1 00:00:06,849 --> 00:00:07,969 TRON: Legacy. 2 00:00:08,242 --> 00:00:12,538 Disney's neon-infused sequel to the 1982 classic 3 00:00:12,538 --> 00:00:15,541 includes a particularly egregious example of a trope 4 00:00:15,541 --> 00:00:18,931 that has bothered me for years. 5 00:00:19,783 --> 00:00:20,823 "I'm Korra." 6 00:00:22,138 --> 00:00:25,018 It's a gendered convention that will be instantly familiar 7 00:00:25,018 --> 00:00:26,538 to science fiction fans. 8 00:00:27,292 --> 00:00:30,137 The convention shows up over and over again 9 00:00:30,137 --> 00:00:33,807 in speculative media, but it didn't have a name. 10 00:00:33,971 --> 00:00:35,151 So I gave it one. 11 00:00:35,538 --> 00:00:39,598 I call it "Born Sexy Yesterday". 12 00:00:43,272 --> 00:00:44,592 "She's an ISO." 13 00:00:44,642 --> 00:00:49,512 The character of Korra is an isomorphic algorithm, or ISO. 14 00:00:49,840 --> 00:00:54,160 Basically, she's a sentient computer program in the shape of a woman. 15 00:00:54,386 --> 00:00:55,916 "She's the miracle, man." 16 00:00:56,675 --> 00:00:58,615 "Everything I've ever worked for." 17 00:00:59,684 --> 00:01:02,924 "A digital frontier to reshape the human condition." 18 00:01:04,122 --> 00:01:09,092 As the last of the ISOs, Korra is described in this way: 19 00:01:09,781 --> 00:01:11,501 "Profoundly naive." 20 00:01:12,972 --> 00:01:14,852 "Umimaginably wise." 21 00:01:15,537 --> 00:01:19,937 If that sounds vaguely like something someone might say about a child, 22 00:01:20,384 --> 00:01:21,644 it's no accident. 23 00:01:21,918 --> 00:01:25,753 Because that's exactly how TRON: Legacy portraits Korra. 24 00:01:25,753 --> 00:01:30,293 "But between you and me, Jules Verne is my favorite." 25 00:01:31,600 --> 00:01:33,180 "Do you know Jules Verne?" 26 00:01:33,539 --> 00:01:34,259 "Sure." 27 00:01:35,286 --> 00:01:36,346 "What's he like?" 28 00:01:37,332 --> 00:01:41,252 She has the mind of a naive, yet highly-skilled child, 29 00:01:41,523 --> 00:01:45,323 but in the body of a mature, sexualized woman. 30 00:01:45,809 --> 00:01:48,799 She also serves as our hero's love interest. 31 00:01:51,069 --> 00:01:57,459 "Profoundly naive, yet unimaginably wise" captures the essence of this trope. 32 00:02:00,557 --> 00:02:06,817 "Born Yesterday" is an idiom meaning extremely naive, inexperienced, or ignorant. 33 00:02:07,451 --> 00:02:09,271 "He thinks I'm too stupid, huh?" 34 00:02:09,386 --> 00:02:10,439 "Uh, no..." 35 00:02:10,439 --> 00:02:12,819 "He's right. I'm stupid and I like it." 36 00:02:13,764 --> 00:02:14,526 "You do?" 37 00:02:14,526 --> 00:02:18,956 "Sure! I'm happy. I get everything I want. Two mink coats. Everything." 38 00:02:22,294 --> 00:02:23,484 "Activate it." 39 00:02:24,142 --> 00:02:28,982 As a media trope, Born Sexy Yesterday has both the figurative, 40 00:02:28,982 --> 00:02:31,509 and in many cases, a literal meaning. 41 00:02:34,948 --> 00:02:39,128 The 1997 sci-fi cult classic The Fifth Element 42 00:02:39,288 --> 00:02:44,368 is probably the most quintessensial example of Born Sexy Yesterday. 43 00:02:45,698 --> 00:02:48,268 "I told you. Perfect." 44 00:02:49,663 --> 00:02:53,653 Like Korra, Leeloo is whimsical and naive. 45 00:02:57,635 --> 00:03:01,865 But she's also deliberately framed in a sexualized way. 46 00:03:01,990 --> 00:03:03,280 "They really made her-" 47 00:03:03,282 --> 00:03:04,952 "Perfect. I know." 48 00:03:05,036 --> 00:03:07,866 The female characters that this trope is built around 49 00:03:07,950 --> 00:03:13,240 are defined by their innocence of and inexperience with worldly things. 50 00:03:13,268 --> 00:03:14,068 "Pretty!" 51 00:03:14,468 --> 00:03:20,028 Especially when it comes to sex, romance, or basic social interaction. 