[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:00.00,0:00:05.39,Default,,0000,0000,0000,,
Dialogue: 0,0:00:05.39,0:00:06.75,Default,,0000,0000,0000,,CHRIS: Hi, I'm Chris.
Dialogue: 0,0:00:06.75,0:00:09.84,Default,,0000,0000,0000,,I'm an editor and a DaVinci\NResolve master trainer.
Dialogue: 0,0:00:09.84,0:00:12.80,Default,,0000,0000,0000,,Today I'm going to look at some\Nof the editing functionality
Dialogue: 0,0:00:12.80,0:00:15.24,Default,,0000,0000,0000,,that you can access\Nin DaVinci Resolve.
Dialogue: 0,0:00:15.24,0:00:17.24,Default,,0000,0000,0000,,We've been sent some\Nfootage to put together
Dialogue: 0,0:00:17.24,0:00:19.31,Default,,0000,0000,0000,,a short trailer for\Na documentary film
Dialogue: 0,0:00:19.31,0:00:21.30,Default,,0000,0000,0000,,by the filmmaker\NBrian Terwilliger,
Dialogue: 0,0:00:21.30,0:00:23.42,Default,,0000,0000,0000,,and so to do that,\Nwe're going to start
Dialogue: 0,0:00:23.42,0:00:25.34,Default,,0000,0000,0000,,by creating a new project.
Dialogue: 0,0:00:25.34,0:00:27.32,Default,,0000,0000,0000,,So here I am in the\Nproject manager.
Dialogue: 0,0:00:27.32,0:00:29.03,Default,,0000,0000,0000,,I'll just click on\Nthe New Project button
Dialogue: 0,0:00:29.03,0:00:32.00,Default,,0000,0000,0000,,to create that and give\Nthis project a name.
Dialogue: 0,0:00:32.00,0:00:34.33,Default,,0000,0000,0000,,Age of Airplanes Trailer.
Dialogue: 0,0:00:34.33,0:00:36.89,Default,,0000,0000,0000,,
Dialogue: 0,0:00:36.89,0:00:40.88,Default,,0000,0000,0000,,Choose to create,\Nand DaVinci Resolve
Dialogue: 0,0:00:40.88,0:00:42.81,Default,,0000,0000,0000,,opens directly in the Cut page.
Dialogue: 0,0:00:42.81,0:00:46.46,Default,,0000,0000,0000,,Now the best place for me to\Ndo importing and organization
Dialogue: 0,0:00:46.46,0:00:49.35,Default,,0000,0000,0000,,is actually in the\NMedia page, so down
Dialogue: 0,0:00:49.35,0:00:50.85,Default,,0000,0000,0000,,at the bottom of\Nthe interface here,
Dialogue: 0,0:00:50.85,0:00:52.79,Default,,0000,0000,0000,,just click on the Media page.
Dialogue: 0,0:00:52.79,0:00:55.05,Default,,0000,0000,0000,,Now in the top left\Nof the media page,
Dialogue: 0,0:00:55.05,0:00:58.38,Default,,0000,0000,0000,,it gives me access to all of\Nmy system storage locations,
Dialogue: 0,0:00:58.38,0:01:01.80,Default,,0000,0000,0000,,so I'm just going to right\Nclick here in the side
Dialogue: 0,0:01:01.80,0:01:03.92,Default,,0000,0000,0000,,and choose Add New Location.
Dialogue: 0,0:01:03.92,0:01:07.02,Default,,0000,0000,0000,,
Dialogue: 0,0:01:07.02,0:01:10.03,Default,,0000,0000,0000,,I'm going to navigate to the\Nlocation where my footage is.
Dialogue: 0,0:01:10.03,0:01:13.20,Default,,0000,0000,0000,,In this case, it's actually\Nin my Documents folder.
Dialogue: 0,0:01:13.20,0:01:15.84,Default,,0000,0000,0000,,Go to the editing\Nfolder and then choose
Dialogue: 0,0:01:15.84,0:01:19.68,Default,,0000,0000,0000,,Open, and that creates a\Nnew storage location for me
Dialogue: 0,0:01:19.68,0:01:22.47,Default,,0000,0000,0000,,to access here.
Dialogue: 0,0:01:22.47,0:01:25.05,Default,,0000,0000,0000,,Now, the video and the audio\Nclips that have been sent to me
Dialogue: 0,0:01:25.05,0:01:26.98,Default,,0000,0000,0000,,are actually in\Nseparate folders,
Dialogue: 0,0:01:26.98,0:01:29.70,Default,,0000,0000,0000,,and to a certain extent, I\Nwant to preserve that folder
Dialogue: 0,0:01:29.70,0:01:32.98,Default,,0000,0000,0000,,structure, so when I import\Nthe footage into Resolve,
Dialogue: 0,0:01:32.98,0:01:37.32,Default,,0000,0000,0000,,I actually want to import and\Nalso to create a series of bins.
Dialogue: 0,0:01:37.32,0:01:42.16,Default,,0000,0000,0000,,Simply select these two folders\Nin the media storage location,
Dialogue: 0,0:01:42.16,0:01:46.50,Default,,0000,0000,0000,,right click, and then choose the\Nthird option, which in this case
Dialogue: 0,0:01:46.50,0:01:51.28,Default,,0000,0000,0000,,is Add folder and Subfolders\Ninto Media Pool, creating bins.
Dialogue: 0,0:01:51.28,0:01:54.15,Default,,0000,0000,0000,,
Dialogue: 0,0:01:54.15,0:01:56.19,Default,,0000,0000,0000,,Now, at this point,\NDaVinci Resolve
Dialogue: 0,0:01:56.19,0:01:58.69,Default,,0000,0000,0000,,is asking me to change\Nthe project frame rate.
Dialogue: 0,0:01:58.69,0:02:00.37,Default,,0000,0000,0000,,This is so that\Nthe project frame
Dialogue: 0,0:02:00.37,0:02:02.77,Default,,0000,0000,0000,,rate will match the\Nframe rate of the footage
Dialogue: 0,0:02:02.77,0:02:03.83,Default,,0000,0000,0000,,that I'm bringing in.
Dialogue: 0,0:02:03.83,0:02:06.42,Default,,0000,0000,0000,,So in this case, I need\Nto accept the change.
Dialogue: 0,0:02:06.42,0:02:10.84,Default,,0000,0000,0000,,
Dialogue: 0,0:02:10.84,0:02:14.03,Default,,0000,0000,0000,,So now the footage has been\Nimported into the media pool.
Dialogue: 0,0:02:14.03,0:02:17.56,Default,,0000,0000,0000,,It's ready for me to start\Nworking on and organizing.
Dialogue: 0,0:02:17.56,0:02:19.51,Default,,0000,0000,0000,,The first thing I'm\Ngoing to do is just
Dialogue: 0,0:02:19.51,0:02:21.88,Default,,0000,0000,0000,,access the audio\Nclips bin, and you
Dialogue: 0,0:02:21.88,0:02:24.37,Default,,0000,0000,0000,,can see that although I've\Ngot a folder of sound effects
Dialogue: 0,0:02:24.37,0:02:26.95,Default,,0000,0000,0000,,that actually contains a\Nseries of sound effects
Dialogue: 0,0:02:26.95,0:02:29.08,Default,,0000,0000,0000,,that I'm going to use\Nwithin the trailer,
Dialogue: 0,0:02:29.08,0:02:32.36,Default,,0000,0000,0000,,the other clips aren't\Norganized into bins.
Dialogue: 0,0:02:32.36,0:02:34.30,Default,,0000,0000,0000,,So let's create a\Ncouple of other bins
Dialogue: 0,0:02:34.30,0:02:36.41,Default,,0000,0000,0000,,so that we know where\Nthis footage is.
Dialogue: 0,0:02:36.41,0:02:39.14,Default,,0000,0000,0000,,So first of all, with the\NAudio Clips bin selected,
Dialogue: 0,0:02:39.14,0:02:42.25,Default,,0000,0000,0000,,I'm going to come to the File\Nmenu and choose the option here,
Dialogue: 0,0:02:42.25,0:02:43.58,Default,,0000,0000,0000,,New Bin.
Dialogue: 0,0:02:43.58,0:02:45.31,Default,,0000,0000,0000,,There are also a\Nseries of shortcuts
Dialogue: 0,0:02:45.31,0:02:48.19,Default,,0000,0000,0000,,that you can employ here as\Nwell, such as Shift and Command
Dialogue: 0,0:02:48.19,0:02:50.62,Default,,0000,0000,0000,,N because I'm on a Mac.
Dialogue: 0,0:02:50.62,0:02:52.57,Default,,0000,0000,0000,,That then creates the\Nnew bin, and I'm just
Dialogue: 0,0:02:52.57,0:02:55.03,Default,,0000,0000,0000,,going to call this Music.
Dialogue: 0,0:02:55.03,0:02:58.18,Default,,0000,0000,0000,,And then take the\Nclip Music for Trailer
Dialogue: 0,0:02:58.18,0:03:02.11,Default,,0000,0000,0000,,and just drag and drop\Nthat into the Music folder.
Dialogue: 0,0:03:02.11,0:03:04.42,Default,,0000,0000,0000,,So organizing clips\Ninto bins is very
Dialogue: 0,0:03:04.42,0:03:08.62,Default,,0000,0000,0000,,similar to organizing files\Nin folders on your operating
Dialogue: 0,0:03:08.62,0:03:09.88,Default,,0000,0000,0000,,system.
Dialogue: 0,0:03:09.88,0:03:12.56,Default,,0000,0000,0000,,I've also got two\Nvoiceover clips here.
Dialogue: 0,0:03:12.56,0:03:14.42,Default,,0000,0000,0000,,I'm just going to\Nselect both of those,
Dialogue: 0,0:03:14.42,0:03:16.72,Default,,0000,0000,0000,,and this time right\Nclick and choose
Dialogue: 0,0:03:16.72,0:03:21.04,Default,,0000,0000,0000,,Create Bin with Selected Clips.
Dialogue: 0,0:03:21.04,0:03:22.84,Default,,0000,0000,0000,,I'm going to call this VO.
Dialogue: 0,0:03:22.84,0:03:26.41,Default,,0000,0000,0000,,
Dialogue: 0,0:03:26.41,0:03:28.57,Default,,0000,0000,0000,,So that's got all of my\Naudio clips organized
Dialogue: 0,0:03:28.57,0:03:29.81,Default,,0000,0000,0000,,into separate bins.
Dialogue: 0,0:03:29.81,0:03:32.42,Default,,0000,0000,0000,,I now need to do the same\Nwith the video clips.
Dialogue: 0,0:03:32.42,0:03:35.27,Default,,0000,0000,0000,,But in this case, rather\Nthan just using simple bins,
Dialogue: 0,0:03:35.27,0:03:39.94,Default,,0000,0000,0000,,I'm going to use a\Nseries of smart bins.
Dialogue: 0,0:03:39.94,0:03:41.78,Default,,0000,0000,0000,,So selecting the\Nvideo clips folder,
Dialogue: 0,0:03:41.78,0:03:43.57,Default,,0000,0000,0000,,you can see I've got\Na series of thumbnails
Dialogue: 0,0:03:43.57,0:03:44.78,Default,,0000,0000,0000,,for each of the clips.
Dialogue: 0,0:03:44.78,0:03:47.44,Default,,0000,0000,0000,,If I actually just take\Nmy mouse and run the mouse
Dialogue: 0,0:03:47.44,0:03:51.55,Default,,0000,0000,0000,,across the clips, you can see\Nthat each of the video clips
Dialogue: 0,0:03:51.55,0:03:53.41,Default,,0000,0000,0000,,is previewed for me.
Dialogue: 0,0:03:53.41,0:03:56.80,Default,,0000,0000,0000,,If I get to a clip that\Nactually has audio,
Dialogue: 0,0:03:56.80,0:04:01.72,Default,,0000,0000,0000,,you can also hear that I've also\Ngot audio scrubbing as well.
Dialogue: 0,0:04:01.72,0:04:04.35,Default,,0000,0000,0000,,I'm just going to turn\Nthat off for the moment
Dialogue: 0,0:04:04.35,0:04:07.38,Default,,0000,0000,0000,,just by pressing Shift\NS on my computer.
