they rebooked
    over at Soundspace.
  • 35:03 - 35:06
    Wait? What? Come on.
    That's a big account.
  • 35:08 - 35:09
    They should always
    be prioritized.
  • 35:09 - 35:10
    You know that.
  • 35:10 - 35:11
    Yeah. Look...
  • 35:13 - 35:17
    I can't run the sessions and
    handle account services, right?
  • 35:17 - 35:18
    This isn't
    a one-woman operation.
  • 35:18 - 35:20
    It's not like
    I flaked or something.
  • 35:20 - 35:23
    I know, I get it.
    I'm not mad.
  • 35:23 - 35:25
    I'm just... I'm just
    saying shit's slipping.
  • 35:26 - 35:28
    Well, I'm here now.
  • 35:32 - 35:33
    How's she doing?
  • 35:33 - 35:34
    She's getting there.
  • 35:36 - 35:37
    She's...
  • 35:38 - 35:39
    Look, thanks.
  • 35:40 - 35:41
    It'll be fine.
  • 35:43 - 35:45
    Okay. Good.
  • 35:47 - 35:50
    So, you'll be
    at the 3:30 pitch?
  • 35:50 - 35:51
    Of course.
  • 35:51 - 35:55
    I'm going to head home, then
    change, and check on Paige,
  • 35:55 - 35:57
    but I'll be there.
    Okay.
  • 36:10 - 36:13
    I vow to help you love life,
  • 36:14 - 36:17
    to always hold you
    with tenderness,
  • 36:17 - 36:20
    and to have the patience
    that love demands.
  • 36:20 - 36:22
    To speak when words are needed
  • 36:22 - 36:25
    and to share the silence
    when they're not.
  • 36:25 - 36:29
    To agree to disagree
    on red velvet cake.
  • 36:30 - 36:32
    And to live within
    the warmth of your heart
  • 36:32 - 36:34
    and always call it home.
  • 36:34 - 36:36
    Did you write
    your vows on a menu?
  • 36:39 - 36:40
    Weird.
  • 36:40 - 36:42
    I vow
    to fiercely love you
  • 36:43 - 36:46
    in all your forms,
    now and forever.
  • 36:47 - 36:51
    I promise to never forget that
    this is a once-in-a-lifetime love.
  • 36:52 - 36:55
    And to always know in the
    deepest part of my soul,
  • 36:55 - 36:58
    no matter what challenges
    might carry us apart,
  • 36:58 - 37:02
    that we'll always find the
    way back to each other.
  • 37:16 - 37:17
    - Oh, hi.
    - Hi.
  • 37:20 - 37:22
    Could I have a...
  • 37:22 - 37:24
    One of these?
  • 37:24 - 37:25
    You don't want the usual?
  • 37:26 - 37:28
    I have a usual?
  • 37:29 - 37:31
    That would be perfect.
    I'll have the usual.
  • 37:33 - 37:34
    All right.
  • 37:34 - 37:35
    Here you go.
  • 37:36 - 37:38
    Thank you.
  • 37:40 - 37:42
    Thanks.
  • 37:50 - 37:53
    ♪ You know you can't keep
    letting it get you down
  • 37:53 - 37:57
    ♪ And you can't keep dragging
    that dead weight around
  • 37:59 - 38:00
    Paige?
  • 38:02 - 38:05
    ♪ If there ain't
    all that much to lug around
  • 38:05 - 38:08
    ♪ Better run like hell
    when you hit the ground
  • 38:13 - 38:15
    ♪ When the morning comes
  • 38:19 - 38:21
    ♪ When the morning comes
  • 38:24 - 38:26
    Can I help you?
  • 38:28 - 38:29
    Could I borrow your phone?
  • 38:31 - 38:32
    Hello?
  • 38:32 - 38:34
    Hey, Lil.
    No, I know it's 3:30.
  • 38:35 - 38:38
    Look, I can't. I can't.
    I gotta find Paige.
  • 38:38 - 38:40
    No, no. I don't know.
    Make it up.
  • 38:43 - 38:45
    I'm sorry. I didn't
    know who else to call.
  • 38:45 - 38:47
    Get in, sweetheart.
    Get in.
  • 38:48 - 38:49
    Oh, sweetie.
  • 38:52 - 38:54
    You all right?
    Yeah.
  • 38:59 - 39:01
    ♪ When the morning comes ♪
  • 39:04 - 39:06
    Hey.
    Hey.
  • 39:07 - 39:10
    Where you been?
    I was starting to get a little worried.
  • 39:10 - 39:11
    Thought something
    might've happened to you.
  • 39:12 - 39:14
    Sorry.
    I was lost, physically.
  • 39:15 - 39:17
    Mentally, I guess, as well.
  • 39:17 - 39:19
    Well, you should've called me.
  • 39:19 - 39:21
    Yeah, I forgot the phone
  • 39:21 - 39:23
    and I don't know
    your number by heart,
  • 39:23 - 39:24
    so I called my mom
  • 39:24 - 39:27
    and we made a day of it,
    which was great.
  • 39:28 - 39:30
    She invited us
    for dinner tonight.
  • 39:32 - 39:33
    Dinner? Okay.
  • 39:36 - 39:38
    You don't have to go.
  • 39:38 - 39:40
    Well, you're not allowed to
    drive, so I do have to go.
  • 39:40 - 39:42
    But that's not the point.
  • 39:46 - 39:48
    You know, maybe I'm gonna
    wake up tomorrow
  • 39:49 - 39:50
    and remember everything,
  • 39:50 - 39:53
    but right now they're the
    only thing I'm sure about.
  • 39:58 - 39:59
    Okay.
  • 40:00 - 40:01
    We'll go.
  • 40:03 - 40:04
    Okay.
  • 40:06 - 40:07
    Okay.
  • 40:07 - 40:08
    Are you gonna change?
  • 40:09 - 40:11
    Mmm. Mmm-hmm.
  • 40:11 - 40:13
    Changing.
  • 40:15 - 40:18
    It's just a left up here
    at the Caldwells',
  • 40:18 - 40:19
    and then a right
    at the cul-de-sac,
  • 40:19 - 40:21
    and we're six houses
    in on the right.
  • 40:21 - 40:24
    Oh, the Prestleys got
    a new mailbox. So cute.
  • 40:26 - 40:28
    You know, this arrangement
    doesn't exactly say,
  • 40:28 - 40:30
    "I'm sorry that
    we haven't spoken,
  • 40:30 - 40:31
    "but now that
    I have a brain injury,
  • 40:31 - 40:33
    "maybe you can
    overlook it."
  • 40:33 - 40:35
    You're right.
  • 40:35 - 40:38
    We should've got them
    forget-me-nots.
  • 40:38 - 40:40
    That's funny.
  • 40:42 - 40:44
    Actually, that is funny.
  • 40:45 - 40:47
    So, well, you've
    already met my parents,
  • 40:47 - 40:51
    but my dad will say to call him
    Bill, but he prefers Mr. Thornton.
  • 40:51 - 40:52
    And my sister's name is...
  • 40:52 - 40:54
    Gwen.
  • 40:54 - 40:57
    I know a lot about
    your family, Paige.
  • 40:57 - 40:58
    Right. Yeah.
  • 40:58 - 41:01
    We're married.
    You know?
  • 41:04 - 41:07
    Oh, my God, you're engaged!
    I know.
  • 41:08 - 41:10
    Wow.
  • 41:10 - 41:12
    You guys make a really cute couple.
    Oh, thanks, Paige.
  • 41:13 - 41:14
    Wow.
  • 41:16 - 41:18
    It has been forever.
  • 41:18 - 41:19
    Has it?
  • 41:19 - 41:20
    Yeah.
  • 41:21 - 41:24
    The weird thing is that everyone
    looks a little bit older.
  • 41:24 - 41:26
    Really? Yeah.
    You, especially.
  • 41:26 - 41:28
    Oh, I'm... I'm so happy
    to have you back.
  • 41:28 - 41:30
    Voilá.
  • 41:30 - 41:34
    In honor of Paige being home,
    I made your favorite dinner.
  • 41:34 - 41:36
    Filet mignon.
  • 41:38 - 41:39
    Oh, please. Please.
    Sit down.
  • 41:43 - 41:47
    Before we start, I think this
    evening deserves a toast.
  • 41:47 - 41:48
    Darling?
  • 41:48 - 41:51
    Well, I... I would like
    to drink to my family.
  • 41:52 - 41:57
    I am so fortunate to have these
    three beautiful women in my life
  • 41:58 - 42:02
    and, when we're all together,
    that fortune just multiplies.
  • 42:02 - 42:04
    Paige, honey, welcome home.
  • 42:05 - 42:06
    To family.
  • 42:06 - 42:08
    To family.
  • 42:10 - 42:13
    So, Leo,
    what about your family?
  • 42:14 - 42:15
    Do you see them often?
  • 42:15 - 42:16
    No.
  • 42:16 - 42:18
    Oh, that's a shame.
  • 42:18 - 42:20
    Both my parents are dead.
