[Script Info] Title: [Events] Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text Dialogue: 0,0:00:00.86,0:00:04.92,Default,,0000,0000,0000,,Vincent Moon: How can we use computers, Dialogue: 0,0:00:04.92,0:00:09.46,Default,,0000,0000,0000,,cameras, microphones to represent the world Dialogue: 0,0:00:09.46,0:00:13.06,Default,,0000,0000,0000,,in an alternative way, as much as possible? Dialogue: 0,0:00:13.06,0:00:16.32,Default,,0000,0000,0000,,How, maybe, is it possible to use the Internet Dialogue: 0,0:00:16.32,0:00:20.45,Default,,0000,0000,0000,,to create a new form of cinema? Dialogue: 0,0:00:20.45,0:00:24.72,Default,,0000,0000,0000,,And actually, why do we record? Dialogue: 0,0:00:24.72,0:00:28.38,Default,,0000,0000,0000,,Well, it is with such simple questions in mind Dialogue: 0,0:00:28.38,0:00:31.94,Default,,0000,0000,0000,,that I started to make films 10 years ago, Dialogue: 0,0:00:31.94,0:00:35.42,Default,,0000,0000,0000,,first with a friend, Christophe Abric. Dialogue: 0,0:00:35.42,0:00:37.81,Default,,0000,0000,0000,,He had a website, La Blogotheque, Dialogue: 0,0:00:37.81,0:00:40.48,Default,,0000,0000,0000,,dedicated to independent music. Dialogue: 0,0:00:40.48,0:00:42.05,Default,,0000,0000,0000,,We were crazy about music. Dialogue: 0,0:00:42.05,0:00:44.87,Default,,0000,0000,0000,,We wanted to represent music in a different way, Dialogue: 0,0:00:44.87,0:00:47.36,Default,,0000,0000,0000,,to film the music we love, the musicians we admired Dialogue: 0,0:00:47.36,0:00:48.77,Default,,0000,0000,0000,,as much as possible Dialogue: 0,0:00:48.77,0:00:51.34,Default,,0000,0000,0000,,far from the music industry Dialogue: 0,0:00:51.34,0:00:53.60,Default,,0000,0000,0000,,and far from the cliches attached to it. Dialogue: 0,0:00:53.60,0:00:56.55,Default,,0000,0000,0000,,We started to publish every week Dialogue: 0,0:00:56.55,0:00:57.97,Default,,0000,0000,0000,,sessions on the Internet. Dialogue: 0,0:00:57.97,0:01:03.03,Default,,0000,0000,0000,,We are going to see a few extracts now. Dialogue: 0,0:01:05.94,0:01:09.94,Default,,0000,0000,0000,,From Grizzly Bear in the shower Dialogue: 0,0:01:09.94,0:01:14.09,Default,,0000,0000,0000,,to Sigur Ros in a Parisian cafe, Dialogue: 0,0:01:16.57,0:01:21.36,Default,,0000,0000,0000,,from Phoenix playing by the Eiffel Tower Dialogue: 0,0:01:21.36,0:01:25.28,Default,,0000,0000,0000,,to Tom Jones in his hotel room in New York, Dialogue: 0,0:01:26.60,0:01:28.71,Default,,0000,0000,0000,,from the Arcade Fire in an elevator Dialogue: 0,0:01:28.71,0:01:30.86,Default,,0000,0000,0000,,in the Olympiades Dialogue: 0,0:01:30.86,0:01:35.55,Default,,0000,0000,0000,,to Beirut going down stairs in Brooklyn, Dialogue: 0,0:01:36.49,0:01:40.09,Default,,0000,0000,0000,,from [??] in a car Dialogue: 0,0:01:40.09,0:01:42.86,Default,,0000,0000,0000,,to the National around a table at night Dialogue: 0,0:01:42.86,0:01:47.24,Default,,0000,0000,0000,,in the south of France, Dialogue: 0,0:01:47.24,0:01:49.29,Default,,0000,0000,0000,,from Bon Iver playing with some friends Dialogue: 0,0:01:49.29,0:01:52.92,Default,,0000,0000,0000,,in an apartment in Montmarte Dialogue: 0,0:01:52.92,0:01:56.78,Default,,0000,0000,0000,,to Yeasayer having a long night, Dialogue: 0,0:01:56.78,0:01:59.87,Default,,0000,0000,0000,,and many, many, many more Dialogue: 0,0:01:59.87,0:02:02.07,Default,,0000,0000,0000,,unknown or very famous bands. Dialogue: 