1
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[Air mengalir]

2
00:00:15,561 --> 00:00:18,590
Aku rendam semua kayu
dan membersihkan semuanya.

3
00:00:19,490 --> 00:00:21,084
Agar kayu ini jadi halus

4
00:00:23,407 --> 00:00:25,653
dan dapat digunakan
secepat mungkin.

5
00:00:28,244 --> 00:00:30,401
Ada siput di dalamnya.

6
00:00:36,250 --> 00:00:40,563
Aku merasa seperti anak kota
yang lebih suka di alam bebas.

7
00:00:42,040 --> 00:00:45,513
Aku sangat suka binatang,
tumbuhan, dan serangga.

8
00:00:47,084 --> 00:00:52,270
[Wangechi Mutu:
Antara Bumi dan Langit]

9
00:00:52,270 --> 00:00:54,733
[Musik biola]

10
00:00:55,930 --> 00:00:59,140
Alam telah menjadi bagian karyaku.

11
00:00:59,140 --> 00:01:00,780
Di sini aku dapat menggabungkan

12
00:01:00,780 --> 00:01:03,843
rasa cinta dan ketertarikan saya
terhadap kehidupan makhluk

13
00:01:03,843 --> 00:01:06,563
ke dalam ruang lingkup
yang lebih besar.

14
00:01:08,400 --> 00:01:10,560
Aku ingin membuat karya
yang berada di alam.

15
00:01:10,560 --> 00:01:13,560
Berada di bawah langit, matahari,
hujan, dan angin.

16
00:01:15,040 --> 00:01:16,033
Sudah bersih semua.

17
00:01:16,656 --> 00:01:18,807
[Musik biola]

18
00:01:26,863 --> 00:01:31,042
[Studio Wangechi Mutu,
Nairobi, Kenya]

19
00:01:44,919 --> 00:01:47,169
[Besi berderang]

20
00:01:49,584 --> 00:01:51,640
[Mesin bor]

21
00:01:57,014 --> 00:01:58,514
[Besi berderang]

22
00:02:02,839 --> 00:02:06,560
Terdapat burung
di bagian kepala penjaga ini.

23
00:02:08,090 --> 00:02:09,047
Ya.

24
00:02:09,047 --> 00:02:10,480
[Pria bergumam]

25
00:02:10,480 --> 00:02:12,470
Aku sudah berikan paku.

26
00:02:12,470 --> 00:02:14,108
Tapi aku harus gunakan perekat

27
00:02:14,108 --> 00:02:16,000
karena bentuknya terlalu pendek.

28
00:02:16,000 --> 00:02:18,920
Aku tidak tahu apakah
bisa menggunakan epoksi

29
00:02:18,920 --> 00:02:20,820
lalu, aku satukan semuanya.

30
00:02:21,760 --> 00:02:23,093
Terlihat lumayan bagus.

31
00:02:24,152 --> 00:02:25,881
[Suara mesin bor]

32
00:02:27,070 --> 00:02:30,008
Aku dapat melakukan
banyak hal sekaligus.

33
00:02:30,008 --> 00:02:32,100
Itu caraku melakukan semua ini.

34
00:02:32,100 --> 00:02:33,450
Selalu ada hal yang harus dilakukan

35
00:02:33,450 --> 00:02:34,630
Berbagai macam kegiatan.

36
00:02:34,630 --> 00:02:37,379
Di mana pun selalu ada kegiatan.

37
00:02:37,379 --> 00:02:39,242
[Musik piano]

38
00:02:43,270 --> 00:02:45,430
Saat aku memahat
atau melukis,

39
00:02:45,430 --> 00:02:47,393
Selalu ada hal
yang masih lembab.

40
00:02:53,060 --> 00:02:55,473
Jadi membuatnya kering
menjadi hal penting.

41
00:02:56,990 --> 00:02:59,590
Aku harus mengatur waktu
saat mengerjakan semuanya.

42
00:03:03,650 --> 00:03:05,480
Terkadang karya
berbentuk tiga dimensi

43
00:03:05,480 --> 00:03:07,110
akan memberikan pengaruh

44
00:03:07,110 --> 00:03:10,840
bagaimana caraku membuat
karya dua dimensi.

45
00:03:10,840 --> 00:03:14,653
Banyak yang bisa dipahami
dan dipelajari dari karyaku.

46
00:03:17,933 --> 00:03:20,100
[Langkah Kaki]

47
00:03:20,941 --> 00:03:22,836
[Musik Piano]

48
00:03:26,979 --> 00:03:29,479
[Kicauan Burung]

49
00:03:33,850 --> 00:03:37,891
Kenangan masa kecilku
adalah tentang

50
00:03:37,891 --> 00:03:41,330
satu tempat
bernama Woodley.