  • 42:21 - 42:22
    It's just Paige.
  • 42:24 - 42:25
    She's my family now.
  • 42:29 - 42:32
    And what kind of
    work do you do, Leo?
  • 42:32 - 42:35
    I just opened up my own
    recording studio downtown.
  • 42:35 - 42:39
    Paige actually convinced me
    to turn it into a business.
  • 42:41 - 42:42
    I did?
  • 42:42 - 42:43
    Yeah.
  • 42:45 - 42:48
    Isn't that sort
    of a dying field?
  • 42:49 - 42:52
    No, I just mean,
    can't people record things
  • 42:52 - 42:53
    on their computers at home
  • 42:53 - 42:55
    and they sound just as good?
    Ryan.
  • 42:55 - 42:56
    What?
  • 42:56 - 42:58
    Look, the records that I like,
  • 42:58 - 43:01
    they have life
    and warmth and soul.
  • 43:02 - 43:06
    Like the slapback on Scotty
    Moore's guitar on Mystery Train.
  • 43:06 - 43:09
    Look, you're not gonna get
    that in your computer.
  • 43:09 - 43:11
    You're gonna want a live room,
    you're gonna want to bounce to tape.
  • 43:11 - 43:15
    You're gonna want real musicians in
    a room, vibing off of each other.
  • 43:15 - 43:17
    You...
  • 43:17 - 43:20
    I guess, to answer your question,
    it may be a dying field
  • 43:20 - 43:24
    and you can record
    high-quality stuff at home.
  • 43:26 - 43:27
    But, I mean, come on,
  • 43:27 - 43:30
    you can't get the Sun
    Sessions on your laptop.
  • 43:34 - 43:35
    Wow.
  • 43:37 - 43:38
    Wow.
  • 43:38 - 43:40
    Wow.
    Wow.
  • 43:46 - 43:48
    I heard everyone is
    gonna be here tonight.
  • 43:48 - 43:50
    This kind of thing might be a
    little too much for Paige.
  • 43:50 - 43:52
    Oh, no,
    I'm good here, actually.
  • 43:55 - 43:57
    Isn't that Diane Chain?
  • 43:58 - 44:01
    Yeah, we don't really
    hang out anymore.
  • 44:01 - 44:04
    God, you have been
    away a long time.
  • 44:04 - 44:05
    Oh, my God!
  • 44:08 - 44:10
    Good luck, man.
  • 44:10 - 44:12
    Hi.
    Hi!
  • 44:13 - 44:16
    Sorry. Leo, these are my
    friends from high school.
  • 44:16 - 44:18
    This is Shana, Carrie, Lizbet.
  • 44:18 - 44:19
    Hi.
  • 44:19 - 44:22
    What about me?
    I don't get an introduction?
  • 44:26 - 44:27
    Hi.
  • 44:27 - 44:28
    Hi.
  • 44:32 - 44:33
    Sorry, this is...
  • 44:34 - 44:35
    Jeremy.
  • 44:35 - 44:37
    It's been a long time.
  • 44:38 - 44:39
    Has it?
  • 44:40 - 44:43
    It doesn't seem like it.
    You haven't changed a bit.
  • 44:43 - 44:46
    I'm not sure if she
    mentioned it. I'm Leo.
  • 44:46 - 44:48
    Hi.
    Paige's husband.
  • 44:48 - 44:51
    Right.
    I'm gonna grab a drink.
  • 44:51 - 44:52
    You guys want anything?
  • 44:52 - 44:53
    Disaronno sour?
  • 44:53 - 44:55
    I'll have a blueberry mojito.
  • 44:55 - 44:56
    Really?
  • 44:56 - 44:58
    Yes, I remember.
  • 45:02 - 45:03
    Oh, my God, Paige.
  • 45:03 - 45:05
    Do you remember when we
    were in the ninth grade,
  • 45:05 - 45:06
    and we were getting ready
    for the Christmas dance,
  • 45:06 - 45:08
    we were curling your hair...
  • 45:08 - 45:10
    We ended up
    burning off half your hair.
  • 45:10 - 45:12
    I totally remember that!
  • 45:12 - 45:15
    And didn't I wind up having
    to wear a beret to the dance?
  • 45:15 - 45:16
    No, no, no,
    that was the...
  • 45:22 - 45:24
    It was like she was
    some sweater-set wearing,
  • 45:25 - 45:27
    mojito-drinking
    sorority girl.
  • 45:27 - 45:29
    Like a Stepford wife?
  • 45:29 - 45:31
    Yeah, basically.
  • 45:31 - 45:33
    She was even flirting with
    Jeremy right in front of me.
  • 45:33 - 45:34
    Ex-fiancé Jeremy?
  • 45:34 - 45:36
    No, no. No.
  • 45:36 - 45:39
    In her mind,
    it's current fiancé Jeremy.
  • 45:39 - 45:42
    Which is why it was
    probably pretty annoying
  • 45:42 - 45:45
    to have her stranger husband
    cock-block her all night.
  • 45:46 - 45:49
    That is a lot to
    get my mind around.
  • 45:50 - 45:52
    So, what turns her on?
  • 45:53 - 45:54
    Paige?
  • 45:54 - 45:55
    No, her mother.
  • 45:55 - 45:57
    Yes, Paige.
  • 45:58 - 45:59
    Like, in bed?
  • 45:59 - 46:01
    Oh, my God, Leo.
  • 46:01 - 46:02
    What?
    It's private. It's...
  • 46:02 - 46:04
    I don't know.
  • 46:04 - 46:06
    It's... It's kind of a
    between-me-and-her kind of thing.
  • 46:06 - 46:08
    Hey, I'm not gonna judge.
  • 46:10 - 46:12
    She likes being tickled.
  • 46:13 - 46:14
    Seriously?
  • 46:14 - 46:16
    Wow. Thought you
    weren't gonna judge.
  • 46:16 - 46:18
    I'm not. I'm just... I...
  • 46:18 - 46:19
    I don't care if
    you're into kink.
  • 46:19 - 46:21
    It's not like that.
  • 46:21 - 46:24
    It just breaks her down
    when she's stuck in her head.
  • 46:24 - 46:26
    Okay.
    You should give that a shot.
  • 46:27 - 46:28
    Seriously?
  • 46:28 - 46:29
    Yeah. What do
    you have to lose?
  • 46:47 - 46:48
    Hey, Lisa.
    Hey.
  • 46:49 - 46:50
    Paige?
  • 46:50 - 46:53
    Because I've been dealing with these
    people forever and I know they have...
  • 46:57 - 46:59
    Something important
    just popped up.
  • 47:00 - 47:02
    I'm gonna call you
    right back. Okay.
  • 47:05 - 47:07
    Hi.
    Hi.
  • 47:07 - 47:09
    Please.
  • 47:16 - 47:20
    So, you remember
    that time at the lake,
  • 47:21 - 47:24
    when you told me you'd always
    have my back, no matter what?
  • 47:24 - 47:25
    The night in the boathouse.
  • 47:25 - 47:27
    Mmm-hmm. Yeah.
  • 47:27 - 47:28
    Yeah.
  • 47:29 - 47:32
    So, can you please tell me
    what went down with us?
  • 47:33 - 47:35
    Only you, Paige,
    can dump a guy,
  • 47:35 - 47:37
    then come back
    and demand answers.
  • 47:40 - 47:41
    So I dumped you?
  • 47:41 - 47:45
    A cruel, hard,
    pre-wedding dumping.
  • 47:47 - 47:48
    Why?
  • 47:49 - 47:52
    Well, that's a question
    that I and all of my friends
  • 47:52 - 47:54
    and the two rebound girls,
  • 47:54 - 47:56
    yeah, we'd all
    love an answer to.
  • 47:56 - 47:57
    Come on, seriously.
  • 47:57 - 47:59
    I must have had
    some kind of reason.
  • 47:59 - 48:01
    You...
  • 48:02 - 48:03
    You... You changed.
  • 48:04 - 48:08
    You talked differently,
    you dressed differently.
  • 48:09 - 48:11
    You weren't sure
    about law school anymore.
  • 48:13 - 48:15
    And you definitely weren't
    sure about me anymore.
  • 48:17 - 48:19
    Did I give you your ring back?
  • 48:19 - 48:20
    Yeah, you did.
  • 48:22 - 48:24
    Who has that now?
  • 48:24 - 48:25
    No one yet.
  • 48:27 - 48:28
    But I've been with Rose.
  • 48:29 - 48:30
    You remember?
    From Gwen's class.
  • 48:30 - 48:33
    I've been with Rose
    for about a year now.
  • 48:36 - 48:38
    I couldn't wait forever, Paige.
  • 48:38 - 48:41
    You couldn't have anticipated
  • 48:41 - 48:45
    that I'd have a brain trauma
    and forget our break-up
  • 48:45 - 48:47
    and come waltzing
    into your office
  • 48:47 - 48:49
    demanding answers?
  • 48:49 - 48:50
    What's wrong with you?
