[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:00.00,0:00:03.68,Default,,0000,0000,0000,,
Dialogue: 0,0:00:03.68,0:00:05.16,Default,,0000,0000,0000,,CHRIS: Hi, I'm Chris.
Dialogue: 0,0:00:05.16,0:00:08.43,Default,,0000,0000,0000,,I'm an editor and a Blackmagic\Ncertified master trainer.
Dialogue: 0,0:00:08.43,0:00:10.25,Default,,0000,0000,0000,,And in this video,\Nwe're going to look
Dialogue: 0,0:00:10.25,0:00:12.23,Default,,0000,0000,0000,,at some of the effects\Nthat can easily
Dialogue: 0,0:00:12.23,0:00:15.05,Default,,0000,0000,0000,,be achieved in the Edit Page.
Dialogue: 0,0:00:15.05,0:00:18.06,Default,,0000,0000,0000,,I'm just going to start by\Nrestoring a Project Archive.
Dialogue: 0,0:00:18.06,0:00:20.99,Default,,0000,0000,0000,,If you right click in an empty\Nspace in the project manager,
Dialogue: 0,0:00:20.99,0:00:25.28,Default,,0000,0000,0000,,and choose the Restore\NProject Archive option--
Dialogue: 0,0:00:25.28,0:00:29.87,Default,,0000,0000,0000,,If you then navigate to\Nthe Edit Page Effects.dra,
Dialogue: 0,0:00:29.87,0:00:32.66,Default,,0000,0000,0000,,you'll have downloaded from\Nthe website to follow along.
Dialogue: 0,0:00:32.66,0:00:38.03,Default,,0000,0000,0000,,
Dialogue: 0,0:00:38.03,0:00:39.99,Default,,0000,0000,0000,,Once the archive\Nhas been restored,
Dialogue: 0,0:00:39.99,0:00:42.64,Default,,0000,0000,0000,,simply double click\Nit to open it up.
Dialogue: 0,0:00:42.64,0:00:45.98,Default,,0000,0000,0000,,
Dialogue: 0,0:00:45.98,0:00:48.74,Default,,0000,0000,0000,,Here, we've got a project\Nthat's got four simple examples
Dialogue: 0,0:00:48.74,0:00:50.30,Default,,0000,0000,0000,,of a variety of\Ndifferent effects
Dialogue: 0,0:00:50.30,0:00:53.04,Default,,0000,0000,0000,,that you may find useful\Nin your day-to-day work.
Dialogue: 0,0:00:53.04,0:00:55.55,Default,,0000,0000,0000,,I'm going to start by\Njust simply resizing
Dialogue: 0,0:00:55.55,0:00:56.90,Default,,0000,0000,0000,,the interface slightly.
Dialogue: 0,0:00:56.90,0:00:58.40,Default,,0000,0000,0000,,I'm going to hold\Ndown the Shift key
Dialogue: 0,0:00:58.40,0:01:00.41,Default,,0000,0000,0000,,and use the scroll\Nwheel on my mouse
Dialogue: 0,0:01:00.41,0:01:04.85,Default,,0000,0000,0000,,in order to be able to resize\Nthe timeline track height.
Dialogue: 0,0:01:04.85,0:01:08.45,Default,,0000,0000,0000,,Also, it's useful to make sure\Nthat you're in full-extent zoom.
Dialogue: 0,0:01:08.45,0:01:11.00,Default,,0000,0000,0000,,This way, you'll always be\Nable to see the full duration
Dialogue: 0,0:01:11.00,0:01:12.74,Default,,0000,0000,0000,,of your timeline.
Dialogue: 0,0:01:12.74,0:01:15.14,Default,,0000,0000,0000,,As you can see, what\Nwe have here is,
Dialogue: 0,0:01:15.14,0:01:18.47,Default,,0000,0000,0000,,we have a simple opening title\Nfor our Living in the Age
Dialogue: 0,0:01:18.47,0:01:21.29,Default,,0000,0000,0000,,of Airplanes documentary film.
Dialogue: 0,0:01:21.29,0:01:24.86,Default,,0000,0000,0000,,In this case, we've actually\Ngot a fusion title together
Dialogue: 0,0:01:24.86,0:01:27.62,Default,,0000,0000,0000,,with three images, which\Nhave been composited
Dialogue: 0,0:01:27.62,0:01:29.69,Default,,0000,0000,0000,,using a series of mattes.
Dialogue: 0,0:01:29.69,0:01:33.00,Default,,0000,0000,0000,,The mattes can either be a\Nsimple black-and-white image,
Dialogue: 0,0:01:33.00,0:01:36.60,Default,,0000,0000,0000,,or actually have an image that\Nhas a built-in alpha channel.
Dialogue: 0,0:01:36.60,0:01:38.36,Default,,0000,0000,0000,,Either way, you\Ncan use it in order
Dialogue: 0,0:01:38.36,0:01:41.57,Default,,0000,0000,0000,,to be able to put that\Ntexture into the image
Dialogue: 0,0:01:41.57,0:01:43.73,Default,,0000,0000,0000,,that you're using.
Dialogue: 0,0:01:43.73,0:01:46.25,Default,,0000,0000,0000,,So we're actually going\Nto add a separate image
Dialogue: 0,0:01:46.25,0:01:50.60,Default,,0000,0000,0000,,in the bottom right-hand\Nquadrant of the timeline viewer.
Dialogue: 0,0:01:50.60,0:01:54.84,Default,,0000,0000,0000,,So first of all, we need to edit\Nthat image into the timeline.
Dialogue: 0,0:01:54.84,0:01:58.79,Default,,0000,0000,0000,,If you simply right click on any\Nof the timeline track headers
Dialogue: 0,0:01:58.79,0:02:01.85,Default,,0000,0000,0000,,and choose Add Tracks,\Nthis will enable
Dialogue: 0,0:02:01.85,0:02:04.64,Default,,0000,0000,0000,,you to add multiple different\Ntracks for either video
Dialogue: 0,0:02:04.64,0:02:06.93,Default,,0000,0000,0000,,or audio, depending\Non your need.
Dialogue: 0,0:02:06.93,0:02:09.30,Default,,0000,0000,0000,,We only want one video track.
Dialogue: 0,0:02:09.30,0:02:13.58,Default,,0000,0000,0000,,So just change the number\Nof audio tracks to zero.
Dialogue: 0,0:02:13.58,0:02:17.87,Default,,0000,0000,0000,,We also want the track to be\Ninserted at a specific position.
Dialogue: 0,0:02:17.87,0:02:23.75,Default,,0000,0000,0000,,Change the insert position\Nto above Archive 3.
Dialogue: 0,0:02:23.75,0:02:27.56,Default,,0000,0000,0000,,And choose Add Tracks.
Dialogue: 0,0:02:27.56,0:02:30.17,Default,,0000,0000,0000,,This creates a new track in\Nexactly the right position
Dialogue: 0,0:02:30.17,0:02:31.10,Default,,0000,0000,0000,,on the timeline.
Dialogue: 0,0:02:31.10,0:02:32.60,Default,,0000,0000,0000,,And it just means\Nthat we don't have
Dialogue: 0,0:02:32.60,0:02:35.06,Default,,0000,0000,0000,,to move clips up or\Ndown between tracks
Dialogue: 0,0:02:35.06,0:02:39.50,Default,,0000,0000,0000,,in order to position them in\Nthe hierarchy of the timeline.
Dialogue: 0,0:02:39.50,0:02:44.81,Default,,0000,0000,0000,,Select the V5 button in order\Nto target our edit onto the V5
Dialogue: 0,0:02:44.81,0:02:48.17,Default,,0000,0000,0000,,track, and just press X\Nto mark the full duration
Dialogue: 0,0:02:48.17,0:02:50.03,Default,,0000,0000,0000,,of the timeline clips.
Dialogue: 0,0:02:50.03,0:02:53.93,Default,,0000,0000,0000,,In the compositing bin,\Nselect the media bin
Dialogue: 0,0:02:53.93,0:02:57.89,Default,,0000,0000,0000,,and find the clip,\NArchival_Air_Races1.
Dialogue: 0,0:02:57.89,0:03:01.04,Default,,0000,0000,0000,,Double click to load\Nit into the source.
Dialogue: 0,0:03:01.04,0:03:02.93,Default,,0000,0000,0000,,Now, we're actually\Ngoing to do what we call
Dialogue: 0,0:03:02.93,0:03:04.71,Default,,0000,0000,0000,,a fit-to-fill edit for this.
Dialogue: 0,0:03:04.71,0:03:07.49,Default,,0000,0000,0000,,And what will happen is,\NResolve will automatically
Dialogue: 0,0:03:07.49,0:03:10.01,Default,,0000,0000,0000,,adjust the speed of the\Nclip in order to fit in
Dialogue: 0,0:03:10.01,0:03:11.91,Default,,0000,0000,0000,,and the out points\Non the timeline.
Dialogue: 0,0:03:11.91,0:03:13.65,Default,,0000,0000,0000,,Because we're using\Nthe whole clip,
Dialogue: 0,0:03:13.65,0:03:16.19,Default,,0000,0000,0000,,we don't actually need to\Nset any in or out points
Dialogue: 0,0:03:16.19,0:03:17.81,Default,,0000,0000,0000,,on the source viewer.
Dialogue: 0,0:03:17.81,0:03:20.15,Default,,0000,0000,0000,,Simply take the clip\Nfrom the Source Viewer
Dialogue: 0,0:03:20.15,0:03:22.34,Default,,0000,0000,0000,,and drag it across to\Nthe Timeline Viewer,
Dialogue: 0,0:03:22.34,0:03:24.08,Default,,0000,0000,0000,,and choose Fit to Fill.
Dialogue: 0,0:03:24.08,0:03:26.87,Default,,0000,0000,0000,,And the clip is edited\Nat the correct duration
Dialogue: 0,0:03:26.87,0:03:30.08,Default,,0000,0000,0000,,and on the correct\Ntrack in the timeline.