Dialogue: 0,0:04:07.38,0:04:11.07,Default,,0000,0000,0000,,
Dialogue: 0,0:04:11.07,0:04:13.37,Default,,0000,0000,0000,,Now, we're not hearing\Nthe audio scrub.
Dialogue: 0,0:04:13.37,0:04:16.47,Default,,0000,0000,0000,,
Dialogue: 0,0:04:16.47,0:04:19.05,Default,,0000,0000,0000,,Obviously, these three\Nclips that I have here
Dialogue: 0,0:04:19.05,0:04:20.47,Default,,0000,0000,0000,,are interview clips.
Dialogue: 0,0:04:20.47,0:04:23.70,Default,,0000,0000,0000,,So I'm actually going to tag\Nthem with a keyword called
Dialogue: 0,0:04:23.70,0:04:24.99,Default,,0000,0000,0000,,Interview.
Dialogue: 0,0:04:24.99,0:04:28.80,Default,,0000,0000,0000,,I'm going to shift click to\Nselect all of those three clips,
Dialogue: 0,0:04:28.80,0:04:32.19,Default,,0000,0000,0000,,and then in the Metadata panel\Ndown in the bottom right hand
Dialogue: 0,0:04:32.19,0:04:34.08,Default,,0000,0000,0000,,corner of the\Ninterface, I'm just
Dialogue: 0,0:04:34.08,0:04:37.74,Default,,0000,0000,0000,,going to display the keyword\Nmetadata field that I need.
Dialogue: 0,0:04:37.74,0:04:40.84,Default,,0000,0000,0000,,Clicking in the Sort menu\Nfor the Metadata panel,
Dialogue: 0,0:04:40.84,0:04:44.26,Default,,0000,0000,0000,,I'm just going to choose\Nthe option shot and scene.
Dialogue: 0,0:04:44.26,0:04:46.23,Default,,0000,0000,0000,,And this will actually\Nshow the metadata
Dialogue: 0,0:04:46.23,0:04:49.52,Default,,0000,0000,0000,,for the shot and the scene\Ninformation for these clips.
Dialogue: 0,0:04:49.52,0:04:51.39,Default,,0000,0000,0000,,You can see, scrolling\Ndown through this view
Dialogue: 0,0:04:51.39,0:04:54.82,Default,,0000,0000,0000,,here, that we actually\Nhave a field for keywords.
Dialogue: 0,0:04:54.82,0:04:57.58,Default,,0000,0000,0000,,So I'm going to enter\Nthe keyword Interview.
Dialogue: 0,0:04:57.58,0:05:00.12,Default,,0000,0000,0000,,Just typing Interview\Nor beginning
Dialogue: 0,0:05:00.12,0:05:02.78,Default,,0000,0000,0000,,to type Interview in\Nthe Metadata field
Dialogue: 0,0:05:02.78,0:05:04.20,Default,,0000,0000,0000,,means that it'll\Nactually bring up
Dialogue: 0,0:05:04.20,0:05:07.33,Default,,0000,0000,0000,,a list of options for\Ndifferent keywords,
Dialogue: 0,0:05:07.33,0:05:09.91,Default,,0000,0000,0000,,but you can always put in\Nyour own keywords in there.
Dialogue: 0,0:05:09.91,0:05:15.48,Default,,0000,0000,0000,,Let's choose the option for\NInterview and choose Save.
Dialogue: 0,0:05:15.48,0:05:17.37,Default,,0000,0000,0000,,So that's how easy\Nit is in order
Dialogue: 0,0:05:17.37,0:05:20.98,Default,,0000,0000,0000,,to be able to add keywords to\Nany clip within your project.
Dialogue: 0,0:05:20.98,0:05:23.62,Default,,0000,0000,0000,,Now that we've added the\Nkeywords to the clip,
Dialogue: 0,0:05:23.62,0:05:25.95,Default,,0000,0000,0000,,it's actually really easy\Nbecause DaVinci Resolve
Dialogue: 0,0:05:25.95,0:05:29.61,Default,,0000,0000,0000,,will automatically\Ndisplay any keyword clips
Dialogue: 0,0:05:29.61,0:05:32.01,Default,,0000,0000,0000,,in their own smart bin.
Dialogue: 0,0:05:32.01,0:05:35.08,Default,,0000,0000,0000,,Down in the bottom left hand\Ncorner of your bin list,
Dialogue: 0,0:05:35.08,0:05:37.20,Default,,0000,0000,0000,,simply select the\NKeywords option
Dialogue: 0,0:05:37.20,0:05:41.26,Default,,0000,0000,0000,,and then toggle it open\Nusing the disclosure arrow,
Dialogue: 0,0:05:41.26,0:05:44.52,Default,,0000,0000,0000,,and you'll see in there, there\Nis a smart bin for Interview.
Dialogue: 0,0:05:44.52,0:05:46.65,Default,,0000,0000,0000,,So my three interview\Nclips are now
Dialogue: 0,0:05:46.65,0:05:48.96,Default,,0000,0000,0000,,being displayed\Nwithin that smart bin.
Dialogue: 0,0:05:48.96,0:05:52.51,Default,,0000,0000,0000,,Just to show you how easy it\Nis to keep adding keywords,
Dialogue: 0,0:05:52.51,0:05:54.82,Default,,0000,0000,0000,,I'm just going to select\Nthe Video Clips bin
Dialogue: 0,0:05:54.82,0:05:58.99,Default,,0000,0000,0000,,and select the clip\Ncalled Credits.
Dialogue: 0,0:05:58.99,0:06:03.55,Default,,0000,0000,0000,,In the keywords, I'm going\Nto add the keyword Credits.
Dialogue: 0,0:06:03.55,0:06:07.63,Default,,0000,0000,0000,,
Dialogue: 0,0:06:07.63,0:06:11.24,Default,,0000,0000,0000,,And now that is actually tagged\Nthat clip with that keyword,
Dialogue: 0,0:06:11.24,0:06:15.25,Default,,0000,0000,0000,,you'll see that I have a credits\Nsmart bin available to me.
Dialogue: 0,0:06:15.25,0:06:18.07,Default,,0000,0000,0000,,So now you can carry\Non adding whatever
Dialogue: 0,0:06:18.07,0:06:21.82,Default,,0000,0000,0000,,keywords you want to any of\Nthe clips within your project
Dialogue: 0,0:06:21.82,0:06:23.42,Default,,0000,0000,0000,,and organize them.
Dialogue: 0,0:06:23.42,0:06:27.10,Default,,0000,0000,0000,,However, there's much more\Nto the metadata than this.
Dialogue: 0,0:06:27.10,0:06:29.96,Default,,0000,0000,0000,,If we select the Video\NClips bin, for example,
Dialogue: 0,0:06:29.96,0:06:31.72,Default,,0000,0000,0000,,and then select\Nthis first clip here
Dialogue: 0,0:06:31.72,0:06:37.96,Default,,0000,0000,0000,,for the aerial shot for this\NKenya clip, if I come up here
Dialogue: 0,0:06:37.96,0:06:41.59,Default,,0000,0000,0000,,and select the inspector in\Nthe top right hand corner
Dialogue: 0,0:06:41.59,0:06:45.23,Default,,0000,0000,0000,,and then choose the File\Ntab in the inspector,
Dialogue: 0,0:06:45.23,0:06:48.76,Default,,0000,0000,0000,,you can see that we've actually\Ngot a series of metadata fields
Dialogue: 0,0:06:48.76,0:06:51.19,Default,,0000,0000,0000,,that we can easily access.
Dialogue: 0,0:06:51.19,0:06:53.21,Default,,0000,0000,0000,,These are the same\Nmetadata fields
Dialogue: 0,0:06:53.21,0:06:55.43,Default,,0000,0000,0000,,that you'll be able to\Nsee in the actual Metadata
Dialogue: 0,0:06:55.43,0:06:56.55,Default,,0000,0000,0000,,panel itself.
Dialogue: 0,0:06:56.55,0:06:59.15,Default,,0000,0000,0000,,It just means that they're\Neasier to access here
Dialogue: 0,0:06:59.15,0:07:01.07,Default,,0000,0000,0000,,inside the inspector.
Dialogue: 0,0:07:01.07,0:07:04.85,Default,,0000,0000,0000,,Now, I can actually populate\Nthis with a series of metadata
Dialogue: 0,0:07:04.85,0:07:06.80,Default,,0000,0000,0000,,just by simply clicking\Nin these fields
Dialogue: 0,0:07:06.80,0:07:09.24,Default,,0000,0000,0000,,and start to type\Nin the information.
Dialogue: 0,0:07:09.24,0:07:13.04,Default,,0000,0000,0000,,However, if you've got somebody\Non the production team that
Dialogue: 0,0:07:13.04,0:07:14.96,Default,,0000,0000,0000,,might be logging\Nthese shots, it's
Dialogue: 0,0:07:14.96,0:07:17.21,Default,,0000,0000,0000,,actually easier to\Nimport the metadata
Dialogue: 0,0:07:17.21,0:07:21.29,Default,,0000,0000,0000,,rather than to add every single\Npiece of metadata individually.
Dialogue: 0,0:07:21.29,0:07:24.50,Default,,0000,0000,0000,,So let's go to the File\Nmenu and we'll choose
Dialogue: 0,0:07:24.50,0:07:27.46,Default,,0000,0000,0000,,Import Metadata to Media Pool.
Dialogue: 0,0:07:27.46,0:07:31.10,Default,,0000,0000,0000,,
Dialogue: 0,0:07:31.10,0:07:35.24,Default,,0000,0000,0000,,Navigate to where your editing\Nfootage is on your system
Dialogue: 0,0:07:35.24,0:07:40.29,Default,,0000,0000,0000,,and choose to select\Nthe aoalogging.csv file.
Dialogue: 0,0:07:40.29,0:07:44.01,Default,,0000,0000,0000,,A CSV file is a comma\Nseparated values file.
Dialogue: 0,0:07:44.01,0:07:49.37,Default,,0000,0000,0000,,It's very simple to create in\Nany spreadsheet application.
Dialogue: 0,0:07:49.37,0:07:51.35,Default,,0000,0000,0000,,I'm going to choose\Nto open that,
Dialogue: 0,0:07:51.35,0:07:54.23,Default,,0000,0000,0000,,and you'll see that when\NI'm importing this login
Dialogue: 0,0:07:54.23,0:07:56.36,Default,,0000,0000,0000,,information, you can\Nsee that it is also
Dialogue: 0,0:07:56.36,0:07:59.64,Default,,0000,0000,0000,,asking me for a series of things\Nthat it's trying to match to.
Dialogue: 0,0:07:59.64,0:08:01.97,Default,,0000,0000,0000,,Now in this information,\Nwe don't actually
Dialogue: 0,0:08:01.97,0:08:05.88,Default,,0000,0000,0000,,have time code information for\Nthese clips, so in this case,
Dialogue: 0,0:08:05.88,0:08:10.58,Default,,0000,0000,0000,,I'm just going to uncheck Match\NUsing Clips Start and End Time
Dialogue: 0,0:08:10.58,0:08:12.59,Default,,0000,0000,0000,,Code.
Dialogue: 0,0:08:12.59,0:08:14.37,Default,,0000,0000,0000,,I'm going to\Nuncheck that option.
Dialogue: 0,0:08:14.37,0:08:16.85,Default,,0000,0000,0000,,And then choose OK.
Dialogue: 0,0:08:16.85,0:08:19.28,Default,,0000,0000,0000,,And you'll see that the\Ninformation has actually
Dialogue: 0,0:08:19.28,0:08:23.23,Default,,0000,0000,0000,,been imported, and now 27 media\Npool clips have been updated.