51
00:03:41,330 --> 00:03:42,840
Kami tinggal di bungalo kecil.

52
00:03:42,840 --> 00:03:44,270
Itu rumah berlantai satu

53
00:03:44,270 --> 00:03:45,850
dan terdapat 
taman di sekitarnya.

54
00:03:45,850 --> 00:03:47,490
Aku ingat bermain
di taman tersebut

55
00:03:47,490 --> 00:03:50,240
terdapat rerumputan
yang kering.

56
00:03:50,240 --> 00:03:53,245
Kami sering bermain
dengan mainan kami

57
00:03:53,245 --> 00:03:56,240
di bagian taman
yang dilarang

58
00:03:56,240 --> 00:03:59,570
Kami bermain di taman
sampai kotor.

59
00:03:59,570 --> 00:04:02,740


60
00:04:02,740 --> 00:04:06,923
Kenangan tersebut
berpengaruh terhadap karyaku.

61
00:04:08,387 --> 00:04:10,258
[Kicauan burung]

62
00:04:13,100 --> 00:04:17,120
Aku ke sekolah Katolik
dan semua muridnya perempuan.

63
00:04:17,120 --> 00:04:19,510
Aku dikelilingi oleh wanita

64
00:04:19,510 --> 00:04:20,380
Guru wanita

65
00:04:20,380 --> 00:04:22,560
Murid wanita

66
00:04:22,560 --> 00:04:24,310
Bunda Maria.

67
00:04:24,310 --> 00:04:26,603
Semuanya memiliki 
energi feminim.

68
00:04:27,610 --> 00:04:30,709
Karena aku melihatnya
sebagai bagian penting

69
00:04:30,709 --> 00:04:32,710
dalam kehidupan,

70
00:04:32,710 --> 00:04:35,130
Aku dapat terus berkembang
menjadi salah satunya.

71
00:04:35,130 --> 00:04:38,008
Bagiku, itu selamanya menjadi
sumber inspirasiku.

72
00:04:38,008 --> 00:04:39,127
[Musik biola]

73
00:04:39,127 --> 00:04:43,402


74
00:04:46,140 --> 00:04:49,610
Kita selalu terpesona
dengan kesan tokoh wanita

75
00:04:49,610 --> 00:04:53,660
namun, bertindak semena-mena
terhadap wanita.

76
00:04:53,660 --> 00:04:55,900
Perbedaan sikap tersebut
cukup mengganggu

77
00:04:55,900 --> 00:04:57,330
dan tentunya itu
sudah melekat

78
00:04:57,330 --> 00:04:59,200
di kehidupan kita
dalam waktu yang lama.

79
00:04:59,200 --> 00:05:01,233
Jadi itu yang coba
aku sampaikan.

80
00:05:02,346 --> 00:05:04,839
[Musik biola
diiringi harpa]

81
00:05:07,267 --> 00:05:10,000
[Sentinels
(Penjaga)]

82
00:05:11,930 --> 00:05:15,050
Karya "Sentinel" adalah
bentuk megah

83
00:05:15,050 --> 00:05:17,800
yang menunjukkan

84
00:05:17,800 --> 00:05:21,088
dan mewakili
sosok wanita

85
00:05:21,088 --> 00:05:23,255
dengan sifatnya
yang mulia dan feminim.

86
00:05:25,940 --> 00:05:29,290
Aku ingin memastikan
karya ini tetap teguh.

87
00:05:29,290 --> 00:05:30,563
Karya ini dapat
bertahan.

88
00:05:31,600 --> 00:05:33,730
Karya ini memang
terlihat seperti tentara

89
00:05:33,730 --> 00:05:37,310
Seperti mereka melindungiku
atau kita semua

90
00:05:37,310 --> 00:05:38,770
melindungi bahasa

91
00:05:38,770 --> 00:05:41,193
melindungi bumi
seperti materi yang digunakan.

92
00:05:42,200 --> 00:05:44,413
Itulah alasan karya ini
dinamakan "Sentinels."

93
00:05:50,890 --> 00:05:53,000
Tumbuh besar di Kenya
di tahun 70an dan 80an

94
00:05:53,000 --> 00:05:57,170
Anda akan belajar geografi Inggris
dan sejarah penduduk Eropa

95
00:05:57,170 --> 00:06:00,120
Namun, tidak mempelajari 
bacaan orang Afrika.

96
00:06:00,120 --> 00:06:02,450
Kami tidak pernah
mengetahui sejarah,

97
00:06:02,450 --> 00:06:05,520
peninggalan dan budaya
yang kami miliki.

98
00:06:05,520 --> 00:06:08,093
Kebanyakan orang Kenya
beragama Kristiani.

