WEBVTT 00:00:10.000 --> 00:00:12.535 (流水声) 00:00:15.561 --> 00:00:18.590 我浸湿了所有的木材,我将它们清理干净 00:00:19.490 --> 00:00:21.084 这样让它们就变的平滑 00:00:23.407 --> 00:00:25.653 让它们尽可能实用 00:00:28.244 --> 00:00:30.401 这里面有个小鼻涕虫,看见没? 00:00:36.250 --> 00:00:40.563 我认为我一直是一个有着自然头脑的城市女孩 00:00:42.040 --> 00:00:45.513 我一直喜爱动物、植物还有昆虫 00:00:47.084 --> 00:00:52.270 [瓦格西-穆图:天地之间] 00:00:52.270 --> 00:00:54.733 (轻快的小提琴曲) 00:00:55.930 --> 00:00:59.140 自然已经深入了我的创作之中 00:00:59.140 --> 00:01:00.780 在那里,我能够整合 00:01:00.780 --> 00:01:03.843 我对于微小的有机体如何表现出更大的主题 00:01:03.843 --> 00:01:06.563 的喜爱和兴趣 00:01:08.400 --> 00:01:10.560 我想要创作可以坐落于自然中的作品 00:01:10.560 --> 00:01:13.560 坐落于天空之下,太阳之下,雨中,风中 00:01:15.040 --> 00:01:16.033 -都收拾干净了 00:01:16.656 --> 00:01:18.807 (小提琴的声音继续) 00:01:26.863 --> 00:01:31.042 [瓦格西-穆图工作室,内罗毕,肯尼亚] 00:01:44.919 --> 00:01:47.169 (哐当) 00:01:49.584 --> 00:01:51.640 (机械转动声) 00:01:57.014 --> 00:01:58.514 (哐当) 00:02:02.839 --> 00:02:06.560 我有一只小鸟在这个哨兵的头顶 00:02:08.090 --> 00:02:09.047 --是啊 00:02:09.047 --> 00:02:10.480 (男人低语) 00:02:10.480 --> 00:02:12.470 --我放了指甲进去 00:02:12.470 --> 00:02:14.108 --但我不得不缠上胶带 00:02:14.108 --> 00:02:16.000 --有些指甲实在是太短了 00:02:16.000 --> 00:02:18.920 --我在想如果你可以给它注胶 00:02:18.920 --> 00:02:20.820 --那我要做的就是填充 00:02:21.760 --> 00:02:23.093 --这样看起来真的不错 00:02:24.152 --> 00:02:25.881 (机械转动声) 00:02:27.070 --> 00:02:30.008 我通常是个一心多用的人 00:02:30.008 --> 00:02:32.100 通常来讲这是我做事情的方式 00:02:32.100 --> 00:02:33.450 一直都有这种情况 00:02:33.450 --> 00:02:34.630 一会儿搞搞这个 一会儿搞搞那个 00:02:34.630 --> 00:02:37.379 到处都是正在进行的事情 00:02:37.379 --> 00:02:39.242 (轻声的钢琴伴奏) 00:02:43.270 --> 00:02:45.430 我在做雕塑或者画画的时候 00:02:45.430 --> 00:02:47.393 总是有一些东西是潮湿的 00:02:53.060 --> 00:02:55.473 所以烘干是很大的一部分工作 00:02:57.440 --> 00:02:59.590 所有的事情我都要抓紧时间 00:03:04.010 --> 00:03:05.480 有时候一件三维的作品 00:03:05.480 --> 00:03:07.110 会影响到 00:03:07.110 --> 00:03:10.840 我如何结束一件二维的作品 00:03:10.840 --> 00:03:14.653 我的工作里有很多相互渗透的学习 00:03:17.933 --> 00:03:20.100 (轻敲) 00:03:20.941 --> 00:03:22.836 (轻声的钢琴曲继续) 00:03:26.979 --> 00:03:29.479 (鸟叫) 00:03:33.850 --> 00:03:37.891 我最早的童年记忆在这个特别的地方 00:03:37.891 --> 00:03:41.330 我们称它为伍德里 00:03:41.330 --> 00:03:42.840 住在一个小平房里 00:03:42.840 --> 00:03:44.270 所以我们有一层楼 00:03:44.270 --> 00:03:46.130 一个花园 00:03:46.130 --> 00:03:47.490 我记得在那个花园里玩 00:03:47.490 --> 00:03:50.240 我记得那些干掉的草 00:03:50.240 --> 00:03:53.245 我们经常在花园的一个区域 00:03:53.245 --> 00:03:56.240 玩我们的玩具, 但是其实我们不应该这么做 00:03:56.240 --> 00:03:59.570 在花园里我们把自己弄的很脏 00:03:59.570 --> 00:04:02.740 那是个有点狂野的地方 00:04:02.740 --> 00:04:06.923 这些记忆对我如何创作产生了影响 