Dialogue: 0,0:08:23.23,0:08:25.79,Default,,0000,0000,0000,,
Dialogue: 0,0:08:25.79,0:08:28.41,Default,,0000,0000,0000,,If I select any of\Nthese clips again,
Dialogue: 0,0:08:28.41,0:08:31.11,Default,,0000,0000,0000,,you'll now see, in the\NFile tab in the inspector,
Dialogue: 0,0:08:31.11,0:08:33.62,Default,,0000,0000,0000,,I've now got\Nadditional information
Dialogue: 0,0:08:33.62,0:08:38.39,Default,,0000,0000,0000,,in terms of the scene number,\Nalso a shot number, and quite
Dialogue: 0,0:08:38.39,0:08:41.90,Default,,0000,0000,0000,,often, sometimes whether this\Nis a good shot or a good take
Dialogue: 0,0:08:41.90,0:08:43.01,Default,,0000,0000,0000,,or not.
Dialogue: 0,0:08:43.01,0:08:46.35,Default,,0000,0000,0000,,Just scrolling down to the\Nbottom of the file inspector,
Dialogue: 0,0:08:46.35,0:08:49.71,Default,,0000,0000,0000,,you can also see a comments\Nfield has also been added.
Dialogue: 0,0:08:49.71,0:08:53.01,Default,,0000,0000,0000,,So having added all of that\Nmetadata to these clips,
Dialogue: 0,0:08:53.01,0:08:54.93,Default,,0000,0000,0000,,how can I actually use it?
Dialogue: 0,0:08:54.93,0:08:57.35,Default,,0000,0000,0000,,Well, I can actually\Nuse it in order
Dialogue: 0,0:08:57.35,0:09:01.43,Default,,0000,0000,0000,,to be able to do very quick\Nsearches across the project.
Dialogue: 0,0:09:01.43,0:09:04.56,Default,,0000,0000,0000,,If I select the master\Nbin, for example,
Dialogue: 0,0:09:04.56,0:09:08.39,Default,,0000,0000,0000,,and let's say I wanted to do a\Nsearch across this information
Dialogue: 0,0:09:08.39,0:09:12.03,Default,,0000,0000,0000,,for any shots that were shot\Nat San Francisco airport,
Dialogue: 0,0:09:12.03,0:09:13.05,Default,,0000,0000,0000,,for example.
Dialogue: 0,0:09:13.05,0:09:18.35,Default,,0000,0000,0000,,I can actually click on\Nthe Search option here.
Dialogue: 0,0:09:18.35,0:09:21.45,Default,,0000,0000,0000,,Under this little dropdown\Narrow at the side,
Dialogue: 0,0:09:21.45,0:09:23.57,Default,,0000,0000,0000,,I can also choose\Nwhether or not I
Dialogue: 0,0:09:23.57,0:09:27.00,Default,,0000,0000,0000,,want to search the\Nselected bin or all bins.
Dialogue: 0,0:09:27.00,0:09:30.44,Default,,0000,0000,0000,,So in this case, I actually want\Nto search the whole project,
Dialogue: 0,0:09:30.44,0:09:33.53,Default,,0000,0000,0000,,so I'm going to select all bins.
Dialogue: 0,0:09:33.53,0:09:36.59,Default,,0000,0000,0000,,And now I need to\Nchoose which fields
Dialogue: 0,0:09:36.59,0:09:39.06,Default,,0000,0000,0000,,I'm actually trying to match.
Dialogue: 0,0:09:39.06,0:09:41.51,Default,,0000,0000,0000,,So you can see\Nhere, the Filter By
Dialogue: 0,0:09:41.51,0:09:44.51,Default,,0000,0000,0000,,is actually based on the\Nfile name of the clip, which
Dialogue: 0,0:09:44.51,0:09:46.40,Default,,0000,0000,0000,,is absolutely fine\Nif you know the file
Dialogue: 0,0:09:46.40,0:09:48.06,Default,,0000,0000,0000,,name that you're searching for.
Dialogue: 0,0:09:48.06,0:09:49.99,Default,,0000,0000,0000,,In this case, though,\NI actually want
Dialogue: 0,0:09:49.99,0:09:52.60,Default,,0000,0000,0000,,to match to the\Nscene information.
Dialogue: 0,0:09:52.60,0:09:57.38,Default,,0000,0000,0000,,So if I just tap S on my\Nkeyboard and keep tapping S,
Dialogue: 0,0:09:57.38,0:09:59.92,Default,,0000,0000,0000,,it will cycle through\Nall the metadata fields
Dialogue: 0,0:09:59.92,0:10:01.99,Default,,0000,0000,0000,,until I get to the scene.
Dialogue: 0,0:10:01.99,0:10:05.92,Default,,0000,0000,0000,,Selecting that I\Ncan now type in SFO,
Dialogue: 0,0:10:05.92,0:10:08.74,Default,,0000,0000,0000,,and you can see that all of\Nthe clips in the project that
Dialogue: 0,0:10:08.74,0:10:12.49,Default,,0000,0000,0000,,have actually got that scene\Ninformation, SFO, will now
Dialogue: 0,0:10:12.49,0:10:13.63,Default,,0000,0000,0000,,be revealed.
Dialogue: 0,0:10:13.63,0:10:15.85,Default,,0000,0000,0000,,Let's say I want to find\Na clip that actually
Dialogue: 0,0:10:15.85,0:10:18.22,Default,,0000,0000,0000,,has the comment for Kenya.
Dialogue: 0,0:10:18.22,0:10:24.31,Default,,0000,0000,0000,,From the Filter By, I can\Nchoose the Comments field
Dialogue: 0,0:10:24.31,0:10:28.61,Default,,0000,0000,0000,,just by tapping C many times\Nuntil Comments appears.
Dialogue: 0,0:10:28.61,0:10:31.49,Default,,0000,0000,0000,,And now highlight the\Ntext for the search.
Dialogue: 0,0:10:31.49,0:10:34.79,Default,,0000,0000,0000,,And again, type in what\NI'm actually looking for.
Dialogue: 0,0:10:34.79,0:10:37.75,Default,,0000,0000,0000,,That's the power of\Nmetadata in order
Dialogue: 0,0:10:37.75,0:10:39.28,Default,,0000,0000,0000,,to be able to\Nsearch right the way
Dialogue: 0,0:10:39.28,0:10:42.59,Default,,0000,0000,0000,,across your project to find the\Nclips that you're looking for,
Dialogue: 0,0:10:42.59,0:10:44.93,Default,,0000,0000,0000,,but we can go one step further.
Dialogue: 0,0:10:44.93,0:10:48.31,Default,,0000,0000,0000,,If you clear the Search field\Nand close down the search field
Dialogue: 0,0:10:48.31,0:10:52.12,Default,,0000,0000,0000,,by clicking the\NSearch button, now
Dialogue: 0,0:10:52.12,0:10:55.14,Default,,0000,0000,0000,,go to your DaVinci\NResolve Preferences menu.
Dialogue: 0,0:10:55.14,0:10:58.03,Default,,0000,0000,0000,,
Dialogue: 0,0:10:58.03,0:11:03.70,Default,,0000,0000,0000,,Choose User, Editing.
Dialogue: 0,0:11:03.70,0:11:06.22,Default,,0000,0000,0000,,You can see that there's\Na category of preferences
Dialogue: 0,0:11:06.22,0:11:10.27,Default,,0000,0000,0000,,for automatic smart bins.
Dialogue: 0,0:11:10.27,0:11:14.75,Default,,0000,0000,0000,,By default, the automatic smart\Nbins for keywords is already on.
Dialogue: 0,0:11:14.75,0:11:16.33,Default,,0000,0000,0000,,However, you can\Nalso see that we
Dialogue: 0,0:11:16.33,0:11:19.12,Default,,0000,0000,0000,,can create automatic\Nsmart bins for anything
Dialogue: 0,0:11:19.12,0:11:22.81,Default,,0000,0000,0000,,with shot or scene metadata.
Dialogue: 0,0:11:22.81,0:11:25.63,Default,,0000,0000,0000,,Click the automatic smart\Nbins for the scene metadata
Dialogue: 0,0:11:25.63,0:11:29.45,Default,,0000,0000,0000,,and click Save, and now,\Nin your list of smart bins,
Dialogue: 0,0:11:29.45,0:11:32.26,Default,,0000,0000,0000,,you've now got a\Nnew scene category.
Dialogue: 0,0:11:32.26,0:11:34.85,Default,,0000,0000,0000,,Use the disclosure\Narrow to open that up,
Dialogue: 0,0:11:34.85,0:11:38.32,Default,,0000,0000,0000,,and you can now see that the\Ninformation for each scene
Dialogue: 0,0:11:38.32,0:11:42.01,Default,,0000,0000,0000,,is displayed as\Nits own smart bin.
Dialogue: 0,0:11:42.01,0:11:43.75,Default,,0000,0000,0000,,Just simply select\Nthe smart bin in order
Dialogue: 0,0:11:43.75,0:11:45.27,Default,,0000,0000,0000,,to be able to\Naccess the contents.
Dialogue: 0,0:11:45.27,0:11:47.82,Default,,0000,0000,0000,,
Dialogue: 0,0:11:47.82,0:11:52.92,Default,,0000,0000,0000,,But you're not simply limited to\Nthe default automatic smart bins
Dialogue: 0,0:11:52.92,0:11:55.09,Default,,0000,0000,0000,,that you can have\Nwithin DaVinci Resolve.
Dialogue: 0,0:11:55.09,0:11:58.74,Default,,0000,0000,0000,,You can actually create\Nyour own custom smart bin.
Dialogue: 0,0:11:58.74,0:12:01.86,Default,,0000,0000,0000,,In this case, I'm going to\Ngo back to the File menu
Dialogue: 0,0:12:01.86,0:12:06.75,Default,,0000,0000,0000,,and choose the\Noption New Smart Bin.
Dialogue: 0,0:12:06.75,0:12:08.79,Default,,0000,0000,0000,,This field then\Nopens up, and it's
Dialogue: 0,0:12:08.79,0:12:12.45,Default,,0000,0000,0000,,asking me for a variety of\Nrules that I can actually
Dialogue: 0,0:12:12.45,0:12:16.08,Default,,0000,0000,0000,,input in order to be able\Nto narrow down the footage
Dialogue: 0,0:12:16.08,0:12:18.37,Default,,0000,0000,0000,,that I actually want to locate.
Dialogue: 0,0:12:18.37,0:12:21.61,Default,,0000,0000,0000,,Let's rename this\Nsmart bin B-Roll.
Dialogue: 0,0:12:21.61,0:12:24.75,Default,,0000,0000,0000,,
Dialogue: 0,0:12:24.75,0:12:28.54,Default,,0000,0000,0000,,So now, I need to choose my\Nfirst rule, so in this case,
Dialogue: 0,0:12:28.54,0:12:30.91,Default,,0000,0000,0000,,I'm going to say\NMedia Pool Properties.
Dialogue: 0,0:12:30.91,0:12:33.07,Default,,0000,0000,0000,,But I don't want to\Nmatch on the file name.
Dialogue: 0,0:12:33.07,0:12:35.61,Default,,0000,0000,0000,,I actually want to match\Non the keyword information
Dialogue: 0,0:12:35.61,0:12:36.82,Default,,0000,0000,0000,,to begin with.
Dialogue: 0,0:12:36.82,0:12:45.87,Default,,0000,0000,0000,,So keywords do not\Ncontain interview.
Dialogue: 0,0:12:45.87,0:12:49.23,Default,,0000,0000,0000,,So now my smart bin\Nsearch is automatically
Dialogue: 0,0:12:49.23,0:12:54.36,Default,,0000,0000,0000,,filtering out any clip that\Nhas the interview keyword.
Dialogue: 0,0:12:54.36,0:12:58.20,Default,,0000,0000,0000,,I'm going to add\Nanother rule for this.
Dialogue: 0,0:12:58.20,0:13:01.38,Default,,0000,0000,0000,,Media Pool Properties\Nfor keywords
Dialogue: 0,0:13:01.38,0:13:05.94,Default,,0000,0000,0000,,does not contain credits.
Dialogue: 0,0:13:05.94,0:13:10.41,Default,,0000,0000,0000,,This was the other keyword that\NI actually added to my title
Dialogue: 0,0:13:10.41,0:13:13.65,Default,,0000,0000,0000,,that I actually don't want\Nto see in the B-Roll bin.
