[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:00.78,0:00:02.54,Default,,0000,0000,0000,,I love making movies.
Dialogue: 0,0:00:05.17,0:00:09.37,Default,,0000,0000,0000,,Motion pictures have been in existence\Nfor more than a hundred years.
Dialogue: 0,0:00:10.37,0:00:14.03,Default,,0000,0000,0000,,Filmmaking hasn't changed\Nfor the dimensional mindset.
Dialogue: 0,0:00:15.09,0:00:19.43,Default,,0000,0000,0000,,Placing the camera in a scene\Nand pressing "record" hasn't changed.
Dialogue: 0,0:00:19.45,0:00:22.70,Default,,0000,0000,0000,,Filmmaking is still a frontal experience,
Dialogue: 0,0:00:22.72,0:00:25.86,Default,,0000,0000,0000,,and creating the film has the possibility
Dialogue: 0,0:00:25.88,0:00:30.06,Default,,0000,0000,0000,,to follow the same direction\Nof the content creation.
Dialogue: 0,0:00:30.09,0:00:33.17,Default,,0000,0000,0000,,We still stand in front of a flat image,
Dialogue: 0,0:00:33.19,0:00:34.62,Default,,0000,0000,0000,,watching the fiction.
Dialogue: 0,0:00:36.32,0:00:37.76,Default,,0000,0000,0000,,There's nothing wrong with it.
Dialogue: 0,0:00:37.78,0:00:40.63,Default,,0000,0000,0000,,I love watching movies\Nand going to the theaters.
Dialogue: 0,0:00:40.66,0:00:43.37,Default,,0000,0000,0000,,The experiences can be\Nsuch emotional experiences.
Dialogue: 0,0:00:43.71,0:00:47.14,Default,,0000,0000,0000,,The art and craft of emotional\Nexperiences within a frame
Dialogue: 0,0:00:47.16,0:00:50.05,Default,,0000,0000,0000,,can be so strong\Nto drive a stronger emotion.
Dialogue: 0,0:00:51.18,0:00:53.53,Default,,0000,0000,0000,,The question we're asking is,
Dialogue: 0,0:00:53.56,0:00:57.51,Default,,0000,0000,0000,,How the experience of motion pictures\Ncan exist beyond the flat screen.
Dialogue: 0,0:00:58.54,0:01:00.41,Default,,0000,0000,0000,,How can we start creating content
Dialogue: 0,0:01:00.43,0:01:03.26,Default,,0000,0000,0000,,for the next generation\Nof content experiences?
Dialogue: 0,0:01:04.33,0:01:07.25,Default,,0000,0000,0000,,Traditionally, when we imagine a scene,
Dialogue: 0,0:01:07.27,0:01:09.45,Default,,0000,0000,0000,,we look at the frame and the composition.
Dialogue: 0,0:01:10.06,0:01:13.43,Default,,0000,0000,0000,,We have to think about how we create\Ndepth and parallax
Dialogue: 0,0:01:13.45,0:01:17.86,Default,,0000,0000,0000,,using foreground, background elements\Nas the camera moves.
Dialogue: 0,0:01:18.35,0:01:21.96,Default,,0000,0000,0000,,With the technology today\Nand devices of VR glasses,
Dialogue: 0,0:01:21.99,0:01:24.78,Default,,0000,0000,0000,,AR glasses, smart devices,
Dialogue: 0,0:01:24.81,0:01:28.70,Default,,0000,0000,0000,,allowing three-dimensional\Nand full navigation in space,
Dialogue: 0,0:01:28.72,0:01:31.22,Default,,0000,0000,0000,,we have the possibility\Nto enable audiences
Dialogue: 0,0:01:31.24,0:01:33.95,Default,,0000,0000,0000,,to experience content\Nfrom multiple perspectives.
Dialogue: 0,0:01:34.52,0:01:38.30,Default,,0000,0000,0000,,What we have to think about\Nis how we take this technology,
Dialogue: 0,0:01:38.33,0:01:39.90,Default,,0000,0000,0000,,all the capabilities,
Dialogue: 0,0:01:39.92,0:01:45.30,Default,,0000,0000,0000,,and enable the experience\Nto move farther away inside the scene.
