1
00:00:10,000 --> 00:00:12,535
(水在流動)

2
00:00:15,561 --> 00:00:18,590
清潔所有木材後

3
00:00:19,490 --> 00:00:21,084
我把它們浸在水中

4
00:00:23,407 --> 00:00:25,653
令木材光滑並可再使用

5
00:00:28,244 --> 00:00:30,401
你看，木材中有一隻小生物

6
00:00:36,250 --> 00:00:40,563
我一直認為自己是普通的城巿女孩

7
00:00:42,040 --> 00:00:45,513
我很喜愛動物、植物及昆蟲

8
00:00:47,084 --> 00:00:52,270
[萬格奇·穆圖：天與地之間]

9
00:00:52,270 --> 00:00:54,733
(溫柔的小提琴聲)

10
00:00:55,930 --> 00:00:59,140
大自然走進我的作品

11
00:00:59,140 --> 00:01:00,780
讓我可以把我的愛與興趣

12
00:01:00,780 --> 00:01:03,843
融合到細小的生物中

13
00:01:03,843 --> 00:01:06,563
賦予物們更大的意義

14
00:01:08,400 --> 00:01:10,560
我希望作品能夠置身於大自然中

15
00:01:10,560 --> 00:01:13,560
在天空及太陽下、在雨及風中

16
00:01:15,040 --> 00:01:16,033
一切都整理好

17
00:01:16,656 --> 00:01:18,807
(小提琴聲持續)

18
00:01:26,863 --> 00:01:31,042
[萬格奇·穆圖工作室，位於肯亞內羅畢]

19
00:01:44,919 --> 00:01:47,169
(叮噹聲)

20
00:01:49,584 --> 00:01:51,640
(嗡嗡的機器聲)

21
00:01:57,014 --> 00:01:58,514
(叮噹聲)

22
00:02:02,839 --> 00:02:06,560
我把一隻鳥放在這哨兵的頭上

23
00:02:08,090 --> 00:02:09,047
很好

24
00:02:09,047 --> 00:02:10,480
(哨兵在咕噥著)

25
00:02:10,480 --> 00:02:12,470
雖然我釘了釘子

26
00:02:12,470 --> 00:02:14,108
但我仍然須用漿糊

27
00:02:14,108 --> 00:02:16,000
因有些木材較短

28
00:02:16,000 --> 00:02:18,920
你是否可幫忙溶解這些樹脂？

29
00:02:18,920 --> 00:02:20,820
我會把這些漿糊塗在上面

30
00:02:21,760 --> 00:02:23,093
這樣挺好的

31
00:02:24,152 --> 00:02:25,881
(嗡嗡的機器聲，像電鑽的聲音)

32
00:02:27,070 --> 00:02:30,008
我通常能同時進行多項工作

33
00:02:30,008 --> 00:02:32,100
這是我做事的方式

34
00:02:32,100 --> 00:02:33,450
有時是這裡有一點工作

35
00:02:33,450 --> 00:02:34,630
那裡有一點工作

36
00:02:34,630 --> 00:02:37,379
周圍都有事情在進行

37
00:02:37,379 --> 00:02:39,242
(溫柔的鋼琴聲)

38
00:02:43,270 --> 00:02:45,430
我在雕塑或繪畫時

39
00:02:45,430 --> 00:02:47,393
總有一些潮濕的地方

40
00:02:53,060 --> 00:02:55,473
等待乾燥是很重要的部分

41
00:02:57,440 --> 00:02:59,590
我須為那些事物分配時間

42
00:03:04,010 --> 00:03:05,480
有時一塊三面的物件

43
00:03:05,480 --> 00:03:07,110
將完全影響我最後

44
00:03:07,110 --> 00:03:10,840
在兩面物件的工作

45
00:03:10,840 --> 00:03:14,653
我的工學需要很多學習和理解能力

46
00:03:17,933 --> 00:03:20,100
(輕拍聲)

47
00:03:20,941 --> 00:03:22,836
(溫柔的鋼琴聲持續)

