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Ghajini[HD+Viet Sub+ English sub].2008

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    Brain is the most important
    organ of the human body.
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    The most vital component
    in the human system.
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    It's the brain that controls
    every body part.
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    Brain is the king of all
    human body parts.
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    Patient Name: Sanjay Singhania
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    Symptom: Anti retrograde
    Amnesia Short term memory loss
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    Hey, look at this one.
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    This one's my project.
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    No.
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    Sir, but why?
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    Forget this case.
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    But it's such an interesting case.
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    Interesting yes,
    but it's also a police case.
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    But...
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    Sunita, you want me to
    call your parents?
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    Fine, I won't take it up.
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    But as medical students,
    we want to know.
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    Okay...
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    That is Sanjay Singhania.
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    Hit on the head with an iron rod.
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    After the incident,
    he lost his memory.
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    He is unable to remember anything now.
    We call it short term memory loss.
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    He remembers events for
    only about 15 minutes.
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    Afterwards...
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    he forgets everything.
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    For example, he'd ask your name...
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    and in 15 minutes he will
    have forgotten it.
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    He recalls only fragments of the incident.
    But we can't say how much of it he remembers.
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    Regular tasks like eating,
    drinking, driving, also his feelings...
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    lie embedded in his
    sub-conscious mind.
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    How does he go about
    his everyday routine?
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    How does a child perform
    instructed tasks?
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    By committing to memory,
    learning by rote.
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    Or, by jotting things
    down in writing.
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    Likewise, he remembers
    tasks by writing.
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    What was that incident?
    Who assaulted him?
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    This, no one knows.
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    Unfortunately, he doesn't
    even recall a face.
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    How can someone live on like this...
    I wonder, what he's doing this moment...
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    Ghajini
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    Killed, just like Mangesh.
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    The second, this week.
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    Even if I've to search every street,
    I'm going to get this one in 48 hours.
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    Find out who...
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    I must find him before the
    police gets to him.
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    Where to?
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    There...
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    Orchard Avenue.
    Pin 400076. My street
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    We're in Orchard Avenue.
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    Take the next right.
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    Odyssey. It's a building on
    your right. I want to go there.
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    My building
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    73 Rupees.
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    Whose address is it?
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    Mine.
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    Kill him Find Ghajini
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    Find him Kill him
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    Photos
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    House Keys
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    Wallet
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    Cell phone
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    Camera
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    Gun
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    Remove T shirt
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    Revenge
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    Kalpana was killed
    Who is Ghajini?
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    Revenge
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    Check notes, Photos
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    Find Ghajini
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    Kill him
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    Day before yesterday. 10 am.
    From Hiranandani to Andheri Station.
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    Yes, I sold that ticket.
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    What's written behind it?
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    He paid me with a five hundred note.
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    I didn't have change.
    So I wrote it on the back.
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    He forgot to take the change...
    hey, it must be him.
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    Who...?
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    This one always forgets.
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    Sometimes he forgets to buy a ticket,
    sometimes it's the change.
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    At times, he'll go on buying tickets.
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    He keeps on asking the
    names of bus stops.
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    Can you recognise him?
    - Why not... looks a strange sort,
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    keeps his head shaven,
    has a long scar on the head.
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    Every morning at ten, he takes
    the bus from Hiranandani.
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    It's nine.
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    We got an hour to get him. Come on.
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    Take camera
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    Bus 392
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    There he goes.
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    Hey...
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    Damn it.
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    See you in the canteen after the lecture.
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    Excuse me... excuse me, sir...
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    Hi sir! I'm Sunita.
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    Sunita. Final year medical student.
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    You don't know me.
    But I know you.
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    Can I talk to you for
    two minutes... please?
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    As a medical student,
    I want to know how...
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    Camera beeps
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    What's that?
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    My camera.
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    Why is it beeping?
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    It buzzes every 15 minutes.
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    So that I can take photos...
    of important things, people...
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    to inscribe on them, to remember.
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    On photos?
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    Yes.
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    What are you doing?
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    Making notes...
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    Tear it out, throw it away. Do it.
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    Can I see a photo?
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    My watchman
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    My doctor
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    My manager
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    My building
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    Hiranandani? Do you live there?
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    Yes.
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    Can I ask...
    how you got injured in the head.
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    My professor told me
    about some accident.
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    Do you remember anything
    about the incident?
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    Yes
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    What happened?
    Who hit you?
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    We aren't friends enough for me
    to confide in you.
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    Sorry sir... sorry.
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    I'd like to meet you again.
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    Take my photograph...
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    I'll use it to remind you
    when we meet again.
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    One more...
    one for you and one for me.
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    I hope I'm a friend now?
    Please write on it "My Friend".
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    Thanks.
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    The next time we meet,
    I'll show this to you.
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    You think the police is incompetent?
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    My name is Sanjay.
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    Sanjay Singhania.
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    Business is my passion,
    it's also my job.
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    My dad dreamt of turning the enterprise
    into India's largest cellphone company.
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    His dream is now my purpose.
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    And I'll leave nothing undone
    in order to achieve it.
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    I live in Mumbai.
    My mother was born in this city.
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    I share a bond with this city.
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    Here we are, in Air Voice.
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    In my office.
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    And they are my most trusted employees.
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    Dad said, put all your emotions into work,
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    don't get emotional about it.
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    Across India,
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    we're targeting a 500 million
    subscriber base.
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    Are you shocked?
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    I can achieve it.
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    And I'm not being vain,
    I'm just confident.
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    It's a fine line between
    vanity and confidence.
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    That I can achieve,
    speaks my confidence.
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    Only I can achieve,
    would speak of my vanity.
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    We need confidence,
    let's build on it.
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    Kindly leave vanity outside office.
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    Thank you.
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    Swing in the rhythm
    "Jhoom jhamak jhoom"
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    Tap out the beat
    "Tum tamaak tum"
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    Hey kiddo!
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    Hey kiddo,
    you better hear
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    Right from my heart,
    here's the order
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    Just live it up,
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    there are no limits,
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    no borders
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    There's a heady cocktail,
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    in wines of merriness
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    If you got a taste for life,
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    toe the line of happiness
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    Listen, here's the secret
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    There's no life in EMls,
    take a deep breath
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    Don't you hold back,
    just give it away
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    Why hide in hearts,
    what you can say
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    Sing and smile,
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    it's what life teaches
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    Swing it, beat it,
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    we aren't hostages
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    Swing in the rhythm of
    "Jhoom jhamak jhoom"
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    Tap out the beat
    "Tum tamaak tum"
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    Ride the rhythm of waves,
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    abreast all tides and ebbs
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    Swing it, give it a shake
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    BIGPictures
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    Kalpana!
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    The call sheet said nine o'clock.
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    You're in at ten thirty!
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    Everyone's waiting.
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    So much traffic today...
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    Don't make excuses.
    Go and change.
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    Okay, sir
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    Hi... am I too late?
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    What life... filling in for a crowd...
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    and she... preens like a superstar.
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    Can I go for lights?
    - And roll?
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    Lights.
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    Roll camera.
    - Rolling.
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    Action.
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    Rub and scrub...
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    till my hands tire
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    The yellow just,
    will never wear
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    Camera pan.
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    Action, ma'am...?
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    That's why you must get Kite!
    Then you'll discover white
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    Sparkling white in One Rupee.
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    Gleaming, glistening whites
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    Kalpana!
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    It'll be our eighth display site
    on this road.
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    Are all six hoardings available?
    - Three, sir.
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    Next choice?
    - Over here.
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    This one...
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    a hoarding on the terrace...
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    will be visible from the fly-over.
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    Looks okay to me.
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    Who lives here?
    - A girl. Kalpana. We can approach her.
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    Do that.
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    Now what?
    - Battery problem.
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    What's going on?
    Now it's the battery...
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    Excuse me, can we talk to Kalpana-madam?
    - Kalpana isn't "madam". Plain Kalpana.
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    And you are...?
    - We're from Air Voice.
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    I'm Mr Sanjay Singhania's
    executive assistant.
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    Air Voice?
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    Myself, Satveer Kohli.
    I run this ad film company.
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    We've done a range of ads...
    soaps, oils, toothbrushes, digestive pills.
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    Our latest was Monkey Brand toothpowder.
    You want an ad film?
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    We just want to see Kalpana madam.
    Mr Singhania has sent me here.
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    Kalpana... is in the green room.
    Go ahead.
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    Excuse me, ma'am...
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    Yes?
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    I'm Shroff. From Air Voice.
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    Open the door, go in.
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    Serve them tea and come out.
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    Sorry, don't try to convince me.
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    Your boss is enchanted?
    But so what?
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    The proposition ought to be
    acceptable to me.
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    It's a matter of love...
    matter of love.
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    Please madam, on behalf of my boss,
    I request.
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    Please think it over.
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    What's there to think over?
    You have heard my decision.
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    Now leave, please.
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    They're going.
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    Madam, please...
    - Tell your boss, Kalpana is displeased.
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    If you change your mind,
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    here's my card.
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    Do call.
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    Okay
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    Sorry... I'll get ready in two minutes.
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    Madam, one minute...
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    Madam...?
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    Kalpana ji...
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    Ji...?
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    I apologise for intruding upon
    your personal affairs.
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    But all of us heard whatever
    went on inside.
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    Spot boy, find a chair for madam.
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    Let me surmise what might've happened.
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    Sanjay Singhania saw you somewhere.
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    And when he saw you,
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    it was love at first sight.
    Thereby hangs a question.
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    He pins his hopes on a yes from you,
    it's why he sent his men to you.
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    And you for one, are putting him away?
    Am I correct, madam? Correct?
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    Yes, correct.
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    Why are you spurning
    a fine proposition?
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    Today, it's a man who owns Air Voice.
    Tomorrow, it'll be a Bill Gates.
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    Am I to just to capitulate?
    After all, my choice matters!
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    Think, what a wonderful
    opportunity it is!
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    On a nod from you, our company will be
    transported to such heights!
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    You must've done a deed of great virtue.
    Just say a prayer and take the plunge!
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    Allow me... I'll call.
    - Sir... oh, but no...
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    Ringing... talk.
    - Talk.
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    Air Voice. Can I help you?
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    Hello...
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    This is Kalpana.
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    Kalpana... who...?
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    Oh, Kalpana of the terrace-hoarding?
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    We found out about you.
    The house isn't yours.
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    You haven't paid rent in two months.
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    And you're playing hard to get?
    Get lost.
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    That office is all shook-up!
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    Keep talking.
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    Go to your boss and tell him,
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    Kalpana said yes.
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    So what if it isn't gold?
    It still shines.
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    Nathumal Gendamal Jewellers.
    42 Link Road, Malad West.
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    We have no branches.
  • 39:23 - 39:26
    Mom, in whom do we trust?
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    In mother first, you must trust.
    Only another thing, everyone trusts.
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    It's our soap. Hamam.
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    Sir... why must you...?
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    It doesn't matter, my child.
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    Kalpana, I want to tell you
    about something.
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    An ad film agent is coming here.
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    He's into the big agencies.
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    What if he gets to know that...
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    Sanjay Singhania is romancing
    our lead model?
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    Then...?
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    It'll be a great boost for us.
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    How long will we keep
    making small films?
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    Our company needs
    national clients.
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    Sir, consider it done.
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    Kalpana is like a magic wand!
    One flourish and yesterday's gone.
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    Don't worry.
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    Excuse me... I'm doing an article on
    struggling models for Mayapuri.
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    Can I interview some models?
    - In the green room.
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    Excuse me...?
    - Oh, welcome.
  • 40:56 - 40:57
    Be seated.
    - Thank you.
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    My director said
    you'd be coming.
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    Really?
  • 41:01 - 41:04
    Setting up these sets
    takes so much time.