0,0:02:02.07,0:02:05.64,Default,,0000,0000,0000,,We published all those things for free on the Internet, Dialogue: 0,0:02:05.64,0:02:08.90,Default,,0000,0000,0000,,and we wanted to share Dialogue: 0,0:02:08.90,0:02:13.80,Default,,0000,0000,0000,,all those films and represent music in a different way. Dialogue: 0,0:02:13.80,0:02:16.100,Default,,0000,0000,0000,,We wanted to create another type of intimacy Dialogue: 0,0:02:16.100,0:02:19.11,Default,,0000,0000,0000,,using all those new technologies. Dialogue: 0,0:02:19.11,0:02:21.87,Default,,0000,0000,0000,,At the time, 10 years ago actually, Dialogue: 0,0:02:21.87,0:02:24.21,Default,,0000,0000,0000,,there was no such project on the Internet, Dialogue: 0,0:02:24.21,0:02:25.87,Default,,0000,0000,0000,,and I guess that's why the project Dialogue: 0,0:02:25.87,0:02:27.75,Default,,0000,0000,0000,,we were making, the Take Away Shows, Dialogue: 0,0:02:27.75,0:02:29.45,Default,,0000,0000,0000,,got quite successful, Dialogue: 0,0:02:29.45,0:02:33.07,Default,,0000,0000,0000,,reaching millions of viewers. Dialogue: 0,0:02:33.07,0:02:36.05,Default,,0000,0000,0000,,After a while, I got a bit "Mmmm," Dialogue: 0,0:02:36.05,0:02:37.83,Default,,0000,0000,0000,,I wanted to do something else. Dialogue: 0,0:02:37.83,0:02:40.80,Default,,0000,0000,0000,,I felt the need to travel and\Nto discover some other music, Dialogue: 0,0:02:40.80,0:02:42.74,Default,,0000,0000,0000,,to explore the world, Dialogue: 0,0:02:42.74,0:02:44.52,Default,,0000,0000,0000,,going to other corners, Dialogue: 0,0:02:44.52,0:02:49.06,Default,,0000,0000,0000,,and actually it was also this idea of nomadic cinema, Dialogue: 0,0:02:49.06,0:02:50.65,Default,,0000,0000,0000,,sort of, that I had in mind. Dialogue: 0,0:02:50.65,0:02:54.67,Default,,0000,0000,0000,,How could the use of new technologies Dialogue: 0,0:02:54.67,0:02:57.53,Default,,0000,0000,0000,,and the road could fit together? Dialogue: 0,0:02:57.53,0:02:59.43,Default,,0000,0000,0000,,How could I have my films in a bus Dialogue: 0,0:02:59.43,0:03:01.47,Default,,0000,0000,0000,,crossing the Andes? Dialogue: 0,0:03:01.47,0:03:05.32,Default,,0000,0000,0000,,So I went on a five-year travels around the globe. Dialogue: 0,0:03:05.32,0:03:07.27,Default,,0000,0000,0000,,I started at the time in the [???] filming Dialogue: 0,0:03:07.27,0:03:10.38,Default,,0000,0000,0000,,my music le bon Collection Petites Planètes, Dialogue: 0,0:03:10.38,0:03:13.90,Default,,0000,0000,0000,,which was also an homage to\NFrench filmmaker Chris Marker. Dialogue: 0,0:03:13.90,0:03:16.37,Default,,0000,0000,0000,,We're going to see now a few more extracts Dialogue: 0,0:03:16.37,0:03:19.18,Default,,0000,0000,0000,,of those new films. Dialogue: 0,0:03:23.36,0:03:31.32,Default,,0000,0000,0000,,From the Tecnobrega diva of\Nnorthern Brazil, Gaby Amarantos Dialogue: 0,0:03:32.90,0:03:35.67,Default,,0000,0000,0000,,to a female ensemble in Chechnya, Dialogue: 0,0:03:39.24,0:03:41.74,Default,,0000,0000,0000,,from experimental electronic music in Singapore Dialogue: 0,0:03:41.74,0:03:44.40,Default,,0000,0000,0000,,with One Man Nation Dialogue: 0,0:03:46.37,0:03:52.32,Default,,0000,0000,0000,,to Brazilian [???] Tom Zé singing\Non his rooftop in Sao Paolo, Dialogue: 0,0:03:54.67,0:04:00.26,Default,,0000,0000,0000,,from the Bambir, the great rock band from Armenia Dialogue: 0,0:04:00.26,0:04:02.30,Default,,0000,0000,0000,,to some traditional songs Dialogue: 