0:00:00.000,0:00:03.582 Gentleman open your texts[br]to page 21 of the introduction 0:00:04.239,0:00:07.962 Mr. Perry, would you read the opening [br]paragraph of the preface[br] 0:00:08.589,0:00:10.450 entitled understanding poetry 0:00:11.418,0:00:15.777 Understanding Poetry by [br]Dr. J. Evans Pritchard, PhD 0:00:16.370,0:00:19.534 Before we understand poetry[br]we must first be fluent with 0:00:19.534,0:00:22.971 its meter, rhyme and figures of speech, [br]then ask two questions, 0:00:24.089,0:00:26.718 One, how artfully has the objective [br]of the poem been rendered 0:00:27.136,0:00:29.399 and two, how important is that objective. 0:00:29.518,0:00:34.145 Question one rates the poem's perfection[br]question two rates its importance. 0:00:34.561,0:00:38.017 And once these questions have been answered,[br]determining the poem's greatness 0:00:38.404,0:00:40.113 becomes a relatively simple matter. 0:00:40.841,0:00:44.230 If the poem's score for perfection[br]is plotted on the horizontal of the graph 0:00:44.862,0:00:47.423 and its importance [br]is plotted on the vertical, 0:00:47.913,0:00:54.610 then calculating the total area of the [br]poem yields the measure of its greatness 0:00:57.987,0:01:05.641 A sonnet by Byron might score high on the [br]vertical, but only average on the horizontal 0:01:06.480,0:01:08.262 A Shakesperian sonnet, on the other hand, 0:01:08.294,0:01:11.200 would score high both [br]horizontally and vertically 0:01:11.772,0:01:17.956 yielding a massive total area, thereby[br]revealing the poem to be truly great. 0:01:19.053,0:01:21.276 As you can see through the [br]poetry in this book, 0:01:21.712,0:01:26.200 practice this rating method. As your ability[br]to evaluate poems in this manner grows, 0:01:27.138,0:01:30.558 so will your enjoyment [br]and understanding of poetry. 0:01:36.657,0:01:38.762 Excrement.[br](dramatic pause) 0:01:39.919,0:01:42.489 That's what I think of [br]Mr. J. Evans Prichard. 0:01:43.377,0:01:45.685 We're not laying pipe, [br]we're talking about poetry. 0:01:46.138,0:01:49.302 How can you describe poetry [br]like American Band Stand? 0:01:49.302,0:01:53.093 Well, I like Byron, I give him a 42, [br]but I can't dance to it. (laughter) 0:01:53.788,0:01:56.092 Now I want you to rip out that page. 0:01:57.917,0:02:06.100 Go on, rip out the entire page.[br]You heard me, rip it out. 0:02:06.505,0:02:08.748 RIP IT OUT! 0:02:09.090,0:02:13.766 Go on, rip it out![br]Thank you Mr. Dalton. 0:02:14.380,0:02:15.710 Gentleman, I'll tell you what 0:02:15.710,0:02:18.609 don't just rip out that page, [br]tear out the entire introduction. 0:02:18.735,0:02:21.700 I want it gone, history[br]leave nothing of it. 0:02:22.157,0:02:23.545 Rip it Out, RIP! [br](sounds of paper ripping) 0:02:23.585,0:02:28.365 Be gone J. Evans Pritchard, PhD. [br]Rip, shred, tear, rip it out! 0:02:29.195,0:02:31.924 I want to hear nothing but ripping [br]of Mr. Pritchard. 0:02:32.324,0:02:34.732 We'll perforate it, put it on a roll.[br] 0:02:34.832,0:02:36.558 It's not the bible, [br]you're not going to go to hell for this. 0:02:36.999,0:02:39.418 (sound of paper ripping and laughter) 0:02:39.618,0:02:42.947 Make a clean tear, [br]I want nothing left of this. 0:02:43.593,0:02:45.866 (whispering) We shouldn't be doing this 0:02:45.866,0:02:47.495 Rip! Rip! 0:02:48.081,0:02:49.106 Rip it Out! Rip![br] 0:02:49.146,0:03:01.671 (sound of ripping paper) 0:03:02.211,0:03:05.027 What the hell is going on here![br](paper ripping stops) 0:03:06.017,0:03:08.245 I don't hear enough rips! 0:03:08.725,0:03:11.841 - Mr. Keating[br]- Mr. McAllister 0:03:11.841,0:03:13.627 (dramatic pause) 0:03:13.665,0:03:17.625 I'm sorry I, I didn't know you were here. 0:03:17.695,0:03:24.849 - I am.[br]- Well, so you are. Excuse me. 0:03:26.501,0:03:28.893 Keep ripping gentleman! 0:03:29.223,0:03:32.428 This is a battle, a war, [br]and the casualties could...