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    And I got to get to the airport.
    Sanjay is flying in.
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    Sanjay who?
  • 41:09 - 41:11
    Sanjay Singhania.
  • 41:11 - 41:13
    Of Air Voice.
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    My lover.
  • 41:16 - 41:18
    Sanjay Singhania?
    Your lover?
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    Yes, you know... actually,
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    we met at Delhi airport.
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    I never knew he's Sanjay Singhania.
    In the airport lobby, he kept staring at me.
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    On the flight, he was on the seat beside me.
    Hi, I'm Sanjay Singhania... and I said hi.
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    That's when I discovered who he is.
  • 41:41 - 41:44
    One minute...
    can I write it down?
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    Yes, why not?
    You won't believe this...
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    From Delhi to Bombay,
    he talked non-stop.
  • 41:50 - 41:54
    Plain chatter. I could only
    listen on.
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    Then all of a sudden,
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    I love you.
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    Will you marry me?
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    I say, are you silly.
    Are marriages made in thin air?
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    Back in Bombay, I'm inundated
    with phone calls and smses.
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    I never gave him much of a lift.
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    In the end, I took pity on him.
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    So I decided to say yes.
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    This week's breaking news,
    right inside Mayapuri.
  • 42:39 - 42:44
    Business tycoon Sanjay Singhania in
    an affair with an aspiring model.
  • 42:44 - 42:47
    Read about it in
    Kalpana's own words.
  • 42:47 - 42:59
    Two packs of "MDH Masala" free
    with this week's edition
  • 42:59 - 43:02
    Hello...?
  • 43:02 - 43:06
    I don't know who she is,
    I haven't even seen her face.
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    Please don't disturb me.
  • 43:09 - 43:12
    Hello...?
  • 43:12 - 43:15
    It's all lies.
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    How do I know why
    she's saying all this?
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    No, please talk to me later.
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    No more calls.
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    Does it have
    her photos?
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    Neither yours, nor hers.
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    I want to meet her. Find out.
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    What do we do now?
    - It's impossible. Do we return?
  • 43:54 - 44:09
    Wait, let's see how we can go inside.
  • 44:09 - 44:13
    Something happened...?
    - The children are here to see the museum.
  • 44:13 - 44:23
    What are we to do?
  • 44:23 - 44:34
    One second.
  • 44:34 - 45:19
    Careful while you get
    your feet into it.
  • 45:19 - 45:24
    So sweet.
  • 45:24 - 45:54
    Bye.
    - Bye.
  • 45:54 - 45:55
    Sir, should I go in?
  • 45:55 - 46:00
    Wait here.
  • 46:00 - 46:03
    Excuse me, who's Kalpana?
    - Up on the terrace.
  • 46:03 - 46:07
    My name's Sachin. Like, Sachin Tendulkar.
    Recommend me, please.
  • 46:07 - 46:10
    Congratulations for the good news.
    - Thank you.
  • 46:10 - 46:14
    Excuse me... I'll see
    what I can do.
  • 46:14 - 46:16
    Hello... thanks.
  • 46:16 - 46:18
    Did you send the photographs?
  • 46:18 - 46:24
    Excuse me.
  • 46:24 - 46:25
    One second.
  • 46:25 - 46:28
    Yes... I'll talk to you later.
  • 46:28 - 46:32
    Yes?
  • 46:32 - 46:33
    Kalpana...?
  • 46:33 - 46:35
    Yes, I am... go on.
  • 46:35 - 46:42
    I... read the news in Mayapuri.
  • 46:42 - 46:50
    Not Mayapuri again... what a day of calls,
    autographs, photographs, bouquets, smses.
  • 46:50 - 46:55
    I didn't tell my story for all this...
    Sanjay must be so annoyed.
  • 46:55 - 46:56
    Sanjay...?
  • 46:56 - 46:59
    Sanjay Singhania.
  • 46:59 - 47:01
    Actually,
  • 47:01 - 47:03
    we met at Delhi airport.
  • 47:03 - 47:06
    I never knew he's Sanjay Singhania.
  • 47:06 - 47:11
    In the airport lobby,
    he kept staring at me.
  • 47:11 - 47:15
    On the flight,
    he was on the seat beside me.
  • 47:15 - 47:20
    Hi, I'm Sanjay Singhania...
    and I said hi.
  • 47:20 - 47:29
    That's when I discovered who he is.
    From Delhi to Bombay, he talked non-stop.
  • 47:29 - 47:33
    Plain chatter.
    I could only listen on.
  • 47:33 - 47:36
    Then all of a sudden, "I love you. "
  • 47:36 - 47:40
    Will you marry me?
  • 47:40 - 47:46
    I say, are you silly.
    Are marriages made in thin air?
  • 47:46 - 47:48
    I said, no.
  • 47:48 - 47:50
    He said, please.
  • 47:50 - 47:52
    I said no, he kept on...
    please...
  • 47:52 - 47:54
    I said, okay.
  • 47:54 - 47:59
    How can you say no to
    such persistence?
  • 47:59 - 48:02
    That was the long and short of it.
  • 48:02 - 48:05
    This magazine had to print this
    and now everyone's after me,
  • 48:05 - 48:18
    for recommendations,
    advertisements.
  • 48:18 - 48:21
    Are you here for the ad shoot?
  • 48:21 - 48:25
    Well I...
  • 48:25 - 48:29
    Everyone wears suits for the auditions.
  • 48:29 - 48:33
    Have you been selected for the ad?
  • 48:33 - 48:36
    Do you want me to recommend you?
  • 48:36 - 48:38
    But it's the talent that you need.
  • 48:38 - 48:41
    Don't set your sights
    on Van Heusen Suitings.
  • 48:41 - 48:46
    Do what comes your way,
    papads, mosquito coils.
  • 48:46 - 48:48
    Catch this.
  • 48:48 - 48:52
    Now let's hear you say,
    here's one for men.
  • 48:52 - 49:12
    For the bounce in the hair for alpha males...
    a comb. Let's hear you say that.
  • 49:12 - 49:15
    Never did it before?
  • 49:15 - 49:20
    Very poor...
    got to put in hard work.
  • 49:20 - 49:30
    Leave your number.
    If anything comes up, I'll call.
  • 49:30 - 49:34
    What's your number?
  • 49:34 - 49:40
    9650055555
  • 49:40 - 49:42
    Air Voice?
  • 49:42 - 49:44
    Same as mine.
  • 49:44 - 49:46
    Crap.
  • 49:46 - 49:48
    You don't find a network anywhere.
  • 49:48 - 49:53
    I keep telling Sanjay, to try turning
    the antenna or something.
  • 49:53 - 50:01
    It may be his pocket borough,
    but it ought to meet some standard.
  • 50:01 - 50:04
    Hi Anjali... one second...
  • 50:04 - 50:07
    What did you say your name was?
  • 50:07 - 50:08
    Sachin?
  • 50:08 - 50:09
    Yes.
  • 50:09 - 50:13
    Sachin, I'm a bit busy.
    If something comes up, I'll call. Bye.
  • 50:13 - 50:16
    Yes Anjali...
  • 50:16 - 50:21
    you know what happened?
    Mayapuri just splashed my love story.
  • 50:21 - 50:25
    And now all day, I've been inundated
    with calls, smses, oh, I'm drained.
  • 50:25 - 50:31
    No! Actually,
    we only met at Delhi airport.
  • 50:31 - 50:33
    On the flight,
    he was on the seat beside me.
  • 50:33 - 50:37
    Hi, I'm Sanjay Singhania...
    and I said hi.
  • 50:37 - 50:43
    From Delhi to Bombay,
    he talked non-stop.
  • 50:43 - 50:47
    After completing law, I went to USA
    and I took my MBA at Harvard.
  • 50:47 - 50:51
    I've been looking after this business
    since my father passed away.
  • 50:51 - 50:56
    I strongly feel that technology has to reach
    people beyond social and economic barriers.
  • 50:56 - 51:00
    And that's the goal of our company.
  • 51:00 - 51:04
    I'm so sorry... cellphones,
    I tell you...
  • 51:04 - 51:05
    Excuse me.
  • 51:05 - 51:05
    Hello?
  • 51:05 - 51:08
    Hello, I'm Kalpana.
  • 51:08 - 51:10
    Kalpana... which Kalpana?
  • 51:10 - 51:14
    Kalpana... Sanjay Singhania's girlfriend.
  • 51:14 - 51:19
    Oh I see... how have you been?
  • 51:19 - 51:20
    I'm good.
  • 51:20 - 51:21
    Will you do an underwear ad?
  • 51:21 - 51:27
    Underwear?
  • 51:27 - 51:29
    Along with you?
  • 51:29 - 51:32
    It's a men's only.
  • 51:32 - 51:36
    Come over quickly.
    Take down the address.
  • 51:36 - 51:38
    One minute.
  • 51:38 - 51:41
    Mark... make a note of
    this address, please.
  • 51:41 - 51:42
    Go on.
  • 51:42 - 51:47
    Building 3. Chinchpokli Bunder.
    Khau Galli.
  • 51:47 - 51:53
    Building 3. Chinchpokli Bunder. Khau Galli.
    - I beg your pardon, sir...?
  • 51:53 - 51:56
    Chinchpokli Bunder. Khau Galli.
  • 51:56 - 51:58
    Chi...?
    - Chinchpokli.
  • 51:58 - 52:03
    Chinchbokli?
    - ... Pokli Bunder. Khau Galli.
  • 52:03 - 52:06
    Khau... Galli.
    - Galli.
  • 52:06 - 52:07
    Got it.
    - Thanks.
  • 52:07 - 52:11
    Arrive in an autorickshaw,
    you'll make a nice impression.
  • 52:11 - 52:15
    D'you have the money for it?
    - I'll manage.
  • 52:15 - 52:16
    Fine.
  • 52:16 - 52:24
    I'll be waiting for you.
    Bye.
  • 52:24 - 52:28
    It's just too hot today...
    - Are you new to Mumbai?
  • 52:28 - 52:36
    Come in the rains, here rivers flow.
  • 52:36 - 52:38
    Moron! Can't you drive properly?
  • 52:38 - 52:40
    Sorry...
  • 52:40 - 52:41
    Why are you saying sorry?
  • 52:41 - 52:47
    Pedestrians are taking up roads,
    are we meant to fly?
  • 52:47 - 52:48
    Drive carefully.
  • 52:48 - 52:52
    Get out of my way.
  • 52:52 - 53:03
    How much?
    - Forty Rupees.
  • 53:03 - 53:06
    Boo
  • 53:06 - 53:09
    You're gawking like a country bumpkin.
  • 53:09 - 53:14
    The manager wants a new model.
    I thought of you.
  • 53:14 - 53:17
    What's this ad about?
  • 53:17 - 53:19
    Zorro elastic underwear.
  • 53:19 - 53:22
    If you make it to this ad,
    you've made it.
  • 53:22 - 53:25
    Just imagine yourself in
    your underwear...
  • 53:25 - 53:28
    at every traffic junction in town,
  • 53:28 - 53:33
    on sixty feet-by-forty feet banners!
  • 53:33 - 53:35
    Your luck is going to change.
  • 53:35 - 53:39
    Don't worry, you're getting selected.
  • 53:39 - 53:41
    Can't I get any other ad?
  • 53:41 - 53:44
    Yes... how about one
    on skin allergies?
  • 53:44 - 53:45
    Allergies...?
  • 53:45 - 53:48
    Salves, for ringworm infections.
  • 53:48 - 53:51
    Then the first choice is better.
    - Okay.
  • 53:51 - 53:53
    Hello ma'am!
    - Hi...
  • 53:53 - 53:56
    You said you'd recommend me
    for the underwear ad...?
  • 53:56 - 54:04
    The underwear is taken, how about ringworm?
