0:00:00.180,0:00:02.829 ♪ (David Byrne music) ♪ 0:00:05.809,0:00:11.619 ♪ I used to think that[br]I should watch TV ♪ 0:00:12.315,0:00:17.921 ♪ I used to think that[br]it was good for me ♪ 0:00:18.260,0:00:22.051 The recording part of music[br]has gotten much cheaper. 0:00:22.229,0:00:25.446 People can record on their laptops. 0:00:25.706,0:00:29.842 They can edit and compose[br]on their laptops, 0:00:30.229,0:00:32.400 and the quality is fine. 0:00:32.498,0:00:36.204 The means of production[br]have been handed to the creators, 0:00:36.285,0:00:38.246 which is kind of wonderful, 0:00:38.375,0:00:42.325 but it means that[br]there's a lot being created, 0:00:42.564,0:00:45.674 and not all of it is good. 0:00:48.784,0:00:51.896 ♪ And I would lose myself[br]and it would set me free ♪ 0:00:52.050,0:00:56.710 The software that allows us[br]to record on laptops 0:00:56.883,0:01:01.542 tends to encourage us[br]to record in certain ways. 0:01:01.758,0:01:06.517 It tends to make the songs[br]very regular, repeatable. 0:01:07.025,0:01:11.802 The tempos are usually[br]very strict and steady, 0:01:12.013,0:01:15.320 which at some point in the past[br]was an ideal, 0:01:15.503,0:01:21.947 but an absolutely steady tempo is[br]maybe not the best thing in the world 0:01:22.309,0:01:30.263 In some ways computers and technology[br]push us in a certain direction, 0:01:30.540,0:01:33.618 and we have to know creatively[br]when to resist that. 0:01:34.108,0:01:39.221 When to resist the things that[br]computers make too easy. 0:01:39.578,0:01:42.024 Depending on what kind of music it is, 0:01:42.214,0:01:48.665 I'll start off with maybe a guitar[br]or something first to get a framework. 0:01:48.993,0:01:56.980 Starting without the computer allows me[br]a certain kind of freedom. 0:01:57.142,0:02:01.329 I'm not restricted by what[br]the computer tries to get me to do. 0:02:01.898,0:02:07.790 ♪ I know, I like,[br]Behold and love this giant ♪ 0:02:08.161,0:02:14.031 ♪ Big soul, big lips,[br]That's me and I am this ♪ 0:02:14.395,0:02:16.925 ♪ Everybody gets a touched up hairdo ♪ 0:02:17.242,0:02:20.152 ♪ Everybody's in the passing lane ♪ 0:02:20.490,0:02:22.996 ♪ Adoration makes you touch dark shadows ♪ 0:02:23.327,0:02:26.716 ♪ Weird things that live in there ♪ 0:02:26.836,0:02:32.756 I don't think the quality of recordings[br]is the most important thing. 0:02:35.192,0:02:43.738 The music that I heard when I was young,[br]I heard on a horrible-sounding little radio. 0:02:44.537,0:02:46.287 But it completely moved me. 0:02:46.549,0:02:50.325 It completely changed the way[br]I thought about music and other things. 0:02:50.535,0:02:55.606 Obviously when I'm recording[br]or capturing a piece of music, 0:02:55.825,0:02:58.349 I try to get the sound to be[br]as good as possible. 0:02:58.452,0:03:02.740 But I realize that[br]somewhere down the line, 0:03:02.953,0:03:06.525 people might be listening[br]on their phone with their headphones 0:03:06.864,0:03:09.829 They might even be listening[br]holding their phone in their hand. 0:03:10.103,0:03:12.311 Maybe on their computer speakers,[br]that's very likely. 0:03:12.576,0:03:14.892 You know, the speakers that[br]are maybe this big. 0:03:15.239,0:03:19.480 So I realize that[br]it's there if people want it. 0:03:19.707,0:03:22.742 But if they don't want it,[br]or can't afford it or don't need it, 0:03:22.983,0:03:29.137 I hope that the song and music works,[br]in whatever format. 0:03:29.666,0:03:35.443 ♪ How am I not your brother? ♪ 0:03:35.729,0:03:41.263 ♪ How are you not like me? ♪ 0:03:41.497,0:03:44.547 When I see people listening to music[br]on their phones, 0:03:44.847,0:03:47.318 maybe without even headphones,[br]just holding the phone up, 0:03:47.656,0:03:55.536 it makes me wonder:[br]what kind of music works well like that? 0:03:55.781,0:03:57.259 A global pop music? 0:03:57.453,0:04:01.215 Is that the kind of music that[br]sounds best like this? 0:04:01.507,0:04:05.326 Or is it some other kind of music[br]that sounds best? 0:04:05.606,0:04:11.833 Like maybe a solo violin,[br]or something very, very simple. 0:04:12.211,0:04:19.552 If one were to compose music that[br]sounds good when you just hold up a phone, 0:04:19.759,0:04:21.335 what would it be? 0:04:21.532,0:04:22.733 I don't know. 0:04:23.004,0:04:25.768 ♪ Maybe someday understand them better ♪ 0:04:25.957,0:04:28.775 ♪ The weird things inside of me. ♪ 0:04:29.665,0:04:32.695 (applause)