[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:13.57,0:00:18.16,Default,,0000,0000,0000,,[ MARY REID KELLEY ] It was a huge \Nchange to film at EMPAC with any
Dialogue: 0,0:00:18.16,0:00:22.02,Default,,0000,0000,0000,,sort of technological assist you could want.
Dialogue: 0,0:00:22.02,0:00:30.12,Default,,0000,0000,0000,,The film that we did before "You Make Me Iliad," we filmed partly in my parents’ basement and partly in our apartment.
Dialogue: 0,0:00:30.12,0:00:33.07,Default,,0000,0000,0000,,- With a white undershirt and this shirt \Nyou won’t be able to tell.
Dialogue: 0,0:00:34.90,0:00:37.76,Default,,0000,0000,0000,,- Fancy pants. \N- Totally.
Dialogue: 0,0:00:42.04,0:00:49.86,Default,,0000,0000,0000,,So for this film, I invited my sister Alice and Alice’s husband, Micah, and then my youngest sister, Juliet.
Dialogue: 0,0:00:50.78,0:00:53.00,Default,,0000,0000,0000,,- Brainy McBrainyton, Maximilian....
Dialogue: 0,0:00:53.00,0:00:54.22,Default,,0000,0000,0000,,- Max-milian.
Dialogue: 0,0:00:54.22,0:00:58.68,Default,,0000,0000,0000,,- Maximilian Robespierre perfectly \Nmemorized Jean-Jacques Rousseau.
Dialogue: 0,0:00:58.68,0:01:04.87,Default,,0000,0000,0000,,Citizens bored by his hyper-verbosity, shouted \Nin unison, merde, sans chapeau!
Dialogue: 0,0:01:04.87,0:01:07.96,Default,,0000,0000,0000,,- Okay, you know Jean-Jacques \NRousseau was an important music theorist?
Dialogue: 0,0:01:07.96,0:01:09.04,Default,,0000,0000,0000,,- Yes, I know.
Dialogue: 0,0:01:09.04,0:01:10.78,Default,,0000,0000,0000,,- I feel like I should sing this one.
Dialogue: 0,0:01:10.78,0:01:12.68,Default,,0000,0000,0000,,- And you know what, what he did?
Dialogue: 0,0:01:12.68,0:01:17.78,Default,,0000,0000,0000,,Oh yes, yes, please, please sing it. \NJust sing, improvise right now.
Dialogue: 0,0:01:17.78,0:01:20.42,Default,,0000,0000,0000,,- [ laughs ] Sorry.
Dialogue: 0,0:01:23.21,0:01:27.32,Default,,0000,0000,0000,,[ ALICE REID PRUISNER ] We were always very creative \Ngrowing up. And a lot of what we did,
Dialogue: 0,0:01:27.32,0:01:33.84,Default,,0000,0000,0000,,growing up, I kind of see in her art \Nnow. We would create these elaborate
Dialogue: 0,0:01:33.84,0:01:40.53,Default,,0000,0000,0000,,plays that we would put on that Mary, as the \Noldest of course was always the instigator.
Dialogue: 0,0:01:40.86,0:01:47.00,Default,,0000,0000,0000,,- So try singing your awesome \Nlittle tune with like perfectly
Dialogue: 0,0:01:47.00,0:01:49.46,Default,,0000,0000,0000,,memorized Jean-Jacques Rousseau. \NCitizens bored.....
Dialogue: 0,0:01:49.46,0:01:52.74,Default,,0000,0000,0000,,- So like there’s a change in tone. \N- Okay.
Dialogue: 0,0:01:54.36,0:01:57.65,Default,,0000,0000,0000,,♪ Brainy McBrainy to Maximilian \NRobespierre ♪
Dialogue: 0,0:01:57.65,0:02:00.46,Default,,0000,0000,0000,,♪ perfectly memorized Jean-Jacques Rousseau ♪
Dialogue: 0,0:02:00.46,0:02:04.99,Default,,0000,0000,0000,,♪ Citizens bored by his hyper-verbosity \Nshouted in unison, ♪
Dialogue: 0,0:02:04.99,0:02:07.66,Default,,0000,0000,0000,,[ ALL ] Merde! Sans chapeau.