0,0:04:02.30,0:04:06.11,Default,,0000,0000,0000,,in the restaurant in Tbilisi, Georgia, Dialogue: 0,0:04:08.32,0:04:10.11,Default,,0000,0000,0000,,from the White Shoes, Dialogue: 0,0:04:10.11,0:04:14.32,Default,,0000,0000,0000,,a great [??] band from Jakarta, Indonesia Dialogue: 0,0:04:14.32,0:04:18.83,Default,,0000,0000,0000,,to Dakha Brakha, the revolutionary band Dialogue: 0,0:04:18.83,0:04:21.63,Default,,0000,0000,0000,,from Kiev, Ukraine, Dialogue: 0,0:04:22.32,0:04:24.09,Default,,0000,0000,0000,,from Tomi Lebrero Dialogue: 0,0:04:24.09,0:04:28.14,Default,,0000,0000,0000,,and his band and his friends\Nin Buenos Aires, Argentina, Dialogue: 0,0:04:28.14,0:04:30.74,Default,,0000,0000,0000,,to many other places Dialogue: 0,0:04:30.74,0:04:33.41,Default,,0000,0000,0000,,and musicians around the world. Dialogue: 0,0:04:33.41,0:04:36.38,Default,,0000,0000,0000,,My desire was to make it as a truck. Dialogue: 0,0:04:36.38,0:04:38.15,Default,,0000,0000,0000,,To do all those films, Dialogue: 0,0:04:38.15,0:04:39.78,Default,,0000,0000,0000,,it would have been impossible Dialogue: 0,0:04:39.78,0:04:41.23,Default,,0000,0000,0000,,with a big company behind me, Dialogue: 0,0:04:41.23,0:04:42.91,Default,,0000,0000,0000,,with a structure or anything. Dialogue: 0,0:04:42.91,0:04:45.71,Default,,0000,0000,0000,,I was traveling alone with a backpack: Dialogue: 0,0:04:45.71,0:04:48.08,Default,,0000,0000,0000,,computer camera, microphones in it. Dialogue: 0,0:04:48.08,0:04:50.96,Default,,0000,0000,0000,,Alone, actually, but just with just local people, Dialogue: 0,0:04:50.96,0:04:53.80,Default,,0000,0000,0000,,meeting my team, which was absolutely not Dialogue: 0,0:04:53.80,0:04:57.72,Default,,0000,0000,0000,,professional people, on the spot there, Dialogue: 0,0:04:57.72,0:04:59.98,Default,,0000,0000,0000,,going from one place to another Dialogue: 0,0:04:59.98,0:05:01.46,Default,,0000,0000,0000,,and to make cinema as a truck. Dialogue: 0,0:05:01.46,0:05:03.82,Default,,0000,0000,0000,,I really believed that cinema could be Dialogue: 0,0:05:03.82,0:05:06.76,Default,,0000,0000,0000,,this very simple thing. Dialogue: 0,0:05:06.76,0:05:09.41,Default,,0000,0000,0000,,I want to make a film and you're going to give me Dialogue: 0,0:05:09.41,0:05:11.34,Default,,0000,0000,0000,,a place to stay for the night. Dialogue: 0,0:05:11.34,0:05:13.14,Default,,0000,0000,0000,,I give you a moment of cinema Dialogue: 0,0:05:13.14,0:05:16.36,Default,,0000,0000,0000,,and you offer me a [???]. Dialogue: 0,0:05:16.36,0:05:20.39,Default,,0000,0000,0000,,Well, or other drinks, depending on where you are. Dialogue: 0,0:05:20.39,0:05:24.44,Default,,0000,0000,0000,,In Peru, they drink pisco sour. Dialogue: 0,0:05:24.44,0:05:29.33,Default,,0000,0000,0000,,Oh, well, when I arrived in Peru, actually, Dialogue: 0,0:05:29.33,0:05:31.81,Default,,0000,0000,0000,,I had no idea Dialogue: 0,0:05:31.81,0:05:34.40,Default,,0000,0000,0000,,about what I would do there, Dialogue: 0,0:05:34.40,0:05:41.57,Default,,0000,0000,0000,,and I just had one phone number, actually, Dialogue: 0,0:05:41.57,0:05:43.28,Default,,0000,0000,0000,,of one person. Dialogue: 0,0:05:43.28,0:05:44.94,Default,,0000,0000,0000,,Three months later, Dialogue: 0,0:05:44.94,0:05:46.80,Default,,0000,0000,0000,,after traveling all around the country, I had recorded Dialogue: 0,0:05:46.80,0:05:51.96,Default,,0000,0000,0000,,33 films, only with the help of local