Dialogue: 0,0:01:45.32,0:01:49.12,Default,,0000,0000,0000,,Now we're not talking about video games\Nor computer-generated actors,
Dialogue: 0,0:01:49.14,0:01:51.91,Default,,0000,0000,0000,,which look tremendously realistic.
Dialogue: 0,0:01:52.48,0:01:55.36,Default,,0000,0000,0000,,We're talking about real actors\Nand real performance,
Dialogue: 0,0:01:55.39,0:01:56.67,Default,,0000,0000,0000,,performing onstage.
Dialogue: 0,0:01:58.13,0:02:02.10,Default,,0000,0000,0000,,We have to start thinking\Nhow we capture the actors
Dialogue: 0,0:02:02.13,0:02:04.38,Default,,0000,0000,0000,,and how we capture the real scene
Dialogue: 0,0:02:04.40,0:02:06.35,Default,,0000,0000,0000,,in order to immerse inside.
Dialogue: 0,0:02:06.37,0:02:09.68,Default,,0000,0000,0000,,Now, we're familiar\Nwith the 360-degree video,
Dialogue: 0,0:02:09.70,0:02:12.22,Default,,0000,0000,0000,,where you place a camera inside the scene
Dialogue: 0,0:02:12.24,0:02:15.99,Default,,0000,0000,0000,,and you can create this beautiful\Npanoramic image all around you,
Dialogue: 0,0:02:16.02,0:02:17.56,Default,,0000,0000,0000,,but from the same aspect,
Dialogue: 0,0:02:17.58,0:02:19.77,Default,,0000,0000,0000,,filmmaking is still frontal.
Dialogue: 0,0:02:20.47,0:02:23.26,Default,,0000,0000,0000,,In order to emerge fully inside the scene,
Dialogue: 0,0:02:23.28,0:02:27.33,Default,,0000,0000,0000,,we will need to capture the light\Nfrom all the possible directions.
Dialogue: 0,0:02:27.35,0:02:32.06,Default,,0000,0000,0000,,We will have to surround the scene\Nwith an enormous amount of sensors,
Dialogue: 0,0:02:32.08,0:02:35.91,Default,,0000,0000,0000,,with all possible capabilities\Nto capture the light
Dialogue: 0,0:02:35.93,0:02:38.46,Default,,0000,0000,0000,,and enable us to emerge\Ninside afterwards again.
Dialogue: 0,0:02:39.91,0:02:41.23,Default,,0000,0000,0000,,Now, in this setup,
Dialogue: 0,0:02:41.25,0:02:43.77,Default,,0000,0000,0000,,there's no more foreground or background
Dialogue: 0,0:02:43.80,0:02:45.49,Default,,0000,0000,0000,,or a camera placed in space
Dialogue: 0,0:02:45.51,0:02:49.03,Default,,0000,0000,0000,,but hundreds of sensors\Ncapturing the light
Dialogue: 0,0:02:49.06,0:02:51.91,Default,,0000,0000,0000,,and capturing the motion\Nfrom all the possible directions.
Dialogue: 0,0:02:53.02,0:02:55.10,Default,,0000,0000,0000,,With the new technological advancements,
Dialogue: 0,0:02:55.12,0:02:57.69,Default,,0000,0000,0000,,we can start looking at 3D photography,
Dialogue: 0,0:02:57.71,0:03:00.56,Default,,0000,0000,0000,,capturing the light\Nfrom multiple perspectives,
Dialogue: 0,0:03:00.58,0:03:02.50,Default,,0000,0000,0000,,enabling us to reconstruct the object.
Dialogue: 0,0:03:03.53,0:03:05.72,Default,,0000,0000,0000,,This is like photography in 3D space.
Dialogue: 0,0:03:06.46,0:03:09.13,Default,,0000,0000,0000,,Now, with these\Ntechnological advancements,
Dialogue: 0,0:03:09.16,0:03:12.55,Default,,0000,0000,0000,,we can record video\Nnot just as a flat image
Dialogue: 0,0:03:12.58,0:03:14.07,Default,,0000,0000,0000,,but as a volume.