Dialogue: 0,0:03:30.08,0:03:33.53,Default,,0000,0000,0000,,Instead of adding more tracks\Nthan we need to this timeline,
Dialogue: 0,0:03:33.53,0:03:36.17,Default,,0000,0000,0000,,in order to keep it simple,\Nwhat we're going to do is,
Dialogue: 0,0:03:36.17,0:03:40.08,Default,,0000,0000,0000,,we're actually going to convert\Nthis clip into a compound clip.
Dialogue: 0,0:03:40.08,0:03:42.89,Default,,0000,0000,0000,,This means that we can then\Nstep into the compound clip,
Dialogue: 0,0:03:42.89,0:03:47.03,Default,,0000,0000,0000,,and add the elements we need\Nwithout overly complicating
Dialogue: 0,0:03:47.03,0:03:49.43,Default,,0000,0000,0000,,the timeline that\Nwe're working in.
Dialogue: 0,0:03:49.43,0:03:53.99,Default,,0000,0000,0000,,In the Media Pool, select\Nthe Compound Clips Bin.
Dialogue: 0,0:03:53.99,0:03:56.16,Default,,0000,0000,0000,,This means we're going to\Ncreate the compound clip.
Dialogue: 0,0:03:56.16,0:03:58.28,Default,,0000,0000,0000,,It's going to go into\Nthis bin, along with all
Dialogue: 0,0:03:58.28,0:04:01.04,Default,,0000,0000,0000,,the other compound\Nclips for this project.
Dialogue: 0,0:04:01.04,0:04:04.82,Default,,0000,0000,0000,,In the timeline, right click\Nthe clip on the V5 track,
Dialogue: 0,0:04:04.82,0:04:06.86,Default,,0000,0000,0000,,and choose New Compound Clip.
Dialogue: 0,0:04:06.86,0:04:09.50,Default,,0000,0000,0000,,
Dialogue: 0,0:04:09.50,0:04:13.01,Default,,0000,0000,0000,,Name this Archive 4.
Dialogue: 0,0:04:13.01,0:04:15.14,Default,,0000,0000,0000,,Click Create.
Dialogue: 0,0:04:15.14,0:04:17.73,Default,,0000,0000,0000,,By placing this clip\Nin a compound clip,
Dialogue: 0,0:04:17.73,0:04:20.84,Default,,0000,0000,0000,,we can now open the compound\Nclip in its own timeline.
Dialogue: 0,0:04:20.84,0:04:25.76,Default,,0000,0000,0000,,From the Timeline View\NOptions pop-up menu,
Dialogue: 0,0:04:25.76,0:04:28.77,Default,,0000,0000,0000,,Enable Stacked Timelines.
Dialogue: 0,0:04:28.77,0:04:31.67,Default,,0000,0000,0000,,
Dialogue: 0,0:04:31.67,0:04:35.93,Default,,0000,0000,0000,,Then right click Archive\N4 in the timeline,
Dialogue: 0,0:04:35.93,0:04:39.83,Default,,0000,0000,0000,,and choose Open In Timeline.
Dialogue: 0,0:04:39.83,0:04:42.56,Default,,0000,0000,0000,,The compound clip is now\Nopened in a separate tab
Dialogue: 0,0:04:42.56,0:04:45.11,Default,,0000,0000,0000,,in its own timeline,\Nnext to the main timeline
Dialogue: 0,0:04:45.11,0:04:46.23,Default,,0000,0000,0000,,that we're working in.
Dialogue: 0,0:04:46.23,0:04:48.23,Default,,0000,0000,0000,,This means it's just\Nan easy way that we
Dialogue: 0,0:04:48.23,0:04:52.22,Default,,0000,0000,0000,,can switch back and forth\Nbetween the different timelines.
Dialogue: 0,0:04:52.22,0:04:55.10,Default,,0000,0000,0000,,We now need to add the\Nmatte to this compound clip.
Dialogue: 0,0:04:55.10,0:04:58.58,Default,,0000,0000,0000,,To do that, we need to create\Na new video track below the one
Dialogue: 0,0:04:58.58,0:05:00.20,Default,,0000,0000,0000,,that we've currently got.
Dialogue: 0,0:05:00.20,0:05:03.71,Default,,0000,0000,0000,,So right click,\NChoose Add Tracks.
Dialogue: 0,0:05:03.71,0:05:06.95,Default,,0000,0000,0000,,Change the number of\Naudio tracks to zero,
Dialogue: 0,0:05:06.95,0:05:11.60,Default,,0000,0000,0000,,and the insert position for the\Nvideo track below first track.
Dialogue: 0,0:05:11.60,0:05:14.78,Default,,0000,0000,0000,,Click Add Tracks.
Dialogue: 0,0:05:14.78,0:05:20.78,Default,,0000,0000,0000,,From the mattes bin,\Nselect Matte 4A.
Dialogue: 0,0:05:20.78,0:05:23.06,Default,,0000,0000,0000,,The other three mattes that\Nare used in this project
Dialogue: 0,0:05:23.06,0:05:25.95,Default,,0000,0000,0000,,are actually just simple\Nblack-and-white images.
Dialogue: 0,0:05:25.95,0:05:28.01,Default,,0000,0000,0000,,And they're labeled Luma.
Dialogue: 0,0:05:28.01,0:05:30.50,Default,,0000,0000,0000,,When we composite this\Nimage, we will actually
Dialogue: 0,0:05:30.50,0:05:33.81,Default,,0000,0000,0000,,set the composite mode\Nfor this clip to be alpha.
Dialogue: 0,0:05:33.81,0:05:36.54,Default,,0000,0000,0000,,If you're working with a\Nsimple black-and-white image,
Dialogue: 0,0:05:36.54,0:05:38.72,Default,,0000,0000,0000,,you just set it to Luma.
Dialogue: 0,0:05:38.72,0:05:40.94,Default,,0000,0000,0000,,Open that clip in\Nthe Source Viewer.
Dialogue: 0,0:05:40.94,0:05:44.89,Default,,0000,0000,0000,,And then edit it into\Nthe Video track 1.
Dialogue: 0,0:05:44.89,0:05:46.89,Default,,0000,0000,0000,,You might just need to\Ntrim the clip at the end,
Dialogue: 0,0:05:46.89,0:05:51.56,Default,,0000,0000,0000,,just so that it lines up with\Nthe end of our archive shot.
Dialogue: 0,0:05:51.56,0:05:56.69,Default,,0000,0000,0000,,Now select the alpha\Nclip on track 1.
Dialogue: 0,0:05:56.69,0:06:00.59,Default,,0000,0000,0000,,Open up the Inspector,\Nand scroll down
Dialogue: 0,0:06:00.59,0:06:02.87,Default,,0000,0000,0000,,to the composite area.
Dialogue: 0,0:06:02.87,0:06:10.55,Default,,0000,0000,0000,,Change the composite mode\Nfrom normal to alpha.
Dialogue: 0,0:06:10.55,0:06:12.95,Default,,0000,0000,0000,,That's told Resolve\Nthat we now want to use
Dialogue: 0,0:06:12.95,0:06:17.00,Default,,0000,0000,0000,,that matte as an alpha matte.
Dialogue: 0,0:06:17.00,0:06:19.31,Default,,0000,0000,0000,,Select the clip on\Nthe video 2 track,
Dialogue: 0,0:06:19.31,0:06:22.26,Default,,0000,0000,0000,,and in the Inspector\NComposite Controls,
Dialogue: 0,0:06:22.26,0:06:29.39,Default,,0000,0000,0000,,change the composite\Nmode to foreground.
Dialogue: 0,0:06:29.39,0:06:31.91,Default,,0000,0000,0000,,As you can see, the\Nvideo image is now
Dialogue: 0,0:06:31.91,0:06:34.13,Default,,0000,0000,0000,,using the underlying\Nmatte in order
Dialogue: 0,0:06:34.13,0:06:37.34,Default,,0000,0000,0000,,to be able to create a much\Nmore interesting frame.
Dialogue: 0,0:06:37.34,0:06:41.31,Default,,0000,0000,0000,,If we now switch back to our\NTitle Composite Timeline,
Dialogue: 0,0:06:41.31,0:06:43.85,Default,,0000,0000,0000,,you can see just how\Nthat image is now being
Dialogue: 0,0:06:43.85,0:06:46.16,Default,,0000,0000,0000,,composited onto the background.
Dialogue: 0,0:06:46.16,0:06:48.48,Default,,0000,0000,0000,,At the moment, it's still\Nlooking a little big.
Dialogue: 0,0:06:48.48,0:06:50.96,Default,,0000,0000,0000,,So we just need to use the\Ntransform controls in order
Dialogue: 0,0:06:50.96,0:06:54.41,Default,,0000,0000,0000,,to be able to resize\Nit and reposition it.
Dialogue: 0,0:06:54.41,0:06:57.72,Default,,0000,0000,0000,,Make sure you select\NArchive 4 in the timeline.
Dialogue: 0,0:06:57.72,0:07:03.56,Default,,0000,0000,0000,,Then, from on-screen controls,\Nenable the Transform.
Dialogue: 0,0:07:03.56,0:07:05.70,Default,,0000,0000,0000,,Using on-screen\Ntransform controls,
Dialogue: 0,0:07:05.70,0:07:09.96,Default,,0000,0000,0000,,simply resize the image, and\Njust move it into position.
Dialogue: 0,0:07:09.96,0:07:16.01,Default,,0000,0000,0000,,
Dialogue: 0,0:07:16.01,0:07:17.84,Default,,0000,0000,0000,,Once you're happy\Nwith the position
Dialogue: 0,0:07:17.84,0:07:23.33,Default,,0000,0000,0000,,of your composited image, turn\Noff your on-screen controls,
Dialogue: 0,0:07:23.33,0:07:27.60,Default,,0000,0000,0000,,allow the composite to cache,\Nand then play back the opening.
Dialogue: 0,0:07:27.60,0:07:31.28,Default,,0000,0000,0000,,
Dialogue: 0,0:07:31.28,0:07:34.13,Default,,0000,0000,0000,,This is just one example of\Nsome of the compositing features
Dialogue: 0,0:07:34.13,0:07:36.42,Default,,0000,0000,0000,,that we have available\Nto us in the Edit Page.
Dialogue: 0,0:07:36.42,0:07:40.49,Default,,0000,0000,0000,,But we can do far more with some\Nof the built-in resolve effects.