52 00:03:20,028 --> 00:03:21,648 "Would you mind if I kiss you?" 53 00:03:22,727 --> 00:03:23,817 "Does it hurt?" 54 00:03:24,260 --> 00:03:26,620 Though the use of science fiction conventions, 55 00:03:26,770 --> 00:03:30,610 they're brought into the human world already fully formed. 56 00:03:30,852 --> 00:03:35,852 The mind of a child manifests in a mature female body. 57 00:03:36,370 --> 00:03:43,330 She may be an android, a computer program, a mermaid, an alien, a magical being, 58 00:03:43,713 --> 00:03:49,223 or otherwise raised in an environment isolated from the rest of human society. 59 00:03:50,258 --> 00:03:54,578 Many of these female characters have one very specific thing in common. 60 00:03:54,591 --> 00:03:59,311 They're all deliberately written to be completely unaware of their own sex appeal. 61 00:04:01,484 --> 00:04:05,700 This stance provides filmmakers with an excuse to include at least one scene 62 00:04:05,700 --> 00:04:08,000 in which she disrobes in front of men. 63 00:04:08,456 --> 00:04:13,136 And because she's so naive, she doesn't understand the implication of this action. 64 00:04:16,343 --> 00:04:18,513 "Morning! Come on in." 65 00:04:18,760 --> 00:04:20,390 "Didn't bring my bathing suit." 66 00:04:20,774 --> 00:04:22,414 "What's a bathing suit?" 67 00:04:23,535 --> 00:04:24,955 "Ho oh, murder." 68 00:04:25,194 --> 00:04:28,128 And you might imagine, there's quite a bit of overlap here 69 00:04:28,128 --> 00:04:29,425 "Oh, good morning Robert!" 70 00:04:29,425 --> 00:04:31,695 with the Manic Pixie Dream Girl trope, 71 00:04:32,286 --> 00:04:36,706 "This is a magical room. Where did the water come from?" 72 00:04:36,758 --> 00:04:41,328 "Uh, oh, well, the... The water comes from the pipes." 73 00:04:41,525 --> 00:04:43,105 "Where did the pipes get it?" 74 00:04:43,220 --> 00:04:46,234 although characters who were Born Sexy Yesterday 75 00:04:46,234 --> 00:04:50,004 are often highly skilled at something that men will respect. 76 00:04:50,644 --> 00:04:53,484 Frequently, that thing is combat. 77 00:04:56,903 --> 00:05:01,773 Now, so far, we've only focused on the female characters associated with this trope. 78 00:05:02,149 --> 00:05:04,529 But it isn't really about them. 79 00:05:04,796 --> 00:05:06,346 "That doorway spins." 80 00:05:07,291 --> 00:05:12,311 Like most things in Hollywood, Born Sexy Yesterday is written for men. 81 00:05:13,289 --> 00:05:16,109 And ultimately, it's a relationship trope. 82 00:05:16,198 --> 00:05:21,384 "5'9".... blue eyes... long legs... great skin..." 83 00:05:22,174 --> 00:05:24,064 "You know... Perfect." 84 00:05:24,314 --> 00:05:27,804 So that means we need to talk about the other side of the equation. 85 00:05:28,291 --> 00:05:29,891 The male heroes. 86 00:05:31,659 --> 00:05:36,259 Typically, he's a straight, red-blooded man who has, for a variety of reasons, 87 00:05:36,714 --> 00:05:40,204 found himself alone, or unsatisfied in love. 88 00:05:43,642 --> 00:05:48,152 He finds himself disenfranchised, or otherwise directionless. 89 00:05:49,762 --> 00:05:54,682 He either can't find, or doesn't want, a woman from his own world. 90 00:05:55,091 --> 00:05:59,511 A woman who might be his equal in matters of love and sexuality. 91 00:06:00,505 --> 00:06:03,655 He does have one thing going for him though. 92 00:06:03,720 --> 00:06:07,660 He knows all about living life as a normal human being. 93 00:06:07,840 --> 00:06:09,310 "Too bad you don't eat food." 94 00:06:09,697 --> 00:06:11,747 "You might find it to be quite pleasurable." 