[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:08.08,0:00:12.10,Default,,0000,0000,0000,,[assume vivid astro focus: Learning to Paint]
Dialogue: 0,0:00:18.34,0:00:20.04,Default,,0000,0000,0000,,[Eli Sudbrack, avaf]
Dialogue: 0,0:00:20.04,0:00:21.84,Default,,0000,0000,0000,,I have to take my glasses off
Dialogue: 0,0:00:21.85,0:00:22.82,Default,,0000,0000,0000,,just to do this,
Dialogue: 0,0:00:22.82,0:00:24.38,Default,,0000,0000,0000,,because I have to be really close
Dialogue: 0,0:00:24.38,0:00:26.70,Default,,0000,0000,0000,,so I can see detail.
Dialogue: 0,0:00:28.42,0:00:32.12,Default,,0000,0000,0000,,Ulrika is actually amazingly proficient at doing that.
Dialogue: 0,0:00:33.48,0:00:35.60,Default,,0000,0000,0000,,I'm just painting for the first time
Dialogue: 0,0:00:35.61,0:00:37.67,Default,,0000,0000,0000,,since last year.
Dialogue: 0,0:00:38.32,0:00:39.94,Default,,0000,0000,0000,,I'm still learning.
Dialogue: 0,0:00:44.02,0:00:46.60,Default,,0000,0000,0000,,[Ulrika Andersson, Assistant]
Dialogue: 0,0:00:46.60,0:00:50.42,Default,,0000,0000,0000,,[ANDERSSON] I did photorealistic painting\Nfor about 10 years,
Dialogue: 0,0:00:50.43,0:00:51.98,Default,,0000,0000,0000,,before I started working on this.
Dialogue: 0,0:00:52.66,0:00:54.26,Default,,0000,0000,0000,,So this is a nice change.
Dialogue: 0,0:00:54.78,0:00:57.66,Default,,0000,0000,0000,,I guess I have a pretty steady hand.
Dialogue: 0,0:00:58.57,0:01:00.72,Default,,0000,0000,0000,,It's kind of like working with nail polish
Dialogue: 0,0:01:00.72,0:01:02.58,Default,,0000,0000,0000,,because it gets that build up.
Dialogue: 0,0:01:02.58,0:01:04.81,Default,,0000,0000,0000,,But, I've kind of gotten used to it now.
Dialogue: 0,0:01:04.81,0:01:06.83,Default,,0000,0000,0000,,I think it's, like, a matter of figuring out,
Dialogue: 0,0:01:06.83,0:01:08.66,Default,,0000,0000,0000,,kind of, how to layer it.
Dialogue: 0,0:01:08.66,0:01:10.07,Default,,0000,0000,0000,,But, I kind of like it.
Dialogue: 0,0:01:10.07,0:01:13.54,Default,,0000,0000,0000,,I really like the surface that you get.
Dialogue: 0,0:01:13.54,0:01:16.27,Default,,0000,0000,0000,,I listen to audiobooks and comedy podcasts,
Dialogue: 0,0:01:16.27,0:01:18.37,Default,,0000,0000,0000,,so, I guess Eli hears me giggling.
Dialogue: 0,0:01:18.37,0:01:19.59,Default,,0000,0000,0000,,But, there's usually music...
Dialogue: 0,0:01:19.59,0:01:20.45,Default,,0000,0000,0000,,[SUDBRACK] She laughs a lot
Dialogue: 0,0:01:20.45,0:01:21.22,Default,,0000,0000,0000,,[ANDERSSON LAUGHS]
Dialogue: 0,0:01:21.22,0:01:22.14,Default,,0000,0000,0000,,[SUDBRACK] Which is excellent.
Dialogue: 0,0:01:22.14,0:01:25.38,Default,,0000,0000,0000,,[ANDERSSON] I'm giggling and Eli is listening to music.
Dialogue: 0,0:01:29.04,0:01:30.72,Default,,0000,0000,0000,,[SUDBRACK] So these here are
Dialogue: 0,0:01:33.18,0:01:35.70,Default,,0000,0000,0000,,the paints that we have been using.