48
00:03:26,979 --> 00:03:29,479
(鳥在啁啾)

49
00:03:33,850 --> 00:03:37,891
我最早童年的回憶

50
00:03:37,891 --> 00:03:41,330
是在居住的地方Woodley

51
00:03:41,330 --> 00:03:42,840
很小的平房

52
00:03:42,840 --> 00:03:44,270
那房子有一層

53
00:03:44,270 --> 00:03:46,130
外面有個花園

54
00:03:46,130 --> 00:03:47,490
我記得在花園裡玩樂

55
00:03:47,490 --> 00:03:50,240
我也記得乾燥的草地

56
00:03:50,240 --> 00:03:53,245
我們在花園一些禁區

57
00:03:53,245 --> 00:03:56,240
經常玩玩具

58
00:03:56,240 --> 00:03:59,570
弄得全身都很骯髒

59
00:03:59,570 --> 00:04:02,740
那是沒有經過打理的地方

60
00:04:02,740 --> 00:04:06,923
那些回憶影響我工作的方式

61
00:04:08,387 --> 00:04:10,258
(鳥在啁啾)

62
00:04:13,100 --> 00:04:17,120
我就讀天主教學校，全是女生

63
00:04:17,120 --> 00:04:19,510
我身邊都是女性

64
00:04:19,510 --> 00:04:20,380
女教師

65
00:04:20,380 --> 00:04:22,560
女同學

66
00:04:22,560 --> 00:04:24,310
聖母瑪利亞

67
00:04:24,310 --> 00:04:26,603
各種的女性事物

68
00:04:27,610 --> 00:04:30,709
我認為這是全球並廣泛

69
00:04:30,709 --> 00:04:33,070
是人性的一部分

70
00:04:33,070 --> 00:04:35,130
我能夠堅持並體現這特質

71
00:04:35,130 --> 00:04:38,008
這對我是一種永恆的靈感

72
00:04:38,008 --> 00:04:39,127
(溫柔的小提琴聲)

73
00:04:39,127 --> 00:04:43,402
["新事物釋放我們" (2019)，大都會藝術博物館]

74
00:04:46,140 --> 00:04:49,610
我們敬仰女性形象的方式

75
00:04:49,610 --> 00:04:54,010
貶低真實女性

76
00:04:54,010 --> 00:04:55,900
那種分裂令我煩擾

77
00:04:55,900 --> 00:04:58,200
有些事物明顯困擾我們

78
00:04:58,200 --> 00:04:59,200
很長、很長的時間

79
00:04:59,200 --> 00:05:01,233
這是我一直尋找的

80
00:05:02,346 --> 00:05:04,839
(小提琴音持續，另有豎琴的聲音)

81
00:05:07,267 --> 00:05:10,000
["哨兵"]

82
00:05:11,930 --> 00:05:15,050
哨兵滿有威嚴

83
00:05:15,050 --> 00:05:17,800
一直站著

84
00:05:17,800 --> 00:05:21,088
代表女性

85
00:05:21,088 --> 00:05:23,255
非常神聖、女性化的形象

86
00:05:25,940 --> 00:05:29,290
我想確保她是絕對穩定的

87
00:05:29,290 --> 00:05:30,563
能夠站立

88
00:05:31,600 --> 00:05:33,360
我發現她們像這些軍人

89
00:05:33,360 --> 00:05:37,310
守護我和各位

90
00:05:37,310 --> 00:05:38,770
守護語言

91
00:05:38,770 --> 00:05:41,193
守護孕育她們的土地

92
00:05:42,580 --> 00:05:44,113
所以我稱她們為"哨兵"