Dialogue: 0,0:13:13.65,0:13:16.26,Default,,0000,0000,0000,,You can also choose to\Nadd a subset of rules
Dialogue: 0,0:13:16.26,0:13:18.24,Default,,0000,0000,0000,,to your smart bins as well.
Dialogue: 0,0:13:18.24,0:13:20.73,Default,,0000,0000,0000,,Holding down the\NOption or the Alt key
Dialogue: 0,0:13:20.73,0:13:23.88,Default,,0000,0000,0000,,on your system when I\Nclick on this plus button
Dialogue: 0,0:13:23.88,0:13:26.76,Default,,0000,0000,0000,,actually turns it\Ninto an Options menu.
Dialogue: 0,0:13:26.76,0:13:29.43,Default,,0000,0000,0000,,And now, I actually\Nhave a subset of rules
Dialogue: 0,0:13:29.43,0:13:32.20,Default,,0000,0000,0000,,that I just want\Nto match any two.
Dialogue: 0,0:13:32.20,0:13:36.28,Default,,0000,0000,0000,,And in this case, I actually\Nwant to specify clip types,
Dialogue: 0,0:13:36.28,0:13:39.07,Default,,0000,0000,0000,,so I'm going to choose\NMedia Pool Properties.
Dialogue: 0,0:13:39.07,0:13:42.36,Default,,0000,0000,0000,,Change the second\Ndrop down to Clip Type
Dialogue: 0,0:13:42.36,0:13:45.66,Default,,0000,0000,0000,,just by tapping\NC on my keyboard.
Dialogue: 0,0:13:45.66,0:13:48.15,Default,,0000,0000,0000,,Clip Type is video.
Dialogue: 0,0:13:48.15,0:13:53.25,Default,,0000,0000,0000,,This means that only video\Nclips, not audio clips or still
Dialogue: 0,0:13:53.25,0:13:56.19,Default,,0000,0000,0000,,image files or\Ntimelines will find
Dialogue: 0,0:13:56.19,0:13:59.34,Default,,0000,0000,0000,,their way into this smart bin.
Dialogue: 0,0:13:59.34,0:14:01.24,Default,,0000,0000,0000,,But that's just video.
Dialogue: 0,0:14:01.24,0:14:04.00,Default,,0000,0000,0000,,What if I have video with audio?
Dialogue: 0,0:14:04.00,0:14:08.73,Default,,0000,0000,0000,,Well, in this case, I'm going to\Nadd another rule to this subrule
Dialogue: 0,0:14:08.73,0:14:15.57,Default,,0000,0000,0000,,and set and specify the clip\Ntype is video and audio.
Dialogue: 0,0:14:15.57,0:14:19.42,Default,,0000,0000,0000,,Now I can choose to\Ncreate my smart bin.
Dialogue: 0,0:14:19.42,0:14:21.27,Default,,0000,0000,0000,,And the results\Nof that smart bin
Dialogue: 0,0:14:21.27,0:14:23.50,Default,,0000,0000,0000,,will be automatically updated.
Dialogue: 0,0:14:23.50,0:14:27.04,Default,,0000,0000,0000,,So if I add any additional\Nclips to this project,
Dialogue: 0,0:14:27.04,0:14:30.57,Default,,0000,0000,0000,,providing those clips\Nmeet the criteria,
Dialogue: 0,0:14:30.57,0:14:33.45,Default,,0000,0000,0000,,I'll be able to find\Nthem in this smart bin.
Dialogue: 0,0:14:33.45,0:14:37.17,Default,,0000,0000,0000,,If you want to edit a smart\Nbin for any reason, just simply
Dialogue: 0,0:14:37.17,0:14:40.47,Default,,0000,0000,0000,,double click on the smart bin\Nand the rules of that smart bin
Dialogue: 0,0:14:40.47,0:14:43.52,Default,,0000,0000,0000,,will open up, allowing\Nyou to change them.
Dialogue: 0,0:14:43.52,0:14:46.10,Default,,0000,0000,0000,,There's one other thing\Nthat we can actually
Dialogue: 0,0:14:46.10,0:14:49.25,Default,,0000,0000,0000,,use the metadata for\Nin Resolve, and that's
Dialogue: 0,0:14:49.25,0:14:51.74,Default,,0000,0000,0000,,to actually use the\Ninformation in the metadata
Dialogue: 0,0:14:51.74,0:14:55.65,Default,,0000,0000,0000,,in order to be able to rename\Nthe clip within the project.
Dialogue: 0,0:14:55.65,0:14:57.89,Default,,0000,0000,0000,,This can be very\Nuseful if you actually
Dialogue: 0,0:14:57.89,0:15:00.12,Default,,0000,0000,0000,,want to do a search\Nacross a clip name,
Dialogue: 0,0:15:00.12,0:15:02.57,Default,,0000,0000,0000,,or you just want to\Nsimply have a sanity check
Dialogue: 0,0:15:02.57,0:15:04.41,Default,,0000,0000,0000,,as to what that actual clip is.
Dialogue: 0,0:15:04.41,0:15:06.90,Default,,0000,0000,0000,,By naming the clip in\Nan appropriate way,
Dialogue: 0,0:15:06.90,0:15:09.68,Default,,0000,0000,0000,,it's easy to check that.
Dialogue: 0,0:15:09.68,0:15:12.35,Default,,0000,0000,0000,,So here in the\NB-Roll smart bin, I'm
Dialogue: 0,0:15:12.35,0:15:14.09,Default,,0000,0000,0000,,just going to select\Nall of those clips
Dialogue: 0,0:15:14.09,0:15:17.45,Default,,0000,0000,0000,,just by dragging a\NLasso across them.
Dialogue: 0,0:15:17.45,0:15:24.14,Default,,0000,0000,0000,,Then I'm going to right click\Nand choose clip attributes.
Dialogue: 0,0:15:24.14,0:15:26.93,Default,,0000,0000,0000,,Choose the name panel\Nfrom clip attributes
Dialogue: 0,0:15:26.93,0:15:30.62,Default,,0000,0000,0000,,and highlight the\Ndefault clip name.
Dialogue: 0,0:15:30.62,0:15:33.92,Default,,0000,0000,0000,,So in this case, I actually\Nwant all of my B-Roll clips
Dialogue: 0,0:15:33.92,0:15:37.98,Default,,0000,0000,0000,,to start with the initials\NAOA for Age of Airplanes,
Dialogue: 0,0:15:37.98,0:15:42.92,Default,,0000,0000,0000,,so I'm just going to type\Nin AOA underscore in order
Dialogue: 0,0:15:42.92,0:15:45.41,Default,,0000,0000,0000,,to separate the\Nnext information.
Dialogue: 0,0:15:45.41,0:15:48.81,Default,,0000,0000,0000,,Now, I want to take\Ninformation from the metadata.
Dialogue: 0,0:15:48.81,0:15:53.34,Default,,0000,0000,0000,,And in order to do this, I need\Nto add what we call a variable.
Dialogue: 0,0:15:53.34,0:15:55.97,Default,,0000,0000,0000,,To add the variable,\Nall you need to do
Dialogue: 0,0:15:55.97,0:15:58.38,Default,,0000,0000,0000,,is put in the percentage symbol.
Dialogue: 0,0:15:58.38,0:16:00.53,Default,,0000,0000,0000,,And now, it'll\Ngive you an option
Dialogue: 0,0:16:00.53,0:16:03.63,Default,,0000,0000,0000,,to choose whichever metadata\Nfield that you want to add.
Dialogue: 0,0:16:03.63,0:16:08.01,Default,,0000,0000,0000,,In this case, we want to\Nchoose the Shot metadata field.
Dialogue: 0,0:16:08.01,0:16:11.18,Default,,0000,0000,0000,,So I'm just going to type the\Nword Shot after the percentage
Dialogue: 0,0:16:11.18,0:16:13.34,Default,,0000,0000,0000,,value, and you can\Nsee here in the menu
Dialogue: 0,0:16:13.34,0:16:14.91,Default,,0000,0000,0000,,I've got the Shot option.
Dialogue: 0,0:16:14.91,0:16:18.26,Default,,0000,0000,0000,,So I'm going to select\Nthat, and that has now
Dialogue: 0,0:16:18.26,0:16:22.22,Default,,0000,0000,0000,,added a tag to my clip name\Nbased on the shot information
Dialogue: 0,0:16:22.22,0:16:24.53,Default,,0000,0000,0000,,for each of these clips.
Dialogue: 0,0:16:24.53,0:16:28.31,Default,,0000,0000,0000,,Again, I'm going to use\Nunderscore percentage
Dialogue: 0,0:16:28.31,0:16:29.96,Default,,0000,0000,0000,,and then use comments.
Dialogue: 0,0:16:29.96,0:16:34.01,Default,,0000,0000,0000,,
Dialogue: 0,0:16:34.01,0:16:37.70,Default,,0000,0000,0000,,Now, when I click OK,\Nthe clips are now all
Dialogue: 0,0:16:37.70,0:16:42.47,Default,,0000,0000,0000,,renamed in the media pool\Nusing AOA, underscore, the shot
Dialogue: 0,0:16:42.47,0:16:45.60,Default,,0000,0000,0000,,number, underscore,\Nthe comments field.
Dialogue: 0,0:16:45.60,0:16:47.96,Default,,0000,0000,0000,,This is going to\Nmake it easier for me
Dialogue: 0,0:16:47.96,0:16:50.48,Default,,0000,0000,0000,,to be able to locate\Neach of the clips
Dialogue: 0,0:16:50.48,0:16:52.53,Default,,0000,0000,0000,,and actually use\Nthem in my edit.
Dialogue: 0,0:16:52.53,0:16:54.84,Default,,0000,0000,0000,,I want to do the same\Nwith the interview clips,
Dialogue: 0,0:16:54.84,0:16:57.12,Default,,0000,0000,0000,,so I'm going to select\Nthe Interview smart bin,
Dialogue: 0,0:16:57.12,0:17:02.27,Default,,0000,0000,0000,,select the interview clips,\Nright click clip attributes.
Dialogue: 0,0:17:02.27,0:17:05.96,Default,,0000,0000,0000,,In the name, highlight the\NName field, and this time,
Dialogue: 0,0:17:05.96,0:17:09.08,Default,,0000,0000,0000,,I'm going to type\Nin INT underscore
Dialogue: 0,0:17:09.08,0:17:18.44,Default,,0000,0000,0000,,percentage shot underscore\Npercentage comments
Dialogue: 0,0:17:18.44,0:17:21.53,Default,,0000,0000,0000,,and then choose OK.
Dialogue: 0,0:17:21.53,0:17:24.26,Default,,0000,0000,0000,,And now, you can see\Nthat the interview
Dialogue: 0,0:17:24.26,0:17:26.99,Default,,0000,0000,0000,,clips have been named with\Nthe appropriate soundbite
Dialogue: 0,0:17:26.99,0:17:29.03,Default,,0000,0000,0000,,information.
Dialogue: 0,0:17:29.03,0:17:32.70,Default,,0000,0000,0000,,Now that I've got all of the\Nclips organized for the project,
Dialogue: 0,0:17:32.70,0:17:34.34,Default,,0000,0000,0000,,I'm now going to\Ngo to the Edit Page
Dialogue: 0,0:17:34.34,0:17:36.62,Default,,0000,0000,0000,,that I can actually\Nstart editing.
Dialogue: 0,0:17:36.62,0:17:39.08,Default,,0000,0000,0000,,Just simply click on\Nthe Edit Page button.
Dialogue: 0,0:17:39.08,0:17:41.38,Default,,0000,0000,0000,,And all of the information\Nthat you've just
Dialogue: 0,0:17:41.38,0:17:44.44,Default,,0000,0000,0000,,organized inside the media\Npool on the Media page
Dialogue: 0,0:17:44.44,0:17:47.59,Default,,0000,0000,0000,,is now available to me.
Dialogue: 0,0:17:47.59,0:17:51.85,Default,,0000,0000,0000,,And the great thing is that I\Ncan keep organizing this footage
Dialogue: 0,0:17:51.85,0:17:53.15,Default,,0000,0000,0000,,as I'm working.