  • 48:53 - 48:55
    I'm sorry. I'm gonna
    let you go back to work.
  • 48:55 - 48:57
    Sure.
  • 49:11 - 49:13
    Sorry.
    I'm sorry.
  • 49:13 - 49:15
    I was not expecting that.
  • 49:15 - 49:17
    Habit, I guess.
  • 49:20 - 49:25
    I honestly didn't even know where I
    was headed until I found myself here.
  • 49:25 - 49:27
    It just seems
    so ridiculous to me
  • 49:27 - 49:31
    that I shut everyone out
    for five years.
  • 49:35 - 49:37
    It just doesn't feel right.
  • 49:52 - 49:53
    Hey.
  • 49:54 - 49:56
    Hey.
    How was your day?
  • 49:56 - 49:58
    Uh...
  • 49:58 - 50:00
    It was fine.
  • 50:02 - 50:04
    I'm just happy to
    be home with you.
  • 50:06 - 50:09
    Sorry about the mess here.
  • 50:09 - 50:11
    No problem.
  • 50:11 - 50:13
    What, are you collaging?
  • 50:13 - 50:14
    Do I collage?
  • 50:15 - 50:17
    No, not that I remember.
  • 50:19 - 50:22
    No, you know,
    I was just so inspired
  • 50:22 - 50:24
    just seeing
    everybody last night.
  • 50:24 - 50:25
    To collage?
  • 50:25 - 50:28
    All those memories just
    came flooding back to me,
  • 50:28 - 50:31
    so I thought I'd make a
    timeline, you know, of my life.
  • 50:32 - 50:35
    That's... That's great.
    That's a great idea.
  • 50:36 - 50:37
    Yeah.
  • 50:37 - 50:41
    I kind of rummaged through some of your stuff.
    I hope you don't mind.
  • 50:42 - 50:45
    It's fine. It's fine.
    What's mine is yours.
  • 50:45 - 50:47
    I even have a certificate from the
    State of Illinois to prove it.
  • 50:47 - 50:50
    Yes, I found that.
    It's in the lost years.
  • 50:51 - 50:53
    See, I started over here.
  • 50:53 - 50:56
    I found some family photos, me when
    I was little, stuff like that.
  • 50:56 - 50:58
    That was easy to put
    into chronological order
  • 50:58 - 50:59
    because I remember that stuff.
  • 50:59 - 51:01
    That's good, right?
  • 51:01 - 51:02
    Yeah, yeah. I guess so.
  • 51:02 - 51:04
    But what I've been trying to do
  • 51:04 - 51:06
    is pinpoint
    the last memory I had
  • 51:07 - 51:09
    before everything
    just went blank.
  • 51:10 - 51:12
    How's that going?
  • 51:12 - 51:14
    I think I was
    at the Macaroni Grill,
  • 51:14 - 51:18
    and I was asking them if they had
    those special toasted ravioli.
  • 51:18 - 51:20
    And I don't
    remember the answer.
  • 51:20 - 51:23
    That's it, that's all,
    that's my last memory
  • 51:23 - 51:25
    before I woke up in a hospital.
  • 51:25 - 51:30
    Oh, no. How are we ever gonna
    know if they had toasted ravioli?
  • 51:36 - 51:38
    God, this is not happening.
  • 51:38 - 51:39
    It's okay.
  • 51:39 - 51:40
    This is not happening.
  • 51:40 - 51:43
    Okay? No, no, no, no,
    please don't do that.
  • 51:47 - 51:49
    Come on.
    What...
  • 51:49 - 51:51
    What are you doing?
  • 51:52 - 51:54
    I'm sorry.
  • 51:55 - 51:58
    I'm sorry. Was that...
    That was one of our things?
  • 51:59 - 52:01
    Yeah, kind of. It...
    I'm sorry...
  • 52:01 - 52:02
    No. You don't have
    to say it.
  • 52:02 - 52:04
    You don't. I get it.
    It'll all come back.
  • 52:04 - 52:06
    We just have to keep
    doing what we're doing,
  • 52:06 - 52:08
    let you fall back
    into your life.
  • 52:08 - 52:10
    It'll
    all sort itself out.
  • 52:12 - 52:14
    Yeah.
  • 52:20 - 52:20
    About a dozen
    downtown businesses were boarded up...
  • 52:20 - 52:23
    About a dozen
    downtown businesses were boarded up...
  • 52:23 - 52:26
    Glass littered sidewalks,
    following two nights of protests
  • 52:26 - 52:28
    over the police
    shooting of an...
  • 52:28 - 52:29
    Hey.
  • 52:29 - 52:30
    There were few people
    on the street.
  • 52:31 - 52:33
    I think I'm ready
    to see my studio now.
  • 52:33 - 52:34
    Will you show it to me?
  • 52:34 - 52:35
    Yeah.
  • 52:35 - 52:37
    Come on.
  • 52:56 - 52:59
    This is the first studio
    you've ever had to yourself.
  • 53:01 - 53:03
    It's a cool space, huh?
    Wow.
  • 53:09 - 53:12
    You weren't sure you liked
    it at first, though.
  • 53:12 - 53:15
    Until you had this idea
    to burn some smudge stick
  • 53:15 - 53:18
    that you bought from some guy
    on the corner of Diversey.
  • 53:19 - 53:21
    We lit this thing
  • 53:21 - 53:22
    and we started waving it around
  • 53:22 - 53:26
    until we realized that it was
    just some old pieces of lettuce.
  • 53:27 - 53:30
    So, we're waving around burning lettuce.
    I don't know.
  • 53:32 - 53:34
    But it must've done
    the trick, though,
  • 53:34 - 53:37
    'cause after that, I couldn't
    get you out of here.
  • 53:40 - 53:42
    You would come in
    and crank your music,
  • 53:42 - 53:44
    and you'd get lost
    in a project,
  • 53:44 - 53:47
    and I'd have to come and remind
    you that it was night-time.
  • 53:50 - 53:54
    This is one of your pieces
    for the Tribune Tower series.
  • 53:54 - 53:56
    What is it supposed to be?
  • 53:57 - 53:59
    I'm not sure if
    you even knew yet.
  • 54:02 - 54:03
    But come here.
  • 54:04 - 54:05
    I...
  • 54:06 - 54:11
    Here, just help it figure
    out what it wants to be.
  • 54:16 - 54:17
    Okay.
  • 54:18 - 54:19
    I don't...
    I don't really know
  • 54:19 - 54:20
    how to use this thing.
  • 54:20 - 54:23
    Sure you do.
    Wait, hold on.
  • 54:30 - 54:33
    That's better. Come on.
  • 54:33 - 54:34
    Just try it.
    It might be fun.
  • 54:35 - 54:37
    Can you just turn down
    the music, please?
  • 54:37 - 54:39
    I swear you used
    to listen to it
  • 54:39 - 54:40
    so much louder than this.
  • 54:40 - 54:41
    I never could understand
    how you would just
  • 54:41 - 54:42
    be able to focus...
  • 54:42 - 54:45
    I have a clinically bad,
    goddamn headache!
  • 54:45 - 54:47
    Please turn down the music!
  • 54:55 - 54:57
    I'm trying to help you!
  • 55:01 - 55:03
    But I am not your punching bag.
  • 55:05 - 55:08
    We don't speak to
    each other like this.
  • 55:12 - 55:14
    This is hard for me,
    too, Paige.
  • 55:59 - 56:00
    Paige?
  • 56:00 - 56:02
    Yeah?
  • 56:04 - 56:05
    Hey.
    Hey.
  • 56:05 - 56:07
    I passed by that
    little Portuguese bakery
  • 56:07 - 56:09
    that you love on the way home,
  • 56:09 - 56:10
    and I got us some...
  • 56:14 - 56:16
    Is somebody here?
    Yeah.
  • 56:21 - 56:23
    Leo.
    Hey.
  • 56:24 - 56:27
    My sister's just up to her
    eyeballs with this wedding stuff,
  • 56:27 - 56:29
    and we've got the
    engagement party coming up.
  • 56:29 - 56:33
    And we all thought Paige could
    come home and help her out.
  • 56:33 - 56:35
    It just seems like
    the right thing to do,
  • 56:35 - 56:37
    to be there for Gwen.
  • 56:39 - 56:42
    Okay. But what
    about your life here?
  • 56:44 - 56:47
    What about all the work
    that you haven't finished?
  • 56:47 - 56:49
    I talked to the people
    at the Tribune.
  • 56:49 - 56:52
    And they were really understanding
    about the accident,
  • 56:52 - 56:53
    and Dad's gonna
    loan me the money
  • 56:53 - 56:56
    to pay back
    their advance, so...
  • 56:56 - 56:58
    I don't know.
    I just... I can't do it.
  • 56:59 - 57:01
    You just come out
    when you're ready, honey.
  • 57:01 - 57:03
    Okay, thanks, Dad.
  • 57:08 - 57:10
    I'm sorry. It's just
    until after the wedding.
  • 57:11 - 57:13
    I just want you to
    be careful, okay?