Dialogue: 0,0:01:38.30,0:01:41.20,Default,,0000,0000,0000,,They're all K-60 Krink colors.
Dialogue: 0,0:01:41.52,0:01:43.52,Default,,0000,0000,0000,,Maybe you should call them, like, graffiti paint.
Dialogue: 0,0:01:43.94,0:01:45.42,Default,,0000,0000,0000,,They just use it with an applicator,
Dialogue: 0,0:01:46.00,0:01:47.54,Default,,0000,0000,0000,,and they just do...you know, tag,
Dialogue: 0,0:01:48.52,0:01:49.98,Default,,0000,0000,0000,,with the applicator here.
Dialogue: 0,0:01:49.99,0:01:52.30,Default,,0000,0000,0000,,We take the foamy thing out
Dialogue: 0,0:01:52.30,0:01:54.41,Default,,0000,0000,0000,,and we just use the actual paint,
Dialogue: 0,0:01:54.41,0:01:55.64,Default,,0000,0000,0000,,you know, with brushes.
Dialogue: 0,0:01:56.32,0:01:58.74,Default,,0000,0000,0000,,Because it has this sort of, like,
Dialogue: 0,0:01:58.75,0:02:01.54,Default,,0000,0000,0000,,enamel lacquer quality to it.
Dialogue: 0,0:02:01.54,0:02:04.24,Default,,0000,0000,0000,,And it is an alcohol-based paint,
Dialogue: 0,0:02:04.24,0:02:06.66,Default,,0000,0000,0000,,which dries really fast.
Dialogue: 0,0:02:07.20,0:02:09.72,Default,,0000,0000,0000,,I'm not so fond of this tone--
Dialogue: 0,0:02:09.72,0:02:11.50,Default,,0000,0000,0000,,it's too eggy.
Dialogue: 0,0:02:11.50,0:02:13.26,Default,,0000,0000,0000,,So we start mixing it with white,
Dialogue: 0,0:02:13.76,0:02:15.38,Default,,0000,0000,0000,,so it will have, like, a lighter,
Dialogue: 0,0:02:15.39,0:02:17.51,Default,,0000,0000,0000,,brighter yellow.
Dialogue: 0,0:02:18.46,0:02:19.53,Default,,0000,0000,0000,,For these paintings,
Dialogue: 0,0:02:19.53,0:02:21.09,Default,,0000,0000,0000,,I wasn't sure if I should have more, like,
Dialogue: 0,0:02:21.09,0:02:23.26,Default,,0000,0000,0000,,block colors,
Dialogue: 0,0:02:23.26,0:02:24.87,Default,,0000,0000,0000,,or if I should just pattern everything--
Dialogue: 0,0:02:24.87,0:02:26.72,Default,,0000,0000,0000,,make everything really crazy.
Dialogue: 0,0:02:27.38,0:02:29.70,Default,,0000,0000,0000,,I always have issues with leaving things
Dialogue: 0,0:02:29.71,0:02:31.25,Default,,0000,0000,0000,,absolutely white.
Dialogue: 0,0:02:34.32,0:02:38.70,Default,,0000,0000,0000,,[COUNTING, "...three, four, five, six..."]
Dialogue: 0,0:02:38.70,0:02:40.48,Default,,0000,0000,0000,,These are many layers
Dialogue: 0,0:02:40.48,0:02:43.98,Default,,0000,0000,0000,,of different shapes that are colored in
Dialogue: 0,0:02:43.98,0:02:46.17,Default,,0000,0000,0000,,for this painting.
Dialogue: 0,0:02:46.17,0:02:48.92,Default,,0000,0000,0000,,Christine is going to be finishing up tracing.
Dialogue: 0,0:02:49.42,0:02:53.48,Default,,0000,0000,0000,,I'm going to use this to start coloring that\Ncanvas.