Dialogue: 0,0:03:14.09,0:03:16.99,Default,,0000,0000,0000,,This is what we call "volumetric video,"
Dialogue: 0,0:03:17.01,0:03:20.61,Default,,0000,0000,0000,,and it has the capability\Nto record every action of the scene
Dialogue: 0,0:03:20.63,0:03:22.43,Default,,0000,0000,0000,,as a full three-dimensional volume.
Dialogue: 0,0:03:23.14,0:03:25.28,Default,,0000,0000,0000,,Now, what is a voxel?
Dialogue: 0,0:03:26.19,0:03:29.30,Default,,0000,0000,0000,,A voxel is like a three-dimensional pixel,
Dialogue: 0,0:03:29.32,0:03:34.62,Default,,0000,0000,0000,,but instead of being a flat image square,\Nstaying light and colored,
Dialogue: 0,0:03:34.64,0:03:37.90,Default,,0000,0000,0000,,it's like a three-dimensional\Ncube in space,
Dialogue: 0,0:03:37.92,0:03:40.33,Default,,0000,0000,0000,,with x, y, and z positions.
Dialogue: 0,0:03:41.00,0:03:44.81,Default,,0000,0000,0000,,This enables us to create\Na full capture of the scene
Dialogue: 0,0:03:44.83,0:03:46.14,Default,,0000,0000,0000,,from any perspective.
Dialogue: 0,0:03:46.98,0:03:51.89,Default,,0000,0000,0000,,Now this renders\Na fully light-immersive scene
Dialogue: 0,0:03:51.91,0:03:53.98,Default,,0000,0000,0000,,from multiple perspectives.
Dialogue: 0,0:03:54.01,0:03:58.93,Default,,0000,0000,0000,,This capability requires an insane amount\Nof information to be processed.
Dialogue: 0,0:03:58.95,0:04:03.87,Default,,0000,0000,0000,,We will have to capture the light\Nfrom an enormous amount of cameras
Dialogue: 0,0:04:03.89,0:04:05.40,Default,,0000,0000,0000,,to create this information.
Dialogue: 0,0:04:06.57,0:04:09.75,Default,,0000,0000,0000,,Now, in order to do such a thing,
Dialogue: 0,0:04:09.78,0:04:15.13,Default,,0000,0000,0000,,we would need a setup that would host\Na numerous amount of cameras
Dialogue: 0,0:04:16.05,0:04:18.04,Default,,0000,0000,0000,,installed in a stage
Dialogue: 0,0:04:18.07,0:04:23.24,Default,,0000,0000,0000,,and a stage big enough in order to fit\Na full cinematic experience.
Dialogue: 0,0:04:24.10,0:04:28.73,Default,,0000,0000,0000,,Now that sounds like a crazy idea,\Nbut that's exactly what we did.
Dialogue: 0,0:04:29.58,0:04:31.01,Default,,0000,0000,0000,,For the last three years,
Dialogue: 0,0:04:31.04,0:04:35.43,Default,,0000,0000,0000,,we have been building\Na huge volumetric camera chamber.
Dialogue: 0,0:04:36.06,0:04:39.21,Default,,0000,0000,0000,,It's 10,000 square feet of a stage,
Dialogue: 0,0:04:39.23,0:04:42.42,Default,,0000,0000,0000,,enabling to capture the action\Nfrom any location.
Dialogue: 0,0:04:43.18,0:04:45.27,Default,,0000,0000,0000,,We have deployed hundreds of cameras,
Dialogue: 0,0:04:45.29,0:04:47.81,Default,,0000,0000,0000,,sending a tremendous amount of information
Dialogue: 0,0:04:47.83,0:04:51.73,Default,,0000,0000,0000,,to a huge data center\Npowered by Intel supercomputers.