95 00:06:12,725 --> 00:06:14,537 "How do you get pleasure out of food?" 96 00:06:14,537 --> 00:06:15,237 "Here." 97 00:06:15,361 --> 00:06:16,141 "No, thank you." 98 00:06:16,248 --> 00:06:18,898 "If you want my secret, you'll eat my sandwitch." 99 00:06:19,223 --> 00:06:21,963 Of course, so does every other guy on Earth. 100 00:06:22,041 --> 00:06:24,581 Which should make him unremarkable. 101 00:06:24,942 --> 00:06:26,192 "Chew! Chew!" 102 00:06:26,923 --> 00:06:29,643 Except, to a woman Born Yesterday, 103 00:06:30,626 --> 00:06:33,886 because she's presumably never known another man, 104 00:06:34,231 --> 00:06:39,041 he would seem like the smartest, most amazing guy in the entire universe. 105 00:06:39,602 --> 00:06:43,182 "Mm, this is fun! What is it?" 106 00:06:44,989 --> 00:06:47,059 "Ham and cheese on rye with mayo." 107 00:06:47,715 --> 00:06:52,475 And here where we start to see how the trope is constructed as a male fantasy. 108 00:06:53,265 --> 00:06:56,235 It's precisely her naivety and her innocence 109 00:06:56,267 --> 00:06:59,147 that allows her to see something special in him. 110 00:06:59,524 --> 00:07:04,594 Something that other less innocent or more experienced women cannot. 111 00:07:05,047 --> 00:07:10,527 "System: normal. Estimated resuscitation time: 600 seconds. Commencing countdown." 112 00:07:10,671 --> 00:07:13,051 Now we don't have time to go into it here, 113 00:07:13,096 --> 00:07:18,406 but Born Sexy Yesterday is absolutely everywhere in Japanese anime. 114 00:07:20,220 --> 00:07:24,410 Now I should note that Born Sexy Yesterday is not a modern trope. 115 00:07:24,799 --> 00:07:29,039 In fact, it's been a fixture of classic Hollywood science fiction films 116 00:07:29,302 --> 00:07:31,552 since the beginning of the genre. 117 00:07:31,744 --> 00:07:33,034 "This was intriguing." 118 00:07:33,823 --> 00:07:36,893 "I wonder just how far women would permit this to go." 119 00:07:38,499 --> 00:07:41,199 "It's nothing really personal, just a kiss." 120 00:07:41,977 --> 00:07:45,027 "Hmm. But why should people want to kiss each other?" 121 00:07:45,399 --> 00:07:46,979 "It's an old custom." 122 00:07:47,180 --> 00:07:49,660 "All the really high civilizations go in for it." 123 00:07:49,715 --> 00:07:51,135 "But it's so silly." 124 00:07:51,361 --> 00:07:52,941 "But it's good for you, though." 125 00:07:52,942 --> 00:07:54,842 "It stimulates the whole system." 126 00:07:54,971 --> 00:07:58,061 "As a matter of fact, you can't be in tip-top health without it." 127 00:07:58,146 --> 00:08:00,106 "Really? I didn't know that." 128 00:08:01,119 --> 00:08:03,329 "I'd be only too happy to show you." 129 00:08:03,564 --> 00:08:05,474 "Well, thank you very much, Lieutenant." 130 00:08:06,155 --> 00:08:07,625 "No trouble at all." 131 00:08:08,235 --> 00:08:12,595 Forbidden Planet in 1956 is one example. 132 00:08:15,559 --> 00:08:18,809 The Time Machine in 1960 is another. 133 00:08:20,955 --> 00:08:22,445 "Well, what's your name?" 134 00:08:24,295 --> 00:08:25,035 "Weena." 135 00:08:25,892 --> 00:08:26,902 "Weena?" 136 00:08:28,403 --> 00:08:29,783 "How do you spell it?" 137 00:08:32,734 --> 00:08:33,544 "Spell?" 138 00:08:33,996 --> 00:08:36,116 "Spell! Write! Can't you write?" 139 00:08:36,611 --> 00:08:40,321 Then there's a character of Nova from the original Planet of the Apes. 140 00:08:41,430 --> 00:08:42,440 "Look at that. I..." 141 00:08:44,147 --> 00:08:45,837 "I taught you to smile." 142 00:08:46,821 --> 00:08:50,301 who is the protagonist's love interest despite not understanding 143 00:08:50,308 --> 00:08:52,308 the concept of language. 144 00:08:56,678 --> 00:09:01,818 The trope usually involves a white woman, but Born Sexy Yesterday is an offshoot 145 00:09:01,818 --> 00:09:04,214 of a much older media convention. 