93
00:05:50,890 --> 00:05:53,000
我在肯亞長大

94
00:05:53,000 --> 00:05:54,042
於七、八十年代學習英國地理、歐洲歷史

95
00:05:54,042 --> 00:05:55,085
我們沒有接觸過非洲文學

96
00:05:55,085 --> 00:05:57,170
我們甚至沒有看自己的歷史

97
00:05:57,170 --> 00:06:00,120
遺跡及文化

98
00:06:00,120 --> 00:06:02,450
因很多肯亞人受基督文化影響

99
00:06:02,450 --> 00:06:05,520
沒有一個特定的方式看事物

100
00:06:05,520 --> 00:06:08,093
其實

101
00:06:09,480 --> 00:06:11,990
當只有單一的聲音或故事

102
00:06:11,990 --> 00:06:13,170
是較為專橫

103
00:06:13,170 --> 00:06:16,520
很多問題，且經常是虛構的

104
00:06:16,520 --> 00:06:20,070
你應該知道

105
00:06:20,070 --> 00:06:21,840
完整事件要從多個角度反映

106
00:06:21,840 --> 00:06:22,673
不能只從單一角度反映

107
00:06:22,673 --> 00:06:24,320
我希望自己能夠講

108
00:06:26,940 --> 00:06:27,793
我來自這個地方

109
00:06:31,100 --> 00:06:32,970
我來自這群人中

110
00:06:32,970 --> 00:06:34,610
因此我決定報讀藝術學校

111
00:06:34,610 --> 00:06:36,310
而我要朝最高目標進發

112
00:06:37,810 --> 00:06:40,620
所以我報讀紐約的學校

113
00:06:40,620 --> 00:06:42,270
(輕快的音樂)

114
00:06:42,270 --> 00:06:44,779
首先，大學是最容易並有效的途徑

115
00:06:44,779 --> 00:06:46,383
令我工作

116
00:06:49,750 --> 00:06:54,550
大型有名的大學

117
00:06:54,550 --> 00:06:57,373
所提供的工具及物料都沒了

118
00:06:58,570 --> 00:07:01,510
我冀望能變成認真的藝術家

119
00:07:01,510 --> 00:07:05,750
但我沒有方法

120
00:07:05,750 --> 00:07:09,160
一開始便以水彩畫畫

121
00:07:09,160 --> 00:07:10,360
濕潤及液體的物料

122
00:07:10,360 --> 00:07:12,963
經常為工作帶來驚喜

123
00:07:15,890 --> 00:07:18,340
(輕快的音樂持續)

124
00:07:18,340 --> 00:07:19,943
但我同時明白這種張力

125
00:07:21,430 --> 00:07:22,859
是我一直尋找的

126
00:07:27,390 --> 00:07:31,030
我會把從野生、時裝雜誌

127
00:07:31,030 --> 00:07:32,723
或復古元素中的素材混合

128
00:07:33,580 --> 00:07:36,390
我會把那些跟我的水彩混合

129
00:07:36,390 --> 00:07:41,270
我喜歡把它傷塑造在一起

130
00:07:41,270 --> 00:07:43,840
然後你們將按現在的樣子閱讀

131
00:07:43,840 --> 00:07:47,620
(龬琴音樂)

132
00:07:47,620 --> 00:07:50,373
大學發展且規模漸大

133
00:07:54,987 --> 00:07:57,487
我認為在那時候

134
00:08:06,250 --> 00:08:08,380
我真正在想攝影的歷史

135
00:08:09,560 --> 00:08:12,170
攝影及殖民主義帶來的影響

136
00:08:12,170 --> 00:08:16,220
非常相似

137
00:08:16,220 --> 00:08:18,127
還有我們如何拍攝"其他人"

138
00:08:18,127 --> 00:08:20,820
"其他人"被拍攝、包裝並消化

139
00:08:20,820 --> 00:08:25,793
當看見自己以那種方式呈現

140
00:08:27,300 --> 00:08:30,620
令你感到自己是受殖民的"其他人"

141
00:08:30,620 --> 00:08:34,120
而你的形象就變成你認為的

142
00:08:34,120 --> 00:08:38,390
(小提琴音樂)

143
00:08:40,673 --> 00:08:42,376
照片帶給我的價錢

144
00:08:47,970 --> 00:08:50,360
是非常重要

145
00:08:50,360 --> 00:08:51,553
我認為這些是無法計算的

146
00:08:53,350 --> 00:08:55,580
但經常有照片

147
00:08:55,580 --> 00:08:59,551
在畫作背後跳動

148
00:08:59,551 --> 00:09:01,654
(小提琴音樂繼續)