Dialogue: 0,0:02:10.83,0:02:14.18,Default,,0000,0000,0000,,- Alice, show us your \Nthroat-slashing gesture.
Dialogue: 0,0:02:14.18,0:02:15.89,Default,,0000,0000,0000,,[ grunts ] \N- Yeah.
Dialogue: 0,0:02:15.89,0:02:20.83,Default,,0000,0000,0000,,- If I start out higher and circle below. \N- There, that’s totally clear.
Dialogue: 0,0:02:20.83,0:02:22.78,Default,,0000,0000,0000,,- Should I bare my teeth? Arrggh.
Dialogue: 0,0:02:22.78,0:02:23.36,Default,,0000,0000,0000,,- Do whatever you want
Dialogue: 0,0:02:23.36,0:02:25.66,Default,,0000,0000,0000,,- While I’m saying, "merde, sans chapeau.'
Dialogue: 0,0:02:28.95,0:02:30.93,Default,,0000,0000,0000,,- That’s good. That looks really \Ngood.
Dialogue: 0,0:02:30.93,0:02:33.92,Default,,0000,0000,0000,,- I think Alice should go like this. \N- Like what?
Dialogue: 0,0:02:33.92,0:02:38.20,Default,,0000,0000,0000,,- Can’t see the actual like throat-cutting, \Nit’s just the hand, like this.
Dialogue: 0,0:02:38.20,0:02:39.30,Default,,0000,0000,0000,,- Yeah.
Dialogue: 0,0:02:39.82,0:02:43.02,Default,,0000,0000,0000,,- You think I should \Nuse my left hand instead?
Dialogue: 0,0:02:45.72,0:02:47.21,Default,,0000,0000,0000,,- One More? \N- Yeah.
Dialogue: 0,0:02:48.33,0:02:54.17,Default,,0000,0000,0000,,[ MICAH PRUISNER ] Brainy McBrainyton, Maximilian \NRobespierre perfectly memorized Jean-Jacques Rousseau.
Dialogue: 0,0:02:54.17,0:02:58.50,Default,,0000,0000,0000,,Citizens bored by his \Nhyper-verbosity shouted in unison...
Dialogue: 0,0:02:58.50,0:03:00.94,Default,,0000,0000,0000,,[ ALL ] Merde! Sans chapeau.
Dialogue: 0,0:03:00.94,0:03:10.01,Default,,0000,0000,0000,,[ JULIET REID ] She has always had an \Ninteresting part to play in the entire family’s perspectives on life.
Dialogue: 0,0:03:10.62,0:03:13.46,Default,,0000,0000,0000,,When I was in \Njunior high, she was bringing home feminist
Dialogue: 0,0:03:13.46,0:03:19.14,Default,,0000,0000,0000,,literature for me to read from college. And \Njust giving me new things to think about.
Dialogue: 0,0:03:19.75,0:03:23.92,Default,,0000,0000,0000,,- And I kind of want the \Nsnow shakers to be up high.
Dialogue: 0,0:03:23.92,0:03:25.15,Default,,0000,0000,0000,,- High? Like this?
Dialogue: 0,0:03:25.15,0:03:27.94,Default,,0000,0000,0000,,- Like still on the \Nscreen, but high.
Dialogue: 0,0:03:27.94,0:03:30.30,Default,,0000,0000,0000,,- Are we recording?\N- Yeah.
Dialogue: 0,0:03:30.94,0:03:34.09,Default,,0000,0000,0000,,- Jelly tart, jelly tart, General Bonaparte.
Dialogue: 0,0:03:34.09,0:03:36.54,Default,,0000,0000,0000,,Sentimentality worried all France.
Dialogue: 0,0:03:36.54,0:03:43.97,Default,,0000,0000,0000,,He cried, saccharine tears on the banks of the Volga \Nwhile Waterloo waterworks spotted his pants.
