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The Paper Town Academy | John Green | TEDxIndianapolis

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    So, this is a map
    of New York State
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    that was made in 1937 by the
    General Drafting Company.
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    It's an extremely famous map
    among cartography nerds,
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    because down here at the bottom
    of the Catskill Mountains
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    there is a little town called Roscoe
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    --actually, this will go easier
    if I just put it up here--
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    There's Roscoe, and then, right above Roscoe,
    is Rockland, New York,
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    and then right above that
    is the tiny town of Agloe, New York.
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    Agloe, New York,
    is very famous to cartographers,
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    because it's a paper town.
    It's also known as a copyright trap.
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    Map makers -- because my map of New York
    and your map of New York
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    are going to look very similar,
    on account of the shape of New York.
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    Often, map makers will insert
    fake places onto their maps,
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    in order to protect their copyright, because then,
    if my fake place shows up on your map,
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    I can be well and truly sure
    that you have robbed me.
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    Agloe is a scrabblization of the initials
    of the two guys who made this map
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    Ernest G. Alpers and Otto Lindberg,
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    and they released this map in 1937.
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    Decades later, Rand McNally releases a map
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    with Agloe, New York, on it,
    at the same exact intersection
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    of two dirt roads in the middle of nowhere.
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    Well, you can imagine the delight
    over at General Drafting.
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    They immediately called
    Rand McNally, and they say:
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    "We've caught you!
    We made Agloe, New York, up.
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    It is a fake place. It's a paper town.
    We're gonna sue your pants off!"
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    And Rand McNally says:
    "N-n-no, no, no, Agloe is real."
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    Because people kept going to that intersection
    of two dirt roads (Laughter),
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    in the middle of nowhere,
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    expecting there to be a place called Agloe,
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    someone built a place
    called Agloe, New York.
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    It had a gas station, a general store,
    two houses at its peak. (Laughter)
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    And this is of course a completely
    irresistible metaphor to a novelist,
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    because we would all like to believe
    that the stuff that we write down on paper
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    can change the actual world
    in which we're actually living --
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    which is why my third book
    is called "Paper Towns".
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    But what interests me ultimately more
    than the medium in which this happened
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    is the phenomenon itself.
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    It's easy enough to say that the world
    shapes our maps of the world, right?
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    Like the overall shape of the world
    is obviously going to affect our maps.
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    But what I find a lot
    more interesting is the way
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    that the manner in which we map
    the world changes the world.
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    Because the world would truly be
    a different place if North were down.
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    And the world would be a truly
    different place if Alaska and Russia
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    weren't on opposite sides of the map.
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    And the world would be a different place
    if we projected Europe to show it in its actual size.
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    The world is changed by our maps of the world.
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    The way that we choose to, sort of,
    our personal cartographic enterprise
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    also shapes the map of our lives,
    and that in turn shapes our lives.
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    I believe that what we map
    changes the life we lead.
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    And I don't mean that in some, like,
    secrecy Oprah's Angels network, like,
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    you-can-think-your-way-out-of-cancer sense.
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    But I do believe that while maps don't show you
    where you will go in your life,
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    they show you where you might go.
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    You very rarely go to a place
    that isn't on your personal map.
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    So I was a really terrible
    student when I was a kid.
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    My GPA was consistently in the low 2s,
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    and I think the reason that
    I was such a terrible student is that
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    I felt like education was just a series
    of hurdles that had been erected before me,
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    and I had to jump over
    in order to achieve adulthood.
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    And I didn't really want
    to jump over these hurdles,
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    because they seemed completely arbitrary,
    so I often wouldn't,
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    and then people would
    threaten me, you know,
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    they'd threaten me with
    "this going on my permanent record",
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    or "you'll never get a good job".
    I didn't want a good job!
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    As far as I could tell
    at eleven or twelve years old, like,
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    people with good jobs woke up
    very early in the morning,
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    (Laughter)
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    and the men who had good jobs,
    one of the first things they did
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    was tie a strangulation item
    of clothing around their necks.