people, Dialogue: 0,0:05:51.96,0:05:54.22,Default,,0000,0000,0000,,only with the help of people Dialogue: 0,0:05:54.22,0:05:56.47,Default,,0000,0000,0000,,that I was asking all the time the same question: Dialogue: 0,0:05:56.47,0:05:58.67,Default,,0000,0000,0000,,what is important to record Dialogue: 0,0:05:58.67,0:06:01.90,Default,,0000,0000,0000,,here today? Dialogue: 0,0:06:01.90,0:06:03.34,Default,,0000,0000,0000,,By living in such a way, Dialogue: 0,0:06:03.34,0:06:06.17,Default,,0000,0000,0000,,by working without any structure, Dialogue: 0,0:06:06.17,0:06:11.80,Default,,0000,0000,0000,,I was able to react to the moment Dialogue: 0,0:06:11.80,0:06:15.02,Default,,0000,0000,0000,,and to decide, oh, this is important to make now. Dialogue: 0,0:06:15.02,0:06:17.15,Default,,0000,0000,0000,,This is important to record that whole person. Dialogue: 0,0:06:17.15,0:06:21.17,Default,,0000,0000,0000,,This is important to create this exchange. Dialogue: 0,0:06:21.17,0:06:24.00,Default,,0000,0000,0000,,When I went to Chechnya, Dialogue: 0,0:06:24.00,0:06:28.66,Default,,0000,0000,0000,,the first person I met looked at me and was like, Dialogue: 0,0:06:28.66,0:06:30.73,Default,,0000,0000,0000,,"What are you doing here? Dialogue: 0,0:06:30.73,0:06:33.73,Default,,0000,0000,0000,,Are you a journalist? NGO? Politics? Dialogue: 0,0:06:33.73,0:06:36.87,Default,,0000,0000,0000,,What kind of problems are you going to study?" Dialogue: 0,0:06:36.87,0:06:39.48,Default,,0000,0000,0000,,Well, I was there to research Dialogue: 0,0:06:39.48,0:06:42.44,Default,,0000,0000,0000,,on Sufi rituals in Chechnya, actually, Dialogue: 0,0:06:42.44,0:06:45.52,Default,,0000,0000,0000,,incredible culture of Sufism in Chechnya, Dialogue: 0,0:06:45.52,0:06:51.63,Default,,0000,0000,0000,,which is absolutely unknown outside of the region. Dialogue: 0,0:06:51.63,0:06:53.27,Default,,0000,0000,0000,,As soon as people understood Dialogue: 0,0:06:53.27,0:06:55.34,Default,,0000,0000,0000,,that I would give them those films, Dialogue: 0,0:06:55.34,0:06:57.95,Default,,0000,0000,0000,,I would publish them online for free\Nunder a creative commons license, Dialogue: 0,0:06:57.95,0:06:59.96,Default,,0000,0000,0000,,but I would also really give them to the people Dialogue: 0,0:06:59.96,0:07:01.96,Default,,0000,0000,0000,,and I would let them do what they want with it. Dialogue: 0,0:07:01.96,0:07:04.06,Default,,0000,0000,0000,,I just want to represent them under a beautiful light. Dialogue: 0,0:07:04.06,0:07:06.38,Default,,0000,0000,0000,,I just want to portray them in a way that Dialogue: 0,0:07:06.38,0:07:08.91,Default,,0000,0000,0000,,their grandchildren are going\Nto look at their grandfather, Dialogue: 0,0:07:08.91,0:07:11.20,Default,,0000,0000,0000,,and they're going to be like, Dialogue: 0,0:07:11.20,0:07:16.29,Default,,0000,0000,0000,,"Whoa, my grandfather is as cool as Beyoncé." Dialogue: 0,0:07:16.29,0:07:18.14,Default,,0000,0000,0000,,It's a really important thing. Dialogue: 0,0:07:18.14,0:07:21.64,Default,,0000,0000,0000,,(Applause) Dialogue: 0,0:07:21.64,0:07:22.95,Default,,0000,0000,0000,,It's really important, Dialogue: 0,0:07:22.95,0:07:24.81,Default,,0000,0000,0000,,because that's the way Dialogue: 0,0:07:24.81,0:07:27.04,Default,,0000,0000,0000,,people are going to look at their own culture, Dialogue: 0,0:07:27.04,0:07:28.45,Default,,0000,0000,0000,,at their own land. Dialogue: 