Dialogue: 0,0:07:40.49,0:07:42.29,Default,,0000,0000,0000,,In this case, we're\Nactually going
Dialogue: 0,0:07:42.29,0:07:44.18,Default,,0000,0000,0000,,to configure the interface.
Dialogue: 0,0:07:44.18,0:07:47.69,Default,,0000,0000,0000,,First of all, close\Ndown your Media Pool.
Dialogue: 0,0:07:47.69,0:07:49.84,Default,,0000,0000,0000,,Open up your Effects Library.
Dialogue: 0,0:07:49.84,0:07:53.35,Default,,0000,0000,0000,,And just make sure that\Nyour Effects Library is in
Dialogue: 0,0:07:53.35,0:07:56.02,Default,,0000,0000,0000,,expand mode.
Dialogue: 0,0:07:56.02,0:07:58.57,Default,,0000,0000,0000,,With the Inspector\Nopen, also, make
Dialogue: 0,0:07:58.57,0:08:00.97,Default,,0000,0000,0000,,sure the Inspector\Nis in expand mode.
Dialogue: 0,0:08:00.97,0:08:06.13,Default,,0000,0000,0000,,This way, it's easy for\Nus to locate the effects
Dialogue: 0,0:08:06.13,0:08:08.54,Default,,0000,0000,0000,,that we need in the\NEffects Library List.
Dialogue: 0,0:08:08.54,0:08:11.52,Default,,0000,0000,0000,,And also we've got\Na larger inspector.
Dialogue: 0,0:08:11.52,0:08:12.94,Default,,0000,0000,0000,,So we don't have\Nto keep scrolling
Dialogue: 0,0:08:12.94,0:08:16.24,Default,,0000,0000,0000,,up and down the controls.
Dialogue: 0,0:08:16.24,0:08:17.98,Default,,0000,0000,0000,,Select the timeline\Nto make sure you're
Dialogue: 0,0:08:17.98,0:08:19.78,Default,,0000,0000,0000,,looking at the Timeline Viewer.
Dialogue: 0,0:08:19.78,0:08:26.29,Default,,0000,0000,0000,,And from the Options menu,\Nchoose Timeline Sort Order
Dialogue: 0,0:08:26.29,0:08:28.69,Default,,0000,0000,0000,,Alphabetical.
Dialogue: 0,0:08:28.69,0:08:32.27,Default,,0000,0000,0000,,Then, from the\NTimeline pop-up menu,
Dialogue: 0,0:08:32.27,0:08:34.27,Default,,0000,0000,0000,,you can choose the\Nappropriate timeline
Dialogue: 0,0:08:34.27,0:08:36.49,Default,,0000,0000,0000,,from the alphabetical order.
Dialogue: 0,0:08:36.49,0:08:38.59,Default,,0000,0000,0000,,The default for\Nthis timeline list
Dialogue: 0,0:08:38.59,0:08:41.41,Default,,0000,0000,0000,,is actually to display the\Ntimelines at the top of the list
Dialogue: 0,0:08:41.41,0:08:43.07,Default,,0000,0000,0000,,that you've used most recently.
Dialogue: 0,0:08:43.07,0:08:45.91,Default,,0000,0000,0000,,However, in this case, it's\Nactually more appropriate
Dialogue: 0,0:08:45.91,0:08:48.73,Default,,0000,0000,0000,,that we actually find the\Ntimeline by the name, hence
Dialogue: 0,0:08:48.73,0:08:52.63,Default,,0000,0000,0000,,the reason why we need to\Norganize it alphabetically.
Dialogue: 0,0:08:52.63,0:08:56.98,Default,,0000,0000,0000,,Choose the 3D Keyer Timeline.
Dialogue: 0,0:08:56.98,0:09:00.16,Default,,0000,0000,0000,,This is an example of a task\Nthat many editors are required
Dialogue: 0,0:09:00.16,0:09:02.40,Default,,0000,0000,0000,,to perform, a green-screen key.
Dialogue: 0,0:09:02.40,0:09:05.95,Default,,0000,0000,0000,,
Dialogue: 0,0:09:05.95,0:09:10.48,Default,,0000,0000,0000,,Select the clip on the timeline,\Nand from the list in the Effects
Dialogue: 0,0:09:10.48,0:09:12.96,Default,,0000,0000,0000,,Library, select your filters.
Dialogue: 0,0:09:12.96,0:09:15.49,Default,,0000,0000,0000,,
Dialogue: 0,0:09:15.49,0:09:17.74,Default,,0000,0000,0000,,Scroll through the\Nlist of effects
Dialogue: 0,0:09:17.74,0:09:21.25,Default,,0000,0000,0000,,to find the Resolve\NEffects Key category.
Dialogue: 0,0:09:21.25,0:09:25.15,Default,,0000,0000,0000,,The 3D Keyer is actually the\Nsame keyer that you may use
Dialogue: 0,0:09:25.15,0:09:29.26,Default,,0000,0000,0000,,in the Color Page to do\Nsome keying previously.
Dialogue: 0,0:09:29.26,0:09:30.88,Default,,0000,0000,0000,,Select the 3D Keyer.
Dialogue: 0,0:09:30.88,0:09:32.98,Default,,0000,0000,0000,,And double click\Nit in order to be
Dialogue: 0,0:09:32.98,0:09:35.95,Default,,0000,0000,0000,,able to add the keyer to\Nthe clip in the timeline.
Dialogue: 0,0:09:35.95,0:09:38.53,Default,,0000,0000,0000,,You can tell that the clip\Nnow has the effect on it
Dialogue: 0,0:09:38.53,0:09:42.31,Default,,0000,0000,0000,,from the little FX badge in\Nthe bottom left-hand corner.
Dialogue: 0,0:09:42.31,0:09:46.75,Default,,0000,0000,0000,,In the inspector, switch\Nto the Effects tab.
Dialogue: 0,0:09:46.75,0:09:48.49,Default,,0000,0000,0000,,The first thing\Nthat we need to do
Dialogue: 0,0:09:48.49,0:09:51.62,Default,,0000,0000,0000,,is actually sample the\Ngreen screen for removal.
Dialogue: 0,0:09:51.62,0:09:55.99,Default,,0000,0000,0000,,First of all, we need to come\Nto our Open Effects Overlay
Dialogue: 0,0:09:55.99,0:09:58.84,Default,,0000,0000,0000,,on-screen controls.
Dialogue: 0,0:09:58.84,0:10:02.95,Default,,0000,0000,0000,,Then click and hold the\Nmouse, and draw a line
Dialogue: 0,0:10:02.95,0:10:06.73,Default,,0000,0000,0000,,across the area of green\Nthat you want to sample.
Dialogue: 0,0:10:06.73,0:10:10.34,Default,,0000,0000,0000,,Instant results--\Nwell, not exactly.
Dialogue: 0,0:10:10.34,0:10:13.54,Default,,0000,0000,0000,,In this case, there is actually\Na little bit of green fringing
Dialogue: 0,0:10:13.54,0:10:16.34,Default,,0000,0000,0000,,that hasn't been picked\Nup in that initial sample.
Dialogue: 0,0:10:16.34,0:10:17.62,Default,,0000,0000,0000,,But not to worry.
Dialogue: 0,0:10:17.62,0:10:19.57,Default,,0000,0000,0000,,If I just come back\Ninto this image
Dialogue: 0,0:10:19.57,0:10:23.33,Default,,0000,0000,0000,,here, and click and drag on\Nthe edge, near that fringing,
Dialogue: 0,0:10:23.33,0:10:26.47,Default,,0000,0000,0000,,you can see I can remove a\Nlittle bit more of the green.
Dialogue: 0,0:10:26.47,0:10:28.85,Default,,0000,0000,0000,,Also, on the edge\Nof the image here,
Dialogue: 0,0:10:28.85,0:10:31.13,Default,,0000,0000,0000,,there's a little bit of\Nfringing that I can see.
Dialogue: 0,0:10:31.13,0:10:34.40,Default,,0000,0000,0000,,So again, I'll just make\Nanother selection there.
Dialogue: 0,0:10:34.40,0:10:37.12,Default,,0000,0000,0000,,And that certainly got\Nrid of most of the green
Dialogue: 0,0:10:37.12,0:10:38.18,Default,,0000,0000,0000,,within the image.
Dialogue: 0,0:10:38.18,0:10:41.26,Default,,0000,0000,0000,,And I can now see the\Nbackground plate underneath,
Dialogue: 0,0:10:41.26,0:10:42.80,Default,,0000,0000,0000,,where I can see the planet.
Dialogue: 0,0:10:42.80,0:10:46.15,Default,,0000,0000,0000,,We can still refine\Nthis even more.
Dialogue: 0,0:10:46.15,0:10:49.45,Default,,0000,0000,0000,,In the Inspector, find\Nthe Output Controls
Dialogue: 0,0:10:49.45,0:10:53.29,Default,,0000,0000,0000,,and change the Output pop-up\Nmenu from final composite
Dialogue: 0,0:10:53.29,0:10:57.97,Default,,0000,0000,0000,,to Alpha Highlight\NBlack-and-White.
Dialogue: 0,0:10:57.97,0:11:01.61,Default,,0000,0000,0000,,This actually shows us which\Nareas of the image are solid,
Dialogue: 0,0:11:01.61,0:11:05.50,Default,,0000,0000,0000,,which are represented in white,\Nand which areas are transparent,
Dialogue: 0,0:11:05.50,0:11:06.88,Default,,0000,0000,0000,,represented in black.
Dialogue: 0,0:11:06.88,0:11:09.34,Default,,0000,0000,0000,,You can see, I've still got a\Nlittle bit of fringing around
Dialogue: 0,0:11:09.34,0:11:11.17,Default,,0000,0000,0000,,the edge of the window.
Dialogue: 0,0:11:11.17,0:11:14.56,Default,,0000,0000,0000,,In the Inspector, I can use\Nthe Matte Finesse Controls
Dialogue: 0,0:11:14.56,0:11:16.69,Default,,0000,0000,0000,,in order to be able\Nto first of all, clean
Dialogue: 0,0:11:16.69,0:11:20.77,Default,,0000,0000,0000,,the black part of the matte,\Nand then the white part,
Dialogue: 0,0:11:20.77,0:11:24.46,Default,,0000,0000,0000,,just to help clean up\Nthat matte a little bit.