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    They literally put nooses on themselves, and then
    they went off to their jobs, whatever they were.
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    That's not a recipe for a happy life.
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    These people -- in my, like, symbol-obsessed,
    twelve-year-old imagination,
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    these people who are strangling themselves
    as one of the first things
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    they do each morning,
    they can't possibly be happy.
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    Why would I wanna jump over all these hurdles
    and have that be the end?
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    That's a terrible end!
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    And then, when I was in tenth grade,
    I went to this school,
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    Indian Springs School, a small boarding school,
    outside of Birmingham, Alabama,
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    and all at once I became a learner.
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    And I became a learner, because I found myself
    in a community of learners.
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    I found myself surrounded by people who celebrated
    intellectualism and engagement,
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    and who thought that my ironic oh-so-cool disengagement
    wasn't clever, or funny,
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    but, like, it was a simple and unspectacular response
    to very complicated and compelling problems.
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    And so I started to learn,
    because learning was cool.
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    I learned that some infinite sets
    are bigger than other infinite sets,
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    and I learned that iambic pentameter is
    and why it sounds so good to human ears.
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    I learned that the Civil War
    was a nationalizing conflict,
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    I learned some physics, I learned that correlation
    shouldn't be confused with causation --
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    all of these things, by the way,
    enriched my life on a literally daily basis.
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    And it's true that I don't use
    most of them for my "job",
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    but that's not what it's about for me.
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    It's about cartography.
    What is the process of cartography?
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    It's, you know, sailing upon some land, and thinking
    "I think I'll draw that bit of land",
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    and then wondering
    "Maybe there's some more land to draw".
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    And that's when learning really began for me.
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    It's true that I had teachers that didn't give up on me,
    and I was very fortunate to have those teachers,
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    because I often gave them cause to think
    there was no reason to invest in me.
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    But a lot of the learning that I did in high school
    wasn't about what happened inside the classroom,
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    it was about what happened outside of the classroom.
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    For instance, I can tell you that
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    "There's a certain slant of light,
    [On] winter afternoons,
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    That oppresses, like the heft [weight]
    Of cathedral tunes",
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    not because I memorized Emily Dickinson in school,
    when I was in high school,
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    but because there was a girl, when I was in high school,
    and her name was Amanda,
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    and I had a crush on her,
    and she liked Emily Dickinson poetry.
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    The reason I can tell you
    what opportunity cost is,
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    is because one day when I was playing
    Super Mario Kart on my couch,
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    my friend Emmet walked in, and he said
    "How long have you been playing Super Mario Kart?",
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    and I said, "I don't know,
    like, six hours?", and he said,
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    "You realize that if you'd worked
    at Baskin-Robbins those six hours,
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    you could have made thirty dollars, so in some ways,
    you just paid thirty dollars to play Super Mario Kart",
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    and I was, like, "I'll take that deal."
    (Laughter)
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    But I learned what
    opportunity cost is,
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    and along the way,
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    the map of my life got better,
    it got bigger, it contained more places.
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    There were more things that might happen,
    more futures I might have.
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    It wasn't a formal organized learning process,
    and I'm happy to admit that.
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    It was spotty, it was inconsistent,
    there was a lot I didn't know.
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    I might know, you know,
    that Cantor's idea
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    that some infinite sets are larger
    than other infinite sets,
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    but I didn't really understand
    the calculus behind that idea.
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    I might know the idea
    of opportunity cost,
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    but I didn't know the law
    of diminishing returns.
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    But the great thing about imagining
    learning as cartography,
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    instead of imagining it as arbitrary hurdles
    that you have to jump over
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    is that you see a bit of coast line,
    and that makes you want to see more.
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    And so now I do know at least some of the calculus
    that underlies all of that stuff.
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    So, I had one learning community in high school,
    then I went to another for college,
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    and then I went to another, when I started working
    at a magazine called "Booklist",
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    where I was an assistant
    surrounded by astonishingly well-read people,
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    and then I wrote a book,
    and like all authors dream of doing,
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    I promptly quit my job.