Dialogue: 0,0:03:48.16,0:03:50.27,Default,,0000,0000,0000,,- This is going to be a tricky \Ntime for you guys
Dialogue: 0,0:03:50.27,0:03:54.53,Default,,0000,0000,0000,,cause you’re going to have to put it \Ntogether and yell, "100 Voltaires."
Dialogue: 0,0:03:55.72,0:03:57.71,Default,,0000,0000,0000,,We'll get you to scoot...
Dialogue: 0,0:04:00.83,0:04:03.68,Default,,0000,0000,0000,,- And actually I suggest that we need to \Nstart bringing our hands together to do the
Dialogue: 0,0:04:03.68,0:04:08.77,Default,,0000,0000,0000,,Jacob’s Ladder before, so that when they, when it \Ncomes together, it’s, bing "100 Voltaires."
Dialogue: 0,0:04:08.77,0:04:16.39,Default,,0000,0000,0000,,[ MICAH ] I’m an engineer. So \NI have little to no background in art.
Dialogue: 0,0:04:17.23,0:04:23.83,Default,,0000,0000,0000,,And therefore when I see Mary’s artwork, it, it is always so different from what I normally encounter
Dialogue: 0,0:04:23.83,0:04:26.28,Default,,0000,0000,0000,,that it \Nmakes me think a lot harder about it.
Dialogue: 0,0:04:27.12,0:04:28.92,Default,,0000,0000,0000,,- I think we'll be okay.
Dialogue: 0,0:04:30.18,0:04:33.02,Default,,0000,0000,0000,,- So we’re not using \Naudio for this. So just...
Dialogue: 0,0:04:33.65,0:04:34.34,Default,,0000,0000,0000,,- Ready to go?
Dialogue: 0,0:04:34.34,0:04:36.53,Default,,0000,0000,0000,,- Yeah, I think, I think I am.
Dialogue: 0,0:04:36.53,0:04:40.00,Default,,0000,0000,0000,,- Mary, could...since we’re not \Ndoing audio, can you be like "and stop"?
Dialogue: 0,0:04:40.00,0:04:41.93,Default,,0000,0000,0000,,- Yeah.\N- Okay.
Dialogue: 0,0:04:41.93,0:04:45.13,Default,,0000,0000,0000,,- Okay, I'll just\N- Just hiss or something so you don't have to move your mouth.
Dialogue: 0,0:04:45.13,0:04:47.94,Default,,0000,0000,0000,,[ crosstalk ]\N- Okay, yeah. Okay.
Dialogue: 0,0:04:54.39,0:05:00.68,Default,,0000,0000,0000,,[ ALL ] Twinkle toe, twinkle toe, Dennis P. Diderot. \NDreamed of a government led by his heirs.
Dialogue: 0,0:05:00.68,0:05:08.10,Default,,0000,0000,0000,,Nightmares so ghastly, so anti-Enlightenment \Ngave him the shock of 100 Voltaires.
Dialogue: 0,0:05:08.74,0:05:15.04,Default,,0000,0000,0000,,[ PATRICK KELLEY ] Mary came across this map. \NIt’s this old map of Paris, pre-Haussmann
Dialogue: 0,0:05:15.04,0:05:22.72,Default,,0000,0000,0000,,renovation of Paris. The design of this map is an \Ninspiration for making some of the buildings.
Dialogue: 0,0:05:22.72,0:05:28.76,Default,,0000,0000,0000,,What we thought we would do is try to recreate some \Nof the architecture that you see in this map,
Dialogue: 0,0:05:28.76,0:05:36.83,Default,,0000,0000,0000,,this sort of cartoon-like etching hatch-marking \Narchitecture as three-dimensional models
Dialogue: 0,0:05:36.83,0:05:42.04,Default,,0000,0000,0000,,so that we would have these objects \Nas possible virtual set elements.
Dialogue: 0,0:05:43.75,0:05:46.92,Default,,0000,0000,0000,,[ REID KELLEY ] It’s so wild that they \Nhad electricity to do this.
