WEBVTT 00:00:10.000 --> 00:00:12.535 [Air mengalir] 00:00:15.561 --> 00:00:18.590 Aku rendam semua kayu dan membersihkan semuanya. 00:00:19.490 --> 00:00:21.084 Agar kayu ini jadi halus 00:00:23.407 --> 00:00:25.653 dan dapat digunakan secepat mungkin. 00:00:28.244 --> 00:00:30.401 Ada siput di dalamnya. 00:00:36.250 --> 00:00:40.563 Aku merasa seperti anak kota yang lebih suka di alam bebas. 00:00:42.040 --> 00:00:45.513 Aku sangat suka binatang, tumbuhan, dan serangga. 00:00:47.084 --> 00:00:52.270 [Wangechi Mutu: Antara Bumi dan Langit] 00:00:52.270 --> 00:00:54.733 [Musik biola] 00:00:55.930 --> 00:00:59.140 Alam telah menjadi bagian karyaku. 00:00:59.140 --> 00:01:00.780 Di sini aku dapat menggabungkan 00:01:00.780 --> 00:01:03.843 rasa cinta dan ketertarikan saya terhadap kehidupan makhluk 00:01:03.843 --> 00:01:06.563 ke dalam ruang lingkup yang lebih besar. 00:01:08.400 --> 00:01:10.560 Aku ingin membuat karya yang berada di alam. 00:01:10.560 --> 00:01:13.560 Berada di bawah langit, matahari, hujan, dan angin. 00:01:15.040 --> 00:01:16.033 Sudah bersih semua. 00:01:16.656 --> 00:01:18.807 [Musik biola] 00:01:26.863 --> 00:01:31.042 [Studio Wangechi Mutu, Nairobi, Kenya] 00:01:44.919 --> 00:01:47.169 [Besi berderang] 00:01:49.584 --> 00:01:51.640 [Mesin bor] 00:01:57.014 --> 00:01:58.514 [Besi berderang] 00:02:02.839 --> 00:02:06.560 Terdapat burung di bagian kepala penjaga ini. 00:02:08.090 --> 00:02:09.047 Ya. 00:02:09.047 --> 00:02:10.480 [Pria bergumam] 00:02:10.480 --> 00:02:12.470 Aku sudah berikan paku. 00:02:12.470 --> 00:02:14.108 Tapi aku harus gunakan perekat 00:02:14.108 --> 00:02:16.000 karena bentuknya terlalu pendek. 00:02:16.000 --> 00:02:18.920 Aku tidak tahu apakah bisa menggunakan epoksi 00:02:18.920 --> 00:02:20.820 lalu, aku satukan semuanya. 00:02:21.760 --> 00:02:23.093 Terlihat lumayan bagus. 00:02:24.152 --> 00:02:25.881 [Suara mesin bor] 00:02:27.070 --> 00:02:30.008 Aku dapat melakukan banyak hal sekaligus. 00:02:30.008 --> 00:02:32.100 Itu caraku melakukan semua ini. 00:02:32.100 --> 00:02:33.450 Selalu ada hal yang harus dilakukan 00:02:33.450 --> 00:02:34.630 Berbagai macam kegiatan. 00:02:34.630 --> 00:02:37.379 Di mana pun selalu ada kegiatan. 00:02:37.379 --> 00:02:39.242 [Musik piano] 00:02:43.270 --> 00:02:45.430 Saat aku memahat atau melukis, 00:02:45.430 --> 00:02:47.393 Selalu ada hal yang masih lembab. 00:02:53.060 --> 00:02:55.473 Jadi membuatnya kering menjadi hal penting. 00:02:56.990 --> 00:02:59.590 Aku harus mengatur waktu saat mengerjakan semuanya. 00:03:03.650 --> 00:03:05.480 Terkadang karya berbentuk tiga dimensi 00:03:05.480 --> 00:03:07.110 akan memberikan pengaruh 00:03:07.110 --> 00:03:10.840 bagaimana caraku membuat karya dua dimensi. 00:03:10.840 --> 00:03:14.653 Banyak yang bisa dipahami dan dipelajari dari karyaku. 00:03:17.933 --> 00:03:20.100 [Langkah Kaki] 00:03:20.941 --> 00:03:22.836 [Musik Piano] 00:03:26.979 --> 00:03:29.479 [Kicauan Burung] 00:03:33.850 --> 00:03:37.891 Kenangan masa kecilku adalah tentang 00:03:37.891 --> 00:03:41.330 satu tempat bernama Woodley. 00:03:41.330 --> 00:03:42.840 Kami tinggal di bungalo kecil. 00:03:42.840 --> 00:03:44.270 Itu rumah berlantai satu 00:03:44.270 --> 00:03:45.850 dan terdapat taman di sekitarnya. 00:03:45.850 --> 00:03:47.490 Aku ingat bermain di taman tersebut 00:03:47.490 --> 00:03:50.240 terdapat rerumputan yang kering. 00:03:50.240 --> 00:03:53.245 Kami sering bermain dengan mainan kami 00:03:53.245 --> 00:03:56.240 di bagian taman yang dilarang 00:03:56.240 --> 00:03:59.570 Kami bermain di taman sampai kotor. 00:03:59.570 --> 00:04:02.740 00:04:02.740 --> 00:04:06.923 Kenangan tersebut berpengaruh terhadap karyaku. 00:04:08.387 --> 00:04:10.258 [Kicauan burung] 00:04:13.100 --> 00:04:17.120 Aku ke sekolah Katolik dan semua muridnya perempuan. 00:04:17.120 --> 00:04:19.510 Aku dikelilingi oleh wanita 00:04:19.510 --> 00:04:20.380 Guru wanita 00:04:20.380 --> 00:04:22.560 Murid wanita 00:04:22.560 --> 00:04:24.310 Bunda Maria. 00:04:24.310 --> 00:04:26.603 Semuanya memiliki energi feminim. 00:04:27.610 --> 00:04:30.709 Karena aku melihatnya sebagai bagian penting 00:04:30.709 --> 00:04:32.710 dalam kehidupan, 00:04:32.710 --> 00:04:35.130 Aku dapat terus berkembang menjadi salah satunya. 00:04:35.130 --> 00:04:38.008 Bagiku, itu selamanya menjadi sumber inspirasiku. 00:04:38.008 --> 00:04:39.127 [Musik biola] 00:04:39.127 --> 00:04:43.402 00:04:46.140 --> 00:04:49.610 Kita selalu terpesona dengan kesan tokoh wanita 00:04:49.610 --> 00:04:53.660 namun, bertindak semena-mena terhadap wanita. 00:04:53.660 --> 00:04:55.900 Perbedaan sikap tersebut cukup mengganggu 00:04:55.900 --> 00:04:57.330 dan tentunya itu sudah melekat 00:04:57.330 --> 00:04:59.200 di kehidupan kita dalam waktu yang lama. 00:04:59.200 --> 00:05:01.233 Jadi itu yang coba aku sampaikan. 00:05:02.346 --> 00:05:04.839 [Musik biola diiringi harpa] 00:05:07.267 --> 00:05:10.000 [Sentinels] 00:05:11.930 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