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    And for the first time since high school,
    I found myself without a learning community,
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    and it was miserable.
    I hated it.
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    I read many, many books
    during this two-year period.
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    I read books about Stalin, and I read books about
    how the Uzbek people came to identify as Muslims,
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    and I read books about
    how to make atomic bombs,
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    but it just felt like
    I was creating my own hurdles,
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    and then jumping over them myself,
    instead of feeling the excitement of being part
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    of a community of learners,
    a community of people
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    who are engaged together in a cartographic enterprise
    of trying to better understand
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    and map the world around us.
    And then, in 2006, I met that guy.
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    His name is Ze Frank. I didn't actually meet him,
    just on the Internet.
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    Ze Frank was running, at the time,
    a show called "The Show with Ze Frank",
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    and I discovered this show, and that was my way back
    into being a community learner again.
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    Here's Ze talking about Las Vegas:
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    (Video) Ze Frank: "Las Vegas was built in the middle
    of a huge hot desert,
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    almost everything here
    was brought from somewhere else --
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    the sort of rocks,
    the trees, the waterfalls.
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    These fish are almost as out of place
    as my pig that flew.
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    Contrasted to the scorching desert
    that surrounds this place, so are these people.
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    Things from all over the world have been rebuilt here,
    away from their histories,
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    and away from the people
    that experience them differently.
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    Sometimes, improvements were made.
    Even the Sphinx got a nose job.
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    Here, what you see is what you get, and there's
    no reason to feel like you're missing anything.
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    This New York means the same to me
    as it does to everyone else.
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    Everything is out of context,
    and that means context allows for everything.
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    Self Parking, Events Center, Shark Reef.
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    This fabrication of place could be one
    of the world's greatest achievements,
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    because no one belongs here, everyone does.
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    As I walked around this morning,
    I noticed most of the buildings
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    were huge mirrors reflecting
    the sun back into the desert.
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    But unlike most mirrors, which present you
    with an outside view of yourself embedded in a place,
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    these mirrors come back empty."
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    It makes me nostalgic for the days when you could see
    the pixels in online video. (Laughter)
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    Ze isn't just a great public intellectual,
    he's also a brilliant community builder,
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    and the community of people that built up
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    around these videos was in many ways
    a community of learners,
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    so we played Ze Frank at chess collaboratively,
    and we beat him.
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    We organized ourselves to take a young man
    on a road trip across the United States.
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    We turned the Earth into a sandwich by having one person
    hold a piece of bread at one point on the Earth,
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    and on the exact opposite point of the Earth
    having another person holding a piece of bread.
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    I realize that these are silly ideas,
    but they are also 'learny' ideas,
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    and that was what was so exciting to me,
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    and if you go online, you can find
    communities like this all over the place.
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    Follow the calculus tag on Tumblr, and yes,
    you will see people complaining about calculus,
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    but you'll also see people
    re-blogging those complaints,
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    making the argument that calculus
    is interesting and beautiful,
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    and here's a way in to thinking about
    the problem that you find unsolvable.
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    You can go to places like Reddit, and find sub-Reddits,
    like 'Ask a Historian', or 'Ask Science',
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    where you can ask people who are in these fields
    a wide range of questions,
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    from very serious ones
    to very silly ones.
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    But to me, the most interesting
    communities of learners
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    that are growing up on the Internet
    right now are on YouTube,
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    and admittedly I am biased.
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    But I think in a lot of ways,
    the YouTube page resembles a classroom.
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    Look for instance at "Minute Physics",
    a guy who's teaching the world about physics.
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    (Video) "Let's cut to the chase. As of July 4th, 2012,
    the Higgs Boson is the last fundamental piece
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    of the standard model of particle physics
    to be discovered experimentally.
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    But, you might ask, why was the Higgs Boson
    included in the standard model,
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    alongside well-known particles
    like electrons and photons and quarks,
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    if it hadn't been discovered
    back then in the 1970s?