0,0:07:28.45,0:07:30.61,Default,,0000,0000,0000,,They're going to think about it differently. Dialogue: 0,0:07:30.61,0:07:35.71,Default,,0000,0000,0000,,It may be a way to maintain a certain diversity. Dialogue: 0,0:07:37.96,0:07:40.55,Default,,0000,0000,0000,,Why you will record? Dialogue: 0,0:07:40.55,0:07:42.71,Default,,0000,0000,0000,,Hmm. There's a really good quote Dialogue: 0,0:07:42.71,0:07:44.63,Default,,0000,0000,0000,,by American thinker Hakim Bey Dialogue: 0,0:07:44.63,0:07:48.03,Default,,0000,0000,0000,,which says, "Every recording Dialogue: 0,0:07:48.03,0:07:52.23,Default,,0000,0000,0000,,is a tombstone of a live performance." Dialogue: 0,0:07:52.23,0:07:55.24,Default,,0000,0000,0000,,It's a really good sentence to keep in mind Dialogue: 0,0:07:55.24,0:07:59.27,Default,,0000,0000,0000,,nowadays in an era saturated by images. Dialogue: 0,0:07:59.27,0:08:03.25,Default,,0000,0000,0000,,What's the point of that? Where do we go with it? Dialogue: 0,0:08:03.25,0:08:06.07,Default,,0000,0000,0000,,I was researching. I was still keeping this idea Dialogue: 0,0:08:06.07,0:08:09.42,Default,,0000,0000,0000,,in mind: what's the point? Dialogue: 0,0:08:09.42,0:08:11.30,Default,,0000,0000,0000,,I was researching on music, trying to pull, Dialogue: 0,0:08:11.30,0:08:14.17,Default,,0000,0000,0000,,trying to get closer to a certain origin of it. Dialogue: 0,0:08:14.17,0:08:16.37,Default,,0000,0000,0000,,Where is this all coming from? Dialogue: 0,0:08:16.37,0:08:18.72,Default,,0000,0000,0000,,I am French. I had no idea about Dialogue: 0,0:08:18.72,0:08:21.42,Default,,0000,0000,0000,,what I would discover, which is a very simple thing: Dialogue: 0,0:08:21.42,0:08:23.95,Default,,0000,0000,0000,,everything was sacred, at first, Dialogue: 0,0:08:23.95,0:08:27.37,Default,,0000,0000,0000,,and music was spiritual healing. Dialogue: 0,0:08:29.47,0:08:33.13,Default,,0000,0000,0000,,How could I use my camera, Dialogue: 0,0:08:33.13,0:08:37.58,Default,,0000,0000,0000,,my little tool, to get closer Dialogue: 0,0:08:37.58,0:08:39.70,Default,,0000,0000,0000,,and maybe not only capture the trends Dialogue: 0,0:08:39.70,0:08:45.50,Default,,0000,0000,0000,,but find an equivalent, the [???], maybe, Dialogue: 0,0:08:45.50,0:08:48.59,Default,,0000,0000,0000,,something in complete harmony Dialogue: 0,0:08:48.59,0:08:50.82,Default,,0000,0000,0000,,with the people? Dialogue: 0,0:08:50.82,0:08:52.91,Default,,0000,0000,0000,,That was, that is now, Dialogue: 0,0:08:52.91,0:08:55.21,Default,,0000,0000,0000,,my new researches I'm making Dialogue: 0,0:08:55.21,0:09:00.18,Default,,0000,0000,0000,,on spirituality, on new spirits around the world. Dialogue: 0,0:09:00.18,0:09:03.38,Default,,0000,0000,0000,,Maybe a few more extracts now, Dialogue: 0,0:09:07.91,0:09:12.69,Default,,0000,0000,0000,,from the Aluk To Raja funeral ritual in Indonesia Dialogue: 0,0:09:17.13,0:09:20.64,Default,,0000,0000,0000,,to an Easter ceremony in the north of Ethiopia; Dialogue: 0,0:09:23.63,0:09:26.20,Default,,0000,0000,0000,,from jathilan, a popular trance ritual Dialogue: 0,0:09:26.20,0:09:29.30,Default,,0000,0000,0000,,on the island of Java, Dialogue: 0,0:09:30.99,0:09:35.72,Default,,0000,0000,0000,,to an Umbanda in the north of Brazil; Dialogue: 0,0:09:38.58,0:09:43.36,Default,,0000,0000,0000,,the Sufi rituals of Chechnya Dialogue: 0,0:09:45.39,0:09:50.67,Default,,0000,0000,0000,,to a mass in the holiest church of Armenia, Dialogue: 