WEBVTT 00:00:00.500 --> 00:00:02.797 (Ticking of clocks) 00:00:09.737 --> 00:00:11.527 (Sounds of music box) 00:00:17.487 --> 00:00:22.533 It appeals very much to the dream world, to recollection. 00:00:22.765 --> 00:00:28.270 And it could also somehow stimulate the imagination -- 00:00:28.270 --> 00:00:30.188 in a very powerful way. 00:00:32.259 --> 00:00:37.240 And I in reality, it is perhaps a desire to create pictures -- 00:00:37.240 --> 00:00:41.582 about stillness and presence. 00:00:48.260 --> 00:00:50.520 (Sounds of ) 00:00:54.200 --> 00:00:57.750 The miniature is the refuge of the great. 00:00:58.180 --> 00:01:02.240 The quality of miniatures or small things is in reality, 00:01:02.240 --> 00:01:05.574 the concentration of information. 00:01:05.774 --> 00:01:12.714 The sharper the diamond is ground the more beautiful the gem looks 00:01:12.714 --> 00:01:18.494 and it is in the fact the processing of three-dimensional forms 00:01:18.494 --> 00:01:21.308 that increases their value 00:01:22.464 --> 00:01:26.054 There is a figure so small 00:01:26.054 --> 00:01:31.494 that he can split a dust particle with his forehead 00:01:31.494 --> 00:01:35.244 and step through it with his whole body. 00:01:35.244 --> 00:01:37.275 So, that's pretty small right? 00:01:37.464 --> 00:01:39.494 (Sounds of music box) 00:01:44.494 --> 00:01:51.244 In a way the artist works with remnants, society's remnants 00:01:51.244 --> 00:01:53.793 this is always the area with potential 00:01:54.244 --> 00:01:58.494 I am a thing finder and its so extreme that every time I ... 00:01:58.494 --> 00:02:04.264 Some shoes are so badly made that they lose their labels. 00:02:04.454 --> 00:02:08.813 A kind of red thing under the shoe, in the sole 00:02:08.813 --> 00:02:13.224 I have been finding them for ten years. Each time, I pick up one like that. 00:02:13.744 --> 00:02:16.813 Because I use the as stairs. 00:02:16.813 --> 00:02:19.330 When I have enough, I use them as steps. 00:02:19.694 --> 00:02:26.474 So suddenly the world is incredibly large with regard to materials. 00:02:26.474 --> 00:02:28.544 It's all about ideas. 00:02:29.614 --> 00:02:34.174 The premise right from the start has been 00:02:34.174 --> 00:02:39.780 to collect items from the world around that are already manufactured. 00:02:40.140 --> 00:02:44.654 And take them and put them into my own contexts 00:02:44.654 --> 00:02:47.244 and use them on the miniature level. 00:02:47.454 --> 00:02:53.563 It "mimes" something else, that you don't see at first, 00:02:53.783 --> 00:02:59.514 but which has it's origin in a completely different function. 00:03:01.254 --> 00:03:04.774 But this kind of disappears. It is dissolved. 00:03:05.714 --> 00:03:10.534 And of course there are also things that already have an age -- 00:03:11.134 --> 00:03:18.364 a certain ambiance that matches this poetic universe, 00:03:18.364 --> 00:03:24.334 because I aim to generate images 00:03:24.334 --> 00:03:29.484 that may encourage you to linger a while in them 00:03:29.734 --> 00:03:40.174 and materials that have a certain age radiate a restraint -- 00:03:40.174 --> 00:03:43.231 and a value that I feel is poetic. 00:03:43.463 --> 00:03:45.263 (Sounds of music box) 00:03:52.249 --> 00:03:53.483 We are very stimulated. 00:03:53.483 --> 00:03:56.757 I think we're living in what's called "the great social epoch". 00:03:56.973 --> 00:03:59.111 We exchange a lot. 00:03:59.788 --> 00:04:05.808 The downside is perhaps that things don't have time to mature. 00:04:06.232 --> 00:04:10.753 We are very quick to take action in all kinds of context. 00:04:10.753 --> 00:04:16.482 But art is a space reserved for a certain spontaneity. 00:04:16.569 --> 00:04:25.223 A place where you don't have answers and don't need to produce. 00:04:25.443 --> 00:04:27.774 You go back to just being. 00:04:28.484 --> 00:04:32.730 As they say, we are "human doings" or "human beings" 00:04:32.920 --> 00:04:36.694 I feel attracted to the idea of just being allowed to be. 00:04:36.694 --> 00:04:39.284 I am interested in presence. 00:04:39.284 --> 00:04:43.544 And that is perhaps found more in stillness and reflection. 00:04:44.854 --> 00:04:47.934 One can speak of ... without sounding pathetic -- 00:04:47.934 --> 00:04:52.484 there is actually something called "the artist's great loneliness". 00:04:52.774 --> 00:04:55.234 (Ticking of clocks) 00:04:55.484 --> 00:04:57.494 And it suits me just fine, 00:04:57.864 --> 00:05:00.746 that this place here dilapidated and worn. 00:05:00.974 --> 00:05:04.533 It seems so much more relaxed to me, 00:05:05.879 --> 00:05:08.549 this is definitely my oasis. 00:05:09.230 --> 00:05:12.509 (Ticking of clocks)