  • 57:14 - 57:16
    Well, I'm not joining a cult.
  • 57:16 - 57:17
    I'm just going to
    stay with my family.
  • 57:18 - 57:20
    I know, but...
    But what?
  • 57:25 - 57:28
    Can I at least give you
    an awkward hug?
  • 57:47 - 57:48
    So, how are you feeling?
  • 57:48 - 57:50
    Mmm. I feel fine.
  • 57:50 - 57:53
    Yeah? No dizziness,
    disorientation, sleepiness?
  • 57:53 - 57:55
    Nope.
    Great.
  • 57:55 - 57:58
    Well, I'm very happy, and
    your CT scan looks excellent.
  • 57:58 - 57:59
    Oh.
  • 57:59 - 58:01
    What a relief. Well...
  • 58:01 - 58:04
    So, your memory recall,
    anything?
  • 58:04 - 58:05
    Not really.
  • 58:05 - 58:06
    No, huh?
  • 58:06 - 58:08
    That's not normal, is it?
  • 58:08 - 58:10
    Listen, when it comes to the
    brain, nothing is normal,
  • 58:11 - 58:13
    because no two brain
    injuries are the same.
  • 58:13 - 58:16
    Paige seems
    perfectly herself again.
  • 58:16 - 58:17
    It's wonderful.
  • 58:18 - 58:20
    Mrs. Thornton, could I just talk to
    Paige alone for a moment, please?
  • 58:22 - 58:25
    It's okay, Mom.
    I'm... I'm good.
  • 58:28 - 58:29
    All right.
  • 58:31 - 58:32
    Thanks.
  • 58:39 - 58:42
    Paige, do you want
    to regain your memory?
  • 58:42 - 58:43
    Yes.
  • 58:44 - 58:45
    Because some patients fear
  • 58:45 - 58:46
    that when their memory
    comes back,
  • 58:46 - 58:48
    so will the memory
    of the trauma,
  • 58:48 - 58:49
    but mercifully
    that's rarely the case.
  • 58:49 - 58:51
    Oh, no, that's not it.
    I'm... I'm...
  • 58:51 - 58:53
    I'm not afraid of the accident.
  • 58:54 - 58:56
    So, what are you afraid of?
  • 58:59 - 59:03
    I guess I just...
    I don't know. It's...
  • 59:04 - 59:07
    I mean, what if I don't
    like the life that I had?
  • 59:07 - 59:09
    Or what if I like it too much?
  • 59:09 - 59:10
    I...
  • 59:10 - 59:12
    I just don't know.
  • 59:12 - 59:14
    I only did one psych rotation,
  • 59:14 - 59:16
    so this may be terrible advice.
  • 59:17 - 59:20
    But I think you have to
    try and fill the holes.
  • 59:21 - 59:24
    You can still decide
    you want a different life,
  • 59:24 - 59:26
    but if you don't at least
  • 59:26 - 59:27
    open yourself up
    to remembering,
  • 59:27 - 59:31
    I'm afraid you're gonna live
    in fear of your own past.
  • 59:34 - 59:35
    Hey. I'm here.
  • 59:38 - 59:39
    These guys are?
  • 59:39 - 59:42
    Knife Skillz, with a Z.
  • 59:42 - 59:43
    Right.
  • 59:44 - 59:48
    Okay, Mikey, sounds amazing.
    Let's just go for it.
  • 59:49 - 59:50
    I am going for it.
  • 59:50 - 59:52
    The bass line is one note.
  • 59:52 - 59:53
    Just one note.
  • 59:53 - 59:54
    Okay, cool.
  • 59:55 - 59:56
    Take two.
  • 60:00 - 60:01
    Wow.
  • 60:01 - 60:03
    You look different.
  • 60:03 - 60:06
    Yeah. Going for
    a Kanye kind of thing.
  • 60:06 - 60:08
    I'm gonna say
    more Michael Bublé,
  • 60:08 - 60:09
    but, whatever, it's still good.
  • 60:09 - 60:10
    Hmm.
  • 60:12 - 60:16
    So... I'm gonna be
    in and out for a while.
  • 60:19 - 60:21
    Sounds really good, Mikey.
  • 60:21 - 60:25
    Let's just take it from the top
    or the middle or wherever.
  • 60:26 - 60:30
    You know what?
    People come here to work with you, okay?
  • 60:30 - 60:33
    I mean, I'm doing my best,
    but you gotta be here.
  • 60:33 - 60:34
    I know.
  • 60:35 - 60:38
    But if Paige is in Lake
    Forest with her family,
  • 60:38 - 60:39
    that's where I gotta be.
  • 60:39 - 60:42
    I gotta make my wife
    fall in love with me again.
  • 60:54 - 60:56
    - Oh, you found each other.
    - Hi!
  • 60:56 - 60:58
    Hi.
    Let's see it.
  • 60:58 - 61:00
    It's good to see you.
    All right, take it easy.
  • 61:01 - 61:02
    The countdown's on, man.
    Hey, man.
  • 61:03 - 61:04
    One week left of
    your former life.
  • 61:04 - 61:05
    How you feeling?
  • 61:06 - 61:07
    I feel pretty good, actually.
  • 61:07 - 61:09
    I mean, I do get a little dizzy
  • 61:09 - 61:11
    if I think about it
    for too long, but...
  • 61:11 - 61:12
    What?
  • 61:14 - 61:16
    No, honey, it's like
    a good dizzy. It's like...
  • 61:16 - 61:19
    It's like panic or excitement.
  • 61:21 - 61:24
    Well, panic and excitement
    are different.
  • 61:24 - 61:26
    Honey, there's gonna
    be 400 people there.
  • 61:26 - 61:27
    Right.
  • 61:28 - 61:31
    Hey, do you also have a little
    tingling in your fingers?
  • 61:31 - 61:33
    Yeah. Is that bad?
  • 61:34 - 61:35
    Do you listen to Radiohead?
  • 61:35 - 61:36
    Uh-huh.
  • 61:36 - 61:40
    Thom Yorke, he talks about
    dizzy spells all the time.
  • 61:40 - 61:42
    He says when
    his fingers tingle,
  • 61:42 - 61:46
    that's how he knows that he's
    creating something genius.
  • 61:46 - 61:47
    And then he gets
    so amped up playing
  • 61:47 - 61:49
    that he almost passes out.
  • 61:49 - 61:53
    Ryan, it sounds to me like
    you're on the verge of genius.
  • 61:53 - 61:55
    That's cool, man.
    Cheers.
  • 61:55 - 61:58
    Ooh, Ryan, I have someone
    I want you to meet.
  • 61:58 - 61:59
    Mom, you listen to Radiohead?
  • 61:59 - 62:01
    Yeah. Why wouldn't I?
  • 62:01 - 62:03
    So, is that true?
  • 62:03 - 62:05
    Mmm-hmm.
  • 62:11 - 62:12
    Paige?
  • 62:14 - 62:15
    Hey, Leo.
  • 62:19 - 62:21
    What?
    Your hair.
  • 62:21 - 62:22
    It looks so different.
  • 62:23 - 62:24
    You look beautiful.
  • 62:25 - 62:26
    Thank you.
  • 62:26 - 62:29
    Okay, look, so I've been
    thinking about something.
  • 62:29 - 62:30
    Okay.
  • 62:30 - 62:31
    What's your favorite book?
  • 62:33 - 62:35
    It's probably not
    what you remember.
  • 62:35 - 62:37
    That's fine.
    That's not the point.
  • 62:37 - 62:39
    Okay. The Beach House
    by James Patterson.
  • 62:39 - 62:41
    No, really?
    Yeah.
  • 62:41 - 62:44
    Okay. The Beach House.
  • 62:45 - 62:48
    Okay, if it was great, you probably
    loaned it to somebody, right?
  • 62:48 - 62:50
    Yeah. Gwen, I think.
  • 62:50 - 62:53
    Okay, and you probably
    said to yourself,
  • 62:53 - 62:55
    "God, I wish I was the
    person that hadn't read it,
  • 62:55 - 62:58
    "so that I could experience
    it all over again."
  • 62:58 - 63:00
    Yeah, I guess so.
  • 63:00 - 63:02
    That's how I think
    we should look at this.
  • 63:04 - 63:05
    What?
  • 63:07 - 63:08
    You can't remember how we met.
  • 63:08 - 63:10
    Mmm-hmm.
  • 63:10 - 63:12
    And you can't remember
    how we fell in love.
  • 63:12 - 63:15
    And in a way, yeah, that sucks.
  • 63:15 - 63:19
    But it was
    the greatest time of my life.
  • 63:20 - 63:21
    I just thought
    how cool it would be
  • 63:22 - 63:23
    to get to experience it
    all over again.
  • 63:25 - 63:27
    Like reading your favorite
    book for the first time.
  • 63:27 - 63:29
    Exactly.
    Got you.
  • 63:29 - 63:32
    Which is why I want to
    ask you out on a date.
  • 63:34 - 63:35
    A date?