0,0:09:54.85,0:09:56.69,Default,,0000,0000,0000,,some Sufi songs in Harar, Dialogue: 0,0:09:56.69,0:10:00.38,Default,,0000,0000,0000,,the holy city of Ethiopia Dialogue: 0,0:10:02.10,0:10:04.59,Default,,0000,0000,0000,,to an Ayahuasca ceremony Dialogue: 0,0:10:04.59,0:10:08.40,Default,,0000,0000,0000,,deep in the Amazon of Peru with the Shipibo; Dialogue: 0,0:10:11.100,0:10:14.12,Default,,0000,0000,0000,,then to my new project, the one I'm doing now, Dialogue: 0,0:10:14.12,0:10:15.80,Default,,0000,0000,0000,,here in Brazil name "Híbridos." Dialogue: 0,0:10:15.80,0:10:18.37,Default,,0000,0000,0000,,I'm doing it with Priscilla Telmon of [East Reach?] Dialogue: 0,0:10:18.37,0:10:22.55,Default,,0000,0000,0000,,on the new spiritualities all around the country. Dialogue: 0,0:10:22.55,0:10:25.64,Default,,0000,0000,0000,,This is my quest, my own little quest of what I call Dialogue: 0,0:10:25.64,0:10:28.42,Default,,0000,0000,0000,,experimental ethnography, Dialogue: 0,0:10:28.42,0:10:31.32,Default,,0000,0000,0000,,trying to Dialogue: 0,0:10:32.92,0:10:36.77,Default,,0000,0000,0000,,hybrid all those different genres, Dialogue: 0,0:10:36.77,0:10:39.68,Default,,0000,0000,0000,,trying to regain itself in complexity. Dialogue: 0,0:10:41.76,0:10:44.08,Default,,0000,0000,0000,,Why do we record? Dialogue: 0,0:10:44.08,0:10:46.68,Default,,0000,0000,0000,,I was still there. Dialogue: 0,0:10:46.68,0:10:50.49,Default,,0000,0000,0000,,I really believe cinema teaches us to see. Dialogue: 0,0:10:50.49,0:10:52.04,Default,,0000,0000,0000,,The way we show the world Dialogue: 0,0:10:52.04,0:10:56.58,Default,,0000,0000,0000,,is going to change the way we see this world, Dialogue: 0,0:10:56.58,0:10:58.29,Default,,0000,0000,0000,,and we live in a moment where the mass media Dialogue: 0,0:10:58.29,0:11:00.90,Default,,0000,0000,0000,,are doing a terrible, terrible job Dialogue: 0,0:11:00.90,0:11:03.13,Default,,0000,0000,0000,,at representing the world: Dialogue: 0,0:11:03.13,0:11:07.16,Default,,0000,0000,0000,,violence, extremists, Dialogue: 0,0:11:07.16,0:11:09.31,Default,,0000,0000,0000,,only spectacular events, Dialogue: 0,0:11:09.31,0:11:11.54,Default,,0000,0000,0000,,only simplifications of everyday life. Dialogue: 0,0:11:11.54,0:11:13.67,Default,,0000,0000,0000,,I think we are recording Dialogue: 0,0:11:13.67,0:11:17.25,Default,,0000,0000,0000,,to regain a certain complexity. Dialogue: 0,0:11:17.25,0:11:21.67,Default,,0000,0000,0000,,To reinvent life today, Dialogue: 0,0:11:21.67,0:11:26.20,Default,,0000,0000,0000,,we have to make new forms of images. Dialogue: 0,0:11:26.57,0:11:28.38,Default,,0000,0000,0000,,And it's very simple. Dialogue: 0,0:11:28.38,0:11:31.06,Default,,0000,0000,0000,,Muito obrigado. Dialogue: 0,0:11:31.06,0:11:35.16,Default,,0000,0000,0000,,(Applause) Dialogue: 0,0:11:42.20,0:11:45.26,Default,,0000,0000,0000,,Moderator: Vincent, Vincent, Vincent. Dialogue: 0,0:11:45.26,0:11:48.30,Default,,0000,0000,0000,,Merci. We have to prepare for\Nthe following performance, Dialogue: 0,0:11:48.30,0:11:50.89,Default,,0000,0000,0000,,and I have a question for you,\Nand the question is this: Dialogue: 0,0:11:50.89,0:11:54.06,Default,,0000,0000,0000,,you show up in places like the ones you just Dialogue: 0,0:11:54.06,0:11:56.67,Default,,0000,0000,0000,,have shown us, and you are carrying a camera Dialogue: 0,0:11:56.67,0:11:59.31,Default,,0000,0000,0000,,and I assume that you