99
00:06:09,480 --> 00:06:11,990
Tidak ada cara lain
untuk melihat hal luar.

100
00:06:11,990 --> 00:06:13,170
Bahkan,

101
00:06:13,170 --> 00:06:16,520
saat ada pendapat
atau cerita yang terkesan ganjil

102
00:06:16,520 --> 00:06:20,070
hal tersebut akan
mendominasi

103
00:06:20,070 --> 00:06:21,840
meragukan, dan seringkali
buatan.

104
00:06:21,840 --> 00:06:22,763
Seperti

105
00:06:22,763 --> 00:06:24,680
mustahil hanya ada
satu sudut pandang

106
00:06:26,510 --> 00:06:27,793
dari keseluruhan cerita.

107
00:06:31,100 --> 00:06:32,970
Aku ingin dapat
memberi tahu

108
00:06:32,970 --> 00:06:34,610
"Seperti ini tempatku berasal,"

109
00:06:34,610 --> 00:06:36,310
"seperti itu tempatku berasal."

110
00:06:37,810 --> 00:06:40,140
Jadi, aku memutuskan
belajar di sekolah seni.

111
00:06:40,140 --> 00:06:42,270
Aku harus mencapai
hal yang yang lebih tinggi

112
00:06:42,270 --> 00:06:44,779
Jadi aku mendaftar ke
sekolah di New York.

113
00:06:44,779 --> 00:06:46,383
[Musik tempo cepat]

114
00:06:49,750 --> 00:06:54,550
Yang pertama adalah
kolase sebagai karya

115
00:06:54,550 --> 00:06:57,373
yang paling mudah diperoleh
dan berpengaruh.

116
00:06:58,570 --> 00:07:01,510
Semua alat dan persediaan
yang diberikan

117
00:07:01,510 --> 00:07:05,750
karena berada di kampus mewah
dan megah hilang.

118
00:07:05,750 --> 00:07:08,920
Aku benar-benar menghabiskan waktuku
untuk dapat menjadi seniman,

119
00:07:08,920 --> 00:07:10,360
Namun, aku tidak tahu
tujuanku.

120
00:07:10,360 --> 00:07:12,963
Aku mulai melukis 
dengan cat air.

121
00:07:15,670 --> 00:07:18,150
Mulai membuat karya dengan
bahan yang cair dan basah.

122
00:07:18,150 --> 00:07:20,204
Terdapat hal mengejutkan
saat melakukannya.

123
00:07:21,430 --> 00:07:22,859
[Musik tempo cepat]

124
00:07:27,390 --> 00:07:31,030
Aku juga sadar saat melakukannya
itu menambahkan ketegangan tersendiri

125
00:07:31,030 --> 00:07:32,723
yang aku cari.

126
00:07:33,580 --> 00:07:36,390
Aku mencampurkan hal
yang ada di majalah alam

127
00:07:36,390 --> 00:07:41,270
atau majalah mode
atau ilustrasi vintage.

128
00:07:41,270 --> 00:07:43,840
Aku mencampurkannya
dengan cat air.

129
00:07:43,840 --> 00:07:47,620
Aku suka saat mencampurkan
dan menyatukan semuanya.

130
00:07:47,620 --> 00:07:50,373
Lalu, Anda menikmati
apa yang ada di dalamnya.

131
00:07:54,987 --> 00:07:57,487
[Musik piano]

132
00:08:06,250 --> 00:08:08,380
Karya kolase berkembang
dan semakin diminati.

133
00:08:08,380 --> 00:08:09,560
Sepertinya saat ini,

134
00:08:09,560 --> 00:08:12,170
aku tertarik dengan
sejarah fotografi

135
00:08:12,170 --> 00:08:16,220
serta cara fotografi dan kolonisasi
memberikan pengaruh

136
00:08:16,220 --> 00:08:18,127
dengan bentuk yang sama.

137
00:08:18,127 --> 00:08:20,820
Seperti, cara kita mengambil gambar
"yang lainnya."

138
00:08:20,820 --> 00:08:25,793
"Yang lainnya" difoto,
dibuat, dan dinikmati.

139
00:08:27,300 --> 00:08:30,620
Melihat diri kita melakukan
hal seperti itu

140
00:08:30,620 --> 00:08:34,120
membuat diri kita sebagai
yang mengkolonisasi "yang lainnya."

141
00:08:34,120 --> 00:08:38,390
Bagaimana karya kita
membentuk diri kita.

142
00:08:40,673 --> 00:08:42,376
[Musik biola]

143
00:08:47,970 --> 00:08:50,360


144
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145
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00:10:29,866 --> 00:10:32,353


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00:11:01,160 --> 00:11:04,190


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00:11:04,190 --> 00:11:05,540


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00:11:05,540 --> 00:11:07,230


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