Dialogue: 0,0:11:24.46,0:11:26.71,Default,,0000,0000,0000,,As you can see, there\Nare many more controls
Dialogue: 0,0:11:26.71,0:11:29.12,Default,,0000,0000,0000,,for finessing your\Nmatte, but in this case,
Dialogue: 0,0:11:29.12,0:11:31.54,Default,,0000,0000,0000,,a simple tweak is all we need.
Dialogue: 0,0:11:31.54,0:11:36.07,Default,,0000,0000,0000,,Change the Output pop-up\Nmenu back to final composite.
Dialogue: 0,0:11:36.07,0:11:42.49,Default,,0000,0000,0000,,And then disable your Open\NEffects on-screen controls.
Dialogue: 0,0:11:42.49,0:11:44.35,Default,,0000,0000,0000,,Scrub through the shot?
Dialogue: 0,0:11:44.35,0:11:48.25,Default,,0000,0000,0000,,Yes, we've got something\Nthat's kind of working.
Dialogue: 0,0:11:48.25,0:11:52.58,Default,,0000,0000,0000,,However, there's a lot of\Ngreen spill in this shot.
Dialogue: 0,0:11:52.58,0:11:54.64,Default,,0000,0000,0000,,The reflection of\Nthe green screen
Dialogue: 0,0:11:54.64,0:11:57.47,Default,,0000,0000,0000,,is actually being reflected\Nin the guy's uniform,
Dialogue: 0,0:11:57.47,0:11:59.62,Default,,0000,0000,0000,,and also in his skin tones.
Dialogue: 0,0:11:59.62,0:12:03.91,Default,,0000,0000,0000,,Thankfully, the 3D Keyer\Nactually has a simple control
Dialogue: 0,0:12:03.91,0:12:06.77,Default,,0000,0000,0000,,in order to be able to\Neliminate spill like this.
Dialogue: 0,0:12:06.77,0:12:08.92,Default,,0000,0000,0000,,Simply come up to\Nthe Keyer Options,
Dialogue: 0,0:12:08.92,0:12:12.04,Default,,0000,0000,0000,,and check the Despill box.
Dialogue: 0,0:12:12.04,0:12:13.65,Default,,0000,0000,0000,,That's cleaned up\Nthat image nicely.
Dialogue: 0,0:12:13.65,0:12:16.30,Default,,0000,0000,0000,,
Dialogue: 0,0:12:16.30,0:12:18.79,Default,,0000,0000,0000,,Simple compositing\Ntasks like this
Dialogue: 0,0:12:18.79,0:12:20.62,Default,,0000,0000,0000,,are often things that\Nmany editors need
Dialogue: 0,0:12:20.62,0:12:22.43,Default,,0000,0000,0000,,to do on a day-to-day basis.
Dialogue: 0,0:12:22.43,0:12:24.58,Default,,0000,0000,0000,,Another thing that\Nwe're often asked to do
Dialogue: 0,0:12:24.58,0:12:27.31,Default,,0000,0000,0000,,is sometimes to be able\Nto replace a screen that
Dialogue: 0,0:12:27.31,0:12:28.60,Default,,0000,0000,0000,,might be at an angle.
Dialogue: 0,0:12:28.60,0:12:31.01,Default,,0000,0000,0000,,From the Timeline\NViewer pop-up menu,
Dialogue: 0,0:12:31.01,0:12:33.82,Default,,0000,0000,0000,,choose the Transform Timeline.
Dialogue: 0,0:12:33.82,0:12:37.84,Default,,0000,0000,0000,,This is a short scene of the\Nowner of the Citizen Chain
Dialogue: 0,0:12:37.84,0:12:40.46,Default,,0000,0000,0000,,Cyclery arriving for work.
Dialogue: 0,0:12:40.46,0:12:44.02,Default,,0000,0000,0000,,And in this case, we've got the\NCitizen Chain logo composited
Dialogue: 0,0:12:44.02,0:12:45.70,Default,,0000,0000,0000,,over the opening shot.
Dialogue: 0,0:12:45.70,0:12:48.67,Default,,0000,0000,0000,,What we want to be able to do\Nhere, is to actually composite
Dialogue: 0,0:12:48.67,0:12:53.06,Default,,0000,0000,0000,,the Citizen Chain logo into\Nthe window of the shop,
Dialogue: 0,0:12:53.06,0:12:55.69,Default,,0000,0000,0000,,using the new Transform effect.
Dialogue: 0,0:12:55.69,0:12:59.74,Default,,0000,0000,0000,,Simply select the Citizen Chain\NLogo Graphic on the timeline.
Dialogue: 0,0:12:59.74,0:13:02.42,Default,,0000,0000,0000,,And then from your\NEffects library,
Dialogue: 0,0:13:02.42,0:13:07.63,Default,,0000,0000,0000,,scroll down until you find\Nthe Resolve Effects Transform
Dialogue: 0,0:13:07.63,0:13:10.33,Default,,0000,0000,0000,,category.
Dialogue: 0,0:13:10.33,0:13:12.46,Default,,0000,0000,0000,,Double click the\NTransform Effect.
Dialogue: 0,0:13:12.46,0:13:17.26,Default,,0000,0000,0000,,And then access the Effects\Ntab in the Inspector.
Dialogue: 0,0:13:17.26,0:13:20.23,Default,,0000,0000,0000,,At first glance, it might appear\Nthat this effect has simply
Dialogue: 0,0:13:20.23,0:13:21.97,Default,,0000,0000,0000,,replicated some of\Nthe controls you
Dialogue: 0,0:13:21.97,0:13:24.86,Default,,0000,0000,0000,,may be familiar with\Nin the Video Inspector.
Dialogue: 0,0:13:24.86,0:13:27.28,Default,,0000,0000,0000,,However, there are a\Nnumber of different modes
Dialogue: 0,0:13:27.28,0:13:31.06,Default,,0000,0000,0000,,in which you can\Nactually use this effect.
Dialogue: 0,0:13:31.06,0:13:36.70,Default,,0000,0000,0000,,Re-enable your Effect\NOverlays on-screen controls.
Dialogue: 0,0:13:36.70,0:13:39.61,Default,,0000,0000,0000,,And change the control mode\Nfor the Transform Effect
Dialogue: 0,0:13:39.61,0:13:42.28,Default,,0000,0000,0000,,from Sliders to\NInteractive Canvas.
Dialogue: 0,0:13:42.28,0:13:45.34,Default,,0000,0000,0000,,
Dialogue: 0,0:13:45.34,0:13:47.89,Default,,0000,0000,0000,,You're now presented with a\Ngrid, which you can actually
Dialogue: 0,0:13:47.89,0:13:52.45,Default,,0000,0000,0000,,use in order to be able to\Ntwist and distort this graphic.
Dialogue: 0,0:13:52.45,0:13:55.37,Default,,0000,0000,0000,,Using the corner\Nquadrants of the grid,
Dialogue: 0,0:13:55.37,0:13:59.32,Default,,0000,0000,0000,,simply click and drag\Non-screen controls in order
Dialogue: 0,0:13:59.32,0:14:02.47,Default,,0000,0000,0000,,to be able to position\Nthe corners of the graphic
Dialogue: 0,0:14:02.47,0:14:04.14,Default,,0000,0000,0000,,into the corners of the window.
Dialogue: 0,0:14:04.14,0:14:08.86,Default,,0000,0000,0000,,
Dialogue: 0,0:14:08.86,0:14:10.79,Default,,0000,0000,0000,,Try and get it as\Nclose as possible,
Dialogue: 0,0:14:10.79,0:14:13.27,Default,,0000,0000,0000,,but don't worry too\Nmuch if you can't.
Dialogue: 0,0:14:13.27,0:14:15.13,Default,,0000,0000,0000,,Don't forget, though,\Nyou can always
Dialogue: 0,0:14:15.13,0:14:17.68,Default,,0000,0000,0000,,zoom in, using the scroll\Nwheel on your mouse.
Dialogue: 0,0:14:17.68,0:14:19.85,Default,,0000,0000,0000,,And holding down the\Nmiddle mouse button,
Dialogue: 0,0:14:19.85,0:14:25.39,Default,,0000,0000,0000,,you can always change the pan\Nof the image within the viewer.
Dialogue: 0,0:14:25.39,0:14:27.64,Default,,0000,0000,0000,,When you're finished,\Nsimply press Z
Dialogue: 0,0:14:27.64,0:14:31.58,Default,,0000,0000,0000,,in order to be able to fit the\Nimage back into the viewer.
Dialogue: 0,0:14:31.58,0:14:34.46,Default,,0000,0000,0000,,Turn off on-screen\Ncontrols in order
Dialogue: 0,0:14:34.46,0:14:37.61,Default,,0000,0000,0000,,to be able to see\Nthe composited image.
Dialogue: 0,0:14:37.61,0:14:40.10,Default,,0000,0000,0000,,We can actually use\NComposite Modes in order
Dialogue: 0,0:14:40.10,0:14:42.02,Default,,0000,0000,0000,,to help this image\Nblend a little bit more
Dialogue: 0,0:14:42.02,0:14:44.45,Default,,0000,0000,0000,,naturally into the background.
Dialogue: 0,0:14:44.45,0:14:48.05,Default,,0000,0000,0000,,In the Inspector,\Ngo to the Video tab.
Dialogue: 0,0:14:48.05,0:14:51.30,Default,,0000,0000,0000,,And from the Composite section,\Nchange the Composite Mode.
Dialogue: 0,0:14:51.30,0:14:57.11,Default,,0000,0000,0000,,
Dialogue: 0,0:14:57.11,0:14:59.45,Default,,0000,0000,0000,,You could also play\Nwith the opacity,
Dialogue: 0,0:14:59.45,0:15:01.88,Default,,0000,0000,0000,,as well, to make it\Na little less obvious
Dialogue: 0,0:15:01.88,0:15:04.22,Default,,0000,0000,0000,,that that graphic is there.
Dialogue: 0,0:15:04.22,0:15:05.64,Default,,0000,0000,0000,,This is all very well.