Dialogue: 0,0:04:52.70,0:04:56.06,Default,,0000,0000,0000,,The ability to have this 10,000 feet
Dialogue: 0,0:04:56.08,0:04:59.44,Default,,0000,0000,0000,,enables us to fit any kind of action,
Dialogue: 0,0:04:59.47,0:05:00.92,Default,,0000,0000,0000,,any kind of performance.
Dialogue: 0,0:05:01.44,0:05:04.01,Default,,0000,0000,0000,,It is the size of an average\NBroadway stage.
Dialogue: 0,0:05:05.40,0:05:07.46,Default,,0000,0000,0000,,We call it Intel Studios,
Dialogue: 0,0:05:07.48,0:05:10.48,Default,,0000,0000,0000,,and it's the largest volumetric\Nstage in the world,
Dialogue: 0,0:05:10.50,0:05:14.05,Default,,0000,0000,0000,,with the objective\Nof enabling and exploring
Dialogue: 0,0:05:14.08,0:05:17.12,Default,,0000,0000,0000,,the next generation\Nof this immersive media filmmaking.
Dialogue: 0,0:05:18.50,0:05:20.86,Default,,0000,0000,0000,,Now, to test these ideas,
Dialogue: 0,0:05:21.97,0:05:26.86,Default,,0000,0000,0000,,we were thinking about what we can do\Nas the first scene to try it out.
Dialogue: 0,0:05:27.95,0:05:29.47,Default,,0000,0000,0000,,So we chose the Western scene.
Dialogue: 0,0:05:30.35,0:05:34.93,Default,,0000,0000,0000,,We brought horses, set designers, dirt,
Dialogue: 0,0:05:34.95,0:05:38.65,Default,,0000,0000,0000,,everything needed to create\Nthe full scene of a Western.
Dialogue: 0,0:05:38.67,0:05:41.58,Default,,0000,0000,0000,,But this time, there was no camera inside.
Dialogue: 0,0:05:42.31,0:05:46.22,Default,,0000,0000,0000,,There was nothing really moving\Nbesides all the cameras
Dialogue: 0,0:05:46.24,0:05:48.11,Default,,0000,0000,0000,,installed outside.
Dialogue: 0,0:05:48.42,0:05:51.26,Default,,0000,0000,0000,,The challenge\Nof the actors was tremendous.
Dialogue: 0,0:05:51.29,0:05:57.05,Default,,0000,0000,0000,,They have to perform a flawless action\Nvisible from all the directions.
Dialogue: 0,0:05:57.65,0:06:02.17,Default,,0000,0000,0000,,There's no possibility to hide a punch\Nor not show the action.
Dialogue: 0,0:06:02.70,0:06:04.96,Default,,0000,0000,0000,,Everything is captured\Nand everything is seen.
Dialogue: 0,0:06:05.70,0:06:09.40,Default,,0000,0000,0000,,The output of the capture --
Dialogue: 0,0:06:09.42,0:06:10.88,Default,,0000,0000,0000,,this is our future capture --
Dialogue: 0,0:06:10.91,0:06:13.74,Default,,0000,0000,0000,,opened our eyes for\Nthe immense capabilities.
Dialogue: 0,0:06:13.76,0:06:17.72,Default,,0000,0000,0000,,It was like a full 3D scan\Nof the entire scene.
Dialogue: 0,0:06:17.74,0:06:21.48,Default,,0000,0000,0000,,We were able to move around\Nand travel in the space.
Dialogue: 0,0:06:21.51,0:06:22.67,Default,,0000,0000,0000,,The thing about this,
Dialogue: 0,0:06:22.69,0:06:26.43,Default,,0000,0000,0000,,it's not anymore about perceiving\Nthe light emitted from a screen
Dialogue: 0,0:06:26.46,0:06:29.06,Default,,0000,0000,0000,,but now traveling inside the light,
Dialogue: 0,0:06:29.09,0:06:30.78,Default,,0000,0000,0000,,traveling inside the scene.
Dialogue: 0,0:06:30.81,0:06:33.72,Default,,0000,0000,0000,,This obviously opens possibilities\Nfor an enormous amount
Dialogue: 0,0:06:33.75,0:06:37.40,Default,,0000,0000,0000,,of storytelling\Nand methodologies of creation.