  • 63:36 - 63:38
    Like two people that are just
    meeting for the first time.
  • 63:39 - 63:40
    Jeremy...
  • 63:41 - 63:43
    Yeah, I'm sorry.
  • 63:43 - 63:46
    Well, I don't know.
    I mean, you know,
  • 63:46 - 63:48
    we've got
    the wedding coming up.
  • 63:48 - 63:49
    But if we go out before then,
  • 63:49 - 63:52
    you might still be able
    to take me as your date.
  • 63:52 - 63:53
    I can't promise anything,
  • 63:53 - 63:56
    but I'll put in
    a good word for you.
  • 63:58 - 63:59
    All right.
  • 63:59 - 64:01
    Yeah?
    A date.
  • 64:11 - 64:14
    So, I have an idea, but it
    involves going into the city.
  • 64:14 - 64:16
    You okay with that?
  • 64:16 - 64:17
    Yeah, that's fine.
  • 64:17 - 64:19
    I just have to be back
    by 10:00 in the morning.
  • 64:19 - 64:20
    Oh, my God.
  • 64:21 - 64:22
    What?
  • 64:22 - 64:23
    First date and you're already
  • 64:23 - 64:25
    inviting yourself
    to stay the night?
  • 64:25 - 64:27
    I'm just a little
    scandalized is all.
  • 64:27 - 64:28
    No, I just meant...
  • 64:28 - 64:30
    Don't worry.
    I'll have you back tonight.
  • 64:30 - 64:32
    If you wanna
    stay the night, that's...
  • 64:32 - 64:35
    I mean, it's...
    If you want...
  • 64:35 - 64:38
    You wanna just see
    how it goes? All right.
  • 64:38 - 64:41
    ♪ You can love me foolishly
  • 64:41 - 64:45
    ♪ Love me foolish-like
  • 64:50 - 64:53
    ♪ Well, I wake
  • 64:53 - 64:56
    ♪ In the morning and dress ♪
  • 64:56 - 64:58
    Should we get out?
  • 64:58 - 65:00
    We don't have to.
  • 65:00 - 65:02
    Is this the part of the date
    where I find out
  • 65:02 - 65:04
    you're not actually my husband
  • 65:04 - 65:05
    but some crazy stalker,
  • 65:05 - 65:07
    and you're gonna strangle me
    with my purse?
  • 65:07 - 65:10
    No. This is
    the exact parking spot
  • 65:11 - 65:12
    where we first met.
  • 65:13 - 65:14
    Oh.
  • 65:15 - 65:18
    I'm gonna take you on
    a little retrospective of us.
  • 65:25 - 65:27
    Mmm.
  • 65:28 - 65:29
    That is so good.
  • 65:30 - 65:32
    You ready for dessert?
  • 65:32 - 65:33
    Dessert?
    Hmm.
  • 65:34 - 65:35
    We just had waffles.
  • 65:35 - 65:37
    Mmm-mmm.
    This is dinner.
  • 65:38 - 65:41
    These are dessert.
  • 65:43 - 65:46
    Well, how do you know
    what flavors they all are?
  • 65:46 - 65:50
    It's like a chocolate Russian roulette.
    It's part of the fun.
  • 65:50 - 65:51
    We'd be surprised
    by the ones we liked
  • 65:51 - 65:53
    and the ones we didn't.
  • 65:53 - 65:54
    Okay.
  • 65:56 - 65:57
    And...
  • 65:59 - 66:00
    You don't like it?
  • 66:00 - 66:01
    I do not like that one.
  • 66:01 - 66:04
    Here. Try this one.
    I think you'd like this one.
  • 66:09 - 66:11
    Oh?
    Mmm.
  • 66:11 - 66:13
    Told you.
    Okay.
  • 66:15 - 66:17
    Your turn.
  • 66:20 - 66:22
    Are we going shot for shot?
  • 66:28 - 66:30
    Wait till you try
    their hot chocolate.
  • 66:30 - 66:32
    We would come here
    whenever it snowed.
  • 66:32 - 66:34
    Are you trying to make me
    diabetic or just fat?
  • 66:34 - 66:36
    No, I...
  • 66:40 - 66:42
    You got a...
    It's still in your hair.
  • 66:55 - 66:59
    So, we come down here at
    night and look at the lake?
  • 67:00 - 67:02
    That's not exactly what we do.
  • 67:07 - 67:09
    I... I'm not...
  • 67:09 - 67:11
    I don't...
  • 67:11 - 67:12
    No, no, it's not that.
  • 67:12 - 67:14
    We said we'd go in
    once a month every month,
  • 67:14 - 67:16
    and we haven't done April yet.
  • 67:17 - 67:19
    We started in July.
  • 67:22 - 67:24
    Why? Why would we do that?
  • 67:24 - 67:26
    We were at
    this spaghetti place,
  • 67:26 - 67:28
    and we had this waiter
    and he said he did it.
  • 67:28 - 67:31
    And he was, like, 80.
    So we thought we could.
  • 67:31 - 67:32
    Yeah.
  • 67:32 - 67:34
    Now, we said
    no wetsuits, but...
  • 67:34 - 67:35
    You're serious.
  • 67:35 - 67:38
    ...for you, I guess
    I'll make an exception.
  • 67:45 - 67:47
    All right. Turn around.
  • 67:49 - 67:50
    Turn around.
  • 68:01 - 68:02
    Okay.
  • 68:04 - 68:05
    Wait. No wetsuit?
  • 68:05 - 68:06
    We said no wetsuits, right?
  • 68:11 - 68:12
    Yeah.
  • 68:16 - 68:18
    Oh, no.
  • 68:18 - 68:19
    No, no. No, no!
  • 68:33 - 68:34
    Come on.
  • 68:46 - 68:47
    Thank you.
  • 68:50 - 68:52
    Heat, heat.
  • 68:52 - 68:53
    My left eyelid's frozen shut.
  • 68:59 - 69:01
    I can't feel my fingers.
  • 69:04 - 69:05
    I can't feel them.
  • 69:18 - 69:20
    I don't know what your
    Paige did on a first date,
  • 69:20 - 69:24
    but with me, you're
    only getting to first base.
  • 69:26 - 69:27
    Okay.
  • 69:33 - 69:34
    I'm sorry.
    I can do better.
  • 69:34 - 69:36
    My... My lips
    are still numb.
  • 69:40 - 69:41
    It's nice.
  • 69:50 - 69:52
    Second base, tops.
  • 69:53 - 69:55
    This is perfect.
  • 70:16 - 70:19
    Thank you for coming out
    with me tonight.
  • 70:19 - 70:21
    I had a really nice time.
  • 70:25 - 70:27
    I've missed you.
  • 70:27 - 70:30
    I miss our life together.
    I miss being with you.
  • 70:35 - 70:36
    I love you.
  • 70:44 - 70:47
    I should probably get inside.
  • 70:50 - 70:52
    Good night.
  • 70:52 - 70:53
    Good night.
  • 71:12 - 71:14
    Hey.
  • 71:15 - 71:18
    Hey. I didn't know
    you were gonna be here.
  • 71:18 - 71:20
    Were you out with Jeremy?
  • 71:20 - 71:21
    No.
  • 71:22 - 71:23
    I was with Leo.
  • 71:25 - 71:27
    I like him.
  • 71:29 - 71:30
    Yeah.
  • 71:32 - 71:33
    Me, too.
  • 71:35 - 71:37
    Are you okay?
  • 71:42 - 71:45
    Paige, I've never seen
    you like this before.
  • 71:45 - 71:48
    I mean, is this
    crying thing the new you?
  • 71:48 - 71:50
    Because it's bizarre.
  • 71:50 - 71:52
    I don't know.
    I don't know what's me.
  • 71:52 - 71:53
    I have a tattoo.
  • 71:56 - 71:59
    And I'm a vegetarian, too.
  • 72:00 - 72:04
    Look, it was just like it used to be.
    It was better, actually.
  • 72:05 - 72:06
    Everything that
    I fell in love with
  • 72:06 - 72:09
    about Paige is still there.
  • 72:09 - 72:12
    You know, to you,
    I'm sure it seemed
  • 72:12 - 72:14
    like a confirmation
    of your love
  • 72:14 - 72:15
    or your marriage, right?
  • 72:15 - 72:17
    But to her,
    it probably seemed more
  • 72:17 - 72:18
    like a really good first date.
  • 72:18 - 72:20
    Exactly. Which is why
    I think you've gotta wait
  • 72:20 - 72:22
    the requisite three days
    before you call.
  • 72:22 - 72:24
    I gotta wait three days
  • 72:24 - 72:26
    to call after a date
    with my own wife?
  • 72:26 - 72:28
    At least. This is a unique case.
    Maybe longer.
  • 72:28 - 72:30
    It can't be longer.
  • 72:30 - 72:31
    I'm gonna see her
    on Saturday at the wedding.
  • 72:31 - 72:33
    I'm telling you,
    it was so obvious.