Dialogue: 0,0:05:46.92,0:05:48.80,Default,,0000,0000,0000,,- That's the actual Haussmann time?
Dialogue: 0,0:05:48.80,0:05:50.55,Default,,0000,0000,0000,,- Mm-hmm. Mm-hmm.
Dialogue: 0,0:05:52.07,0:05:56.35,Default,,0000,0000,0000,,He wouldn’t put electricity \Non the streets, he wanted gas on the streets,
Dialogue: 0,0:05:56.35,0:05:59.26,Default,,0000,0000,0000,,cause he thought it was more \Naesthetic.
Dialogue: 0,0:05:59.26,0:06:01.86,Default,,0000,0000,0000,,But here, you want to see it?
Dialogue: 0,0:06:04.06,0:06:09.36,Default,,0000,0000,0000,,And here you can see the texture of \Nthe street. It’s like a cobblestone.
Dialogue: 0,0:06:09.36,0:06:12.25,Default,,0000,0000,0000,,- Well yeah, we have that...
Dialogue: 0,0:06:12.72,0:06:18.36,Default,,0000,0000,0000,,[ REID KELLEY ] I think that one of the reasons that \NI’m motivated to do research and to do all the
Dialogue: 0,0:06:18.36,0:06:25.64,Default,,0000,0000,0000,,reading is that it’s very much a set of values \Nthat learning is good. Books are good.
Dialogue: 0,0:06:25.64,0:06:27.57,Default,,0000,0000,0000,,Things in books will help you.
Dialogue: 0,0:06:28.34,0:06:32.87,Default,,0000,0000,0000,,Who knows where it came \Nfrom? Probably in large part from my parents.
Dialogue: 0,0:06:34.07,0:06:38.100,Default,,0000,0000,0000,,I grew up in South Carolina. I’m the eldest \Nof four children.
Dialogue: 0,0:06:38.100,0:06:45.15,Default,,0000,0000,0000,,My next sister is Alice, and then my brother Dan. And \Nthen my youngest sister, Juliet.
Dialogue: 0,0:06:48.32,0:06:52.19,Default,,0000,0000,0000,,My parents met doing their master’s in \Nhistory.
Dialogue: 0,0:06:53.11,0:07:00.44,Default,,0000,0000,0000,,My mom and dad or notorious for never just driving by a historical marker, we always pull over to see what it is.
Dialogue: 0,0:07:03.38,0:07:10.46,Default,,0000,0000,0000,,In the South, at least in terms of the Civil \NWar, there’s this historical burden.
Dialogue: 0,0:07:11.82,0:07:16.83,Default,,0000,0000,0000,,You’re aware pretty early on that there isn’t just one version \Nthat’s accepted,
Dialogue: 0,0:07:16.83,0:07:23.73,Default,,0000,0000,0000,,that people are kind of tugging at this historical record,
Dialogue: 0,0:07:23.73,0:07:28.92,Default,,0000,0000,0000,,you know wanting \Nto manipulate the history, one way or another.
Dialogue: 0,0:07:30.64,0:07:35.13,Default,,0000,0000,0000,,- Okay, that’s good. This shot is really quick. \NIt’s just a couple seconds.
Dialogue: 0,0:07:35.13,0:07:40.00,Default,,0000,0000,0000,,So run out, put the chairs down. I’ll put the board \Non. Hop on it, start doing this and kind
Dialogue: 0,0:07:40.00,0:07:46.32,Default,,0000,0000,0000,,of kicking my heels. And then I want both \Nof you to kind of like lean over the chair.
Dialogue: 0,0:07:46.32,0:07:51.48,Default,,0000,0000,0000,,[ REID KELLEY ] The director role is not something \Nthat comes super naturally.
Dialogue: 0,0:07:52.32,0:07:57.12,Default,,0000,0000,0000,,I think that’s one of the reasons I really \Nvalue getting to work with my family members,
Dialogue: 0,0:07:57.12,0:08:01.14,Default,,0000,0000,0000,,it makes it easier for me to ask for what I want.