Dialogue: 0,0:15:05.64,0:15:07.50,Default,,0000,0000,0000,,We're helping to\Nsell that image.
Dialogue: 0,0:15:07.50,0:15:11.24,Default,,0000,0000,0000,,But this is always on the\Nfirst frame of the shot.
Dialogue: 0,0:15:11.24,0:15:14.01,Default,,0000,0000,0000,,If I actually play\Nthis timeline now,
Dialogue: 0,0:15:14.01,0:15:16.52,Default,,0000,0000,0000,,you can see that the\Ncamera movement actually
Dialogue: 0,0:15:16.52,0:15:19.28,Default,,0000,0000,0000,,shows up the fact that\Nthis image isn't actually
Dialogue: 0,0:15:19.28,0:15:21.86,Default,,0000,0000,0000,,part of that window.
Dialogue: 0,0:15:21.86,0:15:23.42,Default,,0000,0000,0000,,Now, the Edit page\Ndoesn't actually
Dialogue: 0,0:15:23.42,0:15:25.46,Default,,0000,0000,0000,,have the advanced\Ntracking functions
Dialogue: 0,0:15:25.46,0:15:27.45,Default,,0000,0000,0000,,that you would find\Nin the Fusion page,
Dialogue: 0,0:15:27.45,0:15:29.80,Default,,0000,0000,0000,,but many editors\Nare often happier
Dialogue: 0,0:15:29.80,0:15:32.14,Default,,0000,0000,0000,,about putting in some\Nkeyframes in order
Dialogue: 0,0:15:32.14,0:15:34.94,Default,,0000,0000,0000,,to be able to manually follow\Nthe movement of the camera,
Dialogue: 0,0:15:34.94,0:15:38.44,Default,,0000,0000,0000,,particularly if that camera\Nmovement is smooth enough.
Dialogue: 0,0:15:38.44,0:15:40.93,Default,,0000,0000,0000,,If I return the playhead\Nback to the beginning
Dialogue: 0,0:15:40.93,0:15:43.51,Default,,0000,0000,0000,,of this clip in the\Ntimeline and return
Dialogue: 0,0:15:43.51,0:15:46.39,Default,,0000,0000,0000,,to the Effects tab\Nof the Inspector,
Dialogue: 0,0:15:46.39,0:15:52.01,Default,,0000,0000,0000,,under the Control Options, I've\Ngot the Control Canvas Keyframe.
Dialogue: 0,0:15:52.01,0:15:56.14,Default,,0000,0000,0000,,And I'm just going to simply add\Na keyframe at the first frame
Dialogue: 0,0:15:56.14,0:15:57.67,Default,,0000,0000,0000,,of this clip.
Dialogue: 0,0:15:57.67,0:15:59.71,Default,,0000,0000,0000,,I'm going to use\Nthe down-arrow key
Dialogue: 0,0:15:59.71,0:16:02.03,Default,,0000,0000,0000,,to jump to the next edit point.
Dialogue: 0,0:16:02.03,0:16:05.90,Default,,0000,0000,0000,,But I actually need to see the\Nlast frame of this graphic.
Dialogue: 0,0:16:05.90,0:16:08.11,Default,,0000,0000,0000,,So I'm going to\Ncome one frame back.
Dialogue: 0,0:16:08.11,0:16:11.90,Default,,0000,0000,0000,,And now, if I re-enable\Non-screen controls,
Dialogue: 0,0:16:11.90,0:16:17.14,Default,,0000,0000,0000,,I can now change the position\Nof each of those corner points.
Dialogue: 0,0:16:17.14,0:16:19.81,Default,,0000,0000,0000,,And what this will do\Nis, it will actually
Dialogue: 0,0:16:19.81,0:16:24.49,Default,,0000,0000,0000,,record the changes in a\Nnew keyframe automatically.
Dialogue: 0,0:16:24.49,0:16:27.34,Default,,0000,0000,0000,,Disable your on-screen\Neffects, return the playhead
Dialogue: 0,0:16:27.34,0:16:30.21,Default,,0000,0000,0000,,to the beginning of the\Ntimeline, and play back.
Dialogue: 0,0:16:30.21,0:16:34.72,Default,,0000,0000,0000,,
Dialogue: 0,0:16:34.72,0:16:37.27,Default,,0000,0000,0000,,It's simple compositing\Ntasks like this
Dialogue: 0,0:16:37.27,0:16:39.64,Default,,0000,0000,0000,,that as editors, we\Noften need to accomplish
Dialogue: 0,0:16:39.64,0:16:41.21,Default,,0000,0000,0000,,on a day-to-day basis.
Dialogue: 0,0:16:41.21,0:16:43.27,Default,,0000,0000,0000,,Now, it doesn't\Nnecessarily mean that this
Dialogue: 0,0:16:43.27,0:16:44.75,Default,,0000,0000,0000,,will be the finished effect.
Dialogue: 0,0:16:44.75,0:16:47.47,Default,,0000,0000,0000,,Sometimes all we need\Nto do is put together
Dialogue: 0,0:16:47.47,0:16:49.67,Default,,0000,0000,0000,,a rough approximation\Nof the effect,
Dialogue: 0,0:16:49.67,0:16:51.46,Default,,0000,0000,0000,,just so that the\Ndirector understands
Dialogue: 0,0:16:51.46,0:16:54.46,Default,,0000,0000,0000,,how the shot will work when you\Nhand it off to a visual effects
Dialogue: 0,0:16:54.46,0:16:56.17,Default,,0000,0000,0000,,artist.
Dialogue: 0,0:16:56.17,0:16:58.06,Default,,0000,0000,0000,,The next example\Nwe're going to look at
Dialogue: 0,0:16:58.06,0:17:01.78,Default,,0000,0000,0000,,is the new Video Collage Effect.
Dialogue: 0,0:17:01.78,0:17:03.89,Default,,0000,0000,0000,,From the Timeline\NViewer pop-up menu,
Dialogue: 0,0:17:03.89,0:17:08.53,Default,,0000,0000,0000,,choose the Video\NCollage Background.
Dialogue: 0,0:17:08.53,0:17:10.39,Default,,0000,0000,0000,,We actually have\Na timeline that's
Dialogue: 0,0:17:10.39,0:17:13.97,Default,,0000,0000,0000,,got four clips, all stacked\Non top of each other.
Dialogue: 0,0:17:13.97,0:17:16.03,Default,,0000,0000,0000,,You'll notice that\Nthree of those tracks
Dialogue: 0,0:17:16.03,0:17:17.68,Default,,0000,0000,0000,,are already disabled.
Dialogue: 0,0:17:17.68,0:17:20.27,Default,,0000,0000,0000,,The image in the first\Ntrack is of Chris Lang,
Dialogue: 0,0:17:20.27,0:17:22.72,Default,,0000,0000,0000,,who's the owner of the\NOrgan Mountain Outfitters
Dialogue: 0,0:17:22.72,0:17:24.07,Default,,0000,0000,0000,,chain of stores.
Dialogue: 0,0:17:24.07,0:17:27.08,Default,,0000,0000,0000,,If we enable the clips\Non video track 2,
Dialogue: 0,0:17:27.08,0:17:29.77,Default,,0000,0000,0000,,you can see that we have\Nan image of a girl walking
Dialogue: 0,0:17:29.77,0:17:31.90,Default,,0000,0000,0000,,through a canyon.
Dialogue: 0,0:17:31.90,0:17:36.76,Default,,0000,0000,0000,,On V3, we actually have a\Nwide shot of a mountain.
Dialogue: 0,0:17:36.76,0:17:41.44,Default,,0000,0000,0000,,And on V4, we actually have\Nthis rather wonderful image
Dialogue: 0,0:17:41.44,0:17:44.35,Default,,0000,0000,0000,,of Organ Mountain\Nfrom the distance.
Dialogue: 0,0:17:44.35,0:17:46.69,Default,,0000,0000,0000,,Now, we actually want to\Nuse this topmost image
Dialogue: 0,0:17:46.69,0:17:47.87,Default,,0000,0000,0000,,as the background.
Dialogue: 0,0:17:47.87,0:17:51.22,Default,,0000,0000,0000,,And in traditional compositing,\Nwhat we would normally do is,
Dialogue: 0,0:17:51.22,0:17:53.41,Default,,0000,0000,0000,,have this as the\Nbackground image
Dialogue: 0,0:17:53.41,0:17:55.37,Default,,0000,0000,0000,,at the bottom of the Layers.
Dialogue: 0,0:17:55.37,0:17:58.13,Default,,0000,0000,0000,,But that's not how the\Nvideo collage works.
Dialogue: 0,0:17:58.13,0:18:00.67,Default,,0000,0000,0000,,The video collage works\Nin the background mode
Dialogue: 0,0:18:00.67,0:18:04.60,Default,,0000,0000,0000,,by effectively creating holes\Nin this image, from which we
Dialogue: 0,0:18:04.60,0:18:07.15,Default,,0000,0000,0000,,can see the underlying shots.
Dialogue: 0,0:18:07.15,0:18:10.72,Default,,0000,0000,0000,,So in this case, I'm going\Nto select the clip on V4.
Dialogue: 0,0:18:10.72,0:18:15.08,Default,,0000,0000,0000,,From my Resolve Effects\NTransform category,
Dialogue: 0,0:18:15.08,0:18:18.31,Default,,0000,0000,0000,,I'm going to find the\NVideo Collage effect,
Dialogue: 0,0:18:18.31,0:18:21.19,Default,,0000,0000,0000,,and double click to\Napply it to that selected
Dialogue: 0,0:18:21.19,0:18:22.75,Default,,0000,0000,0000,,clip in the timeline.
Dialogue: 0,0:18:22.75,0:18:25.99,Default,,0000,0000,0000,,As you can now see, it's\Nalmost looking through a window
Dialogue: 0,0:18:25.99,0:18:28.60,Default,,0000,0000,0000,,frame of the underlying shot.
Dialogue: 0,0:18:28.60,0:18:32.29,Default,,0000,0000,0000,,But before I start to position\Nthe lower clips within each
Dialogue: 0,0:18:32.29,0:18:34.51,Default,,0000,0000,0000,,of those little holes,\Nwhat I want to do
Dialogue: 0,0:18:34.51,0:18:38.95,Default,,0000,0000,0000,,is actually customize the layout\Nof what we call the tiles.
