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So with all of this,
and talking about
-
the sociological imagination
and applying it.
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Basically what we're
trying to get you to do
-
is to step away
from your own life,
-
and everything that's
familiar to you,
-
and look at something
in a new way.
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You might have a reflexive way
of thinking about these issues,
-
but you have to
hit pause and say,
-
okay, is my reflex
covering all the bases,
-
and I'm going to force
myself to look at it
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from all of these
different angles.
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Now in this interplay between
individual and society,
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you of course, have a good
understanding of the
-
individual because that's you,
right? It is all about you.
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But what about society?
We haven't really even
-
defined what society is
and that's something that
-
we need to do.
The problem is is that
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society is a hard thing to define,
it can mean different things
-
to different people.
So I'm going to share with you
-
two very common definitions
of society in Sociology,
-
and I'm going to tell you
upfront that I do not like
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either of these definitions.
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So the first one is this,
a natural, permanent, and
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historical structure, that
consist of a relatively stable
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set of organizations, institutions,
systems, and cultural patterns
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into which successive
generations of people are born.
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Now I don't really like this,
I mean it's true,
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but I don't really like it,
because it's so big, right?
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It, the people
are getting lost in that.
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You are getting lost in this.
Where are you?
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The second one goes
in the opposite direction,
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and it's a human construction
made up of people
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interacting with one another.
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And I don't really like this
because it's too small, right,
-
there's no, it's too,
there's no structure to it right,
-
it's too temporal.
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Now even though I don't
like these definitions,
-
I will stipulate that
both of them are correct.
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And the reason that both
of them are correct,
-
is because society exist on
all these different levels
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at the same time.
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So let's think about three
different levels of society.
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The biggest level,
or the largest scale,
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is the macro level,
so that's the big picture.
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Right, that's all the machinery
of society that is bigger than
-
any one person.
That's bigger than you, right.
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It's this whole thing that
you are apart of.
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So that can be things like
the economy, the political system,
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but it can also be things like
our migration patterns,
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how people,
large groups of people,
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move around and settle
over the course of history.
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It can also refer to things
like the basic norms and ideas
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that we have about something
like race, or gender, or sexuality,
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really that are way up there
in the ethos,
-
but that influence us.
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On the bottom is the micro level,
and that's the most intimate level,
-
that's the smallest scale.
And it refers to the people
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that you are around in your
everyday life, right.
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Your relationships,
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your face-to-face interactions
that you have.
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And in the middle of those
two things is something called
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the meso level.
So that is smaller and more
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personal than the macro level,
but it is bigger, and more
-
impersonal than the micro level.
And it is connecting those two things,
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through the settings and the groups,
like your families or communities,
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or neighborhoods, really,
that are bringing
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those two things together.
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Now, all of these things
are occurring at the same time.
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It's all just a matter
of perspective,
-
it's all just a matter of
what you're looking at.
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So I always use this metaphor,
let's say that you go
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to a baseball game,
and you have a camera,
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I know that this is becoming
an outdated example
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because people don't really
have cameras anymore,
-
but let's say that
you have a camera,
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and there's three lenses
on that camera.
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And so you go to the baseball game,
and you put on your micro level lens,
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and you take a picture
of the baseball game.
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And it shows you a picture of
this guy in front of a white,
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a white thing on the ground,
and there's a white thing
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coming at him, right,
and you can see the
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colors on his uniform.
And it's giving you an
-
incredible amount of detail
about that person, about that player.
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But you don't really have any sense
about the game that he's apart of,
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or the context that
he's apart of.
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Right, so you switch onto
your meso level lens,
-
and that gives you
a much bigger view.
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Now you can barely see
that batter anymore,
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but you can see other things,
you can see the base pass,
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you can see the other people
that are out there in the field,
-
you can see that
there is someone throwing
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that ball to him,
so it's giving you a sense of the game
-
that this person is involved in.
You don't really know
-
anything about him anymore,
but you get a better sense of the game.
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So then you put on
the macro level lens,
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and it's way out there,
and you can't see people anymore,
-
right, but you can see
the whole field.
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You get this sense of that
it's a public spectacle.
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You understand something
about what's going on,
-
even though you don't
understand anything about any
-
individual person
who's involved in the game.
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Right, so with each one
of these things,
-
you take a picture,
and it gives you something true,
-
and something important,
but you're losing something
-
in that picture too.
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You're gaining something,
and you're giving something up.
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You switch to a new lens,
you've lost something,
-
but you've gained something new.
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There is no way that
you can take a picture
-
of that baseball game
that gets all