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    Good question.
    There are two main reasons.
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    First, just like the electron
    is an excitation in the electron field,
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    the Higgs Boson is simply a particle which is an excitation
    of the everywhere-permeating Higgs field.
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    The Higgs field in turn plays an integral role
    in our model for the weak nuclear force.
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    In particular, the Higgs field
    helps explain why it's so weak.
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    We'll talk more about this in a later video, but even though
    weak nuclear theory was confirmed in the 1980s,
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    in the equations, the Higgs field
    is so inextricably jumbled with the weak force,
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    that until now we've been unable to confirm
    its actual and independent existence."
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    John Green: Or here's a video
    that I made as part
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    of my show "Crash Course",
    talking about World War I:
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    "The immediate cause was of course
    the assassination in Sarajevo
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    of the Austrian Archduke Franz Ferdinand,
    on June 28, 1914,
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    by a Bosnian-Serb nationalist
    named Gavrilo Princip.
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    Quick aside: it's worth noting that the first big war
    of the twentieth century began with an act of terrorism.
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    So Franz Ferdinand wasn't particularly well-liked
    by his uncle, the emperor Franz Joseph
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    -- now "that" is a moustache! --
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    but even so, the assassination led Austria
    to issue an ultimatum to Serbia,
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    whereupon Serbia accepted some,
    but not all, of Austria's demands,
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    leading Austria to declare
    war against Serbia.
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    And then Russia, due to its alliance
    with the Serbs, mobilized its army.
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    Germany, because it had an alliance with Austria,
    told Russia to stop mobilizing,
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    which Russia failed to do,
    so then Germany mobilized its own army,
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    declared war on Russia,
    cemented an alliance with the Ottomans,
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    and then declared war on France,
    because, you know -- France!"
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    (Laughter)
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    And it's not just physics and world history
    that people are choosing to learn through YouTube.
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    Here's a video about abstract mathematics:
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    (Video) "So you're me,
    and you're in math class yet again,
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    because they make you go,
    like, every single day.
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    And you're learning about, I don't know,
    the sums of infinite series.
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    That's a high school topic, right?
    Which is odd, because
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    it's a cool topic, but they
    somehow manage to ruin it anyway.
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    So I guess that's why they allow
    infinite series in the curriculum.
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    So, in a quite understandable need for distraction,
    you're doodling and thinking more about
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    what the plural of "series" should be
    than about the topic at hand.
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    "Serieses," "seriese,"
    "seriesen," and "serii?"
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    Or is it that the singular should be changed?
    One "serie," or "serus," or "serum?"
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    Just like the singular
    of "sheep" should be "shoop."
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    But the whole concept of things like
    1/2 + 1/4 + 1/8 + 1/16 and so on, approaching one,
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    is useful if, say, you wanna draw a line of elephants
    each holding the tail of the next one:
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    normal elephant, young elephant, baby elephant,
    dog-sized elephant, puppy-sized elephant...
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    All the way down to Mr. Tusks and beyond.
    Which is at least a tiny bit awesome,
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    because you can get an infinite number
    of elephants in a line
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    and still have it fit across
    a single notebook page."
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    JG: And lastly, here's Destin,
    from "Smarter Every Day",
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    talking about the conservation of angular momentum
    and, since it's YouTube, cats:
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    (Video) "Hey, it's me, Destin.
    Welcome back to "Smarter Every Day".
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    So you've probably observed that cats
    almost always land on their feet.
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    Today's question is why?
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    Like most simple questions,
    there's a very complex answer.
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    For instance, let me
    reword this question:
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    "How does a cat go from feet up
    to feet down in a falling reference frame
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    without violating the conservation
    of angular momentum?"
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    JG: So, here's something all
    of these videos have in common:
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    they all have more than
    half a million views on YouTube.
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    And those are people
    watching not in classrooms,
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    but because they are part
    of the communities of learning
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    that are being set up
    by these channels.
