1 00:00:09,580 --> 00:00:14,420 Cyber capos everyone, are you as excited as I am right now? 2 00:00:14,540 --> 00:00:20,360 You should be! I think the cyber capos are going to be really really cool if we can pull this off. 3 00:00:20,560 --> 00:00:26,849 So a capo is a device that sits on the strings of a music instrument and make them shorter and 4 00:00:27,490 --> 00:00:30,209 holds down the strings to the fretboard by itself. 5 00:00:30,420 --> 00:00:38,000 But what's so cyber about our capo is that it's four individual capo's, one capo per string on the bass guitar 6 00:00:38,520 --> 00:00:41,600 So capo or capodastro has been used since 7 00:00:41,880 --> 00:00:45,980 1646 by Giovanni Doni or something like that. I read on Wikipedia 8 00:00:46,780 --> 00:00:49,800 But they didn't have a cyber capo 9 00:00:50,649 --> 00:00:56,069 I'm very happy for this idea. This has been an idea that has been long in the running and 10 00:00:56,980 --> 00:01:00,930 The main idea is that it will save the resource 11 00:01:00,930 --> 00:01:03,960 I have least of when playing the Marble Machine X - my hands. 12 00:01:03,960 --> 00:01:07,480 I will be able to set all the four strings to the notes 13 00:01:07,480 --> 00:01:09,460 I want them to play and 14 00:01:09,480 --> 00:01:13,140 then leave the bass guitar and go do other things with my hand. 15 00:01:13,140 --> 00:01:16,680 Pull the muting lever or play the vibraphone manually, or 16 00:01:16,740 --> 00:01:22,400 speed up and speed down the Machine, whatever. And whenever I want the bass guitar to change chords 17 00:01:22,400 --> 00:01:26,420 I can just slide the individual capos around into a new configuration. 18 00:01:26,500 --> 00:01:30,920 Or I can also play the bass strings manually higher than the capos 19 00:01:31,080 --> 00:01:34,860 Normally the loose strings on a bass guitar is E, A, D, G 20 00:01:35,020 --> 00:01:40,110 So one way to use these cyber capos is just to set the lower notes to what I want them to be. 21 00:01:40,110 --> 00:01:44,610 Maybe I want the lower notes to be a G-major chord, or 22 00:01:45,240 --> 00:01:51,740 maybe I want the A string to play C. It's going to be very very useful and very very fun. 23 00:01:53,080 --> 00:01:56,940 Ha, ha! Only on Wintergatan Wednesdays! 24 00:02:01,520 --> 00:02:06,600 And here you can see there's a hole in the head of this bass guitar and this comes from the fact that 25 00:02:06,600 --> 00:02:10,440 we're using a five stringed bass guitar with only four strings 26 00:02:10,440 --> 00:02:17,000 So this hole is where the fifth tuner used to be and now I can use this hole for a mounting bracket 27 00:02:17,000 --> 00:02:21,260 You saw I made a bracket with tape. If you can avoid making measurements 28 00:02:21,260 --> 00:02:23,600 I always try to avoid making measurements, 29 00:02:23,600 --> 00:02:27,000 just take real world measurements, so to speak. 30 00:02:27,000 --> 00:02:32,840 That speeds up the process a lot. And I'm making some test fingers here 31 00:02:32,849 --> 00:02:34,849 I'm just adding them to the linear bearings 32 00:02:38,600 --> 00:02:45,600 So, with this measuring arm here, I can make sure the linear bearings are parallel with the strings. 33 00:02:46,340 --> 00:02:56,600 So, I can see up here it's touching perfectly height wise. We go here, we need to shim the neck upwards. 34 00:03:05,100 --> 00:03:07,629 This value is pretty close. 35 00:03:07,629 --> 00:03:12,119 First I was just planning to weld the bracket on here and have it non adjustable 36 00:03:12,120 --> 00:03:16,379 But now I realized that I will be very happy with an adjustable bracket 37 00:03:16,840 --> 00:03:23,130 I'm making this bracket adjustable in every direction in the most idiotic way you can and I love it 38 00:03:23,130 --> 00:03:29,660 I'm just making the holes oversized so it can go side to side and then I'm just gonna use 39 00:03:29,660 --> 00:03:34,400 shim washers underneath it to adjust the height. It's really really the 40 00:03:34,989 --> 00:03:39,539 simplest way I can think of of getting control in like four directions. 