Dialogue: 0,0:02:53.64,0:02:56.70,Default,,0000,0000,0000,,[COUNTING, "Nine, ten. Ten layers!"]
Dialogue: 0,0:02:56.92,0:02:58.48,Default,,0000,0000,0000,,The Krink wouldn't really allow me
Dialogue: 0,0:02:58.48,0:03:00.47,Default,,0000,0000,0000,,to change that much,
Dialogue: 0,0:03:00.47,0:03:04.11,Default,,0000,0000,0000,,because I can't really overlay the colors.
Dialogue: 0,0:03:04.58,0:03:07.76,Default,,0000,0000,0000,,But it's sort of like a coloring-by-numbers\Nprocess.
Dialogue: 0,0:03:13.64,0:03:14.92,Default,,0000,0000,0000,,These shapes...
Dialogue: 0,0:03:14.92,0:03:16.76,Default,,0000,0000,0000,,I wanted to make it lighter.
Dialogue: 0,0:03:17.08,0:03:18.96,Default,,0000,0000,0000,,First, I was going to turn the whole thing\Nred.
Dialogue: 0,0:03:20.16,0:03:21.24,Default,,0000,0000,0000,,And then I felt like,
Dialogue: 0,0:03:21.24,0:03:22.26,Default,,0000,0000,0000,,I'm just going to outline red.
Dialogue: 0,0:03:22.26,0:03:24.19,Default,,0000,0000,0000,,And then I started doing it, and I said,
Dialogue: 0,0:03:24.19,0:03:27.03,Default,,0000,0000,0000,,oh, this actually looks good like this.
Dialogue: 0,0:03:30.18,0:03:34.96,Default,,0000,0000,0000,,I recently went to the Philadelphia Museum\Nof Art
Dialogue: 0,0:03:34.96,0:03:38.15,Default,,0000,0000,0000,,to visit, again, that Duchamp room.
Dialogue: 0,0:03:38.15,0:03:39.90,Default,,0000,0000,0000,,And I was looking at the large glass.
Dialogue: 0,0:03:39.90,0:03:42.71,Default,,0000,0000,0000,,I have this image of this mechanic figure
Dialogue: 0,0:03:42.71,0:03:44.54,Default,,0000,0000,0000,,called "The Bride".
Dialogue: 0,0:03:44.54,0:03:46.13,Default,,0000,0000,0000,,I thought, maybe,
Dialogue: 0,0:03:46.13,0:03:49.54,Default,,0000,0000,0000,,those trannies from those paintings,
Dialogue: 0,0:03:49.54,0:03:51.88,Default,,0000,0000,0000,,one of them might have been transformed
Dialogue: 0,0:03:51.88,0:03:55.21,Default,,0000,0000,0000,,into absolute abstraction in geometry.
Dialogue: 0,0:03:55.94,0:03:57.54,Default,,0000,0000,0000,,I felt, that's the connection--
Dialogue: 0,0:03:57.54,0:03:58.88,Default,,0000,0000,0000,,that's "The Bride".
Dialogue: 0,0:04:00.41,0:04:02.94,Default,,0000,0000,0000,,I made some references to that here,
Dialogue: 0,0:04:02.94,0:04:04.37,Default,,0000,0000,0000,,like, there's like this fluid
Dialogue: 0,0:04:04.37,0:04:07.42,Default,,0000,0000,0000,,that she exalts in this area here.
Dialogue: 0,0:04:07.42,0:04:09.68,Default,,0000,0000,0000,,That became this fluid here.
Dialogue: 0,0:04:09.68,0:04:13.86,Default,,0000,0000,0000,,I brought this piece to this bottom area here.
Dialogue: 0,0:04:15.04,0:04:17.43,Default,,0000,0000,0000,,I used this Jimi Hendrix cover,
Dialogue: 0,0:04:17.43,0:04:22.38,Default,,0000,0000,0000,,and I wanted to use this grass element,
Dialogue: 0,0:04:22.38,0:04:24.66,Default,,0000,0000,0000,,and I traced it over here.