    - I'll take anything, I want a break.
  • 54:04 - 54:06
    That's the spirit.
  • 54:06 - 54:06
    See?
  • 54:06 - 54:07
    Come to the studio tomorrow morning.
  • 54:07 - 54:13
    Thank you, ma'am!
    - You're welcome.
  • 54:13 - 54:19
    Wait a minute.
  • 54:19 - 54:23
    Uncle, where are you headed?
    - To the bus stop ahead.
  • 54:23 - 54:26
    I'll take you there.
  • 54:26 - 54:29
    I'll describe to you
    whatever's on the way.
  • 54:29 - 54:31
    Okay.
  • 54:31 - 54:40
    Four schoolgirls playing tic tac toe.
  • 54:40 - 54:43
    A wife thrashing her husband.
  • 54:43 - 54:49
    He has lost his shirt.
  • 54:49 - 54:54
    That's a radio at the tea shop.
  • 54:54 - 55:02
    We're crossing Sai Baba's temple.
  • 55:02 - 55:07
    Now we're on the main road.
  • 55:07 - 55:48
    You've reached your bus stop.
  • 55:48 - 55:50
    I'm swayed
  • 55:50 - 55:52
    She flew in...
  • 55:52 - 55:53
    like a swirl of wind
  • 55:53 - 55:56
    With that first look,
  • 55:56 - 55:58
    she held my eyes
  • 55:58 - 55:59
    So unlikely,
  • 55:59 - 56:01
    she's so different,
  • 56:01 - 56:02
    so unique,
  • 56:02 - 56:06
    so unpretentious,
  • 56:06 - 56:08
    and just no attitude
  • 56:08 - 56:13
    So, I'm swayed
  • 56:13 - 56:18
    And a freshness fills my heart
  • 56:18 - 56:24
    You're swayed when she flies
    in on a swirl of wind
  • 56:24 - 57:01
    And with that first look,
    oh how she holds your eyes
  • 57:01 - 57:03
    The heart went aflutter,
  • 57:03 - 57:06
    dancing to a new rhythm
  • 57:06 - 57:08
    My feet faltered
  • 57:08 - 57:11
    I swooned in ecstasy
  • 57:11 - 57:13
    I stood each day, staring her way
  • 57:13 - 57:16
    In endless wake, moments stretch
  • 57:16 - 57:18
    Twisting, turning, tossing, thinking
  • 57:18 - 57:31
    Thinking, thinking of you
  • 57:31 - 57:34
    Her images criss-cross my mind,
  • 57:34 - 57:36
    awash in colours
  • 57:36 - 57:39
    Like a gushing stream she flows,
  • 57:39 - 57:46
    drenching me
  • 57:46 - 57:51
    Her murmurs make music
  • 57:51 - 57:55
    Her trivia are priceless
  • 57:55 - 57:58
    Some innocence,
    sweet mischief
  • 57:58 - 58:00
    Somewhat gossamer,
    some odd gloss
  • 58:00 - 58:03
    At times bashful, then carefree
  • 58:03 - 59:01
    There are seas in her, but how deep?
  • 59:01 - 59:08
    Her words could make
    Spring blossom
  • 59:08 - 59:16
    Her charm could make
    seasons spring
  • 59:16 - 59:18
    Even her lies...
  • 59:18 - 59:19
    are so endearing,
  • 59:19 - 59:23
    she could make me believe
    illusions in all things
  • 59:23 - 59:29
    Upon her many paths,
    praying, hoping, eager-eyed,
  • 59:29 - 59:34
    musing fragrant shades of memories,
    I stand still and...
  • 59:34 - 60:08
    Time stands stilled
  • 60:08 - 60:47
    BIGPictures
  • 60:47 - 60:50
    Good morning, sir!
    - Good morning.
  • 60:50 - 60:55
    Sit down, my child. Guess what,
    our company is going to be famous.
  • 60:55 - 60:57
    Thanks only to you...
    - Why are you thanking me?
  • 60:57 - 61:01
    I've done something
    without asking you.
  • 61:01 - 61:06
    Our company is throwing a
    big party on New Year's Eve.
  • 61:06 - 61:08
    Oh, wow!
  • 61:08 - 61:09
    Guess, who's the chief guest?
  • 61:09 - 61:10
    Who...?
  • 61:10 - 61:12
    Your boyfriend.
  • 61:12 - 61:14
    The man who owns Air Voice.
  • 61:14 - 61:18
    Sanjay Singhania.
  • 61:18 - 61:19
    Sir...?
  • 61:19 - 61:24
    And come what may,
    you must get him to come.
  • 61:24 - 61:29
    I'm sure you can, so I went ahead and
    printed his name in the invitations.
  • 61:29 - 61:35
    The biggest of agencies are coming,
    top ad film makers, producers, directors.
  • 61:35 - 61:38
    On whose say-so have
    you printed his name?
  • 61:38 - 61:41
    Where's the need to ask...?
  • 61:41 - 61:44
    It's the New Years Eve party.
    You're coming.
  • 61:44 - 61:48
    He'll accompany you.
    - But I can't invite him!
  • 61:48 - 61:50
    Why?
  • 61:50 - 61:53
    We've... had a fight!
  • 61:53 - 61:56
    You don't say!
    All invitations have been distributed.
  • 61:56 - 61:59
    You've got to make up with him
    ... got to get him to the party.
  • 61:59 - 62:01
    But how...?
    - Otherwise, I'll lose face.
  • 62:01 - 62:04
    On whose say-so did you print this?
  • 62:04 - 62:08
    I would've told you,
    but it slipped my mind.
  • 62:08 - 62:11
    What you've done is so wrong,
    hundred percent wrong!
  • 62:11 - 62:15
    Please, or you'll break everyone's heart.
    - Where will I get Sanjay Singhania?
  • 62:15 - 62:21
    Everyone's dying to see him,
    not one of us has ever met him.
  • 62:21 - 62:22
    What...?
  • 62:22 - 62:25
    What about what?
  • 62:25 - 62:27
    Not one of us has ever met him?
  • 62:27 - 62:31
    How could we?
    He has just returned from America.
  • 62:31 - 62:33
    Then I just...
    must get him.
  • 62:33 - 62:35
    Consider it done
  • 62:35 - 62:40
    Kalpana is like a magic wand!
    One flourish and you've got your wish.
  • 62:40 - 62:47
    Thank you very much
  • 62:47 - 62:50
    Dialogue... dialogue!
  • 62:50 - 62:53
    Hi, I'm Sanjay. Sanjay Singhania.
  • 62:53 - 62:55
    Perfect.
  • 62:55 - 62:57
    Very good.
  • 62:57 - 62:58
    Mind it.
  • 62:58 - 63:03
    At tonight's party,
    you're Sanjay Singhania.
  • 63:03 - 63:10
    One second...
  • 63:10 - 63:14
    Listen, that's a friend of mine.
    You'll pretend to be Sanjay Singhania.
  • 63:14 - 63:19
    If he's convinced,
    then you pass muster. Okay?
  • 63:19 - 63:23
    Ready?
  • 63:23 - 63:23
    Hi...
  • 63:23 - 63:25
    Hush!
  • 63:25 - 63:27
    What happened?
  • 63:27 - 63:28
    Sanjay is here.
  • 63:28 - 63:30
    Sanjay?
  • 63:30 - 63:46
    Sanjay Singhania, my boyfriend.
  • 63:46 - 63:49
    Where... is he?
    - Where are you looking...?
  • 63:49 - 63:51
    Here!
  • 63:51 - 63:52
    Sachin,
  • 63:52 - 63:54
    meet Mr Sanjay.
  • 63:54 - 63:58
    Hi, I'm Sanjay. Sanjay Singhania.
  • 63:58 - 64:01
    What... who...?
  • 64:01 - 64:04
    He is... Sanjay Singhania.
  • 64:04 - 64:08
    Him...?
  • 64:08 - 64:26
    Are you joking?
    Sanjay Singhania, and him?
  • 64:26 - 64:29
    Stupid amateur, duffer, idiot!
  • 64:29 - 64:31
    What did I do...?
  • 64:31 - 64:36
    The big fish never put out their hands first.
    Why did you hold out your hand?
  • 64:36 - 64:39
    So when do I shake hands?
    - You just don't do it!
  • 64:39 - 64:44
    Go to hell, go do ads!
    You've ruined it all.
  • 64:44 - 64:48
    Idiot!
  • 64:48 - 64:49
    What happened?
  • 64:49 - 64:53
    Sachin, shall I tell you something?
  • 64:53 - 64:54
    What?
  • 64:54 - 64:56
    You're going to be stunned...
  • 64:56 - 64:57
    Try me.
  • 64:57 - 65:00
    I'm not in love with Sanjay Singhania.
  • 65:00 - 65:04
    What?
  • 65:04 - 65:06
    Actually,
  • 65:06 - 65:08
    everyone at my workplace thought...
  • 65:08 - 65:11
    he's my boyfriend.
  • 65:11 - 65:15
    So, everyone began to respect me.
  • 65:15 - 65:19
    I played along.
  • 65:19 - 65:24
    I don't even know what he looks like!
  • 65:24 - 65:27
    So... what's next?
  • 65:27 - 65:29
    My boss is hosting a party tonight.
  • 65:29 - 65:33
    Without even asking me, they sent out
    invites naming Sanjay as the chief guest.
  • 65:33 - 65:38
    So I was preparing this mule for tonight,
    but you caught him out in a second!
  • 65:38 - 65:42
    What am I going to do now?
  • 65:42 - 65:45
    Relax... I'm right here for you.
  • 65:45 - 65:48
    I'll train him.
  • 65:48 - 65:50
    Listen... what's your name?
  • 65:50 - 65:56
    Hi, I'm Sanjay. Sanjay Singhania.
    - No... your real name?
  • 65:56 - 65:58
    Sampat.
    - Look Sampat...
  • 65:58 - 66:00
    cut that extra swagger.
  • 66:00 - 66:03
    Be relaxed and easy... confident.
  • 66:03 - 66:06
    Let me show how...
    Hi, I'm Sanjay... Sanjay Singhania.
  • 66:06 - 66:11
    Stop. Don't teach me acting.
    I belong in theatre, I've done four plays.
  • 66:11 - 66:14
    I was putting out a first class act,
    then he walked in and things went awry.
  • 66:14 - 66:17
    Hey... take off that coat.
  • 66:17 - 66:21
    Take it off, get out of that coat!
    - I have a shoot tomorrow. It's my only coat.
  • 66:21 - 66:27
    I just canceled your shoot. You're good only
    for rubber slippers, snap out of it!
  • 66:27 - 66:37
    Who, me...?
    - Wear it.
  • 66:37 - 66:41
    Oh yes!
    You are... looking smart.
  • 66:41 - 66:46
    Put on the goggles.
  • 66:46 - 66:49
    Oh wow!
  • 66:49 - 66:52
    Perfect!
  • 66:52 - 66:54
    Perfect!
  • 66:54 - 66:59
    Sachin! Come for tonight's party.
    Be Sanjay.
  • 66:59 - 67:00
    Please?
  • 67:00 - 67:02
    Please say yes!
  • 67:02 - 67:05
    Please!
  • 67:05 - 67:07
    Please say yes...?
  • 67:07 - 67:08
    Okay.
  • 67:08 - 67:08
    Yes!
  • 67:08 - 67:19
    Welcome to our chief guest,
    Mr Sanjay Singhania
  • 67:19 - 67:22
    Oh hi...
    - Hello.
  • 67:22 - 67:28
    Having a nice time?
    - Yes, thank you.
  • 67:28 - 67:29
    Kalpana
  • 67:29 - 67:33
    Did you invite him properly?
    - Yes, sir!