Dialogue: 0,0:18:38.95,0:18:40.99,Default,,0000,0000,0000,,In the Effects\NInspector, you can
Dialogue: 0,0:18:40.99,0:18:43.88,Default,,0000,0000,0000,,see that you've got the\Ncontrols for the video collage.
Dialogue: 0,0:18:43.88,0:18:49.45,Default,,0000,0000,0000,,And they're actually in two\Ntabs, Globals and Tiles.
Dialogue: 0,0:18:49.45,0:18:51.58,Default,,0000,0000,0000,,Click the Preview\NLayout in order
Dialogue: 0,0:18:51.58,0:18:54.38,Default,,0000,0000,0000,,to be able to preview\Neach of the tiles.
Dialogue: 0,0:18:54.38,0:18:57.16,Default,,0000,0000,0000,,You can change the number\Nof columns and rows
Dialogue: 0,0:18:57.16,0:18:58.82,Default,,0000,0000,0000,,by using the sliders.
Dialogue: 0,0:18:58.82,0:19:02.39,Default,,0000,0000,0000,,So for example, if I\Nwanted many images here,
Dialogue: 0,0:19:02.39,0:19:04.45,Default,,0000,0000,0000,,I could actually change\Nthe columns and rows
Dialogue: 0,0:19:04.45,0:19:06.85,Default,,0000,0000,0000,,to the appropriate number.
Dialogue: 0,0:19:06.85,0:19:10.40,Default,,0000,0000,0000,,I only need two\Ncolumns and two rows.
Dialogue: 0,0:19:10.40,0:19:15.22,Default,,0000,0000,0000,,However, I actually want to\Nremove this tile number 4.
Dialogue: 0,0:19:15.22,0:19:16.67,Default,,0000,0000,0000,,I don't need it.
Dialogue: 0,0:19:16.67,0:19:18.88,Default,,0000,0000,0000,,And I actually\Nwant tile number 2
Dialogue: 0,0:19:18.88,0:19:21.31,Default,,0000,0000,0000,,to actually be\Nlarger and take up
Dialogue: 0,0:19:21.31,0:19:23.86,Default,,0000,0000,0000,,the position of tile number 4.
Dialogue: 0,0:19:23.86,0:19:26.94,Default,,0000,0000,0000,,To do that, I'll need to\Ngo into the Tiles Control.
Dialogue: 0,0:19:26.94,0:19:29.47,Default,,0000,0000,0000,,
Dialogue: 0,0:19:29.47,0:19:33.16,Default,,0000,0000,0000,,Click on the Tiles Control,\Nand change the active tile
Dialogue: 0,0:19:33.16,0:19:35.69,Default,,0000,0000,0000,,to the tile that we\Nwant to change first.
Dialogue: 0,0:19:35.69,0:19:37.58,Default,,0000,0000,0000,,In this case, tile 4.
Dialogue: 0,0:19:37.58,0:19:41.75,Default,,0000,0000,0000,,If you now click the Manual\NTile Management checkbox,
Dialogue: 0,0:19:41.75,0:19:46.12,Default,,0000,0000,0000,,you can then delete\Ntile number 4.
Dialogue: 0,0:19:46.12,0:19:49.51,Default,,0000,0000,0000,,Switch to tile number 2.
Dialogue: 0,0:19:49.51,0:19:53.33,Default,,0000,0000,0000,,And in the Custom Size\Nand Shape controls,
Dialogue: 0,0:19:53.33,0:19:58.51,Default,,0000,0000,0000,,change the end row to row 2.
Dialogue: 0,0:19:58.51,0:20:02.24,Default,,0000,0000,0000,,So using a coordinate\Nsystem of columns and rows,
Dialogue: 0,0:20:02.24,0:20:06.01,Default,,0000,0000,0000,,you can choose where a\Nparticular tile starts
Dialogue: 0,0:20:06.01,0:20:09.19,Default,,0000,0000,0000,,and where it ends.
Dialogue: 0,0:20:09.19,0:20:13.27,Default,,0000,0000,0000,,Opening up the Tile Styling,\Nyou can choose to add a border.
Dialogue: 0,0:20:13.27,0:20:16.76,Default,,0000,0000,0000,,I'm going to add a slight\Nborder to those tiles.
Dialogue: 0,0:20:16.76,0:20:23.70,Default,,0000,0000,0000,,I'm also going to change the\Ntile color to a bright green.
Dialogue: 0,0:20:23.70,0:20:26.62,Default,,0000,0000,0000,,
Dialogue: 0,0:20:26.62,0:20:29.86,Default,,0000,0000,0000,,Opening up the Drop\NShadow controls,
Dialogue: 0,0:20:29.86,0:20:33.25,Default,,0000,0000,0000,,I'm going to increase the\Nstrength of the drop shadow
Dialogue: 0,0:20:33.25,0:20:36.67,Default,,0000,0000,0000,,and the distance\Nof the drop shadow,
Dialogue: 0,0:20:36.67,0:20:39.40,Default,,0000,0000,0000,,and also adjust the angle\Nso that the drop shadow is
Dialogue: 0,0:20:39.40,0:20:43.09,Default,,0000,0000,0000,,a little bit more vertically\Nunderneath the clip,
Dialogue: 0,0:20:43.09,0:20:47.65,Default,,0000,0000,0000,,and adding a little bit of blur,\Njust to help soften the shadows.
Dialogue: 0,0:20:47.65,0:20:51.82,Default,,0000,0000,0000,,The Video Collage also has a\Nseries of automatic animations
Dialogue: 0,0:20:51.82,0:20:53.00,Default,,0000,0000,0000,,that you can apply.
Dialogue: 0,0:20:53.00,0:20:54.70,Default,,0000,0000,0000,,So you don't need\Nto worry too much
Dialogue: 0,0:20:54.70,0:20:57.68,Default,,0000,0000,0000,,about getting into complex\Nkeyframe animation,
Dialogue: 0,0:20:57.68,0:21:01.57,Default,,0000,0000,0000,,although you have the ability\Nto be able to do that, as well.
Dialogue: 0,0:21:01.57,0:21:03.94,Default,,0000,0000,0000,,In the Tile Animation\Nsection, I'm
Dialogue: 0,0:21:03.94,0:21:10.48,Default,,0000,0000,0000,,going to change the Animate\Npop-up menu to intro only.
Dialogue: 0,0:21:10.48,0:21:15.17,Default,,0000,0000,0000,,We now have a set of\Npredefined animation presets.
Dialogue: 0,0:21:15.17,0:21:18.29,Default,,0000,0000,0000,,In this case, I don't want\Nto use the Shrink preset.
Dialogue: 0,0:21:18.29,0:21:21.04,Default,,0000,0000,0000,,But I do want to use the Fade.
Dialogue: 0,0:21:21.04,0:21:24.35,Default,,0000,0000,0000,,I'm going to uncheck\NShrink and check Fade.
Dialogue: 0,0:21:24.35,0:21:28.10,Default,,0000,0000,0000,,And I can now specify a\Nduration for that animation.
Dialogue: 0,0:21:28.10,0:21:31.77,Default,,0000,0000,0000,,In this case, I'm going\Nto set it to 24 frames.
Dialogue: 0,0:21:31.77,0:21:34.42,Default,,0000,0000,0000,,
Dialogue: 0,0:21:34.42,0:21:37.81,Default,,0000,0000,0000,,Now, you can see I can\Nscrub through the timeline
Dialogue: 0,0:21:37.81,0:21:41.32,Default,,0000,0000,0000,,in order to be able to\Npreview the animation.
Dialogue: 0,0:21:41.32,0:21:44.60,Default,,0000,0000,0000,,Now that I've set up the tiles\Nand adjusted the animation,
Dialogue: 0,0:21:44.60,0:21:48.19,Default,,0000,0000,0000,,it's all ready for me to\Nactually put the images
Dialogue: 0,0:21:48.19,0:21:50.95,Default,,0000,0000,0000,,into each of those tiles.
Dialogue: 0,0:21:50.95,0:21:53.48,Default,,0000,0000,0000,,I'm going to uncheck\NPreview Layout,
Dialogue: 0,0:21:53.48,0:21:57.43,Default,,0000,0000,0000,,then select the\Nclip on Track V3,
Dialogue: 0,0:21:57.43,0:22:00.97,Default,,0000,0000,0000,,go into on-screen\NTransform controls,
Dialogue: 0,0:22:00.97,0:22:04.09,Default,,0000,0000,0000,,and resize the image\Nso that it sits
Dialogue: 0,0:22:04.09,0:22:10.39,Default,,0000,0000,0000,,nice and neatly inside the tile\Nin the top left-hand corner.
Dialogue: 0,0:22:10.39,0:22:12.19,Default,,0000,0000,0000,,The great thing about\Nthis is, because I've
Dialogue: 0,0:22:12.19,0:22:14.47,Default,,0000,0000,0000,,specified the size\Nof the tiles, I
Dialogue: 0,0:22:14.47,0:22:18.91,Default,,0000,0000,0000,,don't need to be too concerned\Nas to how each of these clips
Dialogue: 0,0:22:18.91,0:22:20.06,Default,,0000,0000,0000,,is lining up.
Dialogue: 0,0:22:20.06,0:22:22.69,Default,,0000,0000,0000,,The math that the video\Ncollage is creating
Dialogue: 0,0:22:22.69,0:22:26.26,Default,,0000,0000,0000,,means I just simply need\Nto frame it appropriately.
Dialogue: 0,0:22:26.26,0:22:29.42,Default,,0000,0000,0000,,Selecting the image on V2, I'm\Ngoing to do the same again,
Dialogue: 0,0:22:29.42,0:22:35.14,Default,,0000,0000,0000,,resizing and positioning the\Nimage of the girl in the canyon.
Dialogue: 0,0:22:35.14,0:22:37.00,Default,,0000,0000,0000,,Now, as I set it\Nhere, you'll also
Dialogue: 0,0:22:37.00,0:22:39.88,Default,,0000,0000,0000,,notice that the image\Nis actually encroaching
Dialogue: 0,0:22:39.88,0:22:42.26,Default,,0000,0000,0000,,into another part of the mask.
