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Give yourself permission to be creative

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    I was hoping today to talk
    a little bit about creativity.
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    You know, a lot of people really struggle
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    to give themselves
    permission to be creative.
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    And reasonably so.
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    I mean, we're all a little suspect
    of our own talent.
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    And I remember a story
    I came across in my early 20s
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    that kind of meant a lot to me.
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    I was really into Allen Ginsberg,
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    and I was reading his poetry,
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    and I was reading --
    he did a lot of interviews --
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    and one time, William F. Buckley
    had this television program
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    called "Firing Line,"
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    and Ginsberg went on there
    and sang a Hare Krishna song
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    while playing the harmonium.
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    And he got back to New York
    to all his intelligentsia friends,
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    and they all told him,
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    "Don't you know that everybody
    thinks you're an idiot,
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    and the whole country's
    making fun of you?"
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    And he said, "That's my job.
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    I'm a poet, and I'm going
    to play the fool.
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    Most people have to go
    to work all day long,
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    and they come home
    and they fight with their spouse,
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    and they eat, and they turn on
    the old boob tube,
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    and somebody tries
    to sell them something,
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    and I just screwed all that up.
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    I went on and I sang about Krishna,
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    and now they're sitting in bed
    and going, 'Who is this stupid poet?'
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    And they can't fall asleep, right?"
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    And that's his job as a poet.
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    And so, I find that very liberating,
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    because I think that most of us
    really want to offer the world
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    something of quality,
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    something that the world
    will consider good or important.
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    And that's really the enemy,
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    because it's not up to us
    whether what we do is any good,
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    and if history has taught us anything,
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    the world is an extremely
    unreliable critic.
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    Right?
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    So you have to ask yourself:
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    Do you think human creativity matters?
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    Well, hmm.
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    Most people don't spend a lot of time
    thinking about poetry. Right?
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    They have a life to live,
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    and they're not really that concerned
    with Allen Ginsberg's poems
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    or anybody's poems,
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    until their father dies,
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    they go to a funeral,
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    you lose a child,
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    somebody breaks your heart,
    they don't love you anymore,
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    and all of a sudden,
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    you're desperate for making sense
    out of this life,
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    and, "Has anybody ever
    felt this bad before?
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    How did they come out of this cloud?"
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    Or the inverse -- something great.
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    You meet somebody and your heart explodes.
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    You love them so much,
    you can't even see straight.
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    You know, you're dizzy.
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    "Did anybody feel like this before?
    What is happening to me?"
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    And that's when art's not a luxury,
    it's actually sustenance.
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    We need it.
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    OK. Well, what is it?
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    Human creativity
    is nature manifest in us.
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    We look at the, oh ...
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    the aurora borealis. Right?
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    I did this movie called
    "White Fang" when I was a kid,
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    and we shot up in Alaska,
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    and you go out at night
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    and the sky was like rippling
    with purple and pink and white,
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    and it's the most beautiful
    thing I ever saw.
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    It really looked like the sky was playing.
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    Beautiful.
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    You go to Grand Canyon at sundown.
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    It's beautiful.
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    We know that's beautiful.
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    But fall in love?
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    Your lover's pretty beautiful.
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    I have four kids.
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    Watching them play?
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    Watching them pretend to be a butterfly
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    or run around the house
    and doing anything,
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    it's so beautiful.
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    And I believe that we are here
    on this star in space
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    to try to help one another. Right?
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    And first we have to survive,
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    and then we have to thrive.
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    And to thrive, to express ourselves,
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    alright, well, here's the rub:
    we have to know ourselves.
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    What do you love?
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    And if you get close to what you love,
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    who you are is revealed to you,
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    and it expands.
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    For me, it was really easy.
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    I did my first professional play.
    I was 12 years old.
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    I was in a play called "Saint Joan"
    by George Bernard Shaw
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    at the McCarter Theatre,
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    and -- boom! -- I was in love.
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    My world just expanded.
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    And that profession --
    I'm almost 50 now --
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    that profession has never stopped
    giving back to me,
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    and it gives back more and more,
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    mostly, strangely,
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    through the characters that I've played.
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    I've played cops, I've played criminals,
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    I've played priests, I've played sinners,
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    and the magic of this over a lifetime,
    over 30 years of doing this,
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    is that you start to see
