0:00:00.071,0:00:02.821
（鸟鸣声）

0:00:12.547,0:00:15.214
（水流声）

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地点在我的工作中很重要。

0:00:21.510,0:00:23.040
来自一个

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别人想象中确定的地方。

0:00:29.310,0:00:32.468
我对不透明很感兴趣。

0:00:32.468,0:00:35.280
（街上的车流发出轻柔的轰鸣声）

0:00:35.280,0:00:38.100
保持不透明的权利，

0:00:38.100,0:00:39.180
甚至对你自己，

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甚至对你可能不了解自己的事，

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并与之和平相处

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不需要把自己解释给别人。

0:00:50.310,0:00:52.680
我认为它在我的作品中的表现方式

0:00:52.680,0:00:57.123
通过我正在尝试的所有这些层。

0:00:57.990,0:01:02.070
特别是因为它涉及到伪装的想法，

0:01:02.070,0:01:05.254
因为我认为这是某种视觉上的不透明。

0:01:05.254,0:01:06.450
（海浪拍打）

0:01:06.450,0:01:10.803
伪装是在自然界中的生存策略。

0:01:12.600,0:01:16.865
当我们在社会中穿行时，这种想要要融入

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或者想要被看见

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并控制它，

0:01:20.700,0:01:23.753
在某种程度上，我认为这是一种解放的工具。

0:01:23.753,0:01:26.503
（警报呼啸声）

0:01:30.271,0:01:35.040
（欢快的雷鬼音乐）

0:01:35.040,0:01:36.390
我叫Joiri Minaya.

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我是一名跨领域视觉艺术家，

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我来自多米尼加共和国，目前住在纽约。

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我还要说什么？

0:01:46.470,0:01:47.670
请用她来称呼我。

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