Dialogue: 0,0:06:37.80,0:06:41.18,Default,,0000,0000,0000,,This is the possibilities\Nof your personal narrative,
Dialogue: 0,0:06:41.20,0:06:44.03,Default,,0000,0000,0000,,the possibility of creating\Nyour own story inside,
Dialogue: 0,0:06:44.05,0:06:45.71,Default,,0000,0000,0000,,or maybe following other stories.
Dialogue: 0,0:06:47.47,0:06:49.96,Default,,0000,0000,0000,,Let's take a look\Nat one of the last renders and see.
Dialogue: 0,0:06:49.99,0:06:51.06,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:06:51.08,0:06:54.14,Default,,0000,0000,0000,,What you're seeing here\Nis full volumetric video,
Dialogue: 0,0:06:54.17,0:06:56.39,Default,,0000,0000,0000,,and there's no physical\Ncamera in the scene.
Dialogue: 0,0:06:56.42,0:06:58.33,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:06:58.35,0:06:59.89,Default,,0000,0000,0000,,We have the full control
Dialogue: 0,0:06:59.92,0:07:01.49,Default,,0000,0000,0000,,(Music, sounds of combat)
Dialogue: 0,0:07:01.51,0:07:03.31,Default,,0000,0000,0000,,of space and time.
Dialogue: 0,0:07:03.34,0:07:10.34,Default,,0000,0000,0000,,(Music, sounds of combat)
Dialogue: 0,0:07:14.36,0:07:17.17,Default,,0000,0000,0000,,Now, again, no physical camera was here.
Dialogue: 0,0:07:17.19,0:07:19.87,Default,,0000,0000,0000,,Everything was captured surrounding.
Dialogue: 0,0:07:19.89,0:07:22.04,Default,,0000,0000,0000,,Now, this is very nice,
Dialogue: 0,0:07:22.07,0:07:26.30,Default,,0000,0000,0000,,but what if we wanted to see the scene,\Nmaybe, from the eyes of the horse?
Dialogue: 0,0:07:26.68,0:07:29.04,Default,,0000,0000,0000,,Well, we can do that as well.
Dialogue: 0,0:07:29.07,0:07:30.46,Default,,0000,0000,0000,,(Horse galloping)
Dialogue: 0,0:07:30.49,0:07:33.76,Default,,0000,0000,0000,,So what you're seeing right now\Nis the same action,
Dialogue: 0,0:07:33.78,0:07:37.20,Default,,0000,0000,0000,,but this time, we're watching\Nexactly from the eyes of the horse.
Dialogue: 0,0:07:37.22,0:07:40.88,Default,,0000,0000,0000,,The possibilities are, well, unlimited.
Dialogue: 0,0:07:41.36,0:07:42.36,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:07:42.38,0:07:43.54,Default,,0000,0000,0000,,Thank you.
Dialogue: 0,0:07:43.57,0:07:46.98,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:07:46.100,0:07:51.09,Default,,0000,0000,0000,,So this is all great\Nfor creators and storytellers.
Dialogue: 0,0:07:51.11,0:07:53.12,Default,,0000,0000,0000,,It really opens a huge canvas
Dialogue: 0,0:07:53.15,0:07:56.10,Default,,0000,0000,0000,,for a different type\Nof storytelling and moviemaking.
Dialogue: 0,0:07:56.13,0:07:57.62,Default,,0000,0000,0000,,But what about the audience?
Dialogue: 0,0:07:57.64,0:08:00.22,Default,,0000,0000,0000,,How can the audience\Nexperience this differently?
Dialogue: 0,0:08:00.84,0:08:02.73,Default,,0000,0000,0000,,In order to [create] our explorations,
Dialogue: 0,0:08:02.75,0:08:04.57,Default,,0000,0000,0000,,we partnered with Paramount Pictures
Dialogue: 0,0:08:04.59,0:08:08.64,Default,,0000,0000,0000,,in order to explore immersive media\Nin a Hollywood movie production.