  • 72:33 - 72:36
    Even with all this crazy shit going on
    around us, we still belong together.
  • 72:36 - 72:37
    Obvious to her or to you?
  • 72:37 - 72:39
    To both of us.
  • 72:40 - 72:42
    - Oh. Oh, Paige?
    - Yeah?
  • 72:42 - 72:45
    We have to start writing out
    those place cards after we eat.
  • 72:45 - 72:46
    Yes.
  • 72:47 - 72:49
    Before you start on that,
  • 72:50 - 72:54
    I have a little surprise
    for you, Paige.
  • 72:54 - 72:55
    Oh?
  • 72:56 - 72:57
    You know Ray Porter, right?
  • 72:57 - 73:00
    He taught constitutional law
    at Northwestern.
  • 73:00 - 73:02
    He and I were on
    law review together.
  • 73:02 - 73:04
    We've known each other
    1,000 years.
  • 73:05 - 73:07
    He is the dean of
    the law school now.
  • 73:07 - 73:08
    Okay.
  • 73:08 - 73:10
    And they're gonna
    let you back in.
  • 73:10 - 73:12
    What?
  • 73:12 - 73:13
    Well...
  • 73:14 - 73:16
    I didn't even apply.
  • 73:16 - 73:18
    I took care of it.
  • 73:20 - 73:23
    This is crazy.
  • 73:25 - 73:28
    I feel like I'm getting
    a free do-over in life.
  • 75:00 - 75:02
    You look like
    you could use a drink.
  • 75:03 - 75:05
    I've already had several.
  • 75:05 - 75:07
    But you haven't had this.
  • 75:09 - 75:11
    All right.
  • 75:12 - 75:15
    I'm glad we're
    having a moment alone.
  • 75:15 - 75:18
    I haven't gotten a chance
    to really talk to you, Leo.
  • 75:18 - 75:20
    Yeah.
  • 75:20 - 75:21
    Yeah, cool.
  • 75:22 - 75:24
    Congratulations.
  • 75:29 - 75:30
    That's nice.
  • 75:30 - 75:31
    Yes, it is.
  • 75:34 - 75:36
    I've been thinking.
  • 75:36 - 75:41
    And I think that it's probably
    time to let us take it from here.
  • 75:41 - 75:42
    Take what?
  • 75:43 - 75:45
    Things with Paige.
  • 75:46 - 75:48
    Look, I know she didn't have
    health insurance because
  • 75:48 - 75:51
    you chose to live
    in a certain way,
  • 75:52 - 75:54
    and I know you must
    be drowning in debt.
  • 75:55 - 75:58
    But I also know
    a way out of this.
  • 75:59 - 76:00
    What's that?
  • 76:01 - 76:03
    Divorce her.
  • 76:04 - 76:06
    The bills have
    only just begun, Leo.
  • 76:08 - 76:11
    Mr. Thornton, I don't think
    this is the time
  • 76:11 - 76:12
    or the place to discuss this.
  • 76:12 - 76:15
    Fine. If you don't care
    about losing your business,
  • 76:15 - 76:18
    which, clearly, you don't,
  • 76:18 - 76:19
    what about Paige?
  • 76:20 - 76:21
    What about doing
    what is obviously
  • 76:21 - 76:22
    the right thing for her?
  • 76:23 - 76:24
    And you know
    what's right for her?
  • 76:24 - 76:25
    As a matter of fact, I do.
  • 76:25 - 76:27
    You're such a hypocrite.
  • 76:27 - 76:28
    What did you say?
  • 76:28 - 76:31
    If you're such
    a family man, how come I...
  • 76:31 - 76:33
    I never once saw
    you come and try
  • 76:33 - 76:35
    to put things back
    together with Paige?
  • 76:40 - 76:42
    You're such a coward.
  • 76:58 - 77:00
    Hey, can I introduce
    you around a little bit?
  • 77:01 - 77:02
    Can't feel good to
    be the odd man out.
  • 77:02 - 77:04
    I'm not the odd man out.
  • 77:04 - 77:06
    All right.
    If you say so.
  • 77:06 - 77:08
    You just seem a little creepy
    over here all by yourself.
  • 77:08 - 77:10
    I'm just waiting
    for Paige, man.
  • 77:10 - 77:12
    All right, well,
    best of luck with that.
  • 77:12 - 77:14
    You like this, right?
  • 77:15 - 77:16
    I'm sorry, like what?
  • 77:16 - 77:18
    Paige leaves you behind.
  • 77:18 - 77:20
    She goes and has
    this life without you,
  • 77:20 - 77:22
    with some guy that no one gets.
  • 77:22 - 77:23
    And now you get to
    see her reject all that.
  • 77:24 - 77:27
    I mean, I like it
    a little bit.
  • 77:27 - 77:28
    Yeah?
  • 77:28 - 77:30
    Well, let me
    tell you what I like.
  • 77:30 - 77:32
    I like the fact
    that Paige told me
  • 77:32 - 77:33
    everything about you, Jeremy.
  • 77:34 - 77:35
    Okay.
  • 77:35 - 77:38
    She told me that
    when she was with you,
  • 77:39 - 77:42
    she would wake up
    at night in a panic,
  • 77:42 - 77:43
    thinking,
    "Is this all there is?"
  • 77:44 - 77:45
    Wow.
  • 77:45 - 77:46
    She told you everything, huh?
  • 77:46 - 77:47
    Mmm-hmm.
  • 77:48 - 77:49
    Did she tell you
    that she threw herself
  • 77:49 - 77:50
    at me the other day?
  • 77:50 - 77:52
    Did she tell you that?
  • 77:52 - 77:54
    Or did she stop
    telling you everything
  • 77:54 - 77:56
    when she forgot
    who the hell you were?
  • 77:58 - 78:00
    Look, I get why
    you're being such a dick.
  • 78:01 - 78:02
    You obviously love her,
  • 78:02 - 78:04
    and you think you're
    gonna get her back.
  • 78:05 - 78:07
    But the thing is,
    she outgrew you.
  • 78:08 - 78:10
    What makes you think
    that won't happen again?
  • 78:10 - 78:12
    Thank you for that advice.
  • 78:13 - 78:15
    I will mull it over while
    I'm in bed with your wife.
  • 78:17 - 78:18
    Leo!
  • 78:30 - 78:31
    Paige, wait!
  • 78:31 - 78:32
    What the hell
    were you thinking?
  • 78:33 - 78:34
    I don't know. That's
    a really good question,
  • 78:34 - 78:37
    because I have been
    driving myself insane,
  • 78:37 - 78:39
    making a complete ass
    of myself!
  • 78:39 - 78:41
    Literally trying
    everything possible
  • 78:41 - 78:42
    to try to save what we have.
  • 78:42 - 78:44
    And you've been throwing
    yourself at Jeremy.
  • 78:45 - 78:46
    That's not fair.
  • 78:46 - 78:47
    It's not fair?
  • 78:49 - 78:52
    I see the way you look at him.
  • 78:54 - 78:55
    I know,
  • 78:56 - 78:59
    because you used to
    look at me that way.
  • 79:02 - 79:03
    Leo, I...
  • 79:03 - 79:05
    No, I think we need to
    start being realistic.
  • 79:05 - 79:07
    Your memory's not coming back.
  • 79:08 - 79:10
    The fact is that
    I'm still just a stranger.
  • 79:12 - 79:15
    I'm not trying to hurt you.
  • 79:17 - 79:18
    But I'm just...
  • 79:22 - 79:25
    I'm so tired of
    disappointing you.
  • 79:27 - 79:28
    I know.
  • 79:30 - 79:31
    I'm so sorry.
  • 79:35 - 79:37
    I'll apologize
    to Gwen and Ryan.
  • 79:37 - 79:40
    Oh, God, no, it's fine.
  • 79:42 - 79:45
    Wedding disasters have a way
    of turning into great stories.
  • 79:47 - 79:49
    Eventually.
  • 79:56 - 79:57
    How do you look at
    the girl you love
  • 79:57 - 80:00
    and tell yourself
    it's time to walk away?
  • 80:10 - 80:11
    Leo?
  • 80:16 - 80:20
    I hope one day I can love
    the way that you love me.
  • 80:23 - 80:25
    You figured it out once.
  • 80:26 - 80:28
    You'll do it again.
  • 81:44 - 81:45
    Shit.
  • 81:46 - 81:48
    You're here, not there.
  • 81:49 - 81:50
    Are you okay?
  • 81:50 - 81:52
    I'm done.
  • 81:52 - 81:54
    It's over. I give up.
  • 81:55 - 81:57
    No, you never give up, Leo.
  • 81:57 - 81:59
    No, if we were
    meant to be together,
  • 81:59 - 82:01
    we would be together.
  • 82:03 - 82:05
    I was just thinking
    about the first time
  • 82:05 - 82:07
    that we went to
    that Greek restaurant
  • 82:07 - 82:08
    on the corner.