Dialogue: 0,0:08:01.44,0:08:06.20,Default,,0000,0000,0000,,- Okay, good. Now, now when you do \Nthat, like jostle each other like.....
Dialogue: 0,0:08:06.20,0:08:10.12,Default,,0000,0000,0000,,- Yeah, like, here, I want the better view, [ laughs ] \N- I want the better view.
Dialogue: 0,0:08:10.12,0:08:11.94,Default,,0000,0000,0000,,- No, no, I want to get it.\N- Okay.
Dialogue: 0,0:08:11.94,0:08:13.73,Default,,0000,0000,0000,,[ laughs ]
Dialogue: 0,0:08:18.49,0:08:20.49,Default,,0000,0000,0000,,- Excellent, we got it. Yep.
Dialogue: 0,0:08:23.96,0:08:26.92,Default,,0000,0000,0000,,- Step back and \Nlay back down so I should see when...
Dialogue: 0,0:08:28.12,0:08:32.62,Default,,0000,0000,0000,,[ REID KELLEY ] The entire concept comes out \Nof the research and out of the reading.
Dialogue: 0,0:08:33.61,0:08:37.25,Default,,0000,0000,0000,,- See, 'cause I don't have a pillow, it’s \Ngoing to make it a lot harder.\N- Yeah.
Dialogue: 0,0:08:37.25,0:08:39.89,Default,,0000,0000,0000,,[ REID KELLEY ] And it’s my choice of what we do.
Dialogue: 0,0:08:39.89,0:08:42.72,Default,,0000,0000,0000,,- So I think you’re going to \Nhave to bring it around to the side.
Dialogue: 0,0:08:42.72,0:08:45.81,Default,,0000,0000,0000,,[ REID KELLEY ] And then once we’re kind of \Non the way.....
Dialogue: 0,0:08:46.28,0:08:52.52,Default,,0000,0000,0000,,My husband Pat, is very enthusiastic to just \Npick up whatever is happening and run with it.
Dialogue: 0,0:08:53.01,0:08:55.10,Default,,0000,0000,0000,,- Do we want to be straight down?
Dialogue: 0,0:08:55.70,0:08:57.60,Default,,0000,0000,0000,,- Uh, yeah.
Dialogue: 0,0:08:57.60,0:09:05.88,Default,,0000,0000,0000,,- Is that about like this? Eric would it be \Ncrazy for me to shoot from that gap right there?
Dialogue: 0,0:09:06.56,0:09:09.04,Default,,0000,0000,0000,,- No, not at all.
Dialogue: 0,0:09:09.70,0:09:16.88,Default,,0000,0000,0000,,[ REID KELLEY ] I never would have made that big \Nleap from being a painter to something as,
Dialogue: 0,0:09:16.88,0:09:22.57,Default,,0000,0000,0000,,as complicated and as technically \Ninvolved as, as this work without Pat.
Dialogue: 0,0:09:22.83,0:09:28.52,Default,,0000,0000,0000,,- Secretly, secretly Queen Marie Antoinette \Nstudied her algebra all night in bed.
Dialogue: 0,0:09:28.52,0:09:34.23,Default,,0000,0000,0000,,Scholars remarked that the mathematician her beauty \Nresolved to make knowledge widespread.
Dialogue: 0,0:09:38.65,0:09:41.06,Default,,0000,0000,0000,,- That was it, yeah. That was great.\N- Okay.
Dialogue: 0,0:09:41.06,0:09:43.06,Default,,0000,0000,0000,,- Awesome.
Dialogue: 0,0:09:43.79,0:09:44.82,Default,,0000,0000,0000,,- Okay.
Dialogue: 0,0:09:46.86,0:09:52.38,Default,,0000,0000,0000,,Secretly, secretly Queen Marie Antoinette \Nstudied her algebra all night in bed.