Dialogue: 0,0:08:09.11,0:08:11.25,Default,,0000,0000,0000,,Together with the director Randal Kleiser,
Dialogue: 0,0:08:11.28,0:08:16.08,Default,,0000,0000,0000,,we reimagined the iconic movie of 1978,
Dialogue: 0,0:08:16.11,0:08:17.46,Default,,0000,0000,0000,,"Grease."
Dialogue: 0,0:08:17.48,0:08:19.86,Default,,0000,0000,0000,,Some of you know it, some of you don't.
Dialogue: 0,0:08:19.89,0:08:22.98,Default,,0000,0000,0000,,A 40-year-old movie, amazing experience.
Dialogue: 0,0:08:23.45,0:08:29.89,Default,,0000,0000,0000,,And our goal was really to look at how \Nwe can take this iconic action and dance
Dialogue: 0,0:08:29.91,0:08:32.59,Default,,0000,0000,0000,,and bring it deeper into the experience,
Dialogue: 0,0:08:32.61,0:08:34.61,Default,,0000,0000,0000,,bring it deeper into the audience.
Dialogue: 0,0:08:34.63,0:08:37.22,Default,,0000,0000,0000,,Imagine that you can\Nnot just watch the movie
Dialogue: 0,0:08:37.24,0:08:40.62,Default,,0000,0000,0000,,but get inside it\Nand dance with the actors
Dialogue: 0,0:08:40.65,0:08:42.28,Default,,0000,0000,0000,,and dance with the performance.
Dialogue: 0,0:08:42.30,0:08:48.01,Default,,0000,0000,0000,,Now we're breaking, really,\Nthe traditional 2D mindset of thinking,
Dialogue: 0,0:08:48.03,0:08:51.30,Default,,0000,0000,0000,,and bringing a much richer\Npossibility of moviemaking
Dialogue: 0,0:08:51.33,0:08:52.48,Default,,0000,0000,0000,,and content creation.
Dialogue: 0,0:08:53.26,0:08:55.11,Default,,0000,0000,0000,,But why watch it on the screen?
Dialogue: 0,0:08:56.00,0:08:58.42,Default,,0000,0000,0000,,Let's try to bring these actors\Nhere on the stage.
Dialogue: 0,0:09:05.16,0:09:07.06,Default,,0000,0000,0000,,So they're not going to really come --
Dialogue: 0,0:09:07.09,0:09:08.36,Default,,0000,0000,0000,,I'm going to use an iPad.
Dialogue: 0,0:09:08.39,0:09:09.39,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:09:09.41,0:09:10.56,Default,,0000,0000,0000,,Sorry.
Dialogue: 0,0:09:10.59,0:09:15.25,Default,,0000,0000,0000,,I'm going to use an iPad\Nin order to bring in augmented reality.
Dialogue: 0,0:09:15.28,0:09:20.11,Default,,0000,0000,0000,,Now, obviously, these devices\Nhave their own limitations
Dialogue: 0,0:09:21.11,0:09:23.12,Default,,0000,0000,0000,,in terms of the data-computing process,
Dialogue: 0,0:09:23.14,0:09:25.48,Default,,0000,0000,0000,,so we have to reduce\Nthe amount of resolution.
Dialogue: 0,0:09:27.02,0:09:30.91,Default,,0000,0000,0000,,So what I'm doing now,\NI'm placing here a marker,
Dialogue: 0,0:09:30.94,0:09:35.78,Default,,0000,0000,0000,,so I'll be able to position exactly\Nwhere I want everyone to appear.
Dialogue: 0,0:09:42.61,0:09:43.76,Default,,0000,0000,0000,,OK.
Dialogue: 0,0:09:43.78,0:09:45.11,Default,,0000,0000,0000,,I think we have them here.
Dialogue: 0,0:09:45.91,0:09:52.30,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:09:52.33,0:09:53.64,Default,,0000,0000,0000,,John Travolta, or --
Dialogue: 0,0:09:53.66,0:09:54.66,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:09:54.69,0:09:55.84,Default,,0000,0000,0000,,a version of him.
Dialogue: 0,0:09:56.78,0:09:58.14,Default,,0000,0000,0000,,Let's take a look.