41 00:03:39,740 --> 00:03:45,480 So, here you can see the height control and here you can see the sideways control and this will be very 42 00:03:45,640 --> 00:03:50,320 important to make the linear bearings perfectly parallel with all the four strings 43 00:03:51,800 --> 00:03:57,300 So now I'm adjusting the linear rails parallel in this direction to the neck. 44 00:03:57,300 --> 00:04:03,099 I'm not going to do it parallel to the string. I think it's more important that it's parallel to the wooden neck. 45 00:04:03,099 --> 00:04:05,099 Going to push down the string 46 00:04:05,620 --> 00:04:07,620 I'm measuring with my 47 00:04:07,989 --> 00:04:13,319 temporary fingers and I'm seeing that there's more space here, three millimeters, 48 00:04:14,290 --> 00:04:16,290 and here's flush. 49 00:04:16,479 --> 00:04:19,079 Means that we should remove some washers here. 50 00:04:21,400 --> 00:04:23,400 Taking one of these out. 51 00:04:27,190 --> 00:04:31,380 Now the height here is adjusted, we can start to check 52 00:04:32,050 --> 00:04:35,520 this way. Our test point is touching the string. 53 00:04:36,540 --> 00:04:38,540 Push it all the way up. 54 00:04:38,840 --> 00:04:43,460 Camera is fooling that angle a little bit. It's actually 55 00:04:43,469 --> 00:04:47,189 quite good in real life. I'm super happy about the airy design. 56 00:04:47,680 --> 00:04:53,340 There's very bare minimum of parts. In addition to this big m10 bolt 57 00:04:53,380 --> 00:04:59,280 We have these two m5 screws that are also clamping down to prevent this from sliding 58 00:04:59,650 --> 00:05:02,219 so I tapped threads in the metal underneath and then, 59 00:05:02,710 --> 00:05:08,249 to over-engineer this I have these set screws and they have a little sharp point 60 00:05:08,500 --> 00:05:12,420 so once I clamp this down, they will really 61 00:05:13,030 --> 00:05:15,059 prevent this part from sliding. 62 00:05:15,370 --> 00:05:19,590 So this is not going anywhere and I left this bolt very long because it's gonna be 63 00:05:19,660 --> 00:05:23,730 a support for later, to support the head from the Marble Machine X frame 64 00:05:26,650 --> 00:05:34,379 But this right here is the first capo arm made from spring steel and this arm sits here 65 00:05:35,650 --> 00:05:39,119 and touches the string here. When I was checking these tests 66 00:05:39,120 --> 00:05:44,190 I was never really happy with how parallel they were with the strings and I thought just 67 00:05:44,190 --> 00:05:48,480 well, I made some kind of miscalculation here, but I thought it was in OK range 68 00:05:48,490 --> 00:05:51,689 But now I know why they're not parallel. I made a mistake 69 00:05:51,700 --> 00:05:58,000 Let me show you. So first of all, here's the strings and we measured how much they're flaring out earlier 70 00:05:58,080 --> 00:06:00,780 So we're seeing it kind of from this perspective now 71 00:06:01,620 --> 00:06:05,780 Here's the linear rails and without thinking I made this parallel with E, 72 00:06:06,100 --> 00:06:12,629 this with A but I know that that's not how the plan is. Because if you look at the routing, to reach the strings 73 00:06:12,630 --> 00:06:14,630 we have to go from this linear rail 74 00:06:15,760 --> 00:06:20,999 to the E string. From this one, over that arm, to the A string. 75 00:06:21,000 --> 00:06:24,179 So this linear rail has to be 76 00:06:24,850 --> 00:06:26,850 parallel with A string, 77 00:06:27,240 --> 00:06:33,720 this one has to be parallel with E string and that was why they are not parallel. 78 00:06:33,900 --> 00:06:40,640 So I recalculated these distances to the new set up and this is the number of extra washers 79 00:06:40,650 --> 00:06:48,329 I need to put in between the spacing. So I use these washer stacks to make this system adjustable. So that turned out good. 80 00:06:50,410 --> 00:06:56,100 So, here's the new setup and now you can see that the two middle linear rails are flaring out much more. 81 00:06:56,100 --> 00:06:59,140 So, the test arm is now on the E string 82 00:06:59,760 --> 00:07:04,340 sitting on the second linear bearing, the black line is above the string. 