    that my experiences,
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    me, Ethan, is not nearly as unique
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    as I thought.
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    I have so much in common
    with all these people.
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    And so they have something
    in common with me.
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    You start to see
    how connected we all are.
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    My great-grandmother,
    Della Hall Walker Green,
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    on her deathbed,
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    she wrote this little biography
    in the hospital,
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    and it was only about 36 pages long,
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    and she spent about five pages
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    on the one time
    she did costumes for a play.
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    Her first husband got, like, a paragraph.
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    Cotton farming, of which
    she did for 50 years, gets a mention.
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    Five pages on doing these costumes.
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    And I look -- my mom gave me
    one of her quilts that she made,
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    and you can feel it.
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    She was expressing herself,
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    and it has a power that's real.
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    I remember my stepbrother and I
    went to go see "Top Gun,"
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    whatever year that came out.
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    And I remember we walked out of the mall,
    it was, like, blazing hot,
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    I just looked at him,
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    and we both felt that movie
    just like a calling from God.
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    You know? Just ...
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    But completely differently.
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    Like, I wanted to be an actor.
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    I was like, I've got to make something
    that makes people feel.
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    I just want to be a part of that.
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    And he wanted to be in the military.
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    That's all we ever did
    was play FBI, play army man,
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    play knights, you know,
    and I'd like, pose with my sword,
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    and he would build a working crossbow
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    that you could shoot an arrow into a tree.
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    So he joins the army.
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    Well, he just retired
    a colonel in the Green Berets.
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    He's a multidecorated combat veteran
    of Afghanistan and Iraq.
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    He now teaches a sail camp
    for children of fallen soldiers.
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    He gave his life to his passion.
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    His creativity was leadership,
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    leading others,
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    his bravery, to help others.
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    That was something he felt called to do,
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    and it gave back to him.
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    We know this -- the time
    of our life is so short,
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    and how we spend it --
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    are we spending it
    doing what's important to us?
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    Most of us not.
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    I mean, it's hard.
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    The pull of habit is so huge,
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    and that's what makes kids
    so beautifully creative,
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    is that they don't have any habits,
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    and they don't care
    if they're any good or not, right?
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    They're not building a sandcastle going,
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    "I think I'm going to be
    a really good sandcastle builder."
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    They just throw themselves at whatever
    project you put in front of them --
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    dancing, doing a painting,
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    building something:
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    any opportunity they have,
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    they try to use it to impress upon you
    their individuality.
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    It's so beautiful.
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    It's a thing that worries me sometimes
    whenever you talk about creativity,
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    because it can have this kind of feel
    that it's just nice,
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    you know, or it's warm
    or it's something pleasant.
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    It's not.
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    It's vital.
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    It's the way we heal each other.
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    In singing our song,
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    in telling our story,
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    in inviting you to say,
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    "Hey, listen to me,
    and I'll listen to you,"
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    we're starting a dialogue.
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    And when you do that,
    this healing happens,
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    and we come out of our corners,
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    and we start to witness
    each other's common humanity.
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    We start to assert it.
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    And when we do that,
    really good things happen.
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    So, if you want to help your community,
    if you want to help your family,
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    if you want to help your friends,
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    you have to express yourself.
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    And to express yourself,
    you have to know yourself.
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    It's actually super easy.
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    You just have to follow your love.
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    There is no path.
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    There's no path till you walk it,
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    and you have to be willing
    to play the fool.
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    So don't read the book
    that you should read,
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    read the book you want to read.
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    Don't listen to the music
    that you used to like.
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    Take some time to listen
    to some new music.
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    Take some time to talk to somebody
    that you don't normally talk to.
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    I guarantee, if you do that,
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    you will feel foolish.
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    That's the point.
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    Play the fool.
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    (Plays guitar)
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    (Sings) Well, I want to go Austin,
    and I wanna stay home.
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    Invite our friends over
    but still be alone.
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    Live for danger.
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    Play it cool.
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    Have everyone respect me
    for being a fool.
Title:
Give yourself permission to be creative
Speaker:
Ethan Hawke
Description:

Reflecting on moments that shaped his life, actor Ethan Hawke examines how courageous expression promotes healing and connection with one another -- and invites you to discover your own unabashed creativity. "There is no path till you walk it," he says.

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Video Language:
English
Team:
closed TED
Project:
TEDTalks
Duration:
09:16

English subtitles

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