  • 67:33 - 67:39
    If he turns up for real,
    everyone'll go mad.
  • 67:39 - 67:41
    If he doesn't turn up,
  • 67:41 - 67:44
    then I'll go mad.
  • 67:44 - 67:49
    Madam...
  • 67:49 - 67:54
    The coat is ready. Just give me the go
    and I'll give you a grand entry.
  • 67:54 - 67:58
    I've rehearsed it thoroughly.
  • 67:58 - 68:03
    I'm Sanjay Singhania...
    oh hello Sanjay.
  • 68:03 - 68:04
    Get out of my face.
  • 68:04 - 68:08
    You fool!
  • 68:08 - 68:10
    Hi Kalpana...
    - Hi!
  • 68:10 - 68:28
    Mr Singhania has arrived.
  • 68:28 - 68:32
    Who told him to get a car like that?
    I'm not footing this bill.
  • 68:32 - 68:36
    Oh... thank you.
  • 68:36 - 68:38
    How wonderful!
  • 68:38 - 68:44
    He hasn't begun acting and all these fools have
    already taken him for Sanjay Singhania?
  • 68:44 - 68:46
    Oh yes, yes...
  • 68:46 - 68:48
    Will you hold this, please?
  • 68:48 - 68:50
    Hi darling!
  • 68:50 - 68:53
    Sorry, I'm late... my God!
    You're looking gorgeous... come.
  • 68:53 - 68:57
    Welcome to this party.
    - Thank you.
  • 68:57 - 68:58
    Hello... hello...
  • 68:58 - 69:00
    Hello sir!
  • 69:00 - 69:01
    Sorry.
  • 69:01 - 69:02
    Welcome, sir.
    - Thank you.
  • 69:02 - 69:07
    Myself, Satveer Kohli. I'm Kalpana's director
    and I run this ad film company.
  • 69:07 - 69:11
    Hello sir, how are you?
    - Thank you sir, I'm very good.
  • 69:11 - 69:14
    I happen to be the one who insisted that
    Kalpana must say yes to you.
  • 69:14 - 69:16
    I see...?
  • 69:16 - 69:19
    You never told him!
    - Of course I told him...
  • 69:19 - 69:22
    I told you...?
    - Oh... yes...
  • 69:22 - 69:25
    Autograph, please?
  • 69:25 - 69:29
    I read your article in Economic Times.
    I fully agree with your policy suggestions.
  • 69:29 - 69:32
    Please leave him alone...
    don't disturb him.
  • 69:32 - 69:42
    Please come, dinner is ready.
  • 69:42 - 69:45
    That was too close an embrace.
  • 69:45 - 69:50
    And that was a kiss in public.
  • 69:50 - 69:52
    I've done a hundred ads.
  • 69:52 - 69:55
    Ninety in groups. Ten, solo.
  • 69:55 - 70:05
    You learn how to respect your seniors or,
    you're getting nowhere in life.
  • 70:05 - 70:07
    I don't believe this.
  • 70:07 - 70:08
    What?
  • 70:08 - 70:10
    I just can't believe...
  • 70:10 - 70:12
    Why not...?
  • 70:12 - 70:16
    Can't believe that I'm sitting
    in such august presence...
  • 70:16 - 70:22
    Still, he's right amongst us.
  • 70:22 - 70:27
    Excuse me...
  • 70:27 - 70:28
    Some ice, please?
  • 70:28 - 70:32
    So much cold is good enough for you.
  • 70:32 - 70:34
    Over-acting. He'll get caught.
  • 70:34 - 70:40
    Please get lost.
  • 70:40 - 70:42
    Excuse me...
  • 70:42 - 70:45
    We're from the Dinanath Charitable Trust.
  • 70:45 - 70:46
    It's an orphanage for girls.
  • 70:46 - 70:48
    And...?
  • 70:48 - 70:50
    If you may make a contribution,
    we'll be grateful.
  • 70:50 - 70:53
    Who goes around with cash nowadays?
  • 70:53 - 70:56
    Your cheque will do.
  • 70:56 - 70:57
    Cheque?
  • 70:57 - 71:02
    Who goes to parties with chequebooks?
  • 71:02 - 71:05
    What are you upto?
  • 71:05 - 71:06
    Whose chequebook is that?
  • 71:06 - 71:11
    Even for over-acting, this is too loud!
  • 71:11 - 71:16
    Five hundred thousand?
    Have you gone mad?
  • 71:16 - 71:20
    Thank you, sir.
    - All the best.
  • 71:20 - 71:25
    I'm finished.
  • 71:25 - 71:28
    I could kill you.
  • 71:28 - 71:29
    Our leading model, Sonal.
  • 71:29 - 71:31
    How do you do?
    - I'm very good.
  • 71:31 - 71:35
    Kalpana has told us so much about you...
    - We all know that... there're others...
  • 71:35 - 71:47
    That article of yours in Economic Times.
    - Not again, sir. Please...
  • 71:47 - 71:50
    You... for Sanjay Singhania!
  • 71:50 - 71:55
    And they fell for you?
  • 71:55 - 72:15
    Am I'm too clever,
    or it's a world of fools?
  • 72:15 - 72:17
    I love you.
  • 72:17 - 72:21
    What?
  • 72:21 - 72:29
    I love you.
    I want to marry you.
  • 72:29 - 72:34
    What... so all of a sudden...?
  • 72:34 - 72:39
    Not so... all of a sudden.
  • 72:39 - 72:48
    I never thought...
  • 72:48 - 72:51
    Give me time, to think.
  • 72:51 - 73:00
    Shall I tell you tomorrow?
  • 73:00 - 73:15
    If I say no, you won't take it badly?
  • 73:15 - 73:19
    Bye.
  • 73:19 - 73:21
    Happy new year.
  • 73:21 - 73:36
    Happy new year.
  • 73:36 - 73:39
    To her, I'm just an ordinary guy.
  • 73:39 - 73:41
    I wish to remain this unexceptional man...
  • 73:41 - 73:44
    who wins her love.
  • 73:44 - 73:49
    So I haven't told her the truth about me.
  • 73:49 - 73:53
    If she accepts me,
  • 73:53 - 73:58
    then I'll confess to being Sanjay Singhania.
  • 73:58 - 74:01
    If she refuses,
  • 74:01 - 74:02
    then I remain Sachin...
  • 74:02 - 74:08
    and I fade out of her life.
  • 74:08 - 74:21
    All I await now, is tomorrow.
  • 74:21 - 74:24
    End of the diary.
    December 31st.
  • 74:24 - 74:37
    Next day, next year... 2006.
  • 74:37 - 74:40
    Hey... hey...
  • 74:40 - 74:41
    The next day, what happened...?
  • 74:41 - 74:43
    What did she say...
    what happened to her?
  • 74:43 - 74:45
    How did you end up like this?
  • 74:45 - 76:46
    Speak up!
  • 76:46 - 76:47
    Hello, sir.
  • 76:47 - 76:49
    I'm your manager.
  • 76:49 - 76:55
    Pankaj Shroff.
  • 76:55 - 76:56
    Hello Sanjay.
  • 76:56 - 77:00
    I'm your doctor. Dr Peston Wadia.
  • 77:00 - 77:02
    Not enough sleep.
  • 77:02 - 77:04
    Are up keeping up till late?
  • 77:04 - 77:08
    Sir, I'm telling you again,
  • 77:08 - 77:11
    it's fine if you won't go to the office,
    it's okay, no problem.
  • 77:11 - 77:17
    But live in your mansion,
    why this tiny flat?
  • 77:17 - 77:21
    We can get a nurse, a chauffeur here...?
  • 77:21 - 77:25
    I need no one.
  • 77:25 - 77:30
    Thank you.
  • 77:30 - 77:35
    Kill Ghajini.
    Check invitation on Calendar.
  • 77:35 - 77:41
    Ghajini Dharmatma
  • 77:41 - 77:50
    Chief Guest: Mr Ghajini Dharmatma
  • 77:50 - 77:57
    Sir... you're... here...
    for our college culture fest?
  • 77:57 - 77:59
    Oh, I'm sorry.
  • 77:59 - 78:02
    You won't know me...
    I mean, you know me.
  • 78:02 - 78:04
    I've met you.
  • 78:04 - 78:08
    Sanjay Singhania...
    short term memory loss.
  • 78:08 - 78:09
    Come on, it's nearly time.
  • 78:09 - 78:10
    One minute...
  • 78:10 - 78:12
    We're getting late.
    Sunita, let's go.
  • 78:12 - 78:24
    Don't leave before my performance
    ... second song.
  • 78:24 - 78:29
    Girls and boys... please
    ... calm down.
  • 78:29 - 78:36
    Our chief guest for the
    evening has arrived.
  • 78:36 - 78:40
    He has patronised our college for long.
  • 78:40 - 78:44
    I'd like you to give him
    a hearty welcome.
  • 78:44 - 78:45
    Boys and girls,
  • 78:45 - 79:58
    please welcome Mr. Ghajini Dharmatma.
  • 79:58 - 80:00
    Crazy, crazy!
  • 80:00 - 80:10
    I'm crazy about him
  • 80:10 - 80:12
    Why's my body going crazy?
  • 80:12 - 80:14
    Why's my heart beating crazy?
  • 80:14 - 80:17
    I want to dance,
  • 80:17 - 80:19
    uninhibited
  • 80:19 - 80:23
    Who's come into my heart today?
    What's this scent of love?
  • 80:23 - 80:31
    Dancing bells are on my feet,
    it's my season of youth
  • 80:31 - 80:37
    Hello
  • 80:37 - 80:39
    Crazy,
  • 80:39 - 80:45
    I'm crazy for him!
  • 80:45 - 80:54
    He's my love
  • 80:54 - 81:00
    His coming has filled the
    emptinesses in my heart
  • 81:00 - 81:26
    He only has to make a sign
    and I'll become his slave
  • 81:26 - 81:35
    Go outside, find out who's calling.
  • 81:35 - 81:37
    Hello?
  • 81:37 - 81:38
    Get down to the basement car park.
  • 81:38 - 81:58
    What...?
  • 81:58 - 82:01
    Who's that?
  • 82:01 - 82:08
    What are you doing there?
  • 82:08 - 83:11
    Damn you!
  • 83:11 - 83:13
    Hey...
  • 83:13 - 83:33
    Hey...
  • 83:33 - 83:37
    Who was that?
  • 83:37 - 83:39
    Who tried to kill you?
  • 83:39 - 83:45
    Not me...
  • 83:45 - 83:46
    he came to kill you.
  • 83:46 - 83:48
    Me...?
  • 83:48 - 83:51
    Came to kill me?
    Who was he?
  • 83:51 - 83:54
    Who was it... who?
  • 83:54 - 83:56
    Two years ago...
  • 83:56 - 84:00
    Two years ago... what...?
  • 84:00 - 84:03
    What was it two years ago?
  • 84:03 - 84:04
    What...?
  • 84:04 - 84:06
    Give me his name.
  • 84:06 - 84:08
    The name!
  • 84:08 - 84:09
    His name, who was he?
  • 84:09 - 84:13
    Who wants to kill me?
  • 84:13 - 84:19
    He's dead.
  • 84:19 - 84:24
    Shit.
  • 84:24 - 84:30
    Two years ago?
    What did I do two years ago?
  • 84:30 - 84:35
    Which jobs did I get done
    two years ago?
  • 84:35 - 84:41
    Which ones are after my life?
  • 84:41 - 84:45
    A list... make a list of them all.
  • 84:45 - 84:58
    I must have the list tomorrow.
    You get it?
  • 84:58 - 85:00
    Excuse me
  • 85:00 - 85:03
    Where is Mr Sanjay Singhania's flat?
  • 85:03 - 85:05
    Fourth floor. 401.