146 00:09:08,798 --> 00:09:13,168 One in which white adventurers discover indigenous women. 147 00:09:14,918 --> 00:09:18,938 Although in this case, science fiction replaces colonialism 148 00:09:19,002 --> 00:09:21,931 as the mechanism driving that narrative. 149 00:09:21,931 --> 00:09:24,971 "Big... Bada big boom." 150 00:09:25,257 --> 00:09:26,594 "Big! Boom!" 151 00:09:26,594 --> 00:09:28,369 "Yeah, big badaboom." 152 00:09:28,369 --> 00:09:29,459 "Badaboom." 153 00:09:29,688 --> 00:09:32,338 "Big boom. Big badaboom." 154 00:09:34,471 --> 00:09:37,321 Still, sometimes it's a little of both. 155 00:09:39,264 --> 00:09:43,944 Born Sexy Yesterday fetishizes the stark power imbalance 156 00:09:43,948 --> 00:09:49,028 between a wiser, more experienced man, and a naive, inexperienced woman. 157 00:09:49,905 --> 00:09:53,305 It's the ultimate teacher - student dynamic. 158 00:09:53,878 --> 00:09:59,145 "It's the custom of my people to help one another when we're in trouble." 159 00:09:59,145 --> 00:10:02,935 Star Trek is famous for making frequent use of this trope. 160 00:10:07,290 --> 00:10:10,531 Perhaps, "infamous" is a better word, because the trope shows up 161 00:10:10,531 --> 00:10:14,951 in the original series, and then in every other series afterwards. 162 00:10:16,232 --> 00:10:22,752 "And this. Is this also helping?" 163 00:10:24,874 --> 00:10:26,284 "You could call it that." 164 00:10:28,479 --> 00:10:32,289 "Please, help me once again." 165 00:10:38,457 --> 00:10:40,697 "Let's start by doing something different with your hair." 166 00:10:40,697 --> 00:10:44,082 Seven of Nine's relationship with The Doctor on Star Trek: Voyager 167 00:10:44,082 --> 00:10:45,982 is a prominent example. 168 00:10:46,053 --> 00:10:49,700 Especially as depicted in the episode Someone to Watch Over Me. 169 00:10:49,700 --> 00:10:51,750 "Try shaking your head a little bit." 170 00:10:54,432 --> 00:10:55,982 "Is this more appropriate?" 171 00:10:56,035 --> 00:10:59,955 Fans of that series will remember that The Doctor's own social naivety 172 00:11:00,054 --> 00:11:03,954 is never framed by the show as something sexy. 173 00:11:04,358 --> 00:11:05,678 "How shall I choose?" 174 00:11:06,183 --> 00:11:08,953 "I think you'd look very nice in this one." 175 00:11:10,741 --> 00:11:14,921 "I am uncertain how to wear such a garment. Assist me." 176 00:11:15,507 --> 00:11:19,157 "Oh, I, I, I'm sure you'll manage. I'll go prepare the Holodeck." 177 00:11:19,207 --> 00:11:21,297 "Remember, the idea is to have fun tonight." 178 00:11:21,373 --> 00:11:23,393 "I'll expect a full report in the morning." 179 00:11:23,722 --> 00:11:28,122 Although Born Sexy Yesterday was a major part of Seven's character, 180 00:11:28,125 --> 00:11:32,715 at least to begin with, she is ultimately made much more than than that. 181 00:11:33,156 --> 00:11:36,536 And outside of a handful of rather cringe-worthy episodes, 182 00:11:36,738 --> 00:11:41,508 Seven's story is largely one of self-realization and self-discovery, 183 00:11:41,712 --> 00:11:45,442 which manages to transcend the constraint of the trope. 184 00:11:47,240 --> 00:11:52,410 To a large degree, this is also true of a character like Sonmi-451 from Cloud Atlas. 185 00:11:52,450 --> 00:11:55,121 Like Seven, her romantic relationship is downplayed, 186 00:11:55,121 --> 00:11:58,101 while her character development is made central. 187 00:11:58,578 --> 00:12:02,298 "Knowledge is a mirror. And for the first time in my life, 188 00:12:02,305 --> 00:12:07,175 I was allowed to see who I was, and who I might become." 189 00:12:07,195 --> 00:12:09,255 Which brings me to this point. 