Dialogue: 0,0:22:42.26,0:22:45.61,Default,,0000,0000,0000,,So in this case, I'm going\Nto switch on-screen controls
Dialogue: 0,0:22:45.61,0:22:47.65,Default,,0000,0000,0000,,to crop.
Dialogue: 0,0:22:47.65,0:22:50.54,Default,,0000,0000,0000,,And this will then allow\Nme to crop the image
Dialogue: 0,0:22:50.54,0:22:55.87,Default,,0000,0000,0000,,so that it doesn't actually show\Nin any of the other matte holes.
Dialogue: 0,0:22:55.87,0:23:01.12,Default,,0000,0000,0000,,I'm now going to select the clip\Non V1, go back to my Transform,
Dialogue: 0,0:23:01.12,0:23:07.99,Default,,0000,0000,0000,,and reposition my interviewee,\Nwith a little bit of resizing,
Dialogue: 0,0:23:07.99,0:23:11.53,Default,,0000,0000,0000,,into the mask that\NI created for him.
Dialogue: 0,0:23:11.53,0:23:13.78,Default,,0000,0000,0000,,Turning off all the\Non-screen controls,
Dialogue: 0,0:23:13.78,0:23:17.12,Default,,0000,0000,0000,,I can now play back the\Neffect to see the results--
Dialogue: 0,0:23:17.12,0:23:19.38,Default,,0000,0000,0000,,SPEAKER (ON VIDEO):\N--aspects of our business.
Dialogue: 0,0:23:19.38,0:23:22.90,Default,,0000,0000,0000,,CHRIS: So this is one use\Nfor our video collage effect.
Dialogue: 0,0:23:22.90,0:23:25.26,Default,,0000,0000,0000,,But the other way that we\Ncan use the video collage
Dialogue: 0,0:23:25.26,0:23:28.83,Default,,0000,0000,0000,,is to use it to create the\Nindividual tiles themselves.
Dialogue: 0,0:23:28.83,0:23:32.56,Default,,0000,0000,0000,,From your Timeline\NViewer pop-up menu,
Dialogue: 0,0:23:32.56,0:23:34.91,Default,,0000,0000,0000,,choose Video Collage Tiles.
Dialogue: 0,0:23:34.91,0:23:37.80,Default,,0000,0000,0000,,
Dialogue: 0,0:23:37.80,0:23:39.78,Default,,0000,0000,0000,,Now in this case,\Nwe have a timeline
Dialogue: 0,0:23:39.78,0:23:42.73,Default,,0000,0000,0000,,that's already set up with\Nthe Organ Mountain background,
Dialogue: 0,0:23:42.73,0:23:45.42,Default,,0000,0000,0000,,actually on the Video 1 track.
Dialogue: 0,0:23:45.42,0:23:49.12,Default,,0000,0000,0000,,We've also got an animated\Nlogo that fades in.
Dialogue: 0,0:23:49.12,0:23:52.44,Default,,0000,0000,0000,,
Dialogue: 0,0:23:52.44,0:23:56.91,Default,,0000,0000,0000,,On Video 3, we've\Ngot a compound clip
Dialogue: 0,0:23:56.91,0:24:01.20,Default,,0000,0000,0000,,of a girl turning towards\Nthe camera and smiling.
Dialogue: 0,0:24:01.20,0:24:03.81,Default,,0000,0000,0000,,Video 4, we've got\Na man, looking.
Dialogue: 0,0:24:03.81,0:24:06.99,Default,,0000,0000,0000,,And Video 5, we've got\Nthe girl from the canyon,
Dialogue: 0,0:24:06.99,0:24:10.41,Default,,0000,0000,0000,,walking across the mountain top.
Dialogue: 0,0:24:10.41,0:24:13.89,Default,,0000,0000,0000,,Now in this case, I'm going\Nto do the setup actually,
Dialogue: 0,0:24:13.89,0:24:17.20,Default,,0000,0000,0000,,on the first shot of the girl\Nturning towards the camera.
Dialogue: 0,0:24:17.20,0:24:20.55,Default,,0000,0000,0000,,And then, once we've got the\Ntile set and the animation
Dialogue: 0,0:24:20.55,0:24:23.70,Default,,0000,0000,0000,,working, we can then simply\Ncopy and paste the effect
Dialogue: 0,0:24:23.70,0:24:26.04,Default,,0000,0000,0000,,to the other clips.
Dialogue: 0,0:24:26.04,0:24:29.28,Default,,0000,0000,0000,,So I'm just going to\Nleave the clip on Video 5
Dialogue: 0,0:24:29.28,0:24:31.76,Default,,0000,0000,0000,,and Video 4 disabled\Nfor the moment.
Dialogue: 0,0:24:31.76,0:24:35.55,Default,,0000,0000,0000,,
Dialogue: 0,0:24:35.55,0:24:38.34,Default,,0000,0000,0000,,Select the compound clip\Nof the smiling girl,
Dialogue: 0,0:24:38.34,0:24:41.88,Default,,0000,0000,0000,,and double click the\Nvideo collage to apply it.
Dialogue: 0,0:24:41.88,0:24:44.43,Default,,0000,0000,0000,,As you can see, the\Nbackground is now
Dialogue: 0,0:24:44.43,0:24:48.36,Default,,0000,0000,0000,,viewable through the matte holes\Nthat are created in the image.
Dialogue: 0,0:24:48.36,0:24:52.41,Default,,0000,0000,0000,,From the Effects Inspector,\Nchange the workflow from Create
Dialogue: 0,0:24:52.41,0:24:54.47,Default,,0000,0000,0000,,Background to Create Tile.
Dialogue: 0,0:24:54.47,0:24:57.05,Default,,0000,0000,0000,,
Dialogue: 0,0:24:57.05,0:24:58.80,Default,,0000,0000,0000,,Now, you can see that\Nthe girl is actually
Dialogue: 0,0:24:58.80,0:25:01.69,Default,,0000,0000,0000,,composited as a\Npicture-in-picture effect,
Dialogue: 0,0:25:01.69,0:25:02.47,Default,,0000,0000,0000,,very similar to.
Dialogue: 0,0:25:02.47,0:25:05.16,Default,,0000,0000,0000,,If we'd have scaled the clip\Ndown, using the Transform
Dialogue: 0,0:25:05.16,0:25:08.19,Default,,0000,0000,0000,,controls, and moved\Nit into position.
Dialogue: 0,0:25:08.19,0:25:10.86,Default,,0000,0000,0000,,Click the Preview\NLayout tab in order
Dialogue: 0,0:25:10.86,0:25:12.55,Default,,0000,0000,0000,,to get the familiar layout.
Dialogue: 0,0:25:12.55,0:25:17.08,Default,,0000,0000,0000,,We want to have three columns\Nfor each of the three images,
Dialogue: 0,0:25:17.08,0:25:19.20,Default,,0000,0000,0000,,but only one row.
Dialogue: 0,0:25:19.20,0:25:24.15,Default,,0000,0000,0000,,Use the Rounding control\Nto create circular tiles.
Dialogue: 0,0:25:24.15,0:25:27.42,Default,,0000,0000,0000,,Then use the Vertical Offset\Ncontrol to position those tiles
Dialogue: 0,0:25:27.42,0:25:29.70,Default,,0000,0000,0000,,above the mountains.
Dialogue: 0,0:25:29.70,0:25:32.23,Default,,0000,0000,0000,,Now that we've got the\Ntiles into position,
Dialogue: 0,0:25:32.23,0:25:37.14,Default,,0000,0000,0000,,let's customize them in terms of\Nthe border and the drop shadow.
Dialogue: 0,0:25:37.14,0:25:42.57,Default,,0000,0000,0000,,Let's go to the Tiles tab,\Nand open up the Tile Styling,
Dialogue: 0,0:25:42.57,0:25:47.79,Default,,0000,0000,0000,,and increase the tile\Nborder ever so slightly.
Dialogue: 0,0:25:47.79,0:25:55.42,Default,,0000,0000,0000,,Change the tile color\Nto about 90% brightness.
Dialogue: 0,0:25:55.42,0:26:00.75,Default,,0000,0000,0000,,
Dialogue: 0,0:26:00.75,0:26:06.42,Default,,0000,0000,0000,,Open the Drop Shadow controls\Nand increase the strength.
Dialogue: 0,0:26:06.42,0:26:11.43,Default,,0000,0000,0000,,Change the drop angle so that\Nthe shadows are appearing
Dialogue: 0,0:26:11.43,0:26:13.86,Default,,0000,0000,0000,,directly beneath the tiles.
Dialogue: 0,0:26:13.86,0:26:16.83,Default,,0000,0000,0000,,Increase the drop\Ndistance and the blur
Dialogue: 0,0:26:16.83,0:26:19.74,Default,,0000,0000,0000,,to your particular liking.
Dialogue: 0,0:26:19.74,0:26:22.36,Default,,0000,0000,0000,,Now that we've got\Nthe tiles stylized,
Dialogue: 0,0:26:22.36,0:26:26.07,Default,,0000,0000,0000,,we just need to work\Non the animation.
Dialogue: 0,0:26:26.07,0:26:28.45,Default,,0000,0000,0000,,First of all,\Nposition the playhead
Dialogue: 0,0:26:28.45,0:26:31.50,Default,,0000,0000,0000,,so that the logo is\Njust about starting
Dialogue: 0,0:26:31.50,0:26:33.45,Default,,0000,0000,0000,,to appear in the Viewer.
Dialogue: 0,0:26:33.45,0:26:36.96,Default,,0000,0000,0000,,Then open the Tile\NAnimation controls.
Dialogue: 0,0:26:36.96,0:26:41.31,Default,,0000,0000,0000,,We're actually going to manually\Nkeyframe the fly animation.
Dialogue: 0,0:26:41.31,0:26:43.92,Default,,0000,0000,0000,,But first of all, we need\Nto choose the direction
Dialogue: 0,0:26:43.92,0:26:45.43,Default,,0000,0000,0000,,of that animation.