  • 85:05 - 85:17
    Thanks
  • 85:17 - 85:21
    Sir...
  • 85:21 - 85:32
    Sir...?
  • 85:32 - 85:56
    Sir...
  • 85:56 - 85:59
    Kill him
  • 85:59 - 86:01
    Revenge
  • 86:01 - 86:02
    Ghajini?
  • 86:02 - 86:06
    She was murdered
  • 86:06 - 86:14
    Find him Kill him
  • 86:14 - 86:18
    Done
  • 86:18 - 86:20
    Over
  • 86:20 - 86:32
    Ghajini 10 June 2008
  • 86:32 - 86:58
    Doctor... restaurant... theatre...
  • 86:58 - 87:05
    Don't open
  • 87:05 - 87:06
    I'm a police officer.
  • 87:06 - 87:25
    Untie me. I'm a police officer.
  • 87:25 - 87:28
    Get out of here! Fast!
    He's a murderer.
  • 87:28 - 87:30
    Don't you hear?
  • 87:30 - 87:48
    Just get the hell out of here!
  • 87:48 - 87:53
    Who are you?
  • 87:53 - 90:31
    What are you doing here?
  • 90:31 - 90:48
    The other shade.
  • 90:48 - 91:02
    BIGPictures
  • 91:02 - 91:06
    Shall we...?
  • 91:06 - 91:08
    You've forgotten so quickly?
  • 91:08 - 91:12
    I was buying nail polish.
  • 91:12 - 91:13
    Look...
  • 91:13 - 91:17
    My friend... you wrote that out.
  • 91:17 - 91:32
    Now, come on.
  • 91:32 - 91:37
    Have I been I chasing you?
    - Why should you...? I'm your friend.
  • 91:37 - 91:40
    No! I'm chasing you.
  • 91:40 - 91:42
    I'm breathing hard,
    you're out of breath.
  • 91:42 - 91:44
    I'm sweating. Even you are...
  • 91:44 - 91:47
    Hey! You're smoking in a public place!
  • 91:47 - 91:49
    Have you no sense of decency?
    Idiots.
  • 91:49 - 91:50
    You're right!
  • 91:50 - 91:52
    You ought to thrash some
    sense into them.
  • 91:52 - 91:55
    Go on, teach them such a
    lesson that they'll quit smoking.
  • 91:55 - 91:57
    Go... hit them.
  • 91:57 - 92:00
    You'll teach us lessons?
  • 92:00 - 92:02
    You're going to hit us?
  • 92:02 - 92:03
    Come on.
  • 92:03 - 92:05
    You'll take on all of us?
    Come on.
  • 92:05 - 92:34
    Hit us.
    - Come on.
  • 92:34 - 92:38
    Ghajini... listen...
  • 92:38 - 92:40
    don't do it.
  • 92:40 - 92:43
    In four years,
    we haven't had any quarrels.
  • 92:43 - 92:45
    Why do you want to kill me?
  • 92:45 - 92:46
    Who told you?
  • 92:46 - 92:49
    I don't care if you want to kill me or not.
  • 92:49 - 92:54
    I only want to finish off all my enemies.
  • 92:54 - 93:16
    Shoot.
  • 93:16 - 93:19
    Everyone's dead.
  • 93:19 - 93:22
    Why are you still anxious?
  • 93:22 - 93:27
    No... he's still alive.
  • 93:27 - 93:32
    He wasn't anyone of them.
  • 93:32 - 93:36
    These men were afraid of me.
  • 93:36 - 93:40
    But this is someone else...
  • 93:40 - 93:44
    someone I'm missing.
  • 93:44 - 93:46
    A girl is here, asking for you.
  • 93:46 - 93:47
    What girl?
  • 93:47 - 93:51
    My name is Sunita.
    I am a medical student.
  • 93:51 - 93:55
    I visited a patient
    at his home, recently.
  • 93:55 - 93:59
    He is planning to kill you.
  • 93:59 - 94:05
    He has already killed two others.
    I have seen photos of the dead men.
  • 94:05 - 94:09
    He is an extremely dangerous man.
    I saw him trying to kill a policeman.
  • 94:09 - 94:17
    The policeman got killed in an accident.
    After that he came after me, to kill me.
  • 94:17 - 94:20
    Look... your photo.
  • 94:20 - 94:23
    A date is inscribed underneath.
  • 94:23 - 94:30
    I was about to go to the police.
    But if my college gets to know, I'm in a mess.
  • 94:30 - 94:32
    I just couldn't sit on it,
    so I came to you.
  • 94:32 - 94:35
    To warn you.
  • 94:35 - 94:45
    His photo...
    the man who wants to kill you.
  • 94:45 - 95:09
    Mr Sanjay Singhania. 31 years.
    Short term memory loss
  • 95:09 - 95:14
    Short term memory loss.
  • 95:14 - 95:22
    A man who forgets everything in
    fifteen minutes is planning to kill me.
  • 95:22 - 95:26
    He even named a day for my death?
  • 95:26 - 95:30
    I got to fix a time for him to die.
  • 95:30 - 96:06
    12 hours. This man will be
    on earth no more.
  • 96:06 - 96:08
    The boss?
  • 96:08 - 96:09
    Watch out.
  • 96:09 - 96:11
    He's away from home.
  • 96:11 - 96:15
    If he goes your way, you kill him.
    If he comes this way, I'll kill the bastard.
  • 96:15 - 97:17
    Sure.
  • 97:17 - 97:19
    I'm into this problem...
  • 97:19 - 97:20
    What...?
  • 97:20 - 97:22
    He has my photo.
  • 97:22 - 97:24
    Who has...?
    - That Sanjay Singhania... he has it.
  • 97:24 - 97:26
    Isn't it the one?
  • 97:26 - 97:29
    He has another one.
    He had taken two photos.
  • 97:29 - 97:31
    You're the problem.
  • 97:31 - 97:35
    If it ends up with the police,
    I'm in a fix.
  • 97:35 - 97:58
    Ask Mr Ghajini. He's looking for that guy,
    he'll get the photo for you.
  • 97:58 - 98:01
    Hello, Mr Ghajini...?
  • 98:01 - 98:06
    Hello...
  • 98:06 - 98:09
    Mr Ghajini...?
  • 98:09 - 98:10
    Yes
  • 98:10 - 98:12
    I'm Sunita...
  • 98:12 - 98:18
    I met you about Sanjay Singhania.
  • 98:18 - 98:18
    Who...?
  • 98:18 - 98:20
    Sanjay Singhania,
  • 98:20 - 98:22
    the man who wants to kill you.
  • 98:22 - 98:26
    The one with the 15-minute memory...
  • 98:26 - 98:30
    He has a problem remembering,
    but best to be cautious.
  • 98:30 - 98:33
    He's an extremely dangerous man.
  • 98:33 - 98:39
    You see, he has a photo of mine.
  • 98:39 - 98:41
    Do what you will to him,
  • 98:41 - 98:44
    but get me my photo, please.
  • 98:44 - 98:52
    He took my photo in the college canteen.
  • 98:52 - 98:54
    What are you wearing in the photo?
  • 98:54 - 99:00
    Blue top and blue jeans.
  • 99:00 - 99:03
    Let me find it, I'll send it to you.
  • 99:03 - 100:47
    What's your address?
  • 100:47 - 100:49
    Warden...!
  • 100:49 - 100:50
    Hurry...
  • 100:50 - 101:04
    Help me, please! Help me!
  • 101:04 - 101:05
    Excuse me.
  • 101:05 - 101:06
    Stay away.
  • 101:06 - 101:07
    Where's the lift?
  • 101:07 - 101:08
    Between second and third floors.
  • 101:08 - 102:26
    Put on the main switch.
  • 102:26 - 103:09
    His diaries.
  • 103:09 - 103:12
    If she accepts me,
  • 103:12 - 103:16
    then I'll confess to being Sanjay Singhania.
  • 103:16 - 103:18
    If she refuses,
  • 103:18 - 103:20
    then I remain Sachin...
  • 103:20 - 103:22
    and I fade out of her life.
  • 103:22 - 103:53
    All I await now, is tomorrow.
  • 103:53 - 103:58
    This wait for a yes will keep me up tonight.
  • 103:58 - 104:00
    This suspense is haunting,
  • 104:00 - 104:03
    how can I sleep tonight?
  • 104:03 - 104:07
    To what news my morning light will dawn,
  • 104:07 - 104:10
    to melodies of love like rain?
  • 104:10 - 104:35
    Or, is this thirst to go unquenched?
  • 104:35 - 104:38
    Like a passion, unfulfilled
  • 104:38 - 104:41
    You hold me in an ecstasy, thrilled
  • 104:41 - 104:49
    And now,
  • 104:49 - 104:51
    the consummation,
  • 104:51 - 104:52
    of that ecstasy,
  • 104:52 - 104:54
    in your arms,
  • 104:54 - 104:58
    is all I wish from you
  • 104:58 - 105:01
    In my heart of hearts, how I pine
  • 105:01 - 105:04
    To splash you with my colours of life
  • 105:04 - 105:06
    In every mood, to match my rhythm
  • 105:06 - 105:09
    It's all I wish from you
  • 105:09 - 105:12
    If only you say yes, then life...
  • 105:12 - 105:15
    can spring forth from the fountainhead...
  • 105:15 - 105:24
    to spew my pearls of life upon your path
  • 105:24 - 105:26
    Consummation...
  • 105:26 - 105:27
    of that ecstasy...
  • 105:27 - 105:29
    in your arms...
  • 105:29 - 106:06
    is all I wish
  • 106:06 - 106:08
    My gossamer dreams are cast in glass
  • 106:08 - 106:11
    As I ford my nights in dark
  • 106:11 - 106:17
    Fearful, lest my fantasies shatter
  • 106:17 - 106:20
    My hopes are inflamed
  • 106:20 - 106:23
    Yet I fear, lest some tempest...
  • 106:23 - 106:28
    puts out my flame
  • 106:28 - 106:34
    I wait for a lone yes
  • 106:34 - 106:39
    To turn on the springs of joy...
  • 106:39 - 106:42
    in a culmination...
  • 106:42 - 106:45
    of my dreams...
  • 106:45 - 106:50
    in the ecstasy of your embrace
  • 106:50 - 107:16
    It's all I wish
  • 107:16 - 107:19
    I have my Moon, over me my skies
  • 107:19 - 107:22
    Where dense dark clouds also hover
  • 107:22 - 107:27
    I wish this Moon is never overcast
  • 107:27 - 107:30
    A searing loneliness,
  • 107:30 - 107:33
    a pacing heart,
  • 107:33 - 107:39
    and not a moment's peace...
  • 107:39 - 107:44
    make up a wonderful story of mine;
  • 107:44 - 107:50
    I've only a restless yearning...
  • 107:50 - 107:53
    for a passion unfulfilled,
  • 107:53 - 107:56
    for an ecstasy, the thrill...
  • 107:56 - 108:01
    of your embrace
  • 108:01 - 108:04
    It's all I wish from you
  • 108:04 - 108:07
    In my heart of hearts, how I pine
  • 108:07 - 108:10
    To splash you with my colours of life
  • 108:10 - 108:12
    In every mood, to match my rhythm
  • 108:12 - 108:16
    It's all I wish from you
  • 108:16 - 108:19
    If only you say yes, then life...
  • 108:19 - 108:21
    can spring forth from the fountainhead...
  • 108:21 - 108:27
    to spew my pearls of life upon your path
  • 108:27 - 109:16
    For you, I thirst
  • 109:16 - 109:19
    All night, I kept thinking.
  • 109:19 - 109:23
    Until one o'clock it was, why you?
  • 109:23 - 109:27
    By two o'clock, it was why not?