190 00:12:09,517 --> 00:12:11,011 The problem with this trope 191 00:12:11,011 --> 00:12:14,241 is not necessarily with the female characters themselves. 192 00:12:14,668 --> 00:12:19,120 If these were simply stories involving naive, extraterrestrial women 193 00:12:19,120 --> 00:12:22,770 who learn about love, and humanity, then that wouldn't be an issue. 194 00:12:23,832 --> 00:12:27,922 Likewise, if the male hero was also inexperienced, and our two protagonists 195 00:12:27,946 --> 00:12:30,270 could discover love and sex together, 196 00:12:30,270 --> 00:12:34,050 then that would avoid most of the troubling power dynamic issues. 197 00:12:34,216 --> 00:12:35,606 "What's going on?" 198 00:12:36,269 --> 00:12:38,149 "We need to understand how it works." 199 00:12:39,835 --> 00:12:40,575 "What?" 200 00:12:41,188 --> 00:12:43,908 "This chip. This body." 201 00:12:44,129 --> 00:12:48,129 So for example, Cameron from The Sarah Connor Chronicles TV show 202 00:12:48,368 --> 00:12:49,628 fits the trope. 203 00:12:50,092 --> 00:12:52,582 But her relationship with the young John Connor 204 00:12:52,702 --> 00:12:55,962 is framed as much more of a mutual exploration. 205 00:12:57,209 --> 00:13:01,679 Since Born Sexy Yesterday hinges on a lopsided power dynamic, 206 00:13:01,804 --> 00:13:05,064 it almost never portraits the other way around. 207 00:13:06,255 --> 00:13:09,975 It's extremely rare for a more experienced female character 208 00:13:09,993 --> 00:13:12,173 to teach a naive man about sex. 209 00:13:12,708 --> 00:13:14,658 "I think I better go home now, Mary Sue." 210 00:13:15,743 --> 00:13:16,563 "Why?" 211 00:13:17,006 --> 00:13:18,996 "I think I might be... ill." 212 00:13:21,170 --> 00:13:22,770 "Something's happening to me." 213 00:13:23,923 --> 00:13:25,643 "That's supposed to happen." 214 00:13:27,432 --> 00:13:28,212 "It is?" 215 00:13:29,961 --> 00:13:31,341 "Yeah, trust me." 216 00:13:32,825 --> 00:13:34,525 "Wait, no, no. No!" 217 00:13:35,402 --> 00:13:36,732 "That's your dessert." 218 00:13:37,508 --> 00:13:39,258 "You eat that with forks." 219 00:13:39,267 --> 00:13:43,447 Perhaps that's because most grown women don't find the idea 220 00:13:43,455 --> 00:13:47,935 of dating an inexperienced adolescent boy all that appealing. 221 00:13:47,990 --> 00:13:53,500 "No, no, erm... Leave that last. Sandwitch first, dessert last." 222 00:13:56,436 --> 00:13:58,996 On the rare occasions when the genders are reversed, 223 00:13:59,299 --> 00:14:02,564 male ineptitude then becomes the butt of the joke. 224 00:14:02,564 --> 00:14:05,664 "Hi. This is the woman from the baseball card store. Remember me?" 225 00:14:05,817 --> 00:14:10,404 "Oh yes! Hi! Hello! Hot-diggity-dog!" 226 00:14:11,332 --> 00:14:13,294 "Thanks for calling me on the telephone." 227 00:14:15,667 --> 00:14:17,869 She may even end up falling for him. 228 00:14:18,254 --> 00:14:21,574 But she falls for him despite his inexperience, 229 00:14:21,858 --> 00:14:23,214 not because of it. 230 00:14:28,824 --> 00:14:32,424 "Oh I'm so sorry! I forgot about the autowash." 231 00:14:32,581 --> 00:14:36,521 Born Sexy Yesterday is about an unbalanced relationship. 232 00:14:36,869 --> 00:14:40,279 But it's also very much connected to masculinity. 233 00:14:43,042 --> 00:14:47,247 The subtext of the trope is the rooted in a deep-seated male insecurity 234 00:14:47,247 --> 00:14:49,587 around sex and sexuality. 235 00:14:50,954 --> 00:14:54,874 The crux of the trope is a fixation on male superiority. 