Dialogue: 0,0:17:53.15,0:17:56.29,Default,,0000,0000,0000,,And the organization process\Nwhen you're editing never really
Dialogue: 0,0:17:56.29,0:18:00.14,Default,,0000,0000,0000,,stops, it just gets refined\Nthe more that you do.
Dialogue: 0,0:18:00.14,0:18:02.26,Default,,0000,0000,0000,,I'm actually going to start\Nby selecting the master
Dialogue: 0,0:18:02.26,0:18:05.95,Default,,0000,0000,0000,,bin in the media pool and\Ncreating a new bin, just
Dialogue: 0,0:18:05.95,0:18:08.99,Default,,0000,0000,0000,,a regular bin that I'm\Ngoing to call Timelines.
Dialogue: 0,0:18:08.99,0:18:12.46,Default,,0000,0000,0000,,In this case, it's often useful\Nto keep your timelines organized
Dialogue: 0,0:18:12.46,0:18:16.09,Default,,0000,0000,0000,,in separate bins so that\Nyou know where they all are.
Dialogue: 0,0:18:16.09,0:18:19.10,Default,,0000,0000,0000,,Make sure you've got the\NTimeline bin selected,
Dialogue: 0,0:18:19.10,0:18:24.79,Default,,0000,0000,0000,,and then go to the File menu\Nand choose New Timeline.
Dialogue: 0,0:18:24.79,0:18:27.49,Default,,0000,0000,0000,,Let's just change the name\Nof this timeline to something
Dialogue: 0,0:18:27.49,0:18:30.79,Default,,0000,0000,0000,,a little bit more\Nappropriate for this project.
Dialogue: 0,0:18:30.79,0:18:36.10,Default,,0000,0000,0000,,AOA Trailer, and we'll\Njust call it version 1.
Dialogue: 0,0:18:36.10,0:18:38.74,Default,,0000,0000,0000,,Quite often you'll go through\Na number of different versions
Dialogue: 0,0:18:38.74,0:18:40.63,Default,,0000,0000,0000,,for all of your edits.
Dialogue: 0,0:18:40.63,0:18:44.05,Default,,0000,0000,0000,,If you wish to you can actually\Noverride the default project
Dialogue: 0,0:18:44.05,0:18:46.13,Default,,0000,0000,0000,,settings for any timeline.
Dialogue: 0,0:18:46.13,0:18:49.67,Default,,0000,0000,0000,,Just simply uncheck the Use\NProject settings option,
Dialogue: 0,0:18:49.67,0:18:51.40,Default,,0000,0000,0000,,and then you can\Ngo into the format
Dialogue: 0,0:18:51.40,0:18:53.32,Default,,0000,0000,0000,,to change the\Ntimeline resolution
Dialogue: 0,0:18:53.32,0:18:55.28,Default,,0000,0000,0000,,and the timeline frame rate.
Dialogue: 0,0:18:55.28,0:18:57.22,Default,,0000,0000,0000,,However, in this case,\Nbecause we already
Dialogue: 0,0:18:57.22,0:18:59.21,Default,,0000,0000,0000,,changed the frame\Nrate for the project,
Dialogue: 0,0:18:59.21,0:19:01.61,Default,,0000,0000,0000,,we know that this is\Nactually the correct setting,
Dialogue: 0,0:19:01.61,0:19:04.00,Default,,0000,0000,0000,,so I'm just going to\Nre-enable the project settings
Dialogue: 0,0:19:04.00,0:19:06.28,Default,,0000,0000,0000,,and choose Create.
Dialogue: 0,0:19:06.28,0:19:08.14,Default,,0000,0000,0000,,Now, I have a timeline,\NI can actually
Dialogue: 0,0:19:08.14,0:19:11.60,Default,,0000,0000,0000,,start assembling the material\Ndirectly in the timeline,
Dialogue: 0,0:19:11.60,0:19:13.21,Default,,0000,0000,0000,,and start putting\Ntogether this edit
Dialogue: 0,0:19:13.21,0:19:16.90,Default,,0000,0000,0000,,and making some sort of sense\Nof the material that I've got.
Dialogue: 0,0:19:16.90,0:19:19.46,Default,,0000,0000,0000,,So let's go to the\NInterview smart bin,
Dialogue: 0,0:19:19.46,0:19:22.56,Default,,0000,0000,0000,,so that we can actually\Nsee the interview clips.
Dialogue: 0,0:19:22.56,0:19:25.22,Default,,0000,0000,0000,,From the Sort menu\Nin the media pool,
Dialogue: 0,0:19:25.22,0:19:27.58,Default,,0000,0000,0000,,just click and make sure\Nthat you're organizing
Dialogue: 0,0:19:27.58,0:19:29.51,Default,,0000,0000,0000,,these clips by clip name.
Dialogue: 0,0:19:29.51,0:19:32.32,Default,,0000,0000,0000,,This will put them in the order\Nthat we're roughly interested
Dialogue: 0,0:19:32.32,0:19:33.58,Default,,0000,0000,0000,,in.
Dialogue: 0,0:19:33.58,0:19:36.43,Default,,0000,0000,0000,,In this case, we\Nactually have INT_01,
Dialogue: 0,0:19:36.43,0:19:38.23,Default,,0000,0000,0000,,and it's called\NShoot the Real World,
Dialogue: 0,0:19:38.23,0:19:40.26,Default,,0000,0000,0000,,based on the naming\Nconvention that we're
Dialogue: 0,0:19:40.26,0:19:41.94,Default,,0000,0000,0000,,using for this project.
Dialogue: 0,0:19:41.94,0:19:44.04,Default,,0000,0000,0000,,You can see that, as\NI'm scrubbing backwards
Dialogue: 0,0:19:44.04,0:19:46.32,Default,,0000,0000,0000,,and forwards, my\Nlive media preview
Dialogue: 0,0:19:46.32,0:19:50.02,Default,,0000,0000,0000,,is on so that I can actually\Nsee the content of that clip.
Dialogue: 0,0:19:50.02,0:19:52.75,Default,,0000,0000,0000,,If my audio scrubbing\Nwas also turned on,
Dialogue: 0,0:19:52.75,0:19:55.62,Default,,0000,0000,0000,,I would also be able to\Nhear the audio scrub as I
Dialogue: 0,0:19:55.62,0:19:57.99,Default,,0000,0000,0000,,move my mouse back and forth.
Dialogue: 0,0:19:57.99,0:20:00.25,Default,,0000,0000,0000,,To turn the audio\Nscrubbing on and off.
Dialogue: 0,0:20:00.25,0:20:02.02,Default,,0000,0000,0000,,You can use Shift S.
Dialogue: 0,0:20:02.02,0:20:04.26,Default,,0000,0000,0000,,PRESENTER 1:\N[SPEAKING IN FAST FORWARD]
Dialogue: 0,0:20:04.26,0:20:08.78,Default,,0000,0000,0000,,
Dialogue: 0,0:20:08.78,0:20:10.53,Default,,0000,0000,0000,,CHRIS: I'm going to\Ndouble click this clip
Dialogue: 0,0:20:10.53,0:20:14.79,Default,,0000,0000,0000,,and that will actually open it\Ndirectly into the source viewer.
Dialogue: 0,0:20:14.79,0:20:17.19,Default,,0000,0000,0000,,Now I can use the\Nscrubber bar here
Dialogue: 0,0:20:17.19,0:20:20.52,Default,,0000,0000,0000,,in order to be able to return\Nto the beginning of that clip,
Dialogue: 0,0:20:20.52,0:20:22.47,Default,,0000,0000,0000,,and I'm just going to\Nplay the clip through
Dialogue: 0,0:20:22.47,0:20:25.08,Default,,0000,0000,0000,,just so that we can all\Nlisten to the interview.
Dialogue: 0,0:20:25.08,0:20:29.58,Default,,0000,0000,0000,,You could use the\Nspacebar or the L key.
Dialogue: 0,0:20:29.58,0:20:31.18,Default,,0000,0000,0000,,PRESENTER 1: So\Nin this film, I'm
Dialogue: 0,0:20:31.18,0:20:33.39,Default,,0000,0000,0000,,making a documentary about\Nhow the airplane's changed
Dialogue: 0,0:20:33.39,0:20:34.15,Default,,0000,0000,0000,,the world.
Dialogue: 0,0:20:34.15,0:20:38.42,Default,,0000,0000,0000,,It was really important to go\Nout and shoot the real world,
Dialogue: 0,0:20:38.42,0:20:40.99,Default,,0000,0000,0000,,and how the airplane is\Nconnecting and making
Dialogue: 0,0:20:40.99,0:20:43.63,Default,,0000,0000,0000,,all the things possible that\NI want to convey in the film.
Dialogue: 0,0:20:43.63,0:20:45.19,Default,,0000,0000,0000,,CHRIS: Well,\Nobviously, I don't want
Dialogue: 0,0:20:45.19,0:20:48.38,Default,,0000,0000,0000,,to use all of that\Ninterview, but in this case,
Dialogue: 0,0:20:48.38,0:20:50.53,Default,,0000,0000,0000,,as a good starting\Npoint, I'm actually
Dialogue: 0,0:20:50.53,0:20:53.30,Default,,0000,0000,0000,,just going to bring the\Nwhole clip into the timeline.
Dialogue: 0,0:20:53.30,0:20:55.91,Default,,0000,0000,0000,,Now, there are several ways\Nin which we can do that.
Dialogue: 0,0:20:55.91,0:20:59.35,Default,,0000,0000,0000,,For example, I can just pick the\Nclip up from the source viewer
Dialogue: 0,0:20:59.35,0:21:02.62,Default,,0000,0000,0000,,and drag it and drop\Nit into the timeline.
Dialogue: 0,0:21:02.62,0:21:05.90,Default,,0000,0000,0000,,This is often a manual\Nway of being able to edit,
Dialogue: 0,0:21:05.90,0:21:08.38,Default,,0000,0000,0000,,but it's very limiting\Non what I can actually
Dialogue: 0,0:21:08.38,0:21:11.32,Default,,0000,0000,0000,,do when it comes to\Nediting footage together.
Dialogue: 0,0:21:11.32,0:21:14.41,Default,,0000,0000,0000,,So in this case, I'm just going\Nto press Command or Control
Dialogue: 0,0:21:14.41,0:21:17.89,Default,,0000,0000,0000,,Z just to be able to\Nundo those changes,
Dialogue: 0,0:21:17.89,0:21:20.86,Default,,0000,0000,0000,,and this time, instead of\Ndragging and dropping the clip
Dialogue: 0,0:21:20.86,0:21:22.81,Default,,0000,0000,0000,,into the timeline,\NI'm actually going
Dialogue: 0,0:21:22.81,0:21:26.66,Default,,0000,0000,0000,,to pick the clip up and drag\Nacross to the timeline viewer.
Dialogue: 0,0:21:26.66,0:21:28.75,Default,,0000,0000,0000,,And you'll notice,\Non the right hand
Dialogue: 0,0:21:28.75,0:21:30.43,Default,,0000,0000,0000,,side of the timeline\Nviewer, I've
Dialogue: 0,0:21:30.43,0:21:32.59,Default,,0000,0000,0000,,actually got all of\Nthe editing functions
Dialogue: 0,0:21:32.59,0:21:35.20,Default,,0000,0000,0000,,that I can perform\Ninside the Edit page.
Dialogue: 0,0:21:35.20,0:21:37.92,Default,,0000,0000,0000,,So this is a useful way of\Nbeing able to remind yourself
Dialogue: 0,0:21:37.92,0:21:40.05,Default,,0000,0000,0000,,of the different\Nfunctions that we have.
Dialogue: 0,0:21:40.05,0:21:43.69,Default,,0000,0000,0000,,The default is actually\NOverwrite Edit.
Dialogue: 0,0:21:43.69,0:21:46.23,Default,,0000,0000,0000,,If I now let go of\Nthe mouse, the clip
Dialogue: 0,0:21:46.23,0:21:50.25,Default,,0000,0000,0000,,is edited instantly to the\Nbeginning of the timeline.
