WEBVTT 00:00:09.580 --> 00:00:14.420 Cyber capos everyone, are you as excited as I am right now? 00:00:14.540 --> 00:00:20.360 You should be! I think the cyber capos are going to be really really cool if we can pull this off. 00:00:20.560 --> 00:00:26.849 So a capo is a device that sits on the strings of a music instrument and make them shorter and 00:00:27.490 --> 00:00:30.209 holds down the strings to the fretboard by itself. 00:00:30.420 --> 00:00:38.000 But what's so cyber about our capo is that it's four individual capo's, one capo per string on the bass guitar 00:00:38.520 --> 00:00:41.600 So capo or capodastro has been used since 00:00:41.880 --> 00:00:45.980 1646 by Giovanni Doni or something like that. I read on Wikipedia 00:00:46.780 --> 00:00:49.800 But they didn't have a cyber capo 00:00:50.649 --> 00:00:56.069 I'm very happy for this idea. This has been an idea that has been long in the running and 00:00:56.980 --> 00:01:00.930 The main idea is that it will save the resource 00:01:00.930 --> 00:01:03.960 I have least of when playing the Marble Machine X - my hands. 00:01:03.960 --> 00:01:07.480 I will be able to set all the four strings to the notes 00:01:07.480 --> 00:01:09.460 I want them to play and 00:01:09.480 --> 00:01:13.140 then leave the bass guitar and go do other things with my hand. 00:01:13.140 --> 00:01:16.680 Pull the muting lever or play the vibraphone manually, or 00:01:16.740 --> 00:01:22.400 speed up and speed down the Machine, whatever. And whenever I want the bass guitar to change chords 00:01:22.400 --> 00:01:26.420 I can just slide the individual capos around into a new configuration. 00:01:26.500 --> 00:01:30.920 Or I can also play the bass strings manually higher than the capos 00:01:31.080 --> 00:01:34.860 Normally the loose strings on a bass guitar is E, A, D, G 00:01:35.020 --> 00:01:40.110 So one way to use these cyber capos is just to set the lower notes to what I want them to be. 00:01:40.110 --> 00:01:44.610 Maybe I want the lower notes to be a G-major chord, or 00:01:45.240 --> 00:01:51.740 maybe I want the A string to play C. It's going to be very very useful and very very fun. 00:01:53.080 --> 00:01:56.940 Ha, ha! Only on Wintergatan Wednesdays! 00:02:01.520 --> 00:02:06.600 And here you can see there's a hole in the head of this bass guitar and this comes from the fact that 00:02:06.600 --> 00:02:10.440 we're using a five stringed bass guitar with only four strings 00:02:10.440 --> 00:02:17.000 So this hole is where the fifth tuner used to be and now I can use this hole for a mounting bracket 00:02:17.000 --> 00:02:21.260 You saw I made a bracket with tape. If you can avoid making measurements 00:02:21.260 --> 00:02:23.600 I always try to avoid making measurements, 00:02:23.600 --> 00:02:27.000 just take real world measurements, so to speak. 00:02:27.000 --> 00:02:32.840 That speeds up the process a lot. And I'm making some test fingers here 00:02:32.849 --> 00:02:34.849 I'm just adding them to the linear bearings 00:02:38.600 --> 00:02:45.600 So, with this measuring arm here, I can make sure the linear bearings are parallel with the strings. 00:02:46.340 --> 00:02:56.600 So, I can see up here it's touching perfectly height wise. We go here, we need to shim the neck upwards. 00:03:05.100 --> 00:03:07.629 This value is pretty close. 00:03:07.629 --> 00:03:12.119 First I was just planning to weld the bracket on here and have it non adjustable 00:03:12.120 --> 00:03:16.379 But now I realized that I will be very happy with an adjustable bracket 00:03:16.840 --> 00:03:23.130 I'm making this bracket adjustable in every direction in the most idiotic way you can and I love it 00:03:23.130 --> 00:03:29.660 I'm just making the holes oversized so it can go side to side and then I'm just gonna use 00:03:29.660 --> 00:03:34.400 shim washers underneath it to adjust the height. It's really really the 00:03:34.989 --> 00:03:39.539 simplest way I can think of of getting control in like four directions. 