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Guadalupe Maravilla’s “Mariposa Relámpago" | Art21 "New York Close Up"

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    (suspenseful music)
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    - The name came to me very naturally.
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    I was in Oaxaca and I had a dream
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    that kind of shook me up.
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    I remember seeing a lot of butterflies
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    and lightning bolts together in the storm.
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    And that morning I got
    up, I was at a red light,
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    and there were two abuelitas,
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    and they were talking about
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    how this healer would often
    come and heal the town.
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    Her name was Mariposa Relámpago.
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    That's when I said, "Oh, wow.
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    I just had a dream about
    butterflies and lightning bolts."
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    That's where the name comes from.
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    "Mariposa Relámpago."
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    (wind whooshing)
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    (harmonica blowing)
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    This is spirits playing right now.
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    (gentle harmonica music)
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    Sound is really powerful.
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    There's a universal way
    of experiencing healing,
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    and it's by using sound.
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    And everyone feels it.
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    Everyone that's alive feels
    it. The plants feel it.
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    The animals feel it. The babies feel it.
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    I think everyone needs to heal something.
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    (bell chimes)
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    What's happening in the
    border in the United States
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    is a major impact in who I am.
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    I was an undocumented unaccompanied child
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    coming from El Salvador,
    escaping the Civil War.
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    I migrated here in the '80s.
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    For me, the border is not
    just the physical wall
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    that's separating Mexico
    and United States,
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    but a whole journey that
    asylum seekers take.
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    (dramatic music)
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    A lot of the work that
    I have done for myself
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    is to actually confront
    those cities and those towns
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    that I traveled as an
    undocumented unaccompanied child.
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    (suspenseful music)
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    The bus culture growing up in the '80s
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    was really big in El Salvador
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    because we would have these blinged out,
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    formerly American yellow school buses.
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    I was fascinated by these buses
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    because they were highly decorated.
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    And I was obsessed with
    looking at all the details,
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    all the shiny objects,
    all the handmade things,
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    all the absurd things.
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    So the whole idea for
    me came that I wanted
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    to bring a school bus from El
    Salvador to the United States,
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    and I wanted to have
    the same migratory path
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    that I had as a kid.
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    (suspenseful music)
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    In order to turn it to a gong,
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    we have to first flatten it out.
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    Like it has this giant ding here
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    and a few imperfections there,
    but I think we can get it.
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    (birds chirping)
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    For me, it's always been important
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    to make my own instruments.
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    Even when I'm making sculptures,
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    I'm always really thinking about
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    using recycled materials for them,
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    and repurposing objects.
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    Thinking of animism and the energy
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    that these materials
    hold is really important
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    to what I'm exploring.
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    (birds chirping)
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    When I was a student in New York City,
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    there weren't that many role
    models that I could look up to.
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    I realized that my teachers didn't know
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    what I had gone through and how important
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    healing was for me.
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    The main influence that
    I had was looking back
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    at my ancestry, the Maya, the Curanderos.
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    Okay, go for it, Billy.
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    They were the healers.
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    They were the ones that could
    write and draw and sculpt
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    and also create rituals.
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    Directly connected to them,
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    I was like, "I want to
    make healing rituals."
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    (gentle harmonica music)
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    It's a vibrating bus.
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    It's a vibrating healing instrument.
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    "Mariposa Relámpago"
    has around 700 objects.
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    Every object has a meaning for me.
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    Part of the work is to
    actually find the objects.
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    (bell chimes)
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    I was in Mexico City
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    and I saw a pair of
    metallic silver slippers,
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    and it looked like a
    child had been walking
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    for a lot of time.
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    I almost got emotional when I saw it,
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    and I felt the energy of the walking
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    and all the unaccompanied,
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    displaced children that
    were traveling with me.
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    There's been thousands of people
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    that have experienced "Mariposa Relámpago"
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    in all these different cities
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    that it's traveled through.
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    I really wanted to bus to tour the border
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    as much as possible.
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    (gentle music)
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    (crowd chattering)
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    Everyone, thank you for coming.
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    Think of being in the
    park or being by the ocean
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    when you sit there and
    just listen to the birds.
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    You don't have to be
    an expert in meditation
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    to feel the experience.
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    Just listen to it.
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    (gentle ambient music)
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    When I'm doing a ceremony
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    and we're producing sound,
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    it doesn't feel like I'm
    even playing an instrument.
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    Sound can be used in different ways.
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    The power of "Mariposa"
    can be felt around the bus,
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    but also inside of the bus.
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    You can sit or lay on the bus
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    and feel the vibration
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    and the healing qualities that it has.
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    I had so many mixed feelings
    going to the ceremony.
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    (gentle music)
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    It was open to the general public,
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    but also we had border patrol agents
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    on the bus during the ceremony.
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    Being in Marfa, an
    environment that is similar
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    to the same lines that I
    crossed when I was a child,
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    I think I was in tears at some point.
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    And it's a very scary space.
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    There's certain roads you gotta show ID
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    and tell them that you're a citizen.
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    There's actually a blimp
    that travels in the area
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    looking for refugees to
    arrest them and deport them.
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    My community sees them
    as very threatening,
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    but I realized that I
    wanted to do a ceremony
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    for border patrol agents
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    because it's not just about healing those
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    that have been hurt,
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    but also healing other more
    complex situations as well.
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    (gentle ambient music)
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    - [Irlanda] The camp
    that I was working at,
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    it's a place where unaccompanied children
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    that cross the border,
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    first, they go to the
    border patrol center,
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    and from there, they get sent to a camp.
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    They are just kids,
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    so it makes it very
    hard to see them worried
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    so it makes it very
    hard to see them worried
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    and see their sadness.
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    They are some of the most resilient kids
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    I've ever met in my life.
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    I was on the phone with my coworker
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    and I'm telling her about you.
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    "Dude, this guy, he's a grownup version
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    of the kids we were taking care of."
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    - It's funny that you said that
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    because yesterday,
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    I was talking to law enforcement
    that works at the border.
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    When she started talking to me,
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    she was talking to me like I
    was that 8-year-old little boy
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    that she encountered, you know?
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    She was like, "Yeah, I
    wanted to embrace you,
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    I wanted to hold you, but I couldn't."
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    (bell chiming)
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    (wind whooshing)
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    (waves splashing)
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    (gentle harmonica music)
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    As a child in El Salvador,
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    I would be constantly drawing
    the New York City skyline.
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    So when I look at that skyline,
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    it just symbolizes the journey
    through the United States.
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    That journey still continues to this day.
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    Healing is gonna be happening
    for the rest of my life.
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    Sound is medicine.
Title:
Guadalupe Maravilla’s “Mariposa Relámpago" | Art21 "New York Close Up"
Description:

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Video Language:
English
Team:
Art21
Project:
"New York Close Up" series
Duration:
13:32

English (United States) subtitles

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