  • 82:08 - 82:10
    There was
    this big banner saying
  • 82:10 - 82:12
    "Now Serving Soup,"
  • 82:13 - 82:15
    and I just started to
    go on and on
  • 82:15 - 82:18
    About all the obstacles
  • 82:18 - 82:20
    that the owner
    must have overcome
  • 82:20 - 82:23
    to achieve his lifelong dream
    of serving soup.
  • 82:24 - 82:27
    And then...
    And when I was finished...
  • 82:28 - 82:31
    She didn't say anything
    for a few seconds
  • 82:31 - 82:32
    and she just...
  • 82:34 - 82:36
    She just sort of exhaled it.
  • 82:38 - 82:40
    It was almost to herself.
  • 82:42 - 82:43
    "I love you."
  • 82:45 - 82:47
    And it just hung there.
  • 82:48 - 82:50
    It was the first time
    she had said it,
  • 82:50 - 82:52
    and I didn't
    even wanna respond.
  • 82:52 - 82:55
    I just wanted to
    keep hearing it.
  • 82:57 - 83:00
    That was two weeks
    after we met.
  • 83:02 - 83:03
    It only took her two weeks
  • 83:04 - 83:06
    to fall in love with me before.
  • 83:17 - 83:19
    She doesn't love me.
  • 84:11 - 84:13
    Sign here, please.
  • 84:49 - 84:51
    Come here, little buddy.
  • 85:00 - 85:01
    Diane?
  • 85:02 - 85:03
    Hey.
  • 85:04 - 85:06
    How are you?
    Listen...
  • 85:09 - 85:11
    I know it's been years.
  • 85:11 - 85:14
    I was away for a while.
  • 85:14 - 85:17
    I never had a chance
    to apologize.
  • 85:18 - 85:21
    I was just going through
    a really weird time,
  • 85:21 - 85:24
    but your dad ended it
  • 85:25 - 85:28
    as soon as your mother
    confronted him about us.
  • 85:28 - 85:31
    And I just always
    wanted you to know that.
  • 85:31 - 85:34
    I don't mean to
    open old wounds, but...
  • 85:34 - 85:38
    I just really needed
    to say that I'm sorry.
  • 85:39 - 85:42
    No, I'm really glad
    that you said something.
  • 85:42 - 85:45
    You were always
    a really good friend.
  • 85:45 - 85:48
    I just wish I could've
    returned the favor.
  • 85:48 - 85:52
    The lilies were bad,
    so I got sunflowers instead.
  • 86:02 - 86:04
    I wanted to tell you.
  • 86:04 - 86:05
    You knew?
  • 86:06 - 86:08
    You knew the whole time?
  • 86:10 - 86:11
    I'm sorry.
    Don't talk to me.
  • 86:12 - 86:15
    Paige. Paige. Paige!
  • 86:18 - 86:20
    Hey, where have you
    been all day, stranger?
  • 86:21 - 86:22
    Hmm?
  • 86:23 - 86:24
    Paige?
  • 86:26 - 86:28
    I ran into Diane Chain
    at the store.
  • 86:30 - 86:34
    That's why I left, isn't it?
    Because I found out.
  • 86:36 - 86:39
    Mom, I barely
    even know who I am,
  • 86:39 - 86:42
    and then it turns out
    you're lying to me,
  • 86:42 - 86:45
    and you've used my accident
    to rewrite the past?
  • 86:47 - 86:50
    I couldn't bear the thought
    of losing you again.
  • 86:51 - 86:54
    Do you have any idea how
    betrayed I feel right now?
  • 86:54 - 86:56
    I'm sorry, Paige.
  • 86:56 - 86:59
    We were happier than
    we'd been in years.
  • 86:59 - 87:00
    Oh, Mom!
  • 87:00 - 87:02
    We finally had you back again.
  • 87:02 - 87:03
    Back on your terms!
  • 87:03 - 87:04
    No!
  • 87:04 - 87:07
    Yes, as usual!
    Paige!
  • 87:07 - 87:10
    He cheated on you
    with my friend!
  • 87:11 - 87:13
    How could you stay with him?
  • 87:15 - 87:16
    I...
  • 87:18 - 87:20
    I was going to leave.
  • 87:23 - 87:25
    I was.
    I was all ready to leave.
  • 87:25 - 87:30
    And then one afternoon, I
    was all alone in the house,
  • 87:31 - 87:35
    and I started looking at
    all the photographs of you
  • 87:36 - 87:38
    and your...
  • 87:40 - 87:42
    And your sister.
  • 87:42 - 87:47
    And the house seemed
    so full of all of us.
  • 87:49 - 87:51
    We were a family, Paige.
  • 87:53 - 87:55
    And I realized
    in that moment that
  • 87:56 - 88:00
    that was the most important
    thing in the world for me.
  • 88:00 - 88:03
    And I couldn't, I couldn't,
  • 88:04 - 88:06
    I could not go.
  • 88:09 - 88:11
    So, you just WASPed it away?
  • 88:11 - 88:13
    No.
  • 88:13 - 88:17
    I chose to stay with him
  • 88:18 - 88:21
    for all the things
    that he had done right
  • 88:23 - 88:27
    and not to leave him for the one
    thing that he had done wrong.
  • 88:30 - 88:32
    I chose to forgive him.
  • 88:38 - 88:40
    Maybe Leo was right.
  • 88:41 - 88:46
    Maybe I can't figure out who I
    am and be around all of you.
  • 89:01 - 89:03
    I still feel a little chilly.
    I don't care what you say.
  • 89:04 - 89:06
    That's fine.
  • 89:08 - 89:09
    Paige.
  • 89:17 - 89:18
    I'm sorry.
  • 89:19 - 89:20
    Is everything okay?
  • 89:23 - 89:26
    Look, you two obviously need
    to talk, so I'm just...
  • 89:26 - 89:28
    Okay.
    Talk to you later.
  • 89:28 - 89:29
    All right, bye.
  • 89:32 - 89:34
    I'm... I'm sorry.
  • 89:36 - 89:37
    What happened?
  • 89:40 - 89:41
    Can I ask you something?
  • 89:41 - 89:42
    Yeah.
  • 89:43 - 89:46
    You can always ask me anything.
  • 89:47 - 89:49
    Did you know
    about my dad's affair?
  • 89:50 - 89:52
    Yeah.
  • 89:52 - 89:54
    I knew.
  • 90:00 - 90:02
    Why didn't you tell me?
  • 90:09 - 90:12
    There were so many times
    that I almost did.
  • 90:15 - 90:18
    But to drive you away
    from your family again?
  • 90:19 - 90:21
    That just felt wrong.
  • 90:23 - 90:25
    I wanted your love, I...
  • 90:25 - 90:26
    Just not like that.
  • 90:28 - 90:30
    I wanted to earn it.
  • 90:45 - 90:49
    I just don't think I can
    afford to lose them right now.
  • 90:52 - 90:53
    So don't.
  • 91:01 - 91:05
    Certain parties have sought
    to nullify various congressional acts,
  • 91:05 - 91:08
    claiming that repeated extensions
    of copyright protection
  • 91:08 - 91:10
    constitute
    a perpetual copyright
  • 91:10 - 91:14
    of the sort the drafters of the
    Constitution would have rejected.
  • 91:14 - 91:15
    The United States
    Supreme Court,
  • 91:16 - 91:19
    in the 2003 case
    of Eldred v. Ashcroft...
  • 91:26 - 91:28
    Thanks for lunch.
  • 91:28 - 91:31
    Actually, there's something
    that I wanted to tell you.
  • 91:32 - 91:33
    Okay.
  • 91:34 - 91:36
    Things are over with Rose.
  • 91:37 - 91:39
    I ended it, Paige.
  • 91:40 - 91:43
    No. Why did you do that?
  • 91:43 - 91:45
    I thought you were
    getting engaged...
  • 91:45 - 91:46
    We were,
    but that was before you.
  • 91:46 - 91:48
    No, that was after me.
  • 91:48 - 91:50
    Okay, it was after you,
    but it was before this you.
  • 91:50 - 91:52
    It was before
    the old you came back.
  • 91:54 - 91:56
    Jeremy, I'm not the old me.
  • 91:57 - 91:59
    I'm just me.
  • 91:59 - 92:03
    I'm just the me that's trying
    to figure it out still.
  • 92:03 - 92:05
    I understand,
    but, whichever it is,
  • 92:05 - 92:08
    the old you or the new you,
    I don't care.
  • 92:09 - 92:11
    I know you remember
    what we were like together.
  • 92:11 - 92:12
    I know you do.
  • 92:12 - 92:13
    This is our chance
    to get that back.
  • 92:14 - 92:15
    What we had was wonderful.
  • 92:15 - 92:18
    Those were wonderful memories,
    but those were...
  • 92:18 - 92:20
    Those are my only memories.
  • 92:20 - 92:22
    Everything after you is erased.
  • 92:23 - 92:25
    I...
  • 92:26 - 92:32
    I have to discover what it's like
    to be without you, on my own.
  • 92:34 - 92:35
    Are you sure you don't remember
  • 92:35 - 92:37
    breaking up with me
    the first time?