149
00:09:01,654 --> 00:09:03,270
結合人與動物

150
00:09:20,130 --> 00:09:22,241
這跟人的思想一檥久遠

151
00:09:22,241 --> 00:09:24,343
(不同絲弦樂器的音樂)

152
00:09:25,579 --> 00:09:28,174
這混合種就如鱷魚類品種

153
00:09:41,899 --> 00:09:43,480
由一位女性與有力量的動物結合

154
00:09:43,480 --> 00:09:46,513
[紐約巿，格莱斯頓畫廊]

155
00:09:47,433 --> 00:09:51,529
我們經常欣賞某種物種

156
00:09:54,540 --> 00:09:57,900
牠們的優雅與巨大的力量

157
00:09:57,900 --> 00:09:59,883
曾經我首要做的事

158
00:10:03,170 --> 00:10:05,450
就是看看一些生物並談論

159
00:10:05,450 --> 00:10:07,300
"我的天，我希望擁有那種速度或能力。"

160
00:10:07,300 --> 00:10:09,670
"或隠身能力、或勇氣。"

161
00:10:09,670 --> 00:10:11,753
(不同絲弦樂器的音樂)

162
00:10:12,218 --> 00:10:13,932
"MamaRay"是位充滿神秘感的女人

163
00:10:17,163 --> 00:10:21,283
像海洋

164
00:10:22,190 --> 00:10:23,420
盾牌

165
00:10:23,420 --> 00:10:24,690
及光線

166
00:10:24,690 --> 00:10:25,723
我對於吸引注意力的記號

167
00:10:26,830 --> 00:10:29,866
十分有興趣

168
00:10:29,866 --> 00:10:32,353
材質提供影子、風格、燈光及節奏

169
00:10:33,230 --> 00:10:36,690
激發我們長時間注視事物

170
00:10:36,690 --> 00:10:39,369
我所有基礎的教學及工作都在紐約

171
00:10:57,080 --> 00:11:00,313
當我開始展覧，我的根本在那裡

172
00:11:01,160 --> 00:11:04,190
所以在那裡是合理的

173
00:11:04,190 --> 00:11:05,540


174
00:11:05,540 --> 00:11:07,230


175
00:11:07,230 --> 00:11:09,210


176
00:11:09,210 --> 00:11:11,123


177
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178
00:11:13,040 --> 00:11:16,323


179
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180
00:11:20,250 --> 00:11:21,760


181
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182
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183
00:11:28,620 --> 00:11:30,570


184
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185
00:11:34,850 --> 00:11:36,830


186
00:11:36,830 --> 00:11:38,810


187
00:11:38,810 --> 00:11:39,990


188
00:11:39,990 --> 00:11:43,201


189
00:11:43,201 --> 00:11:45,257


190
00:11:45,257 --> 00:11:48,007


191
00:11:55,023 --> 00:11:57,940


192
00:12:15,090 --> 00:12:19,950


193
00:12:19,950 --> 00:12:22,783


194
00:12:27,180 --> 00:12:29,805


195
00:12:30,244 --> 00:12:31,610


196
00:12:31,610 --> 00:12:33,130


197
00:12:33,130 --> 00:12:35,500


198
00:12:35,500 --> 00:12:36,383


199
00:12:38,430 --> 00:12:41,310


200
00:12:41,310 --> 00:12:42,390


201
00:12:42,390 --> 00:12:43,470


202
00:12:43,470 --> 00:12:46,380


203
00:12:46,380 --> 00:12:48,890


204
00:12:48,890 --> 00:12:51,460


205
00:12:51,460 --> 00:12:54,513


206
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207
00:13:00,770 --> 00:13:03,470


208
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209
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210
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211
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212
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213
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214
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215
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216
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217
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218
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219
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220
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223
00:14:04,430 --> 00:14:07,640


224
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226
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228
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229
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230
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231
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