  • 109:27 - 109:29
    At three am,
  • 109:29 - 109:31
    am I rushing into this?
  • 109:31 - 109:35
    At four, if not now then how will I ever...?
  • 109:35 - 109:39
    By the time it got to five o'c lock,
    I had decided.
  • 109:39 - 109:48
    I do.
  • 109:48 - 110:18
    I love you.
  • 110:18 - 110:20
    Now's my turn to tell her who I am.
  • 110:20 - 110:23
    But you don't know who I am.
  • 110:23 - 110:27
    What...!
    - When you get to know about my dad...
  • 110:27 - 110:29
    it'll blow your brains.
  • 110:29 - 110:33
    Is she talking my lines?
  • 110:33 - 110:34
    Take this.
  • 110:34 - 110:41
    In 1992, my dad had three Ambassador cars.
  • 110:41 - 110:42
    Oh wow...
    - Oh yes.
  • 110:42 - 110:45
    He had a travel agency.
    Shetty Travels.
  • 110:45 - 110:48
    Shitty Travels?
    - Hey! Shetty... Travels.
  • 110:48 - 110:52
    Yes... I see... Shetty Travels.
    - So.
  • 110:52 - 110:55
    It was my uncle who cheated him.
  • 110:55 - 110:56
    Ohh...
  • 110:56 - 110:59
    He stole all three cars.
  • 110:59 - 111:01
    Brokenhearted, my dad died.
  • 111:01 - 111:03
    That day, I swore...
  • 111:03 - 111:07
    until I buy three Ambassador cars,
  • 111:07 - 111:10
    I won't marry.
  • 111:10 - 111:12
    Three...?
  • 111:12 - 111:14
    Can't it climb down by a couple or so?
  • 111:14 - 111:16
    No way.
  • 111:16 - 111:20
    If you can wait, then wait.
  • 111:20 - 111:20
    Otherwise,
  • 111:20 - 111:25
    marry a girl of your class.
  • 111:25 - 111:27
    I'll wait.
  • 111:27 - 111:31
    Don't worry.
    Even after I'm rich,
  • 111:31 - 111:35
    I'll still be the same to you, like I'm now.
  • 111:35 - 111:48
    Promise?
    - Promise.
  • 111:48 - 111:49
    Good morning, sir.
    - Good morning.
  • 111:49 - 111:51
    A very happy new year to you.
    - Thank you.
  • 111:51 - 111:53
    Mr Goenka has canceled for the day.
  • 111:53 - 111:56
    The board meeting is at eleven thirty.
  • 111:56 - 111:59
    The marketing presentation is post-lunch.
  • 111:59 - 112:04
    Okay.
  • 112:04 - 112:11
    Sir... what did she say when
    she got to know about you?
  • 112:11 - 112:14
    I haven't told her.
  • 112:14 - 112:16
    Why, sir?
  • 112:16 - 112:18
    Because, in 1992...
  • 112:18 - 112:20
    her dad had three Ambassador cars.
  • 112:20 - 112:24
    Her uncle tricked her dad out of the cars.
  • 112:24 - 112:28
    Now she wants to be richer than her uncle.
  • 112:28 - 112:29
    Until then, she won't marry.
  • 112:29 - 112:31
    What if you just told her...?
  • 112:31 - 112:34
    She'd want to be richer than me...
  • 112:34 - 112:38
    that'd be the end of my wedding.
  • 112:38 - 112:50
    Truth is, I prefer to keep up this facade.
  • 112:50 - 112:53
    I had bought this flat...
    as my gift to her...
  • 112:53 - 112:59
    after telling her about me.
    It's not to be,
  • 112:59 - 113:01
    but I got to give her the flat, somehow.
  • 113:01 - 113:04
    That's your responsibility.
  • 113:04 - 113:05
    It'll be done, sir.
  • 113:05 - 113:20
    Thanks.
  • 113:20 - 113:22
    May no one ever wish you ill.
  • 113:22 - 113:38
    And your tank forever be petrol-ful.
  • 113:38 - 113:41
    For me too... please.
    - Quiet! There's enough for everyone.
  • 113:41 - 113:43
    For me, too?
    - Late, even today?
  • 113:43 - 113:45
    You bought it?
  • 113:45 - 113:47
    Yes... surprise.
  • 113:47 - 113:50
    One in. Two more to go.
    - Great!
  • 113:50 - 113:53
    I sold the jewellery meant
    for my wedding.
  • 113:53 - 113:55
    Dear husband to-be,
  • 113:55 - 113:57
    I don't think, you care for a dowry.
  • 113:57 - 113:58
    So, I bought a car.
  • 113:58 - 114:02
    Sure... it moves?
  • 114:02 - 114:05
    Are you joking?
    Take a test drive.
  • 114:05 - 114:13
    Come on, kids.
  • 114:13 - 114:15
    Smooth drive, isn't it?
  • 114:15 - 114:16
    Smooth roads.
  • 114:16 - 114:18
    Hey...?
  • 114:18 - 114:21
    Smooth as butter.
  • 114:21 - 114:44
    The radio, there's one in there.
    It works!
  • 114:44 - 114:48
    Hey, this car is mine!
    I just bought it.
  • 114:48 - 115:13
    Nice, isn't it?
    - What a pretty car!
  • 115:13 - 115:14
    Good news, sir.
  • 115:14 - 115:16
    The fax is in from London.
  • 115:16 - 115:17
    We've got the licence.
  • 115:17 - 115:20
    All calls to UK will be routed through us.
  • 115:20 - 115:21
    That's wonderful!
  • 115:21 - 115:22
    Give the good news to the staff.
  • 115:22 - 115:24
    Sure. You must go to
    London immediately.
  • 115:24 - 115:29
    Yes
  • 115:29 - 115:31
    Hi, how are you?
  • 115:31 - 115:33
    There's good news!
  • 115:33 - 115:34
    Strange!
  • 115:34 - 115:39
    She always pips me to the talking post?
  • 115:39 - 115:41
    Even I have something to tell you.
  • 115:41 - 115:44
    No. Me first.
  • 115:44 - 115:45
    Tell me.
  • 115:45 - 115:49
    I won a brand new flat in
    an Air Voice lucky contest.
  • 115:49 - 115:53
    Air Voice lucky contest...?
  • 115:53 - 115:58
    Sir... that flat you wanted to give her...
    I fixed a contest to do it.
  • 115:58 - 116:00
    Wow, that's great! Congratulations.
  • 116:00 - 116:02
    Not just congratulations.
  • 116:02 - 116:04
    Get over here in five minutes.
  • 116:04 - 116:07
    Kalpana, I'm a bit busy.
    I can't come.
  • 116:07 - 116:10
    I'll hit you for pretending to be busy.
  • 116:10 - 116:24
    I'm giving you the address.
    Come right away.
  • 116:24 - 116:25
    Hi!
  • 116:25 - 116:27
    Hi... congratulations.
  • 116:27 - 116:30
    Thank you
  • 116:30 - 116:35
    One second!
  • 116:35 - 116:40
    What's this?
  • 116:40 - 116:42
    You're taking your first step
    into this home.
  • 116:42 - 116:49
    I want to capture it for posterity.
  • 116:49 - 117:45
    You too, come over.
  • 117:45 - 117:47
    Nice, isn't it?
  • 117:47 - 117:48
    Beautiful.
  • 117:48 - 117:49
    This is how it'll stay forever,
  • 117:49 - 118:03
    to remind us of the first step we took.
  • 118:03 - 118:07
    So! How is this home?
  • 118:07 - 118:09
    Fabulous!
  • 118:09 - 118:11
    New home, second hand car...
  • 118:11 - 118:14
    lucky strike?
  • 118:14 - 118:15
    I'm feeling so happy!
  • 118:15 - 118:18
    Weren't you saying something
    on the phone?
  • 118:18 - 118:25
    Yes... I got to go out of town
    for ten days.
  • 118:25 - 118:27
    Where to...?
  • 118:27 - 118:30
    My village.
  • 118:30 - 118:34
    Why, so suddenly?
  • 118:34 - 118:37
    My mother is sick.
  • 118:37 - 118:39
    Then, bring her here.
  • 118:39 - 118:43
    I got to go, I have some property there...
  • 118:43 - 118:44
    two acres of land.
  • 118:44 - 118:45
    I got to sell it...
  • 118:45 - 118:49
    for my mother's medical treatment.
  • 118:49 - 118:55
    Ten days?
    You'll come sooner, if you can...?
  • 118:55 - 118:57
    I will.
  • 118:57 - 119:00
    You will come, won't you?
  • 119:00 - 119:03
    What's it, why are you nervous?
  • 119:03 - 119:06
    I don't know, it's just an odd feeling.
  • 119:06 - 119:10
    Hey...
  • 119:10 - 119:17
    Silly you.
  • 119:17 - 119:19
    All the rest are standard clauses.
  • 119:19 - 119:21
    I think we've covered everything, right?
  • 119:21 - 119:23
    Yes, we've clarified all the points.
  • 119:23 - 119:27
    I'll need a hard copy on the flight.
  • 119:27 - 119:28
    Will be done.
  • 119:28 - 119:30
    Make sure, all changes are incorporated.
    - Right.
  • 119:30 - 119:33
    Yes...?
    - Sir, we're getting late.
  • 119:33 - 119:38
    It's one o'clock!
    All right, let's pack.
  • 119:38 - 119:46
    Thank you, gentlemen.
  • 119:46 - 119:46
    Hello?
  • 119:46 - 119:49
    Hello Sachin... Kalpana.
    - Yes Kalpana?
  • 119:49 - 119:51
    I got to see you right away.
  • 119:51 - 119:55
    Come over to my old place.
  • 119:55 - 119:58
    It's one am. Say, what's the matter?
  • 119:58 - 120:05
    I got to see you before you leave.
    Please.
  • 120:05 - 120:20
    All right. I'm coming.
  • 120:20 - 120:22
    Why are you standing on the street?
  • 120:22 - 120:30
    Just waiting, for you.
  • 120:30 - 120:43
    So... why did you call me?
  • 120:43 - 120:45
    What's this?
  • 120:45 - 120:48
    One hundred and thirty five thousand.
  • 120:48 - 120:52
    For your mother's treatment.
  • 120:52 - 120:54
    Where did you get so much money?
  • 120:54 - 120:56
    I sold my car.
  • 120:56 - 120:59
    What... why?
  • 120:59 - 121:03
    You would've sold the land.
  • 121:03 - 121:06
    Don't sell it. It's an inheritance.
  • 121:06 - 121:11
    A car... I can buy again.
  • 121:11 - 121:14
    But...
  • 121:14 - 121:16
    you wanted the car so much!
  • 121:16 - 121:17
    Forget it.
  • 121:17 - 121:20
    Show your mother my soap ad.
  • 121:20 - 121:27
    I'm looking nice in that one.
  • 121:27 - 121:30
    Come back quickly.
  • 121:30 - 121:33
    Next week, I'm in Goa for an ad shoot.
  • 121:33 - 121:35
    I'll be back in two or three days.
  • 121:35 - 121:43
    You're getting late... now go.
  • 121:43 - 121:56
    Go on.
  • 121:56 - 122:41
    BIGPictures
  • 122:41 - 122:47
    How was it that you came to me
  • 122:47 - 122:51
    How blessed I am,
    but it's hard to believe
  • 122:51 - 122:55
    You descended upon
    life's placid lake...
  • 122:55 - 123:01
    like a rare Moon,
  • 123:01 - 123:04
    slowly,
  • 123:04 - 123:09
    gently
  • 123:09 - 123:13
    Under a winter's Sun,
  • 123:13 - 123:17
    like a warm melody...
  • 123:17 - 123:20
    you have caressed me,
  • 123:20 - 123:28
    I am enthralled
  • 123:28 - 123:34
    In you, my peace.
