[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,One day in 1965, while driving to Acapulco\Nfor a vacation with his family,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Colombian journalist Gabriel García \NMárquez abruptly turned his car around,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,asked his wife to take care of the\Nfamily’s finances for the coming months,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and returned home.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,The beginning of a new book \Nhad suddenly come to him:
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,“Many years later, \Nas he faced the firing squad,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Colonel Aureliano Buendía was to remember \Nthat distant afternoon
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,when his father took him to discover ice.”
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Over the next eighteen months,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,those words would blossom \Ninto One Hundred Years of Solitude.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,A novel that would go on \Nto bring Latin American literature
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,to the forefront \Nof the global imagination,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,earning García Márquez \Nthe 1982 Nobel Prize for Literature.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,What makes One Hundred Years of Solitude \Nso remarkable?
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,The novel chronicles the fortunes\Nand misfortunes
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,of the Buendía family \Nover seven generations.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,With its lush, detailed sentences,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,arge cast of characters,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and tangled narrative,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,100 Years of Solitude \Nis not an easy book to read.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,But it’s a deeply rewarding one,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,with an epic assortment \Nof intense romances,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,civil war,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,political intrigue,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,globe-trotting adventurers,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and more characters \Nnamed Aureliano than you’d think possible.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Yet this is no mere historical drama.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,One Hundred Years of Solitude \Nis one of the most famous examples
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,of a literary genre \Nknown as magical realism.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Here, supernatural events or abilities
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,are described in a realistic \Nand matter-of-fact tone,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,while the real events of human life \Nand history
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,reveal themselves \Nto be full of fantastical absurdity.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Surreal phenomena within the\Nfictional village of Macondo
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,intertwine seamlessly with events taking\Nplace in the real country of Colombia.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,The settlement begins \Nin a mythical state of isolation
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,but is gradually exposed \Nto the outside world,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,facing multiple calamities along the way.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,As years pass, \Ncharacters grow old and die,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,only to return as ghosts,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,or to be seemingly reincarnated \Nin the next generation.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,When the American fruit company \Ncomes to town,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,so does a romantic mechanic who is\Nalways followed by yellow butterflies.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,A young woman up and floats away