  • 92:38 - 92:39
    Why?
  • 92:39 - 92:42
    'Cause it sounded
    a hell of a lot like that.
  • 92:46 - 92:47
    Let's go.
  • 92:58 - 93:01
    Hey.
    I was looking all over.
  • 93:01 - 93:05
    I was worried when I didn't
    see you outside the library.
  • 93:07 - 93:09
    So...
  • 93:11 - 93:15
    How's that intellectual
    property class going?
  • 93:20 - 93:23
    Actually, I wanna
    talk to you about that.
  • 93:24 - 93:27
    I've decided to
    leave law school.
  • 93:29 - 93:31
    And I'm gonna get
    an apartment in the city.
  • 93:32 - 93:34
    It's happening
    all over again, isn't it?
  • 93:34 - 93:36
    Damn it, Paige.
  • 93:38 - 93:39
    I've made a lot of mistakes.
  • 93:40 - 93:44
    Dad, this isn't about you
    or anything you've done.
  • 93:45 - 93:49
    This is about me,
    who I want to be, who I am.
  • 93:50 - 93:55
    Just tell me what to say,
    so I don't lose you again.
  • 93:58 - 94:00
    You won't.
  • 94:08 - 94:10
    A moment of impact.
  • 94:16 - 94:20
    A moment of impact
    whose potential for change
  • 94:21 - 94:24
    has ripple effects far
    beyond what we can predict,
  • 94:27 - 94:30
    sending some particles
    crashing together
  • 94:32 - 94:35
    making them closer than before,
  • 94:41 - 94:44
    while sending others spinning
    off into great ventures
  • 94:47 - 94:51
    landing where you never
    thought you'd find them.
  • 94:54 - 94:58
    You see, that's the thing
    about moments like these.
  • 94:58 - 95:00
    You can't,
  • 95:01 - 95:03
    no matter how hard you try,
  • 95:04 - 95:07
    control how
    they're gonna affect you.
  • 95:08 - 95:12
    You just gotta let the colliding
    particles land where they may
  • 95:13 - 95:17
    and wait until
    the next collision.
  • 95:25 - 95:28
    I vow to
    help you love life,
  • 95:28 - 95:31
    to always hold you
    with tenderness,
  • 95:31 - 95:34
    and to have the patience
    that love demands.
  • 95:34 - 95:36
    To speak when words are needed
  • 95:36 - 95:39
    and to share the silence
    when they're not.
  • 95:39 - 95:42
    To agree to disagree
    on red velvet cake.
  • 95:43 - 95:45
    And to live within
    the warmth of your heart
  • 95:45 - 95:47
    and always call it home.
  • 96:33 - 96:34
    Hi.
  • 96:37 - 96:39
    Hi.
  • 96:42 - 96:44
    I hope you didn't
    come all the way
  • 96:44 - 96:45
    into the city
    for hot chocolate.
  • 96:45 - 96:49
    Actually, I moved
    back here six months ago.
  • 96:49 - 96:51
    I'm over in Rogers Park.
  • 96:52 - 96:55
    Really? That...
    That's great.
  • 96:55 - 96:58
    I'm actually back
    at the Art Institute.
  • 96:58 - 96:59
    What?
    Are you kidding me?
  • 96:59 - 97:00
    Mmm-mmm.
  • 97:01 - 97:02
    That's amazing.
  • 97:02 - 97:05
    Yeah. I mean, I'm sitting
    in on a few classes,
  • 97:06 - 97:09
    and it's crazy
    what my hands remember
  • 97:09 - 97:12
    that my, you know,
    that my mind forgot.
  • 97:13 - 97:15
    Yeah.
  • 97:16 - 97:18
    So, thank you.
  • 97:20 - 97:21
    I didn't do anything.
  • 97:21 - 97:23
    You did everything.
  • 97:24 - 97:28
    You accepted me for who I am,
  • 97:28 - 97:31
    and not for
    what you wanted me to be.
  • 97:35 - 97:37
    I just wanted you to be happy.
  • 97:39 - 97:41
    That's all.
  • 97:48 - 97:51
    Isn't there some
    Cuban place around here
  • 97:51 - 97:55
    where we used to go
    when this place was closed?
  • 97:57 - 98:00
    Yeah. It's... Wait.
    You remember?
  • 98:01 - 98:02
    No, no.
  • 98:03 - 98:05
    I wish.
  • 98:05 - 98:09
    No, the memory stuff
    hasn't come back, but I've...
  • 98:11 - 98:13
    Sonia and I have been
    hanging out a little bit,
  • 98:13 - 98:17
    and I've been
    asking her about us.
  • 98:19 - 98:21
    Really?
    And what has she been saying?
  • 98:24 - 98:26
    That she doesn't think you're
  • 98:26 - 98:28
    seeing anyone right now.
  • 98:31 - 98:33
    She just happens to be right.
  • 98:36 - 98:39
    You? Are you seeing anyone?
  • 98:45 - 98:46
    That's good.
  • 98:47 - 98:50
    So, do you wanna go
    to the Cuban place?
  • 98:51 - 98:53
    With me?
  • 98:54 - 98:56
    Okay.
  • 98:57 - 98:58
    Okay.
  • 99:02 - 99:03
    What would you say
    to trying someplace
  • 99:03 - 99:05
    that we haven't been to before?
  • 99:05 - 99:07
    Someplace new?
  • 99:08 - 99:09
    I'd like that.
  • 99:10 - 99:11
    After you.
  • 99:17 - 99:22
    ♪ I've been looking so long
    at these pictures of you
  • 99:23 - 99:27
    ♪ That I almost believe
    that they're real
  • 99:28 - 99:34
    ♪ I've been living so long
    with my pictures of you
  • 99:34 - 99:36
    ♪ That I almost believe
  • 99:36 - 99:39
    ♪ That the pictures are
  • 99:39 - 99:41
    ♪ All I can feel
  • 100:02 - 100:07
    ♪ Remembering you
    standing quiet in the rain
  • 100:07 - 100:11
    ♪ As I ran to your heart
    to be near
  • 100:13 - 100:16
    ♪ And we kissed
    as the sky fell in
  • 100:16 - 100:18
    ♪ Holding you close
  • 100:19 - 100:23
    ♪ How I always held close
    in your fear
  • 100:24 - 100:29
    ♪ Remembering you
    running soft through the night
  • 100:30 - 100:35
    ♪ You were bigger and brighter
    and wider than snow
  • 100:36 - 100:39
    ♪ And screamed
    at the make-believe
  • 100:39 - 100:41
    ♪ Screamed at the sky
  • 100:41 - 100:45
    ♪ And you finally found
    all your courage
  • 100:45 - 100:48
    ♪ To let it all go
  • 100:58 - 101:04
    ♪ Remembering you
    fallen into my arms
  • 101:04 - 101:07
    ♪ Crying for the death
    of your heart
  • 101:09 - 101:12
    ♪ You were stone white
    So delicate
  • 101:12 - 101:14
    ♪ Lost in the cold
  • 101:14 - 101:18
    ♪ You were always
    so lost in the dark
  • 101:20 - 101:26
    ♪ Remembering you
    how you used to be
  • 101:26 - 101:29
    ♪ Slow drowned You were angels
  • 101:29 - 101:32
    ♪ So much more than everything
  • 101:32 - 101:37
    ♪ Hold for the last time
    then slip away quietly
  • 101:37 - 101:43
    ♪ Open my eyes
    But I never see anything
  • 101:43 - 101:47
    ♪ If only I'd thought
    of the right words
  • 101:48 - 101:52
    ♪ I could have held on
    to your heart
  • 101:54 - 101:58
    ♪ If only I'd thought
    of the right words
  • 101:59 - 102:03
    ♪ I wouldn't be breaking apart
  • 102:03 - 102:06
    ♪ All my pictures of you
  • 102:16 - 102:21
    ♪ Looking so long
    at these pictures of you
  • 102:22 - 102:25
    ♪ But I never hold on
    to your heart
  • 103:00 - 103:03
    ♪ There was nothing
    in the world
  • 103:03 - 103:06
    ♪ That I ever wanted more
  • 103:06 - 103:10
    ♪ Than to feel you
    deep in my heart
  • 103:12 - 103:14
    ♪ There was nothing
    in the world
  • 103:14 - 103:17
    ♪ That I ever wanted more
  • 103:17 - 103:21
    ♪ Than to never feel
    the breaking apart
  • 103:22 - 103:24
    ♪ My pictures of you ♪
Title:
The Vow (Full Movie)
Description:

Starring Rachel McAdams and Channing Tatum

- I do not own anything

Comment on Movies you want me to upload :D
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Watch "Dear John"
http://www.youtube.com/watch?v=nxw_848Fd6k

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Video Language:
English
Duration:
01:43:56
Abby Callan edited English subtitles for The Vow (Full Movie)
Amara Bot edited English subtitles for The Vow (Full Movie)
Amara Bot added a translation

English subtitles

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