    You are my passion
  • 123:34 - 123:40
    Why didn't I find you before?
  • 123:40 - 123:52
    How was it that you came to me...
    how blessed I am, but it's hard to believe
  • 123:52 - 123:54
    That day, I swore...
  • 123:54 - 123:57
    until I buy three Ambassador cars,
  • 123:57 - 124:02
    I won't marry.
  • 124:02 - 124:05
    Don't sell it.
    It's an inheritance.
  • 124:05 - 124:14
    A car... I can buy again.
  • 124:14 - 124:21
    And once I believed,
  • 124:21 - 124:24
    that the Creator finds...
  • 124:24 - 124:27
    His urge no more
  • 124:27 - 124:28
    And then...
  • 124:28 - 124:33
    He created you
  • 124:33 - 124:39
    And now He is revealed to me...
  • 124:39 - 124:56
    in all His glory
  • 124:56 - 125:02
    Chords of a music touch my life,
  • 125:02 - 125:06
    I can feel new tunes coming into life
  • 125:06 - 125:16
    But I still can't believe...
  • 125:16 - 125:18
    how blessed I am,
  • 125:18 - 125:43
    how you came to me...
  • 125:43 - 125:53
    I love you.
  • 125:53 - 126:29
    Come back quickly.
  • 126:29 - 126:33
    That's upto 21st June 2006.
  • 126:33 - 126:36
    Afterwards, Sanjay went to London
    and Kalpana went to Goa.
  • 126:36 - 126:59
    What happened after that?
  • 126:59 - 127:04
    Anything more on the man
    we arrested at the girls' hostel?
  • 127:04 - 127:09
    No, it's turning out to be a strange case.
    - How come?
  • 127:09 - 127:11
    Bring him.
  • 127:11 - 127:20
    It was tough keeping him under control,
    so he was given a sedative.
  • 127:20 - 127:23
    He has several names
    and numbers tattooed.
  • 127:23 - 127:26
    Also, several strange remarks.
  • 127:26 - 127:27
    On the head...
  • 127:27 - 127:29
    he has a deep scar.
  • 127:29 - 127:30
    Found on him...
  • 127:30 - 127:33
    a gun, a camera, photographs.
  • 127:33 - 127:39
    We haven't been able to
    find out who he is.
  • 127:39 - 127:58
    Call up those numbers.
    Find out who they are.
  • 127:58 - 127:59
    Hello?
  • 127:59 - 128:20
    Constable Dhuri from
    D.N.Nagar Police station.
  • 128:20 - 128:30
    Do you recognise this man?
  • 128:30 - 128:31
    Yes.
  • 128:31 - 128:34
    He is Sanjay Singhania,
    chairman of Air Voice.
  • 128:34 - 128:37
    The chairman of Air Voice?
    - Yes.
  • 128:37 - 128:40
    He suffers from short term memory loss,
  • 128:40 - 128:44
    doesn't remember anything
    beyond 15 minutes.
  • 128:44 - 128:46
    A friend of mine,
  • 128:46 - 128:53
    he has tattooed in my name and
    number, for remembering me.
  • 128:53 - 128:55
    That's all.
  • 128:55 - 128:57
    Where did you find him?
  • 128:57 - 129:00
    Medical college girl's hostel. In a lift.
  • 129:00 - 129:03
    Sir, his manager and
    his secretary are here.
  • 129:03 - 129:07
    Have you written a complaint about him?
    - Not yet, sir.
  • 129:07 - 129:08
    Wait a while.
  • 129:08 - 129:10
    He's only a patient.
  • 129:10 - 129:13
    And do you know who he is?
  • 129:13 - 129:15
    He was found in a girls' hostel
    with a gun.
  • 129:15 - 129:17
    How is one to take him
    for a medical patient?
  • 129:17 - 129:20
    The gun is for his safety.
  • 129:20 - 129:22
    Here's the gun licence.
  • 129:22 - 129:26
    He didn't shoot at anyone, did he?
  • 129:26 - 129:28
    No complaint has been registered.
  • 129:28 - 129:30
    You can take him away.
  • 129:30 - 129:32
    But from now on, be careful.
  • 129:32 - 129:35
    Please take their contact details.
  • 129:35 - 129:37
    Thank you.
    - Thank you very much.
  • 129:37 - 130:16
    Careful.
  • 130:16 - 130:17
    Sorry, you aren't allowed...
    - Who are you?
  • 130:17 - 130:19
    Move over.
    - Whom do you want?
  • 130:19 - 130:21
    Silence!
  • 130:21 - 130:25
    Why are you locking us?
  • 130:25 - 130:31
    171, Cheetah Camp. Deonar
  • 130:31 - 130:34
    13.06.2008
  • 130:34 - 130:35
    Whose address is it?
  • 130:35 - 130:37
    Mine.
  • 130:37 - 130:42
    The date is tomorrow's.
    One day on, you'd be gone.
  • 130:42 - 130:45
    Don't shoot him!
  • 130:45 - 130:49
    My name and number are on his body.
  • 130:49 - 130:52
    In police records,
    he's a friend of mine.
  • 130:52 - 130:56
    A murder enquiry can
    become big trouble.
  • 130:56 - 131:01
    You mean, we leave him alive?
    - Yes, alive.
  • 131:01 - 131:03
    But like the living dead.
  • 131:03 - 131:07
    He's got memory tags everywhere.
  • 131:07 - 131:11
    We've got to erase what he has written,
  • 131:11 - 132:23
    we got to turn him into blank paper.
  • 132:23 - 132:28
    Now, he's just like any other furniture
  • 132:28 - 132:46
    Just like a vegetable.
  • 132:46 - 134:32
    Newspaper archives?
    - First floor.
  • 134:32 - 134:34
    Why are you hiding?
  • 134:34 - 134:36
    Come out.
  • 134:36 - 134:41
    Come... careful.
  • 134:41 - 134:43
    Sit.
  • 134:43 - 134:45
    What happened to you?
  • 134:45 - 134:48
    I'm from Latur village.
  • 134:48 - 134:53
    Ramesh brought me to Mumbai,
    saying he'd find a job for me.
  • 134:53 - 134:58
    But he sold me to someone.
  • 134:58 - 135:05
    Now... he's forcing me to go to Goa.
  • 135:05 - 135:10
    And... there are more girls like me
    in a bogey up ahead.
  • 135:10 - 135:15
    At one of the stations, I managed to
    get away and I'm hiding here.
  • 135:15 - 135:24
    Don't cry. Nothing is going to happen.
    I'm here with you.
  • 135:24 - 135:25
    She must be around.
  • 135:25 - 135:27
    Hurry up.
  • 135:27 - 135:29
    Move in.
  • 135:29 - 135:36
    Look behind.
  • 135:36 - 135:39
    Did you see a girl, wearing a frock?
  • 135:39 - 135:42
    Give me ten Rupees.
  • 135:42 - 135:47
    Here.
  • 135:47 - 135:51
    Open the door.
    - Open up!
  • 135:51 - 135:53
    Give that girl to me!
  • 135:53 - 135:54
    I paid 2000 Rupees to buy her!
  • 135:54 - 135:56
    Come on, open up!
  • 135:56 - 136:02
    Open the door!
  • 136:02 - 136:08
    Open it!
  • 136:08 - 136:10
    It's gold!
  • 136:10 - 136:12
    Should be worth 3,000.
  • 136:12 - 136:16
    Forget the girl. Let's go.
  • 136:16 - 136:42
    It's all right.
  • 136:42 - 136:43
    Don't be afraid.
  • 136:43 - 136:54
    We'll get down at the next station
    and we'll go to Bombay.
  • 136:54 - 136:57
    We've been after chickens.
  • 136:57 - 137:03
    Will we spare a hen if we find one?
  • 137:03 - 137:07
    Let go... leave her!
  • 137:07 - 137:11
    Sister...
  • 137:11 - 137:14
    Help me!
  • 137:14 - 137:14
    Leave me!
  • 137:14 - 137:16
    How far can she run?
  • 137:16 - 137:19
    Sister, do something!
  • 137:19 - 137:21
    Look at her... there.
  • 137:21 - 138:32
    Sister! Help me!
  • 138:32 - 138:34
    Hi, how are you?
  • 138:34 - 138:36
    I'm okay. Are you in Goa?
  • 138:36 - 138:38
    No, I'm returning to Mumbai.
  • 138:38 - 138:39
    What?
  • 138:39 - 138:41
    It's a long story.
  • 138:41 - 138:45
    In my train, there were some goons.
    They were taking 25 kidnapped girls to Goa.
  • 138:45 - 138:47
    Somehow, I managed to save them.
  • 138:47 - 138:50
    I'm on my way back
    to Mumbai with them.
  • 138:50 - 138:52
    What! Are you all right?
  • 138:52 - 138:54
    Tell me about it, what happened?
  • 138:54 - 138:56
    Don't worry, nothing's happened to me.
  • 138:56 - 138:57
    Are you sure?
  • 138:57 - 139:01
    I'm perfectly all right, really.
  • 139:01 - 139:04
    You're too much, Kalpana.
  • 139:04 - 139:07
    But it's also what I like the
    most about you.
  • 139:07 - 139:08
    What...?
  • 139:08 - 139:11
    This habit of helping others.
  • 139:11 - 139:12
    The first time I saw you,
  • 139:12 - 139:18
    you were helping some
    disabled girls across a ditch.
  • 139:18 - 139:21
    How do you know that?
  • 139:21 - 139:24
    There's so much I haven't told you.
  • 139:24 - 139:26
    Stuff you'll be amazed to hear.
  • 139:26 - 139:29
    Drop the melodrama and tell me.
  • 139:29 - 139:32
    Not like this...
    when I'm saying it,
  • 139:32 - 139:35
    I got to see the look on your face.
  • 139:35 - 139:37
    So, I'll tell it to you once I'm back.
  • 139:37 - 139:38
    See you.
  • 139:38 - 139:40
    Take care, bye.
  • 139:40 - 139:52
    Bye.
  • 139:52 - 139:58
    The biggest news is about kidnapped girls,
    trafficking in human organs and flesh trade.
  • 139:58 - 140:01
    Last night's revelation has
    stunned everyone.
  • 140:01 - 140:06
    25 girls from villages in North India lured to
    the city on the pretext of giving jobs...
  • 140:06 - 140:12
    were being taken from Mumbai to Goa.
    With the help of some soldiers,
  • 140:12 - 140:14
    Kalpana rescued them.
  • 140:14 - 140:18
    Investigations reveal that organs have already
    been harvested from these girls.
  • 140:18 - 140:22
    Several girls have been operated surgically
    and their kidneys have been removed.
  • 140:22 - 140:28
    Now they were en route to Goa,
    to be pressed into the flesh trade.
  • 140:28 - 140:32
    It's apparently a full-fledged racket,
    flourishing right across the country.
  • 140:32 - 140:37
    Investigations indicate the possible
    involvement of influential people.
  • 140:37 - 140:40
    Information given by the rescued girls has
    led to a country-wide crackdown.
  • 140:40 - 140:44
    Several suspects are
    being questioned.
  • 140:44 - 141:01
    Most of them are women and young girls,
    more than half of whom are children.
  • 141:01 - 141:02
    Hello
  • 141:02 - 141:06
    I'm Constable Vyjayanti.
    From Bombay Municipal Hospital.
  • 141:06 - 141:08
    Yes, go on.
  • 141:08 - 141:12
    Look, you sent 25 girls...?
    - Yes?
  • 141:12 - 141:17
    Two are missing, without a trace.
  • 141:17 - 141:20
    Please come over here
    and check them out.
  • 141:20 - 141:22
    Please do not mention
    that I've tipped you.
  • 141:22 - 141:40
    Some very influential people
    are behind it.