83 00:07:05,650 --> 00:07:07,650 When we travel down the neck 84 00:07:11,320 --> 00:07:13,940 it stays above the string. We nailed it! 85 00:07:14,820 --> 00:07:21,740 This is par là. So I made this finger tip out of black Delrin and I cut two m3 threads in it. 86 00:07:21,760 --> 00:07:26,219 Delrin is a good bushing material. It can slide over surfaces without 87 00:07:26,770 --> 00:07:28,770 getting torn up. 88 00:07:36,490 --> 00:07:39,150 Okay, so I want to add downward pressure 89 00:07:39,150 --> 00:07:43,739 It's not pushing enough on the string. The way I'm doing that is to add 90 00:07:43,960 --> 00:07:47,340 washers between the delrin and the spring steel 91 00:07:54,649 --> 00:07:57,399 So, I think it's adding a little bit too little pressure 92 00:07:57,400 --> 00:08:08,300 [Bass & singing] 93 00:08:09,300 --> 00:08:11,820 You and me are gonna have a lot of fun together. 94 00:08:11,820 --> 00:08:13,300 So now, three shim washers 95 00:08:13,300 --> 00:08:22,140 [bass] 96 00:08:23,800 --> 00:08:30,300 Uhh, I invested in some SM57's and check this out, these are the line boxes for the bass guitar 97 00:08:30,400 --> 00:08:33,820 Deep talking bass. Here we go. Flat wound. 98 00:08:34,040 --> 00:08:36,040 So if you listen here, 99 00:08:37,580 --> 00:08:40,720 you can hear the wound. And here's the new flat wound. 100 00:08:41,980 --> 00:08:48,620 It's almost completely flat. So if I want the sound of the flat wound, which I think I want, they will 101 00:08:49,360 --> 00:08:53,860 wear down these delrin fingertips much slower. 102 00:08:54,220 --> 00:08:57,500 So I never tried these line boxes, but there's two channels, 103 00:08:57,520 --> 00:09:00,960 so I need two of these for the four channels of the bass guitar 104 00:09:00,960 --> 00:09:05,540 and Marcus, the drummer from Wintergatan, recommended these. So it's going to be very fun to try them. 105 00:09:05,620 --> 00:09:06,120 Okay, 106 00:09:06,129 --> 00:09:08,260 so the purpose of this arm was to test 107 00:09:08,280 --> 00:09:12,660 if the spring steel was strong enough and if the delrin seems like a good material choice, 108 00:09:12,660 --> 00:09:14,660 and I think it's yes on both. 109 00:09:14,980 --> 00:09:19,779 So we've done this and I can now make the correct arms all four of them 110 00:09:19,779 --> 00:12:35,700 [piano] 111 00:12:35,700 --> 00:14:05,700 [Marble Machine X testing] 112 00:14:06,310 --> 00:14:12,869 The cyber capos, everyone. I love this. This is only a prototype because the linear bearings are too short 113 00:14:12,870 --> 00:14:15,450 I can't really play the high notes with the system, 114 00:14:15,730 --> 00:14:23,010 but I wanted to show you all these sketches from the team, because behind the scenes we have been working hard on a more complicated 115 00:14:23,230 --> 00:14:31,050 version with an on and off systems you could click the capos up and down to have them go on and off the strings and 116 00:14:31,300 --> 00:14:36,180 In the end I think we actually didn't reach a good solution, 117 00:14:36,180 --> 00:14:39,960 so I decided to try a simplified prototype. 118 00:14:40,020 --> 00:14:42,680 But I want to give a huge shout out 119 00:14:42,780 --> 00:14:50,240 to the whole fantastic Marble Machine X team for pouring so much love and heart into this design discussion. 120 00:14:50,280 --> 00:14:55,400 Maybe we can solve the on/off in future versions and, as always, I want to say a huge 121 00:14:55,460 --> 00:14:59,340 thanks to all the Wintergatan patrons and Youtube members for 122 00:14:59,470 --> 00:15:06,569 supporting this crazy pipe dream. With the cyber capos we're one step closer to having this machine actually playing some music. 123 00:15:06,670 --> 00:15:10,799 It's getting there. It's taking very much time, but it's getting there. 124 00:15:10,960 --> 00:15:14,489 Thank you so much for watching and see you on the next Wintergatan Wednesdays