Dialogue: 0,0:21:50.25,0:21:53.41,Default,,0000,0000,0000,,The timeline viewer has\Nautomatically become active,
Dialogue: 0,0:21:53.41,0:21:56.26,Default,,0000,0000,0000,,so if I use the up\Narrow on the keyboard,
Dialogue: 0,0:21:56.26,0:21:59.40,Default,,0000,0000,0000,,I can return to the\Nbeginning of the timeline.
Dialogue: 0,0:21:59.40,0:22:01.14,Default,,0000,0000,0000,,I'm just going to\Nplay forward, just
Dialogue: 0,0:22:01.14,0:22:04.76,Default,,0000,0000,0000,,like I did in the source viewer,\Nusing the L key on my keyboard.
Dialogue: 0,0:22:04.76,0:22:07.83,Default,,0000,0000,0000,,
Dialogue: 0,0:22:07.83,0:22:09.24,Default,,0000,0000,0000,,PRESENTER 1: So\Nin this film, I'm
Dialogue: 0,0:22:09.24,0:22:12.04,Default,,0000,0000,0000,,making a documentary about how\Nthe airplanes changed the world.
Dialogue: 0,0:22:12.04,0:22:16.74,Default,,0000,0000,0000,,It was really important to go\Nout and shoot the real world.
Dialogue: 0,0:22:16.74,0:22:19.85,Default,,0000,0000,0000,,CHRIS: That's a good place\Nfor this soundbite to end.
Dialogue: 0,0:22:19.85,0:22:21.27,Default,,0000,0000,0000,,Now, you can see,\Nin the timeline,
Dialogue: 0,0:22:21.27,0:22:23.91,Default,,0000,0000,0000,,I've got a good guide with the\Nimage of the waveform where
Dialogue: 0,0:22:23.91,0:22:26.76,Default,,0000,0000,0000,,he starts and stops speaking,\Nand you can actually
Dialogue: 0,0:22:26.76,0:22:28.41,Default,,0000,0000,0000,,use this as a guide\Nwhen you actually
Dialogue: 0,0:22:28.41,0:22:31.11,Default,,0000,0000,0000,,want to position the\Nplayhead for the next edit.
Dialogue: 0,0:22:31.11,0:22:35.43,Default,,0000,0000,0000,,And in this case, I'm actually\Ngoing to click the Detail Zoom
Dialogue: 0,0:22:35.43,0:22:38.94,Default,,0000,0000,0000,,button just to be able to step\Ninto the timeline a little bit
Dialogue: 0,0:22:38.94,0:22:44.73,Default,,0000,0000,0000,,clearer, and then use the J\Nand L keys in order to be able
Dialogue: 0,0:22:44.73,0:22:48.15,Default,,0000,0000,0000,,to find the exact point\Nwithin that interview where
Dialogue: 0,0:22:48.15,0:22:50.92,Default,,0000,0000,0000,,he's finished that\Nline, "real world."
Dialogue: 0,0:22:50.92,0:22:52.75,Default,,0000,0000,0000,,And you can see\Nfrom the waveform,
Dialogue: 0,0:22:52.75,0:22:55.17,Default,,0000,0000,0000,,this is very clear\Nwhere he stops speaking
Dialogue: 0,0:22:55.17,0:22:58.14,Default,,0000,0000,0000,,and where he starts again.
Dialogue: 0,0:22:58.14,0:23:03.12,Default,,0000,0000,0000,,Now, I'm going to return to\Nmy full extent Zoom function.
Dialogue: 0,0:23:03.12,0:23:07.23,Default,,0000,0000,0000,,This allows me to see the whole\Ntimeline from beginning to end,
Dialogue: 0,0:23:07.23,0:23:09.33,Default,,0000,0000,0000,,and the playhead\Nis now the location
Dialogue: 0,0:23:09.33,0:23:12.33,Default,,0000,0000,0000,,that I'm actually going\Nto perform the next edit.
Dialogue: 0,0:23:12.33,0:23:14.62,Default,,0000,0000,0000,,So let's find an interview clip.
Dialogue: 0,0:23:14.62,0:23:18.57,Default,,0000,0000,0000,,Let's go to interview 02,\Ndouble click from the media pool
Dialogue: 0,0:23:18.57,0:23:21.21,Default,,0000,0000,0000,,to open it into the\Nsource viewer, and now,
Dialogue: 0,0:23:21.21,0:23:23.89,Default,,0000,0000,0000,,I'm going to return the\Nplayhead to the very beginning,
Dialogue: 0,0:23:23.89,0:23:26.09,Default,,0000,0000,0000,,and I'm going to play\Nthrough the interview.
Dialogue: 0,0:23:26.09,0:23:28.30,Default,,0000,0000,0000,,PRESENTER 1: With all seven\Ncontinents, 18 countries.
Dialogue: 0,0:23:28.30,0:23:31.24,Default,,0000,0000,0000,,It was very important\Nthat everything was real.
Dialogue: 0,0:23:31.24,0:23:33.81,Default,,0000,0000,0000,,If it was possible to shoot\Nit, we wanted to go shoot it.
Dialogue: 0,0:23:33.81,0:23:36.39,Default,,0000,0000,0000,,If we couldn't get the shot\Nor the weather wasn't right,
Dialogue: 0,0:23:36.39,0:23:38.10,Default,,0000,0000,0000,,we would either go\Nback to that location,
Dialogue: 0,0:23:38.10,0:23:40.52,Default,,0000,0000,0000,,stay at that location longer,\Nor it didn't make the movie.
Dialogue: 0,0:23:40.52,0:23:42.76,Default,,0000,0000,0000,,It was really important\Nevery shot was original
Dialogue: 0,0:23:42.76,0:23:45.05,Default,,0000,0000,0000,,and that everything was real,\Nbut there's a few things.
Dialogue: 0,0:23:45.05,0:23:46.34,Default,,0000,0000,0000,,Only--
Dialogue: 0,0:23:46.34,0:23:49.14,Default,,0000,0000,0000,,CHRIS: And again, I don't\Nwant to use all the interview.
Dialogue: 0,0:23:49.14,0:23:51.32,Default,,0000,0000,0000,,I only want to use a\Nportion of the relevant part
Dialogue: 0,0:23:51.32,0:23:52.44,Default,,0000,0000,0000,,of the interview.
Dialogue: 0,0:23:52.44,0:23:55.97,Default,,0000,0000,0000,,So in order to be able to see\Nthe parts of the soundbite
Dialogue: 0,0:23:55.97,0:23:57.89,Default,,0000,0000,0000,,that I actually want\Nto use, I'm actually
Dialogue: 0,0:23:57.89,0:24:00.65,Default,,0000,0000,0000,,going to use a feature\Ninside DaVinci Resolve, which
Dialogue: 0,0:24:00.65,0:24:03.95,Default,,0000,0000,0000,,I find very useful on\Na day to day basis.
Dialogue: 0,0:24:03.95,0:24:07.01,Default,,0000,0000,0000,,If you come up to the\Ntop of the source viewer
Dialogue: 0,0:24:07.01,0:24:09.35,Default,,0000,0000,0000,,and click the\NOptions menu, that's
Dialogue: 0,0:24:09.35,0:24:12.92,Default,,0000,0000,0000,,the three dots that you see\Nat the top of the viewer,
Dialogue: 0,0:24:12.92,0:24:17.69,Default,,0000,0000,0000,,we can actually choose to show\Nthe zoomed audio waveform.
Dialogue: 0,0:24:17.69,0:24:21.84,Default,,0000,0000,0000,,You can also choose to show\Na full clip audio waveform.
Dialogue: 0,0:24:21.84,0:24:25.64,Default,,0000,0000,0000,,Let's try that first,\Nand that actually
Dialogue: 0,0:24:25.64,0:24:28.61,Default,,0000,0000,0000,,shows me a waveform very\Nsimilar to the waveform
Dialogue: 0,0:24:28.61,0:24:30.60,Default,,0000,0000,0000,,that I have for the\Nclip in the timeline.
Dialogue: 0,0:24:30.60,0:24:33.69,Default,,0000,0000,0000,,But because it's actually\Nshown me the whole interview,
Dialogue: 0,0:24:33.69,0:24:35.24,Default,,0000,0000,0000,,it's actually a\Nlittle bit difficult
Dialogue: 0,0:24:35.24,0:24:39.21,Default,,0000,0000,0000,,to actually focus on where\NI want to concentrate on.
Dialogue: 0,0:24:39.21,0:24:42.44,Default,,0000,0000,0000,,So in this case, I'm going to\Nclick back in the Options menu
Dialogue: 0,0:24:42.44,0:24:47.42,Default,,0000,0000,0000,,again and choose Show\NZoomed Audio Waveform.
Dialogue: 0,0:24:47.42,0:24:50.18,Default,,0000,0000,0000,,Now, as I scrub\Nthrough the clip,
Dialogue: 0,0:24:50.18,0:24:52.04,Default,,0000,0000,0000,,you can see that\Nit will actually
Dialogue: 0,0:24:52.04,0:24:55.25,Default,,0000,0000,0000,,show me a detailed\Nwaveform view depending
Dialogue: 0,0:24:55.25,0:24:57.29,Default,,0000,0000,0000,,where I am within the clip.
Dialogue: 0,0:24:57.29,0:24:59.95,Default,,0000,0000,0000,,I'm going to return the playhead\Nto the beginning of that clip.
Dialogue: 0,0:24:59.95,0:25:01.37,Default,,0000,0000,0000,,I'm just going to\Nplay it through,
Dialogue: 0,0:25:01.37,0:25:05.20,Default,,0000,0000,0000,,and I'm listening for the\Nfirst line for his soundbite.
Dialogue: 0,0:25:05.20,0:25:07.20,Default,,0000,0000,0000,,PRESENTER 1: All seven\Ncontinents, 18 countries.
Dialogue: 0,0:25:07.20,0:25:10.14,Default,,0000,0000,0000,,It was very important\Nthat everything was real.
Dialogue: 0,0:25:10.14,0:25:12.85,Default,,0000,0000,0000,,If it was possible to shoot\Nit, we wanted to go shoot it.
Dialogue: 0,0:25:12.85,0:25:15.27,Default,,0000,0000,0000,,CHRIS: So that's where I want\Nhim to start, where he says,
Dialogue: 0,0:25:15.27,0:25:18.33,Default,,0000,0000,0000,,"if it was possible to shoot\Nit, we wanted to go shoot it."
Dialogue: 0,0:25:18.33,0:25:20.36,Default,,0000,0000,0000,,So I'm now just going\Nto press the J key just
Dialogue: 0,0:25:20.36,0:25:24.61,Default,,0000,0000,0000,,to be able to back that up to\Nthe beginning of that soundbite.
Dialogue: 0,0:25:24.61,0:25:25.61,Default,,0000,0000,0000,,PRESENTER 1: If it was--
Dialogue: 0,0:25:25.61,0:25:27.47,Default,,0000,0000,0000,,CHRIS: And listening\Nto it closely, there's
Dialogue: 0,0:25:27.47,0:25:30.02,Default,,0000,0000,0000,,an ah at the beginning\Nthat I actually
Dialogue: 0,0:25:30.02,0:25:32.37,Default,,0000,0000,0000,,don't want to include\Nwithin the soundbite.
Dialogue: 0,0:25:32.37,0:25:35.18,Default,,0000,0000,0000,,PRESENTER 1:\N[SPEAKING IN REVERSE]
Dialogue: 0,0:25:35.18,0:25:37.89,Default,,0000,0000,0000,,CHRIS: So now, I can\Nactually jog through
Dialogue: 0,0:25:37.89,0:25:40.17,Default,,0000,0000,0000,,if I turn on my audio scrubbing.
Dialogue: 0,0:25:40.17,0:25:44.99,Default,,0000,0000,0000,,
Dialogue: 0,0:25:44.99,0:25:47.55,Default,,0000,0000,0000,,I can jog through\None frame at a time.
Dialogue: 0,0:25:47.55,0:25:50.10,Default,,0000,0000,0000,,You can use the left and\Nright arrow keys for this,
Dialogue: 0,0:25:50.10,0:25:53.33,Default,,0000,0000,0000,,but I actually find it's really\Nuseful holding down the K key
Dialogue: 0,0:25:53.33,0:25:55.88,Default,,0000,0000,0000,,and tapping the J or the L keys.