00:03:39.740 --> 00:03:45.480 So, here you can see the height control and here you can see the sideways control and this will be very 00:03:45.640 --> 00:03:50.320 important to make the linear bearings perfectly parallel with all the four strings 00:03:51.800 --> 00:03:57.300 So now I'm adjusting the linear rails parallel in this direction to the neck. 00:03:57.300 --> 00:04:03.099 I'm not going to do it parallel to the string. I think it's more important that it's parallel to the wooden neck. 00:04:03.099 --> 00:04:05.099 Going to push down the string 00:04:05.620 --> 00:04:07.620 I'm measuring with my 00:04:07.989 --> 00:04:13.319 temporary fingers and I'm seeing that there's more space here, three millimeters, 00:04:14.290 --> 00:04:16.290 and here's flush. 00:04:16.479 --> 00:04:19.079 Means that we should remove some washers here. 00:04:21.400 --> 00:04:23.400 Taking one of these out. 00:04:27.190 --> 00:04:31.380 Now the height here is adjusted, we can start to check 00:04:32.050 --> 00:04:35.520 this way. Our test point is touching the string. 00:04:36.540 --> 00:04:38.540 Push it all the way up. 00:04:38.840 --> 00:04:43.460 Camera is fooling that angle a little bit. It's actually 00:04:43.469 --> 00:04:47.189 quite good in real life. I'm super happy about the airy design. 00:04:47.680 --> 00:04:53.340 There's very bare minimum of parts. In addition to this big m10 bolt 00:04:53.380 --> 00:04:59.280 We have these two m5 screws that are also clamping down to prevent this from sliding 00:04:59.650 --> 00:05:02.219 so I tapped threads in the metal underneath and then, 00:05:02.710 --> 00:05:08.249 to over-engineer this I have these set screws and they have a little sharp point 00:05:08.500 --> 00:05:12.420 so once I clamp this down, they will really 00:05:13.030 --> 00:05:15.059 prevent this part from sliding. 00:05:15.370 --> 00:05:19.590 So this is not going anywhere and I left this bolt very long because it's gonna be 00:05:19.660 --> 00:05:23.730 a support for later, to support the head from the Marble Machine X frame 00:05:26.650 --> 00:05:34.379 But this right here is the first capo arm made from spring steel and this arm sits here 00:05:35.650 --> 00:05:39.119 and touches the string here. When I was checking these tests 00:05:39.120 --> 00:05:44.190 I was never really happy with how parallel they were with the strings and I thought just 00:05:44.190 --> 00:05:48.480 well, I made some kind of miscalculation here, but I thought it was in OK range 00:05:48.490 --> 00:05:51.689 But now I know why they're not parallel. I made a mistake 00:05:51.700 --> 00:05:58.000 Let me show you. So first of all, here's the strings and we measured how much they're flaring out earlier 00:05:58.080 --> 00:06:00.780 So we're seeing it kind of from this perspective now 00:06:01.620 --> 00:06:05.780 Here's the linear rails and without thinking I made this parallel with E, 00:06:06.100 --> 00:06:12.629 this with A but I know that that's not how the plan is. Because if you look at the routing, to reach the strings 00:06:12.630 --> 00:06:14.630 we have to go from this linear rail 00:06:15.760 --> 00:06:20.999 to the E string. From this one, over that arm, to the A string. 00:06:21.000 --> 00:06:24.179 So this linear rail has to be 00:06:24.850 --> 00:06:26.850 parallel with A string, 00:06:27.240 --> 00:06:33.720 this one has to be parallel with E string and that was why they are not parallel. 00:06:33.900 --> 00:06:40.640 So I recalculated these distances to the new set up and this is the number of extra washers 00:06:40.650 --> 00:06:48.329 I need to put in between the spacing. So I use these washer stacks to make this system adjustable. So that turned out good. 00:06:50.410 --> 00:06:56.100 So, here's the new setup and now you can see that the two middle linear rails are flaring out much more. 00:06:56.100 --> 00:06:59.140 So, the test arm is now on the E string 00:06:59.760 --> 00:07:04.340 sitting on the second linear bearing, the black line is above the string. 