Dialogue: 0,0:09:58.46,0:09:59.61,Default,,0000,0000,0000,,(Video) Female: Hey.
Dialogue: 0,0:09:59.64,0:10:01.22,Default,,0000,0000,0000,,Male: And that is how it's done.
Dialogue: 0,0:10:01.24,0:10:02.45,Default,,0000,0000,0000,,Female: Your turn.
Dialogue: 0,0:10:02.47,0:10:04.03,Default,,0000,0000,0000,,Male: Hey, guys! Check this out.
Dialogue: 0,0:10:04.06,0:10:06.98,Default,,0000,0000,0000,,(Song: "You're the one that I want")
Dialogue: 0,0:10:07.37,0:10:08.54,Default,,0000,0000,0000,,Danny: Sandy!
Dialogue: 0,0:10:08.84,0:10:11.18,Default,,0000,0000,0000,,Sandy: Tell me about it, stud.
Dialogue: 0,0:10:12.03,0:10:15.95,Default,,0000,0000,0000,,(Singing) I got chills.\NThey're multiplying
Dialogue: 0,0:10:16.55,0:10:20.94,Default,,0000,0000,0000,,And I'm losing control
Dialogue: 0,0:10:20.96,0:10:25.23,Default,,0000,0000,0000,,'Cause the power you're supplying
Dialogue: 0,0:10:25.25,0:10:27.26,Default,,0000,0000,0000,,It's electrifying!
Dialogue: 0,0:10:27.26,0:10:28.26,Default,,0000,0000,0000,,(Video ends)
Dialogue: 0,0:10:28.26,0:10:33.86,Default,,0000,0000,0000,,(Applause and cheers)
Dialogue: 0,0:10:33.88,0:10:35.21,Default,,0000,0000,0000,,Diego Prilusky: Thank you.
Dialogue: 0,0:10:35.24,0:10:37.48,Default,,0000,0000,0000,,(Applause and cheers)
Dialogue: 0,0:10:37.51,0:10:38.80,Default,,0000,0000,0000,,So as you can see,
Dialogue: 0,0:10:40.04,0:10:43.96,Default,,0000,0000,0000,,we can watch and experience content\Nin the traditional way
Dialogue: 0,0:10:43.98,0:10:45.19,Default,,0000,0000,0000,,or in an immersive way.
Dialogue: 0,0:10:46.01,0:10:47.93,Default,,0000,0000,0000,,Really, the possibilities are open.
Dialogue: 0,0:10:48.70,0:10:52.16,Default,,0000,0000,0000,,We're not trying to change\Nor replace movies.
Dialogue: 0,0:10:52.76,0:10:54.35,Default,,0000,0000,0000,,We're enhancing them.
Dialogue: 0,0:10:54.37,0:10:59.19,Default,,0000,0000,0000,,The technologies enable new possibilities\Nto start thinking beyond the flat screen.
Dialogue: 0,0:11:00.22,0:11:04.09,Default,,0000,0000,0000,,We're in immersive and really\Nexciting times in filmmaking.
Dialogue: 0,0:11:04.46,0:11:06.95,Default,,0000,0000,0000,,We're at the threshold of a new era.
Dialogue: 0,0:11:06.97,0:11:10.12,Default,,0000,0000,0000,,We're opening the gates\Nfor new possibilities
Dialogue: 0,0:11:10.15,0:11:11.90,Default,,0000,0000,0000,,of immersive storytelling,
Dialogue: 0,0:11:13.12,0:11:17.73,Default,,0000,0000,0000,,and exploration and defining\Nwhat immersive media filmmaking means.
Dialogue: 0,0:11:18.87,0:11:21.20,Default,,0000,0000,0000,,We're really just at the beginning,
Dialogue: 0,0:11:21.23,0:11:23.62,Default,,0000,0000,0000,,and we invite you all to join us.
Dialogue: 0,0:11:24.15,0:11:25.30,Default,,0000,0000,0000,,Thank you.
Dialogue: 0,0:11:25.32,0:11:30.44,Default,,0000,0000,0000,,(Applause)