Dialogue: 0,0:04:26.22,0:04:30.32,Default,,0000,0000,0000,,This green area came out of, like,
Dialogue: 0,0:04:30.32,0:04:33.38,Default,,0000,0000,0000,,something that I was looking at by Al Held
Dialogue: 0,0:04:33.38,0:04:38.62,Default,,0000,0000,0000,,to create a more 3-D element on this painting.
Dialogue: 0,0:04:40.22,0:04:43.14,Default,,0000,0000,0000,,Sometimes I feel like I should bring another\Nreference,
Dialogue: 0,0:04:43.15,0:04:44.33,Default,,0000,0000,0000,,and then sometimes I feel like I should not
Dialogue: 0,0:04:44.33,0:04:45.89,Default,,0000,0000,0000,,bring any reference at all.
Dialogue: 0,0:04:45.89,0:04:46.97,Default,,0000,0000,0000,,That something should just come
Dialogue: 0,0:04:46.97,0:04:49.38,Default,,0000,0000,0000,,more organic out of my mind.
Dialogue: 0,0:04:52.38,0:04:54.46,Default,,0000,0000,0000,,[CHRISTINE WILCOX ACKERMAN] Once I'm done\Ntracing it,
Dialogue: 0,0:04:54.46,0:04:56.93,Default,,0000,0000,0000,,I'll go do some freehand.
Dialogue: 0,0:04:56.93,0:04:59.42,Default,,0000,0000,0000,,I spent maybe five hours just doing the first...
Dialogue: 0,0:04:59.42,0:05:00.62,Default,,0000,0000,0000,,[Christine Wilcox Ackerman, Assistant]
Dialogue: 0,0:05:00.62,0:05:02.02,Default,,0000,0000,0000,,layer from the scan,
Dialogue: 0,0:05:02.02,0:05:03.60,Default,,0000,0000,0000,,and then Eli worked on it
Dialogue: 0,0:05:03.60,0:05:06.36,Default,,0000,0000,0000,,for probably at least a week, right?
Dialogue: 0,0:05:06.36,0:05:09.48,Default,,0000,0000,0000,,[SUDBRACK] Yeah, it took me a while to finish\Nthat one.
Dialogue: 0,0:05:16.26,0:05:17.92,Default,,0000,0000,0000,,[WILCOX ACKERMAN] So Eli, do you want to look\Nat
Dialogue: 0,0:05:17.93,0:05:19.18,Default,,0000,0000,0000,,the first lines that I fixed?
Dialogue: 0,0:05:19.18,0:05:19.68,Default,,0000,0000,0000,,[SUDBRACK] Yeah.
Dialogue: 0,0:05:19.68,0:05:20.66,Default,,0000,0000,0000,,[WILCOX ACKERMAN] And make sure...
Dialogue: 0,0:05:20.66,0:05:24.11,Default,,0000,0000,0000,,[SUDBRACK, VOICE OVER] I had a really hard\Ntime on this one... [LAUGHS]
Dialogue: 0,0:05:24.11,0:05:27.78,Default,,0000,0000,0000,,Like, adding color and other shapes.
Dialogue: 0,0:05:27.78,0:05:29.44,Default,,0000,0000,0000,,But now I'm happy with it.
Dialogue: 0,0:05:29.44,0:05:31.60,Default,,0000,0000,0000,,[SUDBRACK] Oh, yeah, definitely.
Dialogue: 0,0:05:32.96,0:05:34.62,Default,,0000,0000,0000,,Definitely, yeah.
Dialogue: 0,0:05:34.62,0:05:36.96,Default,,0000,0000,0000,,Perfect. Thank you.
Dialogue: 0,0:05:39.67,0:05:41.68,Default,,0000,0000,0000,,If I'm able to spend a whole day just painting,
Dialogue: 0,0:05:41.68,0:05:45.46,Default,,0000,0000,0000,,that's, like, the paradise day for me.