Dialogue: 0,0:25:55.88,0:26:02.45,Default,,0000,0000,0000,,
Dialogue: 0,0:26:02.45,0:26:05.33,Default,,0000,0000,0000,,So at this point, I\Nwant to add an endpoint
Dialogue: 0,0:26:05.33,0:26:06.99,Default,,0000,0000,0000,,into my source viewer.
Dialogue: 0,0:26:06.99,0:26:09.99,Default,,0000,0000,0000,,There's only one way you really\Nneed to know how to do this,
Dialogue: 0,0:26:09.99,0:26:13.34,Default,,0000,0000,0000,,and that's by pressing\NI on your keyboard.
Dialogue: 0,0:26:13.34,0:26:15.65,Default,,0000,0000,0000,,So I'm now going to play\Nthe interview through
Dialogue: 0,0:26:15.65,0:26:18.60,Default,,0000,0000,0000,,to find the end of the soundbite\Nthat I'm interested in.
Dialogue: 0,0:26:18.60,0:26:20.43,Default,,0000,0000,0000,,PRESENTER 1: If it was\Npossible to shoot it,
Dialogue: 0,0:26:20.43,0:26:21.48,Default,,0000,0000,0000,,we wanted to go shoot it.
Dialogue: 0,0:26:21.48,0:26:24.06,Default,,0000,0000,0000,,If we couldn't get the shot,\Nor the weather wasn't right,
Dialogue: 0,0:26:24.06,0:26:25.77,Default,,0000,0000,0000,,we would either go\Nback to that location,
Dialogue: 0,0:26:25.77,0:26:28.19,Default,,0000,0000,0000,,stay at that location longer,\Nor it didn't make the movie.
Dialogue: 0,0:26:28.19,0:26:30.43,Default,,0000,0000,0000,,It was really important\Nevery shot was original,
Dialogue: 0,0:26:30.43,0:26:31.73,Default,,0000,0000,0000,,and that everything was real.
Dialogue: 0,0:26:31.73,0:26:32.47,Default,,0000,0000,0000,,But there's--
Dialogue: 0,0:26:32.47,0:26:34.33,Default,,0000,0000,0000,,CHRIS: And that's\Nthe word, "real,"
Dialogue: 0,0:26:34.33,0:26:36.50,Default,,0000,0000,0000,,where I actually want\Nthis soundbite to end.
Dialogue: 0,0:26:36.50,0:26:39.25,Default,,0000,0000,0000,,So I'm just going to\Nback the playhead up.
Dialogue: 0,0:26:39.25,0:26:41.00,Default,,0000,0000,0000,,PRESENTER 1: And that\Neverything was real.
Dialogue: 0,0:26:41.00,0:26:43.33,Default,,0000,0000,0000,,CHRIS: And again, you\Nheard a little bit
Dialogue: 0,0:26:43.33,0:26:45.16,Default,,0000,0000,0000,,of the but at the\Nbeginning, so I'm just
Dialogue: 0,0:26:45.16,0:26:51.34,Default,,0000,0000,0000,,going to come back just a few\Nframes, find that gap that you
Dialogue: 0,0:26:51.34,0:26:53.12,Default,,0000,0000,0000,,can see there in the waveform.
Dialogue: 0,0:26:53.12,0:26:55.43,Default,,0000,0000,0000,,And that's where I want\Nto add my outpoint.
Dialogue: 0,0:26:55.43,0:27:00.79,Default,,0000,0000,0000,,And of course, magic\Nshortcut is O for out.
Dialogue: 0,0:27:00.79,0:27:03.10,Default,,0000,0000,0000,,Now, that I've got in\Nand out points set,
Dialogue: 0,0:27:03.10,0:27:05.02,Default,,0000,0000,0000,,I might want to just\Ndouble check that they're
Dialogue: 0,0:27:05.02,0:27:06.38,Default,,0000,0000,0000,,in the right position.
Dialogue: 0,0:27:06.38,0:27:09.55,Default,,0000,0000,0000,,So I can actually press\NShift I to jump directly
Dialogue: 0,0:27:09.55,0:27:14.26,Default,,0000,0000,0000,,to an endpoint, Shift O to\Njump directly to an out point.
Dialogue: 0,0:27:14.26,0:27:16.78,Default,,0000,0000,0000,,If I actually want to\Npreview the soundbite
Dialogue: 0,0:27:16.78,0:27:20.59,Default,,0000,0000,0000,,between in and the out point,\NI can hold down the Option key
Dialogue: 0,0:27:20.59,0:27:23.63,Default,,0000,0000,0000,,and press the forward\Nslash key on my keyboard.
Dialogue: 0,0:27:23.63,0:27:25.46,Default,,0000,0000,0000,,PRESENTER 1: If it was\Npossible to shoot it,
Dialogue: 0,0:27:25.46,0:27:26.50,Default,,0000,0000,0000,,we wanted to go shoot it.
Dialogue: 0,0:27:26.50,0:27:29.11,Default,,0000,0000,0000,,If we couldn't get the shot,\Nor the weather wasn't right,
Dialogue: 0,0:27:29.11,0:27:30.82,Default,,0000,0000,0000,,we would either go\Nback to that location,
Dialogue: 0,0:27:30.82,0:27:33.24,Default,,0000,0000,0000,,stay at that location longer,\Nor it didn't make the movie.
Dialogue: 0,0:27:33.24,0:27:34.24,Default,,0000,0000,0000,,It was really important.
Dialogue: 0,0:27:34.24,0:27:37.80,Default,,0000,0000,0000,,Every shot was original and\Nthat everything was real.
Dialogue: 0,0:27:37.80,0:27:40.21,Default,,0000,0000,0000,,CHRIS: And it's a little bit\Ntight on the output there,
Dialogue: 0,0:27:40.21,0:27:42.84,Default,,0000,0000,0000,,so I'm just going to\Njog forward just a frame
Dialogue: 0,0:27:42.84,0:27:46.30,Default,,0000,0000,0000,,and reset the outpoint\Nby pressing O. However,
Dialogue: 0,0:27:46.30,0:27:48.96,Default,,0000,0000,0000,,sometimes, you don't want to\Nlisten to the whole soundbite
Dialogue: 0,0:27:48.96,0:27:50.32,Default,,0000,0000,0000,,from beginning to end.
Dialogue: 0,0:27:50.32,0:27:52.24,Default,,0000,0000,0000,,It could actually be quite long.
Dialogue: 0,0:27:52.24,0:27:55.45,Default,,0000,0000,0000,,So if you actually just want to\Npreview where the outpoint is,
Dialogue: 0,0:27:55.45,0:27:57.84,Default,,0000,0000,0000,,just simply bring your\Nplayhead a few seconds
Dialogue: 0,0:27:57.84,0:28:01.78,Default,,0000,0000,0000,,to before the outpoint, and\Nthen from the playback menu,
Dialogue: 0,0:28:01.78,0:28:07.56,Default,,0000,0000,0000,,you can choose Play\NAround To, Play To Out,
Dialogue: 0,0:28:07.56,0:28:09.90,Default,,0000,0000,0000,,and you can see here\Nkeyboard shortcut is
Dialogue: 0,0:28:09.90,0:28:13.20,Default,,0000,0000,0000,,Option Command forward slash.
Dialogue: 0,0:28:13.20,0:28:14.95,Default,,0000,0000,0000,,PRESENTER 1: And that\Neverything was real.
Dialogue: 0,0:28:14.95,0:28:17.16,Default,,0000,0000,0000,,CHRIS: So now that I've got\Nin and the out point set
Dialogue: 0,0:28:17.16,0:28:20.25,Default,,0000,0000,0000,,for this soundbite, I'm going to\Nedit it into the timeline using
Dialogue: 0,0:28:20.25,0:28:21.61,Default,,0000,0000,0000,,an overwrite edit.
Dialogue: 0,0:28:21.61,0:28:24.63,Default,,0000,0000,0000,,Now, I can pick the clip\Nup again and drag and drop
Dialogue: 0,0:28:24.63,0:28:27.85,Default,,0000,0000,0000,,over the timeline viewer\Nto access the overwrite.
Dialogue: 0,0:28:27.85,0:28:30.28,Default,,0000,0000,0000,,I don't need to drag\Nto the actual overlay.
Dialogue: 0,0:28:30.28,0:28:34.24,Default,,0000,0000,0000,,However, if I just come down\Nhere to the top of the timeline,
Dialogue: 0,0:28:34.24,0:28:37.24,Default,,0000,0000,0000,,you'll see that there are\Nthree editing function buttons.
Dialogue: 0,0:28:37.24,0:28:40.05,Default,,0000,0000,0000,,These buttons are probably\Nthe most common used editing
Dialogue: 0,0:28:40.05,0:28:41.88,Default,,0000,0000,0000,,features, which is why\Nthey've been included
Dialogue: 0,0:28:41.88,0:28:43.46,Default,,0000,0000,0000,,at the top of the timeline.
Dialogue: 0,0:28:43.46,0:28:45.42,Default,,0000,0000,0000,,You'll see that the middle\None of those buttons
Dialogue: 0,0:28:45.42,0:28:48.75,Default,,0000,0000,0000,,is actually overwrite clip, and\Nmy keyboard shortcut for this
Dialogue: 0,0:28:48.75,0:28:49.93,Default,,0000,0000,0000,,is F10.
Dialogue: 0,0:28:49.93,0:28:51.99,Default,,0000,0000,0000,,Now, if you're on\Na Mac, you may find
Dialogue: 0,0:28:51.99,0:28:56.05,Default,,0000,0000,0000,,that the F10 key doesn't perform\Nan overwrite edit by default,
Dialogue: 0,0:28:56.05,0:28:59.01,Default,,0000,0000,0000,,in which case, you'll need to\Ngo into your System Preferences
Dialogue: 0,0:28:59.01,0:29:01.50,Default,,0000,0000,0000,,and change the\Nkeyboard settings so
Dialogue: 0,0:29:01.50,0:29:07.14,Default,,0000,0000,0000,,that it uses all the F1 and F2\Nkeys as standard function keys.
Dialogue: 0,0:29:07.14,0:29:10.41,Default,,0000,0000,0000,,If I just press F10,\Nyou'll see that the clip is
Dialogue: 0,0:29:10.41,0:29:12.43,Default,,0000,0000,0000,,overwritten into the timeline.
Dialogue: 0,0:29:12.43,0:29:15.18,Default,,0000,0000,0000,,It's actually overwritten the\Ntail end of the first interview
Dialogue: 0,0:29:15.18,0:29:16.02,Default,,0000,0000,0000,,clip.
Dialogue: 0,0:29:16.02,0:29:19.08,Default,,0000,0000,0000,,If I use the up arrow\Nkey to navigate back
Dialogue: 0,0:29:19.08,0:29:21.93,Default,,0000,0000,0000,,to the previous edit point,\Nand then preview the Edit
Dialogue: 0,0:29:21.93,0:29:24.24,Default,,0000,0000,0000,,using the forward slash key,
Dialogue: 0,0:29:24.24,0:29:25.98,Default,,0000,0000,0000,,PRESENTER 1: Shoot\Nthe real world.
Dialogue: 0,0:29:25.98,0:29:29.14,Default,,0000,0000,0000,,If it was possible to\Nshoot it, we wanted to go--
Dialogue: 0,0:29:29.14,0:29:31.99,Default,,0000,0000,0000,,CHRIS: The first interview clip\Nnow ends at the right point,
Dialogue: 0,0:29:31.99,0:29:35.29,Default,,0000,0000,0000,,and the second interview clip\Nstarts at the right point,
Dialogue: 0,0:29:35.29,0:29:37.18,Default,,0000,0000,0000,,but it's a little bit too tight.
Dialogue: 0,0:29:37.18,0:29:39.99,Default,,0000,0000,0000,,We've also got a very\Nnasty visual jump
Dialogue: 0,0:29:39.99,0:29:43.02,Default,,0000,0000,0000,,cut between two interview\Nclips, so we now
Dialogue: 0,0:29:43.02,0:29:45.12,Default,,0000,0000,0000,,want to start to insert\Nsome of the b-roll
Dialogue: 0,0:29:45.12,0:29:48.18,Default,,0000,0000,0000,,in, just to be able to\Npace out those interviews.