Dialogue: 0,0:26:45.43,0:26:50.70,Default,,0000,0000,0000,,Change the Fly Animation\Npop-up menu to fly up.
Dialogue: 0,0:26:50.70,0:26:52.56,Default,,0000,0000,0000,,This means that the\Ntiles will actually
Dialogue: 0,0:26:52.56,0:26:55.47,Default,,0000,0000,0000,,come from the top of the screen,\Nnot that they will actually
Dialogue: 0,0:26:55.47,0:26:57.60,Default,,0000,0000,0000,,go to the top of the screen.
Dialogue: 0,0:26:57.60,0:27:01.69,Default,,0000,0000,0000,,At this point, the fly progress\Nis in the correct position.
Dialogue: 0,0:27:01.69,0:27:05.25,Default,,0000,0000,0000,,So simply add a keyframe by\Nclicking the white diamond
Dialogue: 0,0:27:05.25,0:27:06.79,Default,,0000,0000,0000,,to make it go red.
Dialogue: 0,0:27:06.79,0:27:10.38,Default,,0000,0000,0000,,Now move the playhead back to\Nthe beginning of your timeline
Dialogue: 0,0:27:10.38,0:27:13.26,Default,,0000,0000,0000,,and adjust the Fly\NProgress slider
Dialogue: 0,0:27:13.26,0:27:17.70,Default,,0000,0000,0000,,so that the tiles disappear\Noff the top of the screen.
Dialogue: 0,0:27:17.70,0:27:20.19,Default,,0000,0000,0000,,You should now be able\Nto preview the timeline
Dialogue: 0,0:27:20.19,0:27:21.97,Default,,0000,0000,0000,,and preview the animation.
Dialogue: 0,0:27:21.97,0:27:24.90,Default,,0000,0000,0000,,
Dialogue: 0,0:27:24.90,0:27:27.72,Default,,0000,0000,0000,,You can also adjust the\Nacceleration of that animation
Dialogue: 0,0:27:27.72,0:27:29.79,Default,,0000,0000,0000,,very easily, as well.
Dialogue: 0,0:27:29.79,0:27:33.49,Default,,0000,0000,0000,,In the Easing and Blur\Nof All Tiles control,
Dialogue: 0,0:27:33.49,0:27:40.41,Default,,0000,0000,0000,,change the Animation\NEffect Ease to out.
Dialogue: 0,0:27:40.41,0:27:44.71,Default,,0000,0000,0000,,And then adjust the ease\Namount to your liking,
Dialogue: 0,0:27:44.71,0:27:47.02,Default,,0000,0000,0000,,so that when you play\Nthe animation back,
Dialogue: 0,0:27:47.02,0:27:52.05,Default,,0000,0000,0000,,the tiles will come to a gentle\Nrest rather than an abrupt stop.
Dialogue: 0,0:27:52.05,0:27:54.91,Default,,0000,0000,0000,,Again, now that we've\Ngot the animation sorted,
Dialogue: 0,0:27:54.91,0:27:59.88,Default,,0000,0000,0000,,we can now start to customize\Nthe actual tile image itself.
Dialogue: 0,0:27:59.88,0:28:04.26,Default,,0000,0000,0000,,At the top of the Inspector,\Nuncheck the Preview Layout
Dialogue: 0,0:28:04.26,0:28:05.70,Default,,0000,0000,0000,,option.
Dialogue: 0,0:28:05.70,0:28:08.58,Default,,0000,0000,0000,,Then open up the\NResize controls,
Dialogue: 0,0:28:08.58,0:28:11.43,Default,,0000,0000,0000,,and use the Pan\Nand Tilt controls
Dialogue: 0,0:28:11.43,0:28:14.93,Default,,0000,0000,0000,,in order to be able to reframe\Nthe girl within the circle.
Dialogue: 0,0:28:14.93,0:28:20.76,Default,,0000,0000,0000,,
Dialogue: 0,0:28:20.76,0:28:21.76,Default,,0000,0000,0000,,That's great.
Dialogue: 0,0:28:21.76,0:28:24.88,Default,,0000,0000,0000,,We've now got the animation\Nworking for this tile.
Dialogue: 0,0:28:24.88,0:28:28.20,Default,,0000,0000,0000,,All we now need to do is to\Nactually take that plugin
Dialogue: 0,0:28:28.20,0:28:31.92,Default,,0000,0000,0000,,and copy it onto the other\Ntwo clips in the timeline.
Dialogue: 0,0:28:31.92,0:28:34.93,Default,,0000,0000,0000,,With the smiling girl\Nclip still selected,
Dialogue: 0,0:28:34.93,0:28:39.21,Default,,0000,0000,0000,,press Command or Control-C\Nto copy the clip.
Dialogue: 0,0:28:39.21,0:28:43.80,Default,,0000,0000,0000,,Now enable Track 4, and\Nselect the Looking Man clip.
Dialogue: 0,0:28:43.80,0:28:48.15,Default,,0000,0000,0000,,Press Option or Alt-V\Nfor paste attributes.
Dialogue: 0,0:28:48.15,0:28:52.56,Default,,0000,0000,0000,,And choose the Plugins\Noption and apply in order
Dialogue: 0,0:28:52.56,0:28:54.69,Default,,0000,0000,0000,,to paste the effect.
Dialogue: 0,0:28:54.69,0:28:58.44,Default,,0000,0000,0000,,Now, all that has done is\Nactually create a duplicate copy
Dialogue: 0,0:28:58.44,0:29:01.02,Default,,0000,0000,0000,,of the effect with all\Nof the same settings
Dialogue: 0,0:29:01.02,0:29:02.53,Default,,0000,0000,0000,,onto this new clip.
Dialogue: 0,0:29:02.53,0:29:05.70,Default,,0000,0000,0000,,We now need to adjust those\Nsettings to take into account
Dialogue: 0,0:29:05.70,0:29:07.59,Default,,0000,0000,0000,,the differences in this clip.
Dialogue: 0,0:29:07.59,0:29:10.27,Default,,0000,0000,0000,,With the Looking\NMan clip selected,
Dialogue: 0,0:29:10.27,0:29:12.99,Default,,0000,0000,0000,,go to the Effects\Ntab in the Inspector,
Dialogue: 0,0:29:12.99,0:29:18.66,Default,,0000,0000,0000,,and change the active tile\Nfrom Tile 1 to Tile 1.
Dialogue: 0,0:29:18.66,0:29:22.83,Default,,0000,0000,0000,,Now, adjust the resize\Ncontent controls in order
Dialogue: 0,0:29:22.83,0:29:25.97,Default,,0000,0000,0000,,to fit the guy's\Nface into the circle.
Dialogue: 0,0:29:25.97,0:29:37.38,Default,,0000,0000,0000,,
Dialogue: 0,0:29:37.38,0:29:40.59,Default,,0000,0000,0000,,And now, I need to paste\Nthe attributes again
Dialogue: 0,0:29:40.59,0:29:41.87,Default,,0000,0000,0000,,for the third tile.
Dialogue: 0,0:29:41.87,0:29:44.55,Default,,0000,0000,0000,,
Dialogue: 0,0:29:44.55,0:29:47.86,Default,,0000,0000,0000,,Enable the track for\Nthe Walking Girl clip.
Dialogue: 0,0:29:47.86,0:29:52.08,Default,,0000,0000,0000,,Select the Walking Girl clip,\Nand press Option or Alt-V
Dialogue: 0,0:29:52.08,0:29:53.92,Default,,0000,0000,0000,,for Paste Attributes.
Dialogue: 0,0:29:53.92,0:29:56.17,Default,,0000,0000,0000,,Because we've already\Npasted the plug-in,
Dialogue: 0,0:29:56.17,0:29:57.97,Default,,0000,0000,0000,,you can see it's\Nalready selected.
Dialogue: 0,0:29:57.97,0:30:00.84,Default,,0000,0000,0000,,So all we need to\Ndo is click Apply
Dialogue: 0,0:30:00.84,0:30:03.94,Default,,0000,0000,0000,,and again, in the\NEffects Inspector,
Dialogue: 0,0:30:03.94,0:30:08.01,Default,,0000,0000,0000,,change the active\Ntile to Tile 3.
Dialogue: 0,0:30:08.01,0:30:14.22,Default,,0000,0000,0000,,And change the Resize Content\Ncontrols so that the girl fits
Dialogue: 0,0:30:14.22,0:30:15.35,Default,,0000,0000,0000,,into the new circle.
Dialogue: 0,0:30:15.35,0:30:19.50,Default,,0000,0000,0000,,
Dialogue: 0,0:30:19.50,0:30:22.26,Default,,0000,0000,0000,,We turn the playhead to\Nthe start of the timeline
Dialogue: 0,0:30:22.26,0:30:24.37,Default,,0000,0000,0000,,and preview your animation.
Dialogue: 0,0:30:24.37,0:30:27.75,Default,,0000,0000,0000,,
Dialogue: 0,0:30:27.75,0:30:30.06,Default,,0000,0000,0000,,I hope you've enjoyed\Nthis demonstration of some
Dialogue: 0,0:30:30.06,0:30:32.73,Default,,0000,0000,0000,,of the visual effects that\Nwe have on the Edit Page
Dialogue: 0,0:30:32.73,0:30:34.63,Default,,0000,0000,0000,,in DaVinci Resolve 17.
Dialogue: 0,0:30:34.63,0:30:37.38,Default,,0000,0000,0000,,Don't forget, you can always\Njoin us on the forum pages
Dialogue: 0,0:30:37.38,0:30:39.28,Default,,0000,0000,0000,,if you've got any\Nfurther questions.
Dialogue: 0,0:30:39.28,0:30:42.28,Default,,0000,0000,0000,,And also, on the DaVinci\NResolve product pages,
Dialogue: 0,0:30:42.28,0:30:45.81,Default,,0000,0000,0000,,there's a whole section\Ndedicated to training videos
Dialogue: 0,0:30:45.81,0:30:49.33,Default,,0000,0000,0000,,and training guides that\Nare all available for free.
Dialogue: 0,0:30:49.33,0:30:51.56,Default,,0000,0000,0000,,Thank you very much.
Dialogue: 0,0:30:51.56,0:30:59.00,Default,,0000,0000,0000,,