Dialogue: 0,0:05:45.46,0:05:47.78,Default,,0000,0000,0000,,Like, this traditional idea of the artist--
Dialogue: 0,0:05:47.78,0:05:48.95,Default,,0000,0000,0000,,the painter.
Dialogue: 0,0:05:52.54,0:05:54.08,Default,,0000,0000,0000,,[HAMAIDE-PIERSON] I like these little, like,
Dialogue: 0,0:05:54.09,0:05:56.84,Default,,0000,0000,0000,,marshmallow teeth. [LAUGHS]
Dialogue: 0,0:05:56.84,0:05:57.51,Default,,0000,0000,0000,,No?
Dialogue: 0,0:05:57.52,0:05:58.62,Default,,0000,0000,0000,,[SUDBRACK] You know what that is?
Dialogue: 0,0:05:58.62,0:05:59.60,Default,,0000,0000,0000,,[HAMAIDE-PIERSON] No.
Dialogue: 0,0:05:59.61,0:06:01.25,Default,,0000,0000,0000,,[SUDBRACK] A reference to Duchamp.
Dialogue: 0,0:06:01.82,0:06:02.48,Default,,0000,0000,0000,,[HAMAIDE-PIERSON] The glass panels?
Dialogue: 0,0:06:02.49,0:06:03.00,Default,,0000,0000,0000,,[SUDBRACK] Yeah.
Dialogue: 0,0:06:03.00,0:06:03.40,Default,,0000,0000,0000,,[HAMAIDE-PIERSON] Yeah yeah yeah...
Dialogue: 0,0:06:03.41,0:06:04.20,Default,,0000,0000,0000,,[SUDBRACK] The two panels.
Dialogue: 0,0:06:04.20,0:06:04.64,Default,,0000,0000,0000,,[HAMAIDE-PIERSON] Yeah yeah yeah...
Dialogue: 0,0:06:04.64,0:06:06.20,Default,,0000,0000,0000,,[SUDBRACK] Right? And the large glass.
Dialogue: 0,0:06:06.20,0:06:08.43,Default,,0000,0000,0000,,The top section, what the bride is...
Dialogue: 0,0:06:08.43,0:06:09.60,Default,,0000,0000,0000,,[Christophe Hamaide-Pierson, avaf]
Dialogue: 0,0:06:09.60,0:06:11.34,Default,,0000,0000,0000,,[SUDBRACK] There's like these fumes coming\Nout of the bride.
Dialogue: 0,0:06:11.35,0:06:11.62,Default,,0000,0000,0000,,[HAMAIDE-PIERSON] Right.
Dialogue: 0,0:06:11.62,0:06:12.57,Default,,0000,0000,0000,,[SUDBRACK, VOICE OVER] I keep thinking, like,
Dialogue: 0,0:06:12.57,0:06:13.83,Default,,0000,0000,0000,,how would it be
Dialogue: 0,0:06:13.83,0:06:17.03,Default,,0000,0000,0000,,when I use different paint?
Dialogue: 0,0:06:17.58,0:06:18.64,Default,,0000,0000,0000,,Am I going to be
Dialogue: 0,0:06:18.64,0:06:19.90,Default,,0000,0000,0000,,working right on the canvas
Dialogue: 0,0:06:19.90,0:06:21.20,Default,,0000,0000,0000,,and do something that's more spontaneous?
Dialogue: 0,0:06:22.76,0:06:24.26,Default,,0000,0000,0000,,[SUDBRACK] ...fumes that drag them up--
Dialogue: 0,0:06:24.26,0:06:25.36,Default,,0000,0000,0000,,they're wet, or something--
Dialogue: 0,0:06:25.36,0:06:26.26,Default,,0000,0000,0000,,that's what that comes from.
Dialogue: 0,0:06:26.26,0:06:27.22,Default,,0000,0000,0000,,[HAMAIDE-PIERSON] I see...
Dialogue: 0,0:06:29.54,0:06:30.58,Default,,0000,0000,0000,,Marshmallow.