236 00:14:55,234 --> 00:14:58,984 The fixation with holding power over an innocent girl. 237 00:14:59,154 --> 00:15:01,791 But in order to make that socially acceptable, 238 00:15:01,791 --> 00:15:03,561 science fiction is employed 239 00:15:03,564 --> 00:15:07,974 to put the mind of that girl into a sexualized adult woman's body. 240 00:15:09,183 --> 00:15:11,063 It's a fantasy based on fear. 241 00:15:11,681 --> 00:15:16,921 Fear of women who are men's equals in sexual experience and romantic history, 242 00:15:17,584 --> 00:15:21,574 and fear of losing the intellectual upper hand to women. 243 00:15:24,592 --> 00:15:29,687 In Woody Allen's 1973 comedy Sleeper, the protagonist is frozen, 244 00:15:29,687 --> 00:15:34,147 and when he wakes up in the future, he's suddenly, and very conveniently, 245 00:15:34,162 --> 00:15:38,652 the only man left on Earth who still remembers how to have sex. 246 00:15:41,305 --> 00:15:46,085 That same exact thing happens to Stallone's character in Demolition Man. 247 00:15:48,271 --> 00:15:49,071 "Oh my." 248 00:15:50,367 --> 00:15:53,307 "Are all fluid transfer activities like this?" 249 00:15:53,328 --> 00:15:54,048 "Better." 250 00:15:54,119 --> 00:15:54,819 "Better?" 251 00:15:55,697 --> 00:15:56,407 "Oh my." 252 00:15:56,948 --> 00:16:00,248 So Born Sexy Yesterday is a science fiction trope 253 00:16:00,270 --> 00:16:04,523 that's designed specifically so male heroes get to automatically be 254 00:16:04,523 --> 00:16:08,203 the most extraordinary man in a woman's life, 255 00:16:08,278 --> 00:16:13,118 again, because they are basically the only man to have ever been in her life. 256 00:16:15,737 --> 00:16:20,090 As such, the trope rests on some troubling patriarchal ideas 257 00:16:20,090 --> 00:16:22,960 about female purity and virginity. 258 00:16:23,287 --> 00:16:28,063 By definition, characters Born Sexy Yesterday have no past lovers, 259 00:16:28,206 --> 00:16:30,883 and no previous sexual experiences. 260 00:16:31,370 --> 00:16:35,170 She's framed as pure and innocent, sexually and romantically, 261 00:16:35,242 --> 00:16:39,162 unchanged and uncorrupted by the attention of other men. 262 00:16:41,527 --> 00:16:46,091 The male hero therefore avoids even the possibility of being compared, 263 00:16:46,191 --> 00:16:50,071 of being judged, of not measuring up. 264 00:16:51,408 --> 00:16:54,221 At the end of the day, this is a male fantasy 265 00:16:54,221 --> 00:16:57,211 about escaping the humiliation and projection. 266 00:16:57,592 --> 00:17:00,732 Since he's the first and only man in this woman's life, 267 00:17:01,131 --> 00:17:03,690 he gets to be the best by default. 268 00:17:06,293 --> 00:17:11,141 Which means he doesn't even have to try to be a better partner, a better boyfriend, 269 00:17:11,741 --> 00:17:12,772 or a better lover. 270 00:17:14,072 --> 00:17:15,702 "That's what we call a kiss." 271 00:17:19,334 --> 00:17:22,873 Of course, the reality is that life experience is a plus, 272 00:17:22,873 --> 00:17:25,373 and not a minus in relationships. 273 00:17:29,702 --> 00:17:32,162 And we need more media to reflex that. 274 00:17:32,179 --> 00:17:37,319 We need media where men enthusiastically embrace women who are their equals. 275 00:17:37,448 --> 00:17:41,888 Equals in everything, including in matters of love and sex. 276 00:17:42,784 --> 00:17:45,724 So to all you would-be science fiction writers out there, 277 00:17:45,740 --> 00:17:47,260 I'll leave you with this. 278 00:17:48,021 --> 00:17:50,431 Innocence is not sexy. 279 00:17:51,292 --> 00:17:53,372 Knowledge and experience, on the other hand, 280 00:17:53,762 --> 00:17:56,585 now that, that's extremely sexy. 281 00:18:00,278 --> 00:18:03,579 If you'd like to see more videos related to media and manhood, 282 00:18:03,688 --> 00:18:05,889 just hop on over my Patreon page, 283 00:18:05,899 --> 00:18:08,869 and help fund the Pop Culture Detective Agency.