00:04:08.387 --> 00:04:10.258 (鸟叫) 00:04:13.100 --> 00:04:17.120 我去了一个天主教学校,我们都是女孩 00:04:17.120 --> 00:04:19.510 我被女人们包围着 00:04:19.510 --> 00:04:20.380 女教师们 00:04:20.380 --> 00:04:22.560 女学生们 00:04:22.560 --> 00:04:24.310 圣母玛利亚 00:04:24.310 --> 00:04:26.603 各种各样的女性能量 00:04:27.610 --> 00:04:30.709 因为我认为这是 00:04:30.709 --> 00:04:33.070 人性普遍的的一部分 00:04:33.070 --> 00:04:35.130 所以我可以从中拉扯 00:04:35.130 --> 00:04:38.008 这是我永恒的灵感来源 00:04:38.008 --> 00:04:39.127 (轻快的小提琴声) 00:04:39.127 --> 00:04:43.402 00:04:46.140 --> 00:04:49.610 我们崇拜女性形象的方式 00:04:49.610 --> 00:04:54.010 确是在贬低真实的女性人类形象 00:04:54.010 --> 00:04:55.900 这种分裂困扰我 00:04:55.900 --> 00:04:58.200 同样这也是某种 00:04:58.200 --> 00:04:59.200 一直以来都在困扰着我们的事情 00:04:59.200 --> 00:05:01.233 所以这就是我要找的 00:05:02.346 --> 00:05:04.839 (小提琴声继续,伴随竖琴的声音) 00:05:07.267 --> 00:05:10.000 [“哨兵”] 00:05:11.930 --> 00:05:15.050 “哨兵”是这些转眼的形象 00:05:15.050 --> 00:05:17.800 站立的人 00:05:17.800 --> 00:05:21.088 代表一位女神 00:05:21.088 --> 00:05:23.255 女性化的形式 00:05:25.940 --> 00:05:29.290 我想确保她是很牢固的 00:05:29.290 --> 00:05:30.563 这样她就能站立 00:05:31.600 --> 00:05:33.360 我发现她们看起来像士兵 00:05:33.360 --> 00:05:37.310 就好像在守护着我,或者我们 00:05:37.310 --> 00:05:38.770 守护着语言 00:05:38.770 --> 00:05:41.193 守护着构成她们的土地 00:05:42.580 --> 00:05:44.113 所以我称她们为“哨兵” 00:05:50.890 --> 00:05:53.000 七八十年代,在肯尼亚长大 00:05:53.000 --> 00:05:57.170 你要学习英语、地理、欧洲历史 00:05:57.170 --> 00:06:00.120 我们没有触及过非洲的文学 00:06:00.120 --> 00:06:02.450 我们不曾着眼于我们自己的历史 00:06:02.450 --> 00:06:05.520 我们的遗产、我们的文化 00:06:05.520 --> 00:06:08.093 因为很多肯尼亚人都成为了基督教徒 00:06:09.480 --> 00:06:11.990 没有一个特别的看待事物的方式 00:06:11.990 --> 00:06:13.170 而事实上 00:06:13.170 --> 00:06:16.520 当只有一个声音或者一个故事的时候 00:06:16.520 --> 00:06:20.070 事情就会变的专横 00:06:20.070 --> 00:06:21.840 问题重重,并且经常很虚构 00:06:21.840 --> 00:06:22.673 你知道吗 00:06:22.673 --> 00:06:24.320 没有办法用一种方式去讲述 00:06:26.940 --> 00:06:27.793 完整的故事 00:06:31.100 --> 00:06:32.970 我想说希望我可以说 00:06:32.970 --> 00:06:34.610 “这就是我的来处” 00:06:34.610 --> 00:06:36.310 “这是我们的来处” 00:06:37.810 --> 00:06:40.620 所以我决定去艺术学校 00:06:40.620 --> 00:06:42.270 我不得不瞄向目标 00:06:42.270 --> 00:06:44.779 于是我申请了纽约的学校 00:06:44.779 --> 00:06:46.383 00:06:49.750 --> 00:06:54.550 00:06:54.550 --> 00:06:57.373 00:06:58.570 --> 00:07:01.510 00:07:01.510 --> 00:07:05.750 00:07:05.750 --> 00:07:09.160 00:07:09.160 --> 00:07:10.360 00:07:10.360 --> 00:07:12.963 00:07:15.890 --> 00:07:18.340 00:07:18.340 --> 00:07:19.943 00:07:21.430 --> 00:07:22.859 00:07:27.390 --> 00:07:31.030 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