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    And I said earlier that YouTube
    is like a classroom to me,
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    and in many ways it is,
    because here is the instructor
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    -- it's like the old-fashioned classroom --
    here's the instructor,
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    and then beneath the instructor
    is the students,
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    and they're all having
    a conversation.
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    And I know that
    YouTube Comments have
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    a very bad reputation
    in the world of the Internet,
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    but in fact, if you go
    on Comments for these channels,
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    what you'll find is people
    engaging the subject matter,
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    asking difficult, complicated questions
    that are about the subject matter,
  • 15:53 - 15:55
    and then other people
    answering those questions.
  • 15:55 - 15:58
    And because the YouTube page is set up
  • 15:58 - 16:04
    so that the page in which I'm talking to you
    is on the exact same page
  • 16:04 - 16:11
    as your comments, you are participating in a live
    and real and active way in the conversation.
  • 16:11 - 16:15
    And because I'm in Comments usually,
    I get to participate with you,
  • 16:15 - 16:21
    and you find this whether it's world history,
    or mathematics, or science, or whatever it is.
  • 16:21 - 16:24
    You also see young people using the tools
  • 16:24 - 16:28
    and the sort of genres of the Internet
    in order to create places
  • 16:28 - 16:31
    for intellectual engagement
    instead of the ironic detachment
  • 16:31 - 16:35
    that maybe most of us associate
    with memes and other Internet conventions,
  • 16:35 - 16:38
    you know "Got bored -- Invented calculus",
  • 16:38 - 16:41
    or here's Honey Boo Boo
    criticizing industrial capitalism
  • 16:41 - 16:44
    ["Liberal capitalism is not at all
    the Good of humanity.
  • 16:44 - 16:46
    Quite the contrary; it is the vehicle
    of savage destructive nihilism"].
  • 16:46 - 16:48
    In case you can't see
    what she says... Yeah.
  • 16:50 - 16:55
    I really believe that
    these spaces, these communities
  • 16:55 - 16:59
    have become, for a new
    generation of learners,
  • 16:59 - 17:04
    the kind of communities,
    the kind of cartographic communities
  • 17:04 - 17:08
    that I had when I was in high school,
    and then again when I was in college.
  • 17:08 - 17:15
    And as an adult, re-finding these communities
    has re-introduced me to a community of learners,
  • 17:15 - 17:20
    and has encouraged me to continue
    to be a learner even in my adulthood,
  • 17:20 - 17:24
    so that I no longer feel like learning
    is something reserved for the young.
  • 17:24 - 17:30
    Vi Hart and "Minute Physics" introduced me
    to all kinds of things that I didn't know before.
  • 17:30 - 17:35
    And I know that we all hearken back to the days
    of the Parisian salon in the Enlightenment,
  • 17:35 - 17:39
    or to the Algonquin Round Table, and wish
    "Oh, I wish I could have been a part of that,
  • 17:39 - 17:42
    I wish I could have laughed
    at Dorothy Parker's jokes".
  • 17:42 - 17:47
    But I'm here to tell you that
    these places exist, they still exist.
  • 17:47 - 17:53
    They exist in corners of the Internet,
    where old men fear to tread. (Laughter)
  • 17:53 - 17:59
    And I truly, truly believe that when
    we invented Agloe, New York, in the 1960s,
  • 17:59 - 18:04
    when we made Agloe real,
    we were just getting started.
  • 18:04 - 18:05
    Thank you.
  • 18:05 - 18:08
    (Applause)
Title:
The Paper Town Academy | John Green | TEDxIndianapolis
Description:

When we think of education as a school-based phenomenon, we do a disservice both to students and to the rest of us. Green argues that we should imagine education as a kind of cartography, and discuss how online communities are helping to build learning maps that will encourage students. The youth of today are quietly becoming the best-informed, most intellectually engaged generation in world history.

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Video Language:
English
Team:
closed TED
Project:
TEDxTalks
Duration:
18:10
  • A tiny typo at 5:35:
    and I learned that iambic pentameter is => and I learned what iambic pentameter is

English subtitles

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