  • 141:40 - 141:43
    Madam... here...?
    At this hour?
  • 141:43 - 141:44
    Please come in the morning.
  • 141:44 - 141:46
    The girls will be let off tomorrow morning.
  • 141:46 - 141:48
    I had brought 25 girls.
  • 141:48 - 141:49
    There are only 23 here.
  • 141:49 - 141:51
    Where are the two girls?
  • 141:51 - 141:53
    You are mistaken.
  • 141:53 - 141:55
    You brought 23.
  • 141:55 - 141:56
    Don't you lie!
  • 141:56 - 142:10
    I have a list, of names.
  • 142:10 - 142:15
    Good evening, sir.
  • 142:15 - 142:16
    Yes.
  • 142:16 - 142:19
    You brought in 25 girls.
  • 142:19 - 142:20
    Who are you?
  • 142:20 - 142:21
    Ghajini.
  • 142:21 - 142:24
    Ghajini Dharmatma.
  • 142:24 - 142:30
    23 out of 25 named my men.
    I'd let it pass.
  • 142:30 - 142:35
    But these two, pointed fingers at me.
  • 142:35 - 142:37
    Where are the two girls?
  • 142:37 - 142:42
    Dead and dumped in the sea.
  • 142:42 - 142:49
    Are you asking to know more?
  • 142:49 - 142:51
    Because of beasts like you,
  • 142:51 - 142:58
    girls are afraid to step out
    of their homes.
  • 142:58 - 143:02
    Of how many apparitions of men,
    should women beware?
  • 143:02 - 143:05
    Of keepers of faith and religion?
  • 143:05 - 143:06
    Of doctors?
  • 143:06 - 143:26
    At work places, in schools, colleges?
  • 143:26 - 143:47
    Hello
  • 143:47 - 144:04
    Dead and dumped in the sea.
  • 144:04 - 144:04
    Hello?
  • 144:04 - 144:08
    Vyjayanti speaking...
  • 144:08 - 144:09
    Go on.
  • 144:09 - 144:14
    They're planning to kill you.
  • 144:14 - 144:16
    Please do not go home.
  • 144:16 - 144:18
    Go elsewhere.
  • 144:18 - 144:55
    They're hiding inside your house.
  • 144:55 - 145:17
    What happened?
    - A power failure... hold it.
  • 145:17 - 145:23
    The door is locked from inside.
    She's in here.
  • 145:23 - 146:34
    Find her.
  • 146:34 - 146:43
    Kalpana...?
  • 146:43 - 147:13
    Kalpana
  • 147:13 - 147:31
    Kalpana
  • 147:31 - 148:02
    Don't go away... don't!
  • 148:02 - 148:40
    Fast.
  • 148:40 - 148:42
    Hey!
  • 148:42 - 148:48
    Look!
  • 148:48 - 148:49
    What's it?
  • 148:49 - 148:51
    She must've gone that way.
  • 148:51 - 149:38
    Go.
  • 149:38 - 149:38
    Hello?
  • 149:38 - 150:15
    Hello Kalpana... Kalpana...
  • 150:15 - 150:22
    Kalpana
  • 150:22 - 150:26
    Kalpana
  • 150:26 - 150:48
    BIGPictures
  • 150:48 - 150:52
    Go away, Sachin.
  • 150:52 - 150:52
    Get out.
  • 150:52 - 150:57
    Kalpana... what...?
  • 150:57 - 151:04
    What happened...?
  • 151:04 - 151:11
    Ghajini
  • 151:11 - 151:26
    Ghajini
  • 151:26 - 151:28
    Kalpana!
  • 151:28 - 152:23
    Kalpana...
  • 152:23 - 152:56
    Kalpana
  • 152:56 - 154:42
    No!
  • 154:42 - 156:28
    I'm Sunita. I'm a medical student.
  • 156:28 - 156:29
    Forgive me.
  • 156:29 - 156:31
    Even I'm responsible for
    the state you're in.
  • 156:31 - 156:34
    I'll take you to Ghajini.
  • 156:34 - 156:35
    I'll bring back your memories.
  • 156:35 - 156:45
    I got to talk to him! Now!
  • 156:45 - 156:47
    Hello... hello?
  • 156:47 - 156:49
    My name is Sanjay.
  • 156:49 - 156:50
    What?
  • 156:50 - 156:53
    Sanjay Singhania.
  • 156:53 - 156:56
    Your name is Ghajini.
  • 156:56 - 157:00
    Do you remember the first of July, 2006?
  • 157:00 - 157:04
    You may forget, but I cannot forget.
  • 157:04 - 157:07
    It's the only thing I remember.
  • 157:07 - 157:10
    Leaving you alive was a mistake.
  • 157:10 - 157:15
    But now, I'll finish you off.
  • 157:15 - 157:17
    This time, no sparing you.
  • 157:17 - 157:21
    Wait for your death. I'm coming.
  • 157:21 - 157:25
    Damn you!
  • 157:25 - 157:33
    Damn... a short-term memory-loss
    patient is reminding me?
  • 157:33 - 157:37
    Get the cars.
    We're going into my den.
  • 157:37 - 157:41
    Let him come to my area.
  • 157:41 - 157:44
    After I'm through,
  • 157:44 - 158:01
    they won't find even a fingernail on him.
  • 158:01 - 158:03
    They're going somewhere.
  • 158:03 - 158:44
    Follow them.
  • 158:44 - 158:46
    They're stopping here.
  • 158:46 - 158:48
    Which one is Ghajini?
  • 158:48 - 159:02
    The man in white.
  • 159:02 - 159:04
    This looks like a dangerous area.
  • 159:04 - 159:11
    I think we shouldn't wait here.
  • 159:11 - 159:12
    Where are you going?
  • 159:12 - 159:13
    You can't kill him so easily.
  • 159:13 - 159:15
    There are too many of them in there.
  • 159:15 - 159:17
    Stop! We'll get him when he's alone.
  • 159:17 - 159:18
    This is a very dangerous area.
  • 159:18 - 159:24
    Have you gone mad?
  • 159:24 - 159:41
    Oh God!
  • 159:41 - 160:38
    Hey stop... Where are you going?
    Entry is barred
  • 160:38 - 160:55
    He's here! Tell the boss.
  • 160:55 - 160:57
    He's coming!
  • 160:57 - 160:58
    Move it...
  • 160:58 - 161:00
    let's get him!
  • 161:00 - 161:02
    Don't let him get away!
    - Get the irons...
  • 161:02 - 162:39
    He won't get away!
    - Don't let him in.
  • 162:39 - 163:01
    Boss...
  • 163:01 - 168:56
    Now you're gone... finished!
  • 168:56 - 168:57
    Brother...
  • 168:57 - 169:00
    help me... save me!
  • 169:00 - 169:02
    Ghajini is coming... that way!
  • 169:02 - 169:04
    Please, help me!
  • 169:04 - 169:05
    I'm Prakash!
  • 169:05 - 169:06
    Have you forgotten?
  • 169:06 - 169:08
    We came for Ghajini!
  • 169:08 - 169:09
    Look at how badly he has bruised me!
  • 169:09 - 169:14
    I'm Prakash...
    Ghajini did this to me.
  • 169:14 - 169:15
    He hit me so badly.
  • 169:15 - 169:17
    He's a very dangerous man!
  • 169:17 - 169:19
    Very dangerous!
  • 169:19 - 169:21
    He's coming that way.
  • 169:21 - 169:24
    Keep an eye out for him.
  • 169:24 - 169:25
    Keep an eye on him.
  • 169:25 - 169:27
    Watch out
  • 169:27 - 169:37
    Cunning man... very cunning man.
  • 169:37 - 170:02
    Got you!
  • 170:02 - 170:04
    Got you!
  • 170:04 - 170:07
    Short term memory loss...
  • 170:07 - 170:10
    Look at my face.
  • 170:10 - 170:12
    Look.
  • 170:12 - 170:14
    I am Ghajini.
  • 170:14 - 170:15
    I am.
  • 170:15 - 170:18
    I am the one you wanted to kill.
  • 170:18 - 170:27
    Do you remember why?
  • 170:27 - 170:30
    Your memory is too weak,
  • 170:30 - 170:33
    lasts you for just 15 minutes.
  • 170:33 - 170:36
    But have no regrets.
  • 170:36 - 170:54
    In these final 15 minutes of your life,
    I'll give the action replay, over again.
  • 170:54 - 170:57
    Remember the rod...?
  • 170:57 - 171:02
    The one that I used to kill your fiancee?
  • 171:02 - 171:04
    Somewhat like this one...
  • 171:04 - 171:12
    it comes to your mind?
  • 171:12 - 171:22
    I killed her right in front of your eyes.
  • 171:22 - 171:24
    Before I kill you,
  • 171:24 - 171:32
    I'll show you exactly
    how I killed your Kalpana.
  • 171:32 - 175:56
    Watch this.
  • 175:56 - 176:24
    Kalpana Home for Orphans
  • 176:24 - 176:31
    Let's go cut the cake.
    - Yes... let's all go.
  • 176:31 - 176:35
    Time to cut your cake.
  • 176:35 - 176:38
    Wait!
  • 176:38 - 176:43
    Sanjay, what's her name?
  • 176:43 - 176:50
    Rahul... no.
  • 176:50 - 176:53
    Pooja.
  • 176:53 - 176:54
    You read it here!
  • 176:54 - 176:56
    Cheater... cheater...
  • 176:56 - 178:38
    Happy birthday to you.
  • 178:38 - 178:53
    BIGPictures
  • 178:53 - 178:56
    Pathways, streams and rivers all change
  • 178:56 - 178:59
    Glimmering lamps cast lights of change
  • 178:59 - 179:02
    When the change strikes life's rhythm
  • 179:02 - 179:05
    The rhythm of the rain will also change
  • 179:05 - 179:11
    And the nature of seasons will change
  • 179:11 - 179:15
    But I shall forever be...
  • 179:15 - 179:19
    the same to you as I've been
  • 179:19 - 179:25
    Arm in arm, with you my mate,
  • 179:25 - 179:28
    every moment,
  • 179:28 - 179:46
    always
  • 179:46 - 179:52
    How was it that you came to me
  • 179:52 - 179:56
    How blessed I was,
    but it's hard to believe
  • 179:56 - 180:00
    You descended upon
    life's placid lake...
  • 180:00 - 180:06
    like a rare Moon,
  • 180:06 - 180:09
    slowly,
  • 180:09 - 180:14
    gently
  • 180:14 - 180:18
    Under winter's Suns,
  • 180:18 - 180:21
    like a warm melody...
  • 180:21 - 180:27
    you caressed me, now you're gone
  • 180:27 - 180:33
    But I still live, enthralled
  • 180:33 - 180:39
    In you, my peace.
    You are my passion
  • 180:39 - 180:45
    Why didn't I find you before?
  • 180:45 - 182:51
    How was it that you came to me...
    how blessed I was, but it's hard to believe
  • 182:51 - 182:58
    And once I believed,
  • 182:58 - 183:04
    that the Creator finds
    His urge no more
  • 183:04 - 183:10
    And then He created you...
  • 183:10 - 183:16
    for me to sing...
  • 183:16 - 183:24
    eulogies to His glory
  • 183:24 -
    Subtitles by daejang
Title:
Ghajini[HD+Viet Sub+ English sub].2008
Description:

Phim này hay,like mạnh. mọi người xem thấy hay thì chia sẻ mọi người xem cùng nhé.còn vài phim nữa mình sẽ cố gắng úp mọi người xem.
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Video Language:
Hindi
Duration:
03:05:06
Amara Bot edited English subtitles for Ghajini[HD+Viet Sub+ English sub].2008
Amara Bot added a translation

English subtitles

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