'Tis strange my Theseus,
that these lovers speak of. More strange than true.
I never may believe these antique fables, nor these fairy toys.
Oh,
lovers and madmen have such seething brains,
such shaping fantasies that apprehend more than cool reason ever comprehends.
The lunatic,
the lover, and the poet
are of imagination all compact. One
sees more devils than vast hell can hold. That is the madman.
The lover all as frantic sees Helen’s beauty
in a brow of Egypt.
The poet’s eye
in the fine frenzy rolling death lands from heaven to earth,
from earth to heaven, and his imagination bodies forth the form of things unknown.
The poet's pen turns them to shapes and gives to
airy nothing. A local habitation and a name.
Such tricks have strong
imagination that if it would but apprehend some joy, it
comprehends some bringer of that joy
in the night
imagining some fear.
How easy is a bush supposed to bear! But all the story of the night
told over, and all their minds transfigured
so together more witnesses than fancies
images and grows to something of great constancy.
But howsoever
strange and admirable.
Here come the lovers full of joy and mirth.
Joy, gentle friends! Joy
and fresh days of love accompany your hearts. More than to us,
wait in your royal walks, your board, your bed.
Come now,
what masques, what dances shall we have to wear away this long age of three hours
between or after-supper and bed time?
Where is our usual manager of mirth?
What revels are in hand? Is there no play to ease the anguish of a torturing hour?
Call Philostrate.
Here, mighty Theseus.
Say, what abridgement have you for this evening?
What masque? What music? How shall we beguile the lazy time, if not with some delight?
There is a brief how many sports are ripe.
Make choice of which your highness will see first.
Ok.
“The battle with the Centaurs
to be sung by
an Athenian
eunuch to the harp.”
We'll none of that.
That have I told my love, in glory of my kinsman Hercules.
“The riot of the tipsy Bacchanals,
tearing the Thracian singer in their rage.”
That is an old device, and it was played when I from Thebes came last a conqueror.
“The thrice three Muses mourning for the death of Learning, late deceased in
beggary.”
That is some satire, keen and critical, not sorting with a natural ceremony.
“A tedious brief scene of young Pyramus and his love
Thisbe; very tragical mirth.”
Merry and tragical?
Tedious and brief?
That is, hot ice and wondrous strange snow.
How shall we find the concord of this discord?
A play there is, my lord, some ten words long, which is as brief as I have known a play.
But by ten words, my lord, it is too long, which makes it tedious.
For in all the play, there is not one word apt, one player fitted.
And tragical, my noble lord, it is, for Pyramus therein doth kill himself.
Which, when I saw rehearsed, I must confess, made mine eyes water;
but more merry tears, the passion of loud laughter never shed.
What are they that do play it?
Hard-handed men that work in Athens here,
which never laboured in their minds till now,
and now have toiled their unbreathed
memories with this same play, against your nuptial.
And we will hear it. No,
my noble lord,
it is not for you.
I have heard it over, and it is nothing,
nothing in the world,
unless you can find sport in their intents,
extremely stretched and conned with cruel pain to do you service.
I will hear that play;
for never anything can be amiss, when simpleness and duty tender it.
Go, bring them in
and take your places, ladies.
I love not to see wretchedness o'er charged and duty in his service perishing.
Why, gentle sweet, you shall see no such thing.
He says they can do nothing in this kind.
The kinder we, to give them thanks for nothing.
Our sport shall be to take what they mistake,
and what poor duty cannot do, noble respect takes it in might, not merit.
Where I have come,
great clerks have purposed to greet me
with premeditated welcomes, where I have seen them shiver
and look pale, make periods in the midst of sentences,
throttle their practised accent in their fears.
And in conclusion, dumbly have broke off not paying me a welcome.
Trust me, sweet,
out of this silence yet I picked a welcome,
and in the modesty of fearful duty,
I read as much as from the rattling tongue of saucy and audacious eloquence.
Love, therefore, and tongue-tied simplicity in least speak most, to my capacity.
Yeah.
So, please your grace,
the Prologue is addressed.
Let him approach.
If we offend, it is with our good will.
That you should think,
we come not to offend, but with goodwill.
To show our simple skill, that is the true beginning of our
end.
Consider then
we come but despite.
We do not come as minding to contest you. Our true intent is
all for
your delight. We are not here
that you should here repent you. The actors are at hand
and by their show, you shall know all that you are like to know.
This fellow do not stand upon points. He hath rid his prologue
like a rough colt. He knows not to stop.
A good moral, my Lord: it
is not enough to speak but to speak, but to true. Indeed,
he hath played on his prologue like a child on a recorder:
a sound,
but not in government.
His speech was like a tangled chain: nothing impaired but all disordered.
Who is next?
Gentles,
perchance you wonder at this show,
but wonder on, till truth make all things plain.
This man
is Pyramus,
if you would know;
beauteous lady Thisby
is certain.
This man, with lime and rough-cast, doth present wall,
that vile Wall which did these lovers sunder; and through Wall's chink,
poor souls, they are content to whisper.
At the which let no man wonder.
This man,
with lantern,
dog, and bush of thorn, presenteth moonshine; for, if you will know, by moonshine
did these lovers think no scorn to meet at
Ninus' tomb,
there
there to woo.
This grisly beast,
which Lion hight by name, the trusty Thisby, coming first by night, did
stare away, or rather did affright. And, as she fled, her mantle
she did fall, which lion vile with bloody mouth did stain.
Anon comes Pyramus, sweet youth and tall and finds his trusty
Thisby's mantle slain.
Whereat, with blade,
with bloody blameful blade, he bravely broached his boiling bloody breast.
And Thisby,
tarrying
in mulberry shade,
his dagger drew,
and died.
For all the rest, let lion, moonshine, wall,
and lovers twain at large discourse while here they do remain.
I wonder if the lion be to speak. No wonder my Lord. One lion may when many asses do.
Yeah.
In this
same
interlude,
it doth befall
that I,
one
Snout
by name
present.
a wall.
And such a wall,
as I would have you think,
that had in it
a crannied hole or chink,
through which
the fearful lovers,
Pyramus
and Thisby,
did whisper
often very secretly.
This loam,
this rough cast, and this stone
doth
show that
I am that same wall;
the truth is so.
And this
the cranny is,
right
and sinister,
through which
the fearful lovers are to whisper.
Would you
desire lime and hair to speak better?
It is the wittiest partition that ever I heard discourse. My Lord.
Pyramus draws near the wall. Silence!
O grim-looked night!
O night with hue so black!
O night, whichever art when day is not!
O night, O night!
Alack,
alack, alack,
I fear my Thisby's
promise is forgot!
And thou,
O wall,
O sweet, O lovely wall, that stand'st between her father's ground and mine!
Thou wall, O wall,
O sweet
and lovely wall,
show me thy chink, to blink through with mine
eyne!
Thanks, courteous wall: Jove shield thee well for this!
But what see I? No
Thisby do I see. O wicked wall, through whom I see no bliss! Cursed be
thy stones for thus deceiving me!
The wall, methinks, being sensible, should curse again.
No, in truth, sir, he should not. 'Deceiving me' is Thisby's cue.
She is to enter now, and I am to spy her through the wall. You shall see,
it will fall pat as I told you.
Yonder she comes.
O wall,
full often hast
thou heard my moans,
for parting my fair Pyramus and me!
My cherry lips have often kissed
thy stones,
thy stones with lime and hair
knit up in thee.
I see a voice. Now will I to the chink, to spy an I can hear my Thisbe's face.
Thisbe!
My love
thou art,
my love
I think. Think what thou
wilt, I am
thy lover's grace, and, like, Lemander, am I trusty still.
And I
like Helen,
till the Fates me kill.
Not Shafalus to Procrus was so true.
As Shafalus to
Procrus, I to you.
O kiss me through the hole of this vile wall!
I kiss the wall's hole,
not your lips at all. Wilt thou at
Ninny's tomb meet me straightway?
'Tide life, 'tide death,
I come without delay.
Thus, have I,
Wall, my part dischargèd so
and, being done, thus Wall away
doth go.
Now is the mural down between the two neighbors. No remedy. My Lord.
when walls are so wilful to hear without warning.
This is the silliest stuff that ever I heard. The best
in this kind are but shadows, and the worst are no worse,
if imagination amend them. It must be your imagination then, and not theirs.
If we imagine no worse of them than they of themselves,
they may pass for excellent men. Here come two noble beasts in, a man
and a lion.
You, ladies,
you, whose gentle hearts do fear the smallest monstrous mouse that creeps on floor,
may now perchance both quake and tremble here, when
lion rough in wildest rage doth roar.
Then know that I, one Snug the joiner, am the lion-fell, nor else no lion's
dam; for, if I should as lion come in strife into this place, 'twere pity on my life.
Wrong.
Oh, a very gentle beast of a good conscience. The very best at a beast,
my lord, that e'er I saw. This lion is a very fox for his valour.
True, and a goose for his discretion.
Not so, my Lord, for his valor cannot carry his
discretion, and the fox carries the goose. His discretion,
I am sure, cannot carry his valor, for the goose carries not the fox.
It is well. Leave it to his discretion, and let us listen to
the moon.
Ok.
This lantern doth the hornèd moon present—
He should have worn the horns on his head.
He is no crescent, and his
horns are invisible within the circumference.
This lantern doth the hornèd moon present,
myself the man i' the moon do seem to be. This is the greatest error of all the rest:
the man should be put into the lantern.
How is it else the man i' the moon? He dares not come there for the candle; for, you
see, it is already in snuff. I am aweary of this moon.
Would he would change!
It appears, by his small light of discretion, that he is in the wane;
but yet, in courtesy, in all reason,
we must stay the time.
Proceed, moon.
All
that I have to say,
is, to tell you
that the lantern is the moon. I'm the man in the moon.
This thorn bush, my thorn bush, and this dog, my dog.
Why, all these should be in the lantern, for all these are in the moon.
But silence! Here comes Thisbe.
This is
old
Ninny's tomb.
Where is my love?
Well roared, Lion. Well run, Thisbe.
Well shone, Moon.
Truly, the moon shines with a good grace.
Well moused, Lion.
And so, the lion vanished.
And then came Pyramus.
Sweet Moon,
I thank thee for thy sunny beams.
I thank thee, Moon, for shining now
so bright; for, by thy gracious, golden, glittering gleams,
I trust to take of truest Thisby sight.
But stay, O spite!
But mark, poor knight, what dreadful dole is here!
Eyes,
do you see?
How can it be?
O dainty duck! O dear!
Thy mantle good, what,
stained with blood!
Approach, ye Furies fell!
O Fates, come, come, cut thread and thrum
quail, crush,
conclude, and quell! This passion, and the death of a
dear friend, would go near to make a man look sad.
Beshrew my heart, but I pity the man.
O wherefore,
Nature,
didst thou lions frame? Since lion vile hath here deflowered my dear:
which is—
no,
no—
which was the fairest dame that lived, that loved, that liked, that looked with cheer.
Come, tears, confound.
Out, sword, and wound the pap of Pyramus;
Ay, that left pap, where heart doth hop.
Oh,
thus die I,
thus,
thus.
Now am I dead.
Oh,
am I right?
My soul is in the sky.
Tongue,
lose that light.
Moon
take thy flight.
Oh!
Now die, die, die, die,
die.
Yeah. No die
but an ace, for him; for he is but one. Less than an ace, man, for he is dead;
he is nothing. With the help of a surgeon
he might yet recover and prove an ass. How chance Moonshine is gone before Thisbe
comes back and finds her lover?
She will find him by starlight.
Here she comes, and her passion ends the play.
Methinks she should not use a long one for such a Pyramus.
I hope she will be breif. A mote will turn the balance, which Pyramus, which Thisbe,
is the better; he for a man, God warrant us; she for a woman, God bless us.
She hath spied him already with those sweet eyes. And thus she means, videlicet—
Asleep, my love?
What, dead,
my dove?
O Pyramus, arise! Speak, speak.
Quite dumb?
Dead,
dead?
A tomb must cover thy sweet eyes.
These lily lips, this cherry nose, these yellow cowslip cheeks, are gone,
are gone.
Lovers, make moan.
His eyes were green as leeks.
O Sisters Three, come,
come to me with hands as pale as milk;
lay them in gore. Since you have shore with shears his thread of silk.
Tongue, not a word.
Come, trusty sword,
come, blade,
my breast imbrue.
And, farewell, friends,
thus Thisbe ends.
Adieu,
adieu,
adieu.
Moonshine and Lion are left to bury the dead.
Ay, and Wall
too. No
assure you;
the wall is down that parted their fathers.
Will it please you to
see the epilogue, or to hear a Bergamask dance between two of our company? No
epilogue.
I pray you;
for your play
needs no excuse.
Never excuse;
for when the players are all dead,
there needs none to be blamed.
Marry, if he that writ it had played Pyramus and hanged himself in Thisbe's garter,
it would have been a fine tragedy.
And so it is,
truly,
you did,
very notably discharged. But come, your Bergamask.
Let
your
epilogue
alone.
The iron tongue of midnight hath told twelve.
Lovers, to bed; 'tis almost fairy time.
I fear we shall out-sleep the coming morn as much as we this night have overwatched.
This
palpable-gross play hath
well beguiled
the heavy gait of night. Sweet friends,
to bed.
A fortnight hold we this solemnity,
in nightly revels and new
jollity.
Now the hungry lion roars and the wolf
behowls the moon, whilst the heavy ploughman snores,
all with weary task fordone.
Now the wasted
brands do glow, whilst the screech-owl, screeching loud, puts
the wretch that lies in woe in remembrance of a shroud.
Now
it is the time of night that the graves all gaping wide, everyone lets forth
his sprite. In the church-way paths to glide,
and we fairies,
that do run by the triple Hecate's team, from the presence of the sun,
following darkness like a dream,
now are frolic.
Not a mouse shall disturb this hallowed house.
I'm sent with broom before to sweep the dust behind the door.
Through the house give gathering light.
By the dead and drowsy fire:
every elf and fairy sprite hop as light as bird from brier,
and this ditty,
after me, sing,
and dance it trippingly.
First, rehearse your song by rote to each word a warbling note.
Hand in hand, with fairy grace, will we sing, and bless this place.
Yeah.
True.
Yeah.
Now until the break of day, through this house each fairy stray.
To the best bride-bed will we, which by us shall blessèd be,
and the issue there createever shall be fortunate.
So, shall all the couples three ever true in loving be,
and the blots of Nature's hand shall not in their issue stand.
Never mole, hare lip, nor scar,
nor mark prodigious, such as are despisèd in nativity, shall upon their children be.
With this field-dew consecrate,
every fairy take his gait;
and each several chamber bless, through this palace, with sweet peace;
and the owner of it blessed ever shall in
safety rest.
Trip away, make no stay,
meet me all by break of day.
If we shadows have offended,
think but this, and all is mended,
that you have but slumbered here while these visions did appear.
And this weak and idle theme, no more yielding but a dream, gentles, do not reprehend:
if you pardon, we will mend.
And,
as I am an honest Puck,
if we have unearnèd luck now to 'scape the serpent's tongue,
we will make amends ere long,
else the Puck a liar call.
So,
good night unto you all.
Give me your hands,
if we be friends,
and Robin shall restore amends.