1 00:00:00,000 --> 00:00:29,960 ♪ (música ambiente etérea) ♪ 2 00:00:29,960 --> 00:00:31,705 (sinos tocam) 3 00:00:31,705 --> 00:00:33,280 (Cannupa) Acredito que todos se perguntam 4 00:00:33,280 --> 00:00:39,720 o que significa pertencer a algum lugar. 5 00:00:39,720 --> 00:00:43,240 Com as pessoa indígenas na América do Norte 6 00:00:43,240 --> 00:00:48,640 existem identidades complexas. 7 00:00:48,640 --> 00:00:53,720 Sou um cidadão das tribos Mandam, Hidatsa e Arikara. 8 00:00:53,720 --> 00:00:54,440 Assim nasci na 9 00:00:54,440 --> 00:00:58,760 Reserva de Standing Rock, no Rio Missouri. 10 00:00:58,760 --> 00:01:02,520 Acredito que sou, da forma mais honesta possível, do povo do rio, 11 00:01:02,520 --> 00:01:06,480 mas vivo aqui em cima, nas montanhas do Novo México. 12 00:01:06,480 --> 00:01:12,640 Então me sinto... um tanto deslocado. 13 00:01:12,640 --> 00:01:16,040 Depois que minha família se mudou pra longe da reserva, 14 00:01:16,040 --> 00:01:19,400 sentia que minha existência em ambos mundos 15 00:01:19,400 --> 00:01:27,400 estava em um espaço liminar entre os dois. 16 00:01:27,400 --> 00:01:29,060 (homem) Hm OK, Cannupa, pronto? 17 00:01:29,060 --> 00:01:29,840 (Cannupa) Sim, espera um pouco. 18 00:01:29,840 --> 00:01:35,347 (conversas de fundo) 19 00:01:35,347 --> 00:01:43,920 Então eu existo em um mundo entre lugares. 20 00:01:43,920 --> 00:01:47,600 O que estou tentando fazer é afastar 21 00:01:47,600 --> 00:01:49,880 a ideia que a arte é um objeto e 22 00:01:49,880 --> 00:01:53,720 pensar nela como um processo. 23 00:01:53,720 --> 00:01:59,800 Algo em ação, algo vivo. 24 00:01:59,800 --> 00:02:03,000 (sinos tocando) ♪ (sintetizadores dispersos) ♪ 25 00:02:03,000 --> 00:02:04,800 Estou construindo. 26 00:02:04,800 --> 00:02:07,440 Estou construindo coisas que não são esses objetos, 27 00:02:07,440 --> 00:02:29,760 mas canais para compartilhar informações de cultura para cultura. 28 00:02:29,760 --> 00:02:30,260 ♪ sintetizadores ♪ 29 00:02:30,920 --> 00:02:34,720 Há uma tendência de perpetuar uma narrativa histórica 30 00:02:34,720 --> 00:02:39,000 romantizada dos povos nativos, 31 00:02:39,000 --> 00:02:42,680 que é: "Isso é primitivo, isso é antigo 32 00:02:42,680 --> 00:02:46,080 Isso não é o presente." 33 00:02:46,080 --> 00:02:47,480 Então comecei uma série 34 00:02:47,480 --> 00:02:49,320 de projetos chamados, 35 00:02:49,320 --> 00:02:51,160 e são ideias em andamento, 36 00:02:51,160 --> 00:02:55,240 é chamado de Tecnologia Ancestral do Futuro. 37 00:02:55,240 --> 00:02:58,440 É ficção científica, é ficção especulativa. 38 00:02:58,440 --> 00:03:02,320 Se trata de imaginar como e em quê nossa cultura muda 39 00:03:02,320 --> 00:03:15,015 e se transforma no futuro. 40 00:03:15,015 --> 00:03:18,720 ♪ música etérea ♪ E se é difícil de expressar o que 41 00:03:18,720 --> 00:03:22,320 significa ser indígena hoje, como será 42 00:03:22,320 --> 00:03:25,040 depois de hoje? 43 00:03:25,040 --> 00:03:29,680 E pensar nesse significado em um futuro distante. 