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assume vivid astro focus: 學會如何作畫

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Eli Sudbrack, avaf

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我要把我的眼鏡拿掉

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來做這個

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因為我必須要離它非常近

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才能看到它的細節之處

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Ulrika其實做這個非常在行

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而我從去年開始

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第一次這樣作畫

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我仍舊在學習

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助理Ulrika Andersson

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在我開始畫這個的時候

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我畫了10年的照相寫實主義的作品

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所以，這其實是一個很好的改變

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我覺得我有一雙非常穩健的手

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這就有點像塗指甲油

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循序漸進的感覺

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但我現在開始有點適應了

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我覺得，這有點像對此開竅了

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就像，知道該怎麼一層層疊加

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但我有點喜歡這個

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我很喜歡這種表面

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我聽有聲書以及搞笑廣播

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所以，我猜Eli應該老是聽到我傻笑

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但，總有種音樂

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她經常大笑

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（Andersson 笑了）

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我在傻笑而Eli在聽音樂

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這點很棒

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所以這裡是

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我們一直在用的顏料

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這些都是K-60 Krink的顏料

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或許你應該稱它們為塗鴉顏料

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它們要用敷抹器來上色

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你知道嗎，它們只是用敷抹器

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在這邊做標記

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我們把泡沫的東西挑出來

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然後只用顏料部分

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用畫刷上色

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因為這有點像

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給它刷上上乘的瓷器一般

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而這個是醇基顏料

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它干的非常快

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我沒有很喜歡這種基調

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我感覺有點太蛋黃色了

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所以我們開始加入白色

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這樣就會亮一點

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亮黃色的感覺

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為了這些畫

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我不確定我是否應該多加一點

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分塊顏色

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或者我把所有的都模式化

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把一切弄的十分瘋狂

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我常常對丟東西感到困擾

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純白

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（數數：3,4,5,6）

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這里有好多不同形狀的圖層

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上色后

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組成這幅作品

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Christine的描摹馬上就要完成了

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我就要開始用這些在畫布上著色了

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（數數：9,10，10層！）

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Krink顏料并沒有給我

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可以改變的機會

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因為我不能就這麼疊加各種顏色

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不過這有點像顏色不斷變多的一個過程

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這些樣子

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我想讓它更亮一點

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首先，我打算用紅色

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然後，我就覺得

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我還是只用紅色來描邊吧

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接著，我開始這樣做了，然後我覺得

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這樣看起來不錯

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最近我去了費城美術館

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并再次去欣賞了杜尚的房間

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我盯著這個大玻璃

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我腦中有一個這種機器人物的構想

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取名叫"The Bride"

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我想，也許

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這些畫作中的變性人

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可能其中有一個還沒有真正

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從完全幾何抽象的模樣轉變過來

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我感覺到，這是一種聯繫

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所以我給她取名為"The Bride"

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我之前提及過這裡

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看，這種液體

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把這個區域提升到了這裡

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這樣就使得這個液體存在於此

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我把這部分加到了底部區域

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我以前用的是Jimi Hendrix 的封面

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我還想要加入這種草的元素

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所以我在此進行描繪

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這個綠色區域就好像

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我看著Al Held在這畫上創作出

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更3D元素的東西一般

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有時候我覺得我應該再提下另一個

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但有時候我又覺得我應該

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一個都不要提及

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那些東西應該自然而然的

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從我腦海中蹦出

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一旦我完成了描繪

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我就會去畫一些草圖

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我會花大概五個小時左右

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助理 Christine Wilcox Ackerman

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在掃描第一層上

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接著，Eli會開始畫畫

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大概至少畫個一星期，對吧？

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是的，要完成這個作品，需要花費我些許時間

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所以，Eli，你想看一眼

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我弄的首行嗎

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好

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來確認一下

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我真的為這幅作品受罪不少（笑）

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比如說，添加顏色或其他形狀

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但我現在對此很滿意

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是啊，絕對的

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絕對的，是啊

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完美，謝謝你

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如果我可以花一整天只用於畫畫

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我想，這樣的一天對我來說就好似身處天堂

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你看，藝術家的傳統思想

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便是畫家

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我有點喜歡

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這個棉花糖牙齒

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不是嗎？

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你知道那個是什麼？

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不知道

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Duchamp的引用

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那個玻璃板？

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是啊

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對對對

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兩個玻璃板

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對對對

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是吧？加上個巨大的玻璃

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最上面的新娘...

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Christophe Hamaide-Pierson, avaf

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就好像有些許煙從這個新娘身體里冒出來

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對的

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我一直在想

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如果當我用不同的繪畫來呈現

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會變成什麼樣子

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我還想要

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在畫布上好好畫畫

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然後更加自然而然的畫出一些東西來

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煙把他們拖了起來

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她們都濕了

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這也是她們的起點

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我看見了

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棉花糖