-
(suspenseful music)
-
- The name came to me very naturally.
-
I was in Oaxaca and I had a dream
-
that kind of shook me up.
-
I remember seeing a lot of butterflies
-
and lightning bolts together in the storm.
-
And that morning I got
up, I was at a red light,
-
and there were two abuelitas,
-
and they were talking about
-
how this healer would often
come and heal the town.
-
Her name was Mariposa Relámpago.
-
That's when I said, "Oh, wow.
-
I just had a dream about
butterflies and lightning bolts."
-
That's where the name comes from.
-
"Mariposa Relámpago."
-
(wind whooshing)
-
(harmonica blowing)
-
This is spirits playing right now.
-
(gentle harmonica music)
-
Sound is really powerful.
-
There's a universal way
of experiencing healing,
-
and it's by using sound.
-
And everyone feels it.
-
Everyone that's alive feels
it. The plants feel it.
-
The animals feel it. The babies feel it.
-
I think everyone needs to heal something.
-
(bell chimes)
-
What's happening in the
border in the United States
-
is a major impact in who I am.
-
I was an undocumented unaccompanied child
-
coming from El Salvador,
escaping the Civil War.
-
I migrated here in the '80s.
-
For me, the border is not
just the physical wall
-
that's separating Mexico
and United States,
-
but a whole journey that
asylum seekers take.
-
(dramatic music)
-
A lot of the work that
I have done for myself
-
is to actually confront
those cities and those towns
-
that I traveled as an
undocumented unaccompanied child.
-
(suspenseful music)
-
The bus culture growing up in the '80s
-
was really big in El Salvador
-
because we would have these blinged out,
-
formerly American yellow school buses.
-
I was fascinated by these buses
-
because they were highly decorated.
-
And I was obsessed with
looking at all the details,
-
all the shiny objects,
all the handmade things,
-
all the absurd things.
-
So the whole idea for
me came that I wanted
-
to bring a school bus from El
Salvador to the United States,
-
and I wanted to have
the same migratory path
-
that I had as a kid.
-
(suspenseful music)
-
In order to turn it to a gong,
-
we have to first flatten it out.
-
Like it has this giant ding here
-
and a few imperfections there,
but I think we can get it.
-
(birds chirping)
-
For me, it's always been important
-
to make my own instruments.
-
Even when I'm making sculptures,
-
I'm always really thinking about
-
using recycled materials for them,
-
and repurposing objects.
-
Thinking of animism and the energy
-
that these materials
hold is really important
-
to what I'm exploring.
-
(birds chirping)
-
When I was a student in New York City,
-
there weren't that many role
models that I could look up to.
-
I realized that my teachers didn't know
-
what I had gone through and how important
-
healing was for me.
-
The main influence that
I had was looking back
-
at my ancestry, the Maya, the Curanderos.
-
Okay, go for it, Billy.
-
They were the healers.
-
They were the ones that could
write and draw and sculpt
-
and also create rituals.
-
Directly connected to them,
-
I was like, "I want to
make healing rituals."
-
(gentle harmonica music)
-
It's a vibrating bus.
-
It's a vibrating healing instrument.
-
"Mariposa Relámpago"
has around 700 objects.
-
Every object has a meaning for me.
-
Part of the work is to
actually find the objects.
-
(bell chimes)
-
I was in Mexico City
-
and I saw a pair of
metallic silver slippers,
-
and it looked like a
child had been walking
-
for a lot of time.
-
I almost got emotional when I saw it,
-
and I felt the energy of the walking
-
and all the unaccompanied,
-
displaced children that
were traveling with me.
-
There's been thousands of people
-
that have experienced "Mariposa Relámpago"
-
in all these different cities
-
that it's traveled through.
-
I really wanted to bus to tour the border
-
as much as possible.
-
(gentle music)
-
(crowd chattering)
-
Everyone, thank you for coming.
-
Think of being in the
park or being by the ocean
-
when you sit there and
just listen to the birds.
-
You don't have to be
an expert in meditation
-
to feel the experience.
-
Just listen to it.
-
(gentle ambient music)
-
When I'm doing a ceremony
-
and we're producing sound,
-
it doesn't feel like I'm
even playing an instrument.
-
Sound can be used in different ways.
-
The power of "Mariposa"
can be felt around the bus,
-
but also inside of the bus.
-
You can sit or lay on the bus
-
and feel the vibration
-
and the healing qualities that it has.
-
I had so many mixed feelings
going to the ceremony.
-
(gentle music)
-
It was open to the general public,
-
but also we had border patrol agents
-
on the bus during the ceremony.
-
Being in Marfa, an
environment that is similar
-
to the same lines that I
crossed when I was a child,
-
I think I was in tears at some point.
-
And it's a very scary space.
-
There's certain roads you gotta show ID
-
and tell them that you're a citizen.
-
There's actually a blimp
that travels in the area
-
looking for refugees to
arrest them and deport them.
-
My community sees them
as very threatening,
-
but I realized that I
wanted to do a ceremony
-
for border patrol agents
-
because it's not just about healing those
-
that have been hurt,
-
but also healing other more
complex situations as well.
-
(gentle ambient music)
-
- [Irlanda] The camp
that I was working at,
-
it's a place where unaccompanied children
-
that cross the border,
-
first, they go to the
border patrol center,
-
and from there, they get sent to a camp.
-
They are just kids,
-
so it makes it very
hard to see them worried
-
so it makes it very
hard to see them worried
-
and see their sadness.
-
They are some of the most resilient kids
-
I've ever met in my life.
-
I was on the phone with my coworker
-
and I'm telling her about you.
-
"Dude, this guy, he's a grownup version
-
of the kids we were taking care of."
-
- It's funny that you said that
-
because yesterday,
-
I was talking to law enforcement
that works at the border.
-
When she started talking to me,
-
she was talking to me like I
was that 8-year-old little boy
-
that she encountered, you know?
-
She was like, "Yeah, I
wanted to embrace you,
-
I wanted to hold you, but I couldn't."
-
(bell chiming)
-
(wind whooshing)
-
(waves splashing)
-
(gentle harmonica music)
-
As a child in El Salvador,
-
I would be constantly drawing
the New York City skyline.
-
So when I look at that skyline,
-
it just symbolizes the journey
through the United States.
-
That journey still continues to this day.
-
Healing is gonna be happening
for the rest of my life.
-
Sound is medicine.