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A forma como eu andava a fazer arte

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antes de saber que era arte,

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era como se estivesse a fazer casas.

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A tentar encontrar uma casa.

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A Flórida já é um local estranho

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cheio de muitas contradições
e estratos de caos.

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Enquanto crescia, havia imensa intensidade

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e os meus pais estavam
muito sobrecarregados.

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Acho que foi por isso que tive esta ideia,

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a fuga acaba por ser necessária.

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É interessante porque ainda hoje
vejo muito disso na minha obra.

12
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As mesmas coisas continuam a aparecer-me.

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[Casas Digitais de Rachel Rossin]

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Comecei a programar
quando só tinha oito anos.

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Estava a começar a usar a linha dos comandos

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e a perceber que, se escrevesse "imprimir",
ia imprimir a coisa.

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Ou estava a fazer arte ASCI, o que significa
que arranjava as letras num formato

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carregando na tecla "Enter" muitas vezes.

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Na brincadeira.

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Mas quando apareceu o Windows 95,
comecei a abrir pacotes de EXE.

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Assim, ia vendo o "backend".

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Ia abrindo os jogos de vídeo.

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Ia abrindo os jogos que já estavam
carregados, como o Solitário.

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Ia tentando perceber como abrir aquilo

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e de pois tinha de tentar repará-lo
porque era o computador da família.

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Fartava-me de avariar as coisas

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o que eu acho que é
a melhor forma de aprender.

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- Claro, nada funciona quando estás aqui.

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- Preciso de calibrá-lo.

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