are welcome Dialogue: 0,0:11:59.31,0:12:02.06,Default,,0000,0000,0000,,but you are not always absolutely welcome. Dialogue: 0,0:12:02.06,0:12:04.63,Default,,0000,0000,0000,,You walk into sacred rituals, Dialogue: 0,0:12:04.63,0:12:08.47,Default,,0000,0000,0000,,private moments in a village, a town, Dialogue: 0,0:12:08.47,0:12:11.09,Default,,0000,0000,0000,,a group of people. Dialogue: 0,0:12:11.09,0:12:12.58,Default,,0000,0000,0000,,How do you break the barrier Dialogue: 0,0:12:12.58,0:12:14.86,Default,,0000,0000,0000,,when you show up with a lens? Dialogue: 0,0:12:18.22,0:12:20.60,Default,,0000,0000,0000,,VM: I think you break it with your body, Dialogue: 0,0:12:20.60,0:12:23.24,Default,,0000,0000,0000,,more than with your knowledge. Dialogue: 0,0:12:23.24,0:12:25.61,Default,,0000,0000,0000,,That's what it teaches me to travel, Dialogue: 0,0:12:25.61,0:12:27.97,Default,,0000,0000,0000,,to trust the memory of the body Dialogue: 0,0:12:27.97,0:12:30.41,Default,,0000,0000,0000,,more than the memory of the brain. Dialogue: 0,0:12:30.41,0:12:33.40,Default,,0000,0000,0000,,The respect is stepping forward, Dialogue: 0,0:12:33.40,0:12:36.24,Default,,0000,0000,0000,,not stepping backward, and I really think that Dialogue: 0,0:12:36.24,0:12:39.08,Default,,0000,0000,0000,,by engaging your body in the\Nmoment, in the ceremony, Dialogue: 0,0:12:39.08,0:12:41.55,Default,,0000,0000,0000,,in the places, people welcome you Dialogue: 0,0:12:41.55,0:12:43.24,Default,,0000,0000,0000,,and understand your energy. Dialogue: 0,0:12:43.24,0:12:45.04,Default,,0000,0000,0000,,Moderator: You told me that most of the videos Dialogue: 0,0:12:45.04,0:12:47.57,Default,,0000,0000,0000,,you have made are actually one single shot. Dialogue: 0,0:12:47.57,0:12:49.18,Default,,0000,0000,0000,,You don't do much editing. Dialogue: 0,0:12:49.18,0:12:50.92,Default,,0000,0000,0000,,I mean, you edited the ones for us Dialogue: 0,0:12:50.92,0:12:53.49,Default,,0000,0000,0000,,at the beginning of the sessions\Nbecause of the length and etc. Dialogue: 0,0:12:53.49,0:12:55.26,Default,,0000,0000,0000,,Otherwise, you just go in and Dialogue: 0,0:12:55.26,0:12:57.12,Default,,0000,0000,0000,,capture whatever happens in front of your eyes Dialogue: 0,0:12:57.12,0:12:59.85,Default,,0000,0000,0000,,without much planning, and so is that the case? Dialogue: 0,0:12:59.85,0:13:01.59,Default,,0000,0000,0000,,It's correct? Dialogue: 0,0:13:01.59,0:13:03.59,Default,,0000,0000,0000,,VM: My idea is that I think that Dialogue: 0,0:13:03.59,0:13:07.61,Default,,0000,0000,0000,,as long as we don't cut, Dialogue: 0,0:13:07.61,0:13:10.72,Default,,0000,0000,0000,,as long as we let the viewer watch, Dialogue: 0,0:13:10.72,0:13:13.69,Default,,0000,0000,0000,,more and more viewers are going to feel closer, Dialogue: 0,0:13:13.69,0:13:16.50,Default,,0000,0000,0000,,is going to get closer to the moment, Dialogue: 0,0:13:16.50,0:13:20.34,Default,,0000,0000,0000,,to that moment and to that place. Dialogue: 0,0:13:20.34,0:13:23.87,Default,,0000,0000,0000,,I really think that's a matter of respecting the viewer, Dialogue: 0,0:13:23.87,0:13:27.58,Default,,0000,0000,0000,,to not cut all the time from one place to another, Dialogue: 0,0:13:27.58,0:13:29.86,Default,,0000,0000,0000,,to just let the time go. Dialogue: 0,0:13:29.86,0:13:31.53,Default,,0000,0000,0000,,Moderator: Tell me in a few words Dialogue: 0,0:13:31.53,0:13:33.28,Default,,0000,0000,0000,,your