00:07:05.650 --> 00:07:07.650 When we travel down the neck 00:07:11.320 --> 00:07:13.940 it stays above the string. We nailed it! 00:07:14.820 --> 00:07:21.740 This is par là. So I made this finger tip out of black Delrin and I cut two m3 threads in it. 00:07:21.760 --> 00:07:26.219 Delrin is a good bushing material. It can slide over surfaces without 00:07:26.770 --> 00:07:28.770 getting torn up. 00:07:36.490 --> 00:07:39.150 Okay, so I want to add downward pressure 00:07:39.150 --> 00:07:43.739 It's not pushing enough on the string. The way I'm doing that is to add 00:07:43.960 --> 00:07:47.340 washers between the delrin and the spring steel 00:07:54.649 --> 00:07:57.399 So, I think it's adding a little bit too little pressure 00:07:57.400 --> 00:08:08.300 [Bass & singing] 00:08:09.300 --> 00:08:11.820 You and me are gonna have a lot of fun together. 00:08:11.820 --> 00:08:13.300 So now, three shim washers 00:08:13.300 --> 00:08:22.140 [bass] 00:08:23.800 --> 00:08:30.300 Uhh, I invested in some SM57's and check this out, these are the line boxes for the bass guitar 00:08:30.400 --> 00:08:33.820 Deep talking bass. Here we go. Flat wound. 00:08:34.040 --> 00:08:36.040 So if you listen here, 00:08:37.580 --> 00:08:40.720 you can hear the wound. And here's the new flat wound. 00:08:41.980 --> 00:08:48.620 It's almost completely flat. So if I want the sound of the flat wound, which I think I want, they will 00:08:49.360 --> 00:08:53.860 wear down these delrin fingertips much slower. 00:08:54.220 --> 00:08:57.500 So I never tried these line boxes, but there's two channels, 00:08:57.520 --> 00:09:00.960 so I need two of these for the four channels of the bass guitar 00:09:00.960 --> 00:09:05.540 and Marcus, the drummer from Wintergatan, recommended these. So it's going to be very fun to try them. 00:09:05.620 --> 00:09:06.120 Okay, 00:09:06.129 --> 00:09:08.260 so the purpose of this arm was to test 00:09:08.280 --> 00:09:12.660 if the spring steel was strong enough and if the delrin seems like a good material choice, 00:09:12.660 --> 00:09:14.660 and I think it's yes on both. 00:09:14.980 --> 00:09:19.779 So we've done this and I can now make the correct arms all four of them 00:09:19.779 --> 00:12:35.700 [piano] 00:12:35.700 --> 00:14:05.700 [Marble Machine X testing] 00:14:06.310 --> 00:14:12.869 The cyber capos, everyone. I love this. This is only a prototype because the linear bearings are too short 00:14:12.870 --> 00:14:15.450 I can't really play the high notes with the system, 00:14:15.730 --> 00:14:23.010 but I wanted to show you all these sketches from the team, because behind the scenes we have been working hard on a more complicated 00:14:23.230 --> 00:14:31.050 version with an on and off systems you could click the capos up and down to have them go on and off the strings and 00:14:31.300 --> 00:14:36.180 In the end I think we actually didn't reach a good solution, 00:14:36.180 --> 00:14:39.960 so I decided to try a simplified prototype. 00:14:40.020 --> 00:14:42.680 But I want to give a huge shout out 00:14:42.780 --> 00:14:50.240 to the whole fantastic Marble Machine X team for pouring so much love and heart into this design discussion. 00:14:50.280 --> 00:14:55.400 Maybe we can solve the on/off in future versions and, as always, I want to say a huge 00:14:55.460 --> 00:14:59.340 thanks to all the Wintergatan patrons and Youtube members for 00:14:59.470 --> 00:15:06.569 supporting this crazy pipe dream. With the cyber capos we're one step closer to having this machine actually playing some music. 00:15:06.670 --> 00:15:10.799 It's getting there. It's taking very much time, but it's getting there. 00:15:10.960 --> 00:15:14.489 Thank you so much for watching and see you on the next Wintergatan Wednesdays