44 00:03:29,680 --> 00:03:30,180 ♪♪♪ 45 00:03:50,720 --> 00:03:54,320 Tudo que estamos usando agora 46 00:03:54,320 --> 00:03:58,520 estará presente por bastante tempo, em aterros, 47 00:03:58,520 --> 00:04:00,120 e, ao invés de reciclar 48 00:04:00,120 --> 00:04:01,400 e transformar em novos produtos, 49 00:04:01,400 --> 00:04:05,620 pensei: "o que dá pra fazer se transformarmos esse material?" 50 00:04:05,620 --> 00:04:09,640 Essas são luvas de hóquei. 51 00:04:09,640 --> 00:04:14,280 Esse é um cobertor velho de crochê. 52 00:04:14,280 --> 00:04:17,440 Eu pratico caça e coleta 53 00:04:17,440 --> 00:04:21,040 no século 21, mas cruzo áreas diferentes. 54 00:04:23,040 --> 00:04:25,880 Toda lã que pego é de segunda mão, são restos. 55 00:04:25,880 --> 00:04:29,040 Poucas coisas nos processos desses 56 00:04:29,040 --> 00:04:31,720 trabalhos precisam ser 57 00:04:31,720 --> 00:04:34,640 de primeira mão. 58 00:04:34,640 --> 00:04:37,320 Sempre que vou a um brechó, se eles têm um tapete afegão 59 00:04:37,320 --> 00:04:41,400 com um estilo que gosto, eu mergulho e... 60 00:04:41,400 --> 00:04:47,480 é como navegar pelos detritos da América. 61 00:04:47,480 --> 00:04:49,480 E é importante contar essas histórias 62 00:04:49,480 --> 00:04:53,120 para as gerações futuras porque muito da cosmologia indígena 63 00:04:53,120 --> 00:04:55,360 é baseada na sustentabilidade. 64 00:04:55,360 --> 00:04:58,520 Tipo: "Você é uma extensão da terra, 65 00:04:58,520 --> 00:04:59,560 você pertence a terra." 66 00:05:00,120 --> 00:05:01,280 Será que consigo imaginar um futuro 67 00:05:01,280 --> 00:05:05,065 onde todos entendêssemos isso coletivamente? 68 00:05:05,065 --> 00:05:09,160 (Jornalista) O protesto na Dakota do Norte contra um grande oleoduto 69 00:05:09,160 --> 00:05:10,640 continua a crescer. 70 00:05:10,640 --> 00:05:14,520 Mais de 100 tribos nativas americanas se juntaram na luta 71 00:05:14,520 --> 00:05:15,760 contra o projeto, 72 00:05:15,760 --> 00:05:18,960 73 00:05:18,960 --> 00:05:21,265 74 00:05:21,265 --> 00:05:24,720 75 00:05:24,720 --> 00:05:25,480 76 00:05:25,480 --> 00:05:29,120 77 00:05:29,120 --> 00:05:34,760 78 00:05:34,760 --> 00:05:38,320 79 00:05:38,320 --> 00:05:43,560 80 00:05:43,560 --> 00:05:48,440 81 00:05:48,440 --> 00:05:51,880 82 00:05:51,880 --> 00:05:56,520 83 00:05:56,520 --> 00:06:00,000 84 00:06:00,000 --> 00:06:04,720 85 00:06:04,720 --> 00:06:10,289 86 00:06:10,289 --> 00:06:10,320 87 00:06:10,320 --> 00:06:13,120 88 00:06:13,120 --> 00:06:17,040 89 00:06:17,040 --> 00:06:20,320 90 00:06:20,320 --> 00:06:22,080 91 00:06:22,080 --> 00:06:25,920 92 00:06:25,920 --> 00:06:28,320 93 00:06:28,320 --> 00:06:30,400 94 00:06:30,400 --> 00:06:34,240 95 00:06:34,240 --> 00:06:35,600 96 00:06:35,600 --> 00:06:39,360 97 00:06:39,360 --> 00:06:44,220 98 00:06:44,220 --> 00:06:45,760 99 00:06:45,760 --> 00:06:48,240 100 00:06:48,240 --> 00:06:59,360 101 00:06:59,360 --> 00:07:09,795 102 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