new project, "Híbridos," here in Brazil. Dialogue: 0,0:13:33.28,0:13:35.33,Default,,0000,0000,0000,,Just before coming to TEDGlobal, you have actually Dialogue: 0,0:13:35.33,0:13:37.33,Default,,0000,0000,0000,,been traveling around the country for that. Dialogue: 0,0:13:37.33,0:13:39.16,Default,,0000,0000,0000,,Tell us a couple of things. Dialogue: 0,0:13:39.16,0:13:41.48,Default,,0000,0000,0000,,VM: "Híbridos" is, I really believe Brazil, Dialogue: 0,0:13:41.48,0:13:45.66,Default,,0000,0000,0000,,far from the cliches, is the greatest\Nreligious country in the world, Dialogue: 0,0:13:45.66,0:13:48.50,Default,,0000,0000,0000,,the greatest country in terms of spirituality Dialogue: 0,0:13:48.50,0:13:51.54,Default,,0000,0000,0000,,and in experimentations in spiritualities, Dialogue: 0,0:13:51.54,0:13:54.92,Default,,0000,0000,0000,,and it's a big project I'm doing over this year, Dialogue: 0,0:13:54.92,0:13:59.74,Default,,0000,0000,0000,,which is researching in very\Ndifferent regions of Brazil, Dialogue: 0,0:13:59.74,0:14:02.05,Default,,0000,0000,0000,,in very different forms of [???] Dialogue: 0,0:14:02.05,0:14:03.65,Default,,0000,0000,0000,,and trying to understand how people live together Dialogue: 0,0:14:03.65,0:14:04.95,Default,,0000,0000,0000,,with spirituality nowadays. Dialogue: 0,0:14:04.95,0:14:06.63,Default,,0000,0000,0000,,Moderator: The man who is going Dialogue: 0,0:14:06.63,0:14:08.51,Default,,0000,0000,0000,,to appear onstage momentarily, Dialogue: 0,0:14:08.51,0:14:10.41,Default,,0000,0000,0000,,and Vincent's going to introduce him, Dialogue: 0,0:14:10.41,0:14:13.85,Default,,0000,0000,0000,,is one of the subjects of one of his past videos. Dialogue: 0,0:14:13.85,0:14:15.72,Default,,0000,0000,0000,,When did you do a video with him? Dialogue: 0,0:14:15.72,0:14:18.27,Default,,0000,0000,0000,,VM: I guess four years ago, Dialogue: 0,0:14:18.27,0:14:20.76,Default,,0000,0000,0000,,four years in my first travel. Dialogue: 0,0:14:20.76,0:14:22.51,Default,,0000,0000,0000,,Moderator: So it was one of your first Dialogue: 0,0:14:22.51,0:14:23.92,Default,,0000,0000,0000,,ones in Brazil. Dialogue: 0,0:14:23.92,0:14:25.94,Default,,0000,0000,0000,,VM: It was amongst the first ones in Brazil, yeah. Dialogue: 0,0:14:25.94,0:14:27.62,Default,,0000,0000,0000,,I shot the film and the rest of it Dialogue: 0,0:14:27.62,0:14:29.69,Default,,0000,0000,0000,,in the place where he is from. Dialogue: 0,0:14:29.69,0:14:31.06,Default,,0000,0000,0000,,Moderator: So let's introduce him. Dialogue: 0,0:14:31.06,0:14:32.85,Default,,0000,0000,0000,,Who are we waiting for? Dialogue: 0,0:14:32.85,0:14:35.10,Default,,0000,0000,0000,,VM: I'll just make it very short. It's a very great honor Dialogue: 0,0:14:35.10,0:14:37.14,Default,,0000,0000,0000,,for me to welcome onstage one of the greatest Dialogue: 0,0:14:37.14,0:14:39.30,Default,,0000,0000,0000,,Brazilian musicians of all time. Dialogue: 0,0:14:39.30,0:14:41.64,Default,,0000,0000,0000,,Please welcome Nana Vasconcelos. Dialogue: 0,0:14:41.64,0:14:43.56,Default,,0000,0000,0000,,Moderator: Nana Vasconcelos! Dialogue: 0,0:14:43.56,0:14:47.96,Default,,0000,0000,0000,,(Applause) Dialogue: 0,0:14:50.56,0:14:57.31,Default,,0000,0000,0000,,(Music) Dialogue: 0,0:19:07.66,0:19:11.82,Default,,0000,0000,0000,,Nana Vasconcelos: Let's go to the jungle. Dialogue: 0,0:23:47.64,0:23:51.64,Default,,0000,0000,0000,,(Applause)