Dialogue: 0,0:29:48.18,0:29:50.62,Default,,0000,0000,0000,,Let's go to the\NB-Roll smart bin.
Dialogue: 0,0:29:50.62,0:29:55.75,Default,,0000,0000,0000,,Let's go for this second clip\Nhere of this A380 taking off.
Dialogue: 0,0:29:55.75,0:29:59.08,Default,,0000,0000,0000,,Let's double click to open\Nit up into the source viewer,
Dialogue: 0,0:29:59.08,0:30:01.32,Default,,0000,0000,0000,,and then use J, K,\Nand L keys in order
Dialogue: 0,0:30:01.32,0:30:04.38,Default,,0000,0000,0000,,to be able to preview this clip.
Dialogue: 0,0:30:04.38,0:30:09.75,Default,,0000,0000,0000,,That's fine, just as the wheels\Nare about to leave the tarmac.
Dialogue: 0,0:30:09.75,0:30:13.10,Default,,0000,0000,0000,,Let's set an endpoint a\Nsecond or so before that.
Dialogue: 0,0:30:13.10,0:30:16.17,Default,,0000,0000,0000,,
Dialogue: 0,0:30:16.17,0:30:22.05,Default,,0000,0000,0000,,And let's set an outpoint just\Nafter the plane has left frame
Dialogue: 0,0:30:22.05,0:30:26.26,Default,,0000,0000,0000,,before we get a very horrible\Ncamera movement there.
Dialogue: 0,0:30:26.26,0:30:29.46,Default,,0000,0000,0000,,So let's set an out point\Nas the tail of the frame
Dialogue: 0,0:30:29.46,0:30:31.29,Default,,0000,0000,0000,,has left the shot.
Dialogue: 0,0:30:31.29,0:30:34.36,Default,,0000,0000,0000,,Because the playhead is in the\Nright place in the timeline.
Dialogue: 0,0:30:34.36,0:30:35.73,Default,,0000,0000,0000,,I don't need to\Nworry about where
Dialogue: 0,0:30:35.73,0:30:37.31,Default,,0000,0000,0000,,this shot is going to end up.
Dialogue: 0,0:30:37.31,0:30:39.06,Default,,0000,0000,0000,,Make sure that the\Nplayhead is on the Edit
Dialogue: 0,0:30:39.06,0:30:41.52,Default,,0000,0000,0000,,point in the timeline so\Nthat you're inserting it
Dialogue: 0,0:30:41.52,0:30:43.42,Default,,0000,0000,0000,,in the right place,\Nand in this case,
Dialogue: 0,0:30:43.42,0:30:45.63,Default,,0000,0000,0000,,I'm just going to pick the\Nclip up and drag across
Dialogue: 0,0:30:45.63,0:30:49.66,Default,,0000,0000,0000,,to my overlays, and this time,\Nto perform an Insert edit,
Dialogue: 0,0:30:49.66,0:30:53.64,Default,,0000,0000,0000,,I just drag it to\Nthe Insert overlay.
Dialogue: 0,0:30:53.64,0:30:56.16,Default,,0000,0000,0000,,And that inserts the\Nclip in the timeline
Dialogue: 0,0:30:56.16,0:30:59.10,Default,,0000,0000,0000,,and moves the second\Ninterview clip out of the way.
Dialogue: 0,0:30:59.10,0:31:02.17,Default,,0000,0000,0000,,This is one of the advantages\Nfor using those overlays,
Dialogue: 0,0:31:02.17,0:31:04.69,Default,,0000,0000,0000,,rather than the drag and\Ndrop approach to editing.
Dialogue: 0,0:31:04.69,0:31:06.56,Default,,0000,0000,0000,,Using a drag and\Ndrop approach, you
Dialogue: 0,0:31:06.56,0:31:09.01,Default,,0000,0000,0000,,wouldn't be able to insert\Nthe clip as efficiently.
Dialogue: 0,0:31:09.01,0:31:12.81,Default,,0000,0000,0000,,So again, one reason for\Nusing these functions.
Dialogue: 0,0:31:12.81,0:31:14.17,Default,,0000,0000,0000,,In the timeline.
Dialogue: 0,0:31:14.17,0:31:16.96,Default,,0000,0000,0000,,Let's move the playhead back\Nto the start of that clip.
Dialogue: 0,0:31:16.96,0:31:19.77,Default,,0000,0000,0000,,So we're on the first frame\Nof the Lufthansa plane.
Dialogue: 0,0:31:19.77,0:31:23.52,Default,,0000,0000,0000,,And in this case, let's\Ngo to this clip here.
Dialogue: 0,0:31:23.52,0:31:27.35,Default,,0000,0000,0000,,It's called AOA01 A380 Taxi.
Dialogue: 0,0:31:27.35,0:31:29.16,Default,,0000,0000,0000,,Let's double click\Nthat to open it up.
Dialogue: 0,0:31:29.16,0:31:32.75,Default,,0000,0000,0000,,Now you'll notice straight\Naway that this clip has audio
Dialogue: 0,0:31:32.75,0:31:35.84,Default,,0000,0000,0000,,PRESENTER 2: [INAUDIBLE]
Dialogue: 0,0:31:35.84,0:31:37.80,Default,,0000,0000,0000,,CHRIS: It's not\Ngreat audio, however.
Dialogue: 0,0:31:37.80,0:31:40.73,Default,,0000,0000,0000,,So what we need to do here is\Nwe need to actually make sure
Dialogue: 0,0:31:40.73,0:31:42.99,Default,,0000,0000,0000,,that when we insert\Nthis into the timeline,
Dialogue: 0,0:31:42.99,0:31:45.39,Default,,0000,0000,0000,,that we're not actually\Ngoing to use the audio.
Dialogue: 0,0:31:45.39,0:31:48.09,Default,,0000,0000,0000,,Now, there are a couple of\Nways that we can do this.
Dialogue: 0,0:31:48.09,0:31:52.13,Default,,0000,0000,0000,,A simple way would be if we\Nwere using drag and drop editing
Dialogue: 0,0:31:52.13,0:31:54.00,Default,,0000,0000,0000,,over the timeline viewer.
Dialogue: 0,0:31:54.00,0:31:56.36,Default,,0000,0000,0000,,We can actually come\Nhere to the source viewer
Dialogue: 0,0:31:56.36,0:31:59.82,Default,,0000,0000,0000,,and actually specify, using\None of these overlays,
Dialogue: 0,0:31:59.82,0:32:03.57,Default,,0000,0000,0000,,whether we want to edit\Njust picture or just sound.
Dialogue: 0,0:32:03.57,0:32:06.00,Default,,0000,0000,0000,,So in this case, I can\Nclick on the overlay,
Dialogue: 0,0:32:06.00,0:32:07.73,Default,,0000,0000,0000,,drag across to the\Ntimeline viewer
Dialogue: 0,0:32:07.73,0:32:11.27,Default,,0000,0000,0000,,and choose Insert in order\Nto be able to just insert
Dialogue: 0,0:32:11.27,0:32:14.36,Default,,0000,0000,0000,,the picture and not the\Naudio for this clip.
Dialogue: 0,0:32:14.36,0:32:17.88,Default,,0000,0000,0000,,However, I'm just going to\Nundo that with Command Z,
Dialogue: 0,0:32:17.88,0:32:20.69,Default,,0000,0000,0000,,because if I want to use\Nmy keyboard shortcuts
Dialogue: 0,0:32:20.69,0:32:25.02,Default,,0000,0000,0000,,or my editing buttons at the top\Nof the timeline, unfortunately,
Dialogue: 0,0:32:25.02,0:32:27.17,Default,,0000,0000,0000,,I can't specify\Nusing that overlay
Dialogue: 0,0:32:27.17,0:32:30.48,Default,,0000,0000,0000,,whether I'm using just the\Npicture or just the sound.
Dialogue: 0,0:32:30.48,0:32:35.55,Default,,0000,0000,0000,,For example, if I come here and\Nuse the Insert editing function,
Dialogue: 0,0:32:35.55,0:32:39.11,Default,,0000,0000,0000,,you'll see it will actually\Nedit the audio in as well
Dialogue: 0,0:32:39.11,0:32:40.37,Default,,0000,0000,0000,,as the picture.
Dialogue: 0,0:32:40.37,0:32:42.66,Default,,0000,0000,0000,,Again, I'm just\Ngoing to undo that.
Dialogue: 0,0:32:42.66,0:32:44.33,Default,,0000,0000,0000,,So there's actually\Nanother control
Dialogue: 0,0:32:44.33,0:32:47.21,Default,,0000,0000,0000,,that we can use in order to be\Nable to specify whether we're
Dialogue: 0,0:32:47.21,0:32:49.85,Default,,0000,0000,0000,,editing, just picture\Nor just sound directly
Dialogue: 0,0:32:49.85,0:32:51.21,Default,,0000,0000,0000,,into the timeline.
Dialogue: 0,0:32:51.21,0:32:53.39,Default,,0000,0000,0000,,It's these two\Nbuttons that appear
Dialogue: 0,0:32:53.39,0:32:57.74,Default,,0000,0000,0000,,with red borders along the\Nleft hand side of the timeline.
Dialogue: 0,0:32:57.74,0:33:00.24,Default,,0000,0000,0000,,These are your source controls.
Dialogue: 0,0:33:00.24,0:33:03.23,Default,,0000,0000,0000,,I'm actually going to come down\Nto the audio source control
Dialogue: 0,0:33:03.23,0:33:06.02,Default,,0000,0000,0000,,here, and I'm just going\Nto simply click once
Dialogue: 0,0:33:06.02,0:33:09.40,Default,,0000,0000,0000,,in order to disable that\Nbutton in the timeline.
Dialogue: 0,0:33:09.40,0:33:12.41,Default,,0000,0000,0000,,
Dialogue: 0,0:33:12.41,0:33:17.19,Default,,0000,0000,0000,,Now, when I perform an Insert\Nedit using the Timeline button,
Dialogue: 0,0:33:17.19,0:33:20.27,Default,,0000,0000,0000,,no audio is brought\Ninto the timeline,
Dialogue: 0,0:33:20.27,0:33:23.26,Default,,0000,0000,0000,,and this also means I can use my\Nkeyboard shortcuts efficiently
Dialogue: 0,0:33:23.26,0:33:24.88,Default,,0000,0000,0000,,as well.
Dialogue: 0,0:33:24.88,0:33:27.22,Default,,0000,0000,0000,,Another insert edit that\Nwe're now going to want to do
Dialogue: 0,0:33:27.22,0:33:30.46,Default,,0000,0000,0000,,is actually within this\Ninterview clip here.
Dialogue: 0,0:33:30.46,0:33:32.80,Default,,0000,0000,0000,,So I'm going to move the\Nplayhead to the beginning
Dialogue: 0,0:33:32.80,0:33:34.45,Default,,0000,0000,0000,,of that interview\Nclip, and I'm just
Dialogue: 0,0:33:34.45,0:33:36.16,Default,,0000,0000,0000,,going to play through\Nthe beginning of it
Dialogue: 0,0:33:36.16,0:33:37.49,Default,,0000,0000,0000,,for the first soundbite.
Dialogue: 0,0:33:37.49,0:33:39.32,Default,,0000,0000,0000,,PRESENTER 1: If it was\Npossible to shoot it,
Dialogue: 0,0:33:39.32,0:33:40.37,Default,,0000,0000,0000,,we wanted to go shoot it.
Dialogue: 0,0:33:40.37,0:33:42.59,Default,,0000,0000,0000,,CHRIS: If it was\Npossible to shoot it,
Dialogue: 0,0:33:42.59,0:33:44.03,Default,,0000,0000,0000,,we wanted to go shoot it.
Dialogue: 0,0:33:44.03,0:33:46.50,Default,,0000,0000,0000,,That's where I actually want\Nto insert the next shot.
Dialogue: 0,0:33:46.50,0:33:48.01,Default,,0000,0000,0000,,PRESENTER 1:\N[SPