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一旦看過，

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他們便刻劃在你的腦海裡

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尤其想到他們是最初

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少數代表了中國人的物件之一

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曾有位醫療傳教士-彼得‧帕克

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在十九世紀初，為了展現腫瘤的手術切口

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而來到廣州

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關喬昌是當時聞名遐邇的畫家

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尤以人物肖像著名

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但我認為他聞名之處

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在於其刻劃人物的精細度

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他曾說過這句名言：

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「只畫眼睛所見」

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這和所謂「中國性」有關

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想想看，「中國人的特性」是怎麼演變成一個詞的？

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有什麼樣的巧思藏在創作「另一個頭」其中？

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為什麼肩膀是裸露的？

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讓辮子垂放在這

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十分引人入勝，我好奇這樣的吸引力

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是否能讓觀者把畫中的模特

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視為人類

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「范傑斯：病態美」

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我努力嘗試去理解美和吸引力的定義

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我認為吸引力深深影響著我的創作

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現今的世代，美是十分乏味的

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在社群平台上只能有一種情緒表達

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也就是點擊兩下，對吧？

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那僅僅是一個心形

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當遇上美的事物，得到的僅是一個乏味的心形

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但當你回顧過去的美

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是美及絕美之物

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它是伴隨著某種程度的停頓

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以及這般的恐懼

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這也表示，在過去

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要形容事物的美

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是令人激動到想吐的

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(笑聲)

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我最初在香港長大

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身為同性戀者，在那裡是倍感壓迫的

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無法在社會中表達自我

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平常甚至無法見到

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快樂的同性戀者

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或是同性戀者

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這就像是看不見自己的未來

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我部份的成長歲月很痛苦

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不停地尋找自我的價值

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(茱莉．沃爾芙博士)

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