Dialogue: 0,0:09:52.38,0:09:58.46,Default,,0000,0000,0000,,Scholars remarked that the mathematician her beauty \Nresolved to make knowledge widespread.
Dialogue: 0,0:10:00.27,0:10:04.16,Default,,0000,0000,0000,,- After we shoot this and we’ll \Nshoot that. And then we have a break.
Dialogue: 0,0:10:04.16,0:10:08.04,Default,,0000,0000,0000,,Then you guys are just going to have to hang \Nout, maybe eat another piece of pizza
Dialogue: 0,0:10:08.04,0:10:09.87,Default,,0000,0000,0000,,while I get into Sisyphus.
Dialogue: 0,0:10:09.87,0:10:12.88,Default,,0000,0000,0000,,And then we’ve got a \Ncouple more larger, wider shots. So.....
Dialogue: 0,0:10:12.88,0:10:15.65,Default,,0000,0000,0000,,- We have the baguettes, right? \N[ overlapping chatter ]\N- Oh, yes, and the baguettes.
Dialogue: 0,0:10:15.65,0:10:17.38,Default,,0000,0000,0000,,- I baguette you.
Dialogue: 0,0:10:17.38,0:10:22.92,Default,,0000,0000,0000,,- Yes, the dandy outfits, \Nyeah. So we’re doing good, but we got a lot more to go.
Dialogue: 0,0:10:22.92,0:10:26.76,Default,,0000,0000,0000,,So... [ sighs ] So stay down.
Dialogue: 0,0:10:31.69,0:10:36.84,Default,,0000,0000,0000,,[ REID KELLEY ] I love to put on makeup. \NThat’s one of my favorite parts of,
Dialogue: 0,0:10:36.84,0:10:40.100,Default,,0000,0000,0000,,of making the work, is getting \Nto, to draw the face on.
Dialogue: 0,0:10:42.24,0:10:47.28,Default,,0000,0000,0000,,My mother never wore makeup and \NI was always obsessed with it.
Dialogue: 0,0:10:49.20,0:10:51.70,Default,,0000,0000,0000,,The eyes block out everything.
Dialogue: 0,0:10:51.70,0:10:58.96,Default,,0000,0000,0000,,When I look out of the eyes, I see very little, which is great.
Dialogue: 0,0:10:58.96,0:11:07.04,Default,,0000,0000,0000,,And it’s, it’s helped me do the performance. And I don’t think I could have started performing without them.
Dialogue: 0,0:11:07.76,0:11:10.24,Default,,0000,0000,0000,,- About in the right spot?\N- Mm-hmm, looks great.
Dialogue: 0,0:11:12.46,0:11:13.36,Default,,0000,0000,0000,,- Okay.
Dialogue: 0,0:11:13.36,0:11:18.43,Default,,0000,0000,0000,,[JULIET ] What exactly is the \Ntitle? This syph....
Dialogue: 0,0:11:18.93,0:11:21.80,Default,,0000,0000,0000,,[ ALICE ] Okay, I always...Sis
Dialogue: 0,0:11:21.80,0:11:25.50,Default,,0000,0000,0000,,[JULIET ] Sisyphus, that’s right? Sisyphus.
Dialogue: 0,0:11:25.50,0:11:28.64,Default,,0000,0000,0000,,[ MICAH ] I’m guessing partially because \Nit actually rhymes with syphilis.
Dialogue: 0,0:11:28.64,0:11:30.27,Default,,0000,0000,0000,,- Syph...Syph...
Dialogue: 0,0:11:30.27,0:11:31.99,Default,,0000,0000,0000,,- The Syphilis of \NSisyphus.
Dialogue: 0,0:11:31.99,0:11:34.53,Default,,0000,0000,0000,,- No, is that right? [ chuckles ]
Dialogue: 0,0:11:34.53,0:11:39.13,Default,,0000,0000,0000,,[ REID KELLEY ] The title of the new \Nfilm is "The Syphilis of Sisyphus."
Dialogue: 0,0:11:39.13,0:11:46.20,Default,,0000,0000,0000,,Most of the, the text from this film is just kind of the extended polemical musings of this woman,
Dialogue: 0,0:11:46.20,0:11:51.10,Default,,0000,0000,0000,,this female character, Sisyphus. \NShe’s a prostitute.
Dialogue: 0,0:11:51.10,0:11:53.79,Default,,0000,0000,0000,,At the beginning we \Nkind of see her getting ready to go out
Dialogue: 0,0:11:53.79,0:11:56.88,Default,,0000,0000,0000,,and she’s doing her toilet \Nand putting on her makeup.
Dialogue: 0,0:11:57.67,0:12:02.86,Default,,0000,0000,0000,,- So now remember when she starts, \Nshe’s like not mad.
Dialogue: 0,0:12:02.86,0:12:05.87,Default,,0000,0000,0000,,- Right.\N- She’s, she’s almost sad.
Dialogue: 0,0:12:05.87,0:12:12.71,Default,,0000,0000,0000,,But she’s bitter. She’s not like sweetly sad. She’s \Nnot like resigned sad, she’s bitter sad.
Dialogue: 0,0:12:17.05,0:12:20.19,Default,,0000,0000,0000,,- Pouting sad. \N- Face right.
Dialogue: 0,0:12:20.19,0:12:23.19,Default,,0000,0000,0000,,- I can actually see my reflection \Nin the camera, it’s kind of helpful.
Dialogue: 0,0:12:23.19,0:12:27.85,Default,,0000,0000,0000,,- Yeah.\N[ indistinct speech ]
Dialogue: 0,0:12:27.85,0:12:30.84,Default,,0000,0000,0000,,- That’s so Magritte. I didn’t \Neven think of that till just now.
Dialogue: 0,0:12:30.84,0:12:32.95,Default,,0000,0000,0000,,- [ laughs ] It is.
Dialogue: 0,0:12:33.44,0:12:36.36,Default,,0000,0000,0000,,- It’s like Crazy Kat meets Magritte.
Dialogue: 0,0:12:36.36,0:12:46.80,Default,,0000,0000,0000,,Nature sold me a lie. And I’ve kept the deceit \Non my face to remind me, her falsehoods repeat
Dialogue: 0,0:12:46.80,0:12:55.52,Default,,0000,0000,0000,,like the seasons renew. Same advice every time \Nbecause nature can counsel me, nothing but crime.
Dialogue: 0,0:12:56.04,0:13:02.32,Default,,0000,0000,0000,,[ REID KELLEY ] One of the things that I love about encountering \Npaintings is looking at them over time and coming
Dialogue: 0,0:13:02.32,0:13:11.76,Default,,0000,0000,0000,,back and, and viewing it again. So when I \Nmake video works I love the idea of people
Dialogue: 0,0:13:11.76,0:13:15.64,Default,,0000,0000,0000,,coming back to them and seeing them over \Nand over.
Dialogue: 0,0:13:15.64,0:13:19.72,Default,,0000,0000,0000,,And always get something new.
Dialogue: 0,0:13:20.30,0:13:25.65,Default,,0000,0000,0000,,Her utopian swindles profess to be cures, but \Nin fact generations
Dialogue: 0,0:13:25.65,0:13:31.33,Default,,0000,0000,0000,,while smeared with manure as a young naïve milkmaid in apron and braids,
Dialogue: 0,0:13:31.33,0:13:38.64,Default,,0000,0000,0000,,I too was revolting on top of the barricades. \NPraising the rustic I fell to gourmet
Dialogue: 0,0:13:38.64,0:13:42.67,Default,,0000,0000,0000,,and my radical urges \Nwere lost due to negligee.
Dialogue: 0,0:13:43.56,0:13:50.40,Default,,0000,0000,0000,,Shamed by this lapse into luxuries error, I hid \Nmy defections till this happy mirror
Dialogue: 0,0:13:50.40,0:13:58.92,Default,,0000,0000,0000,,revealed a new cause for which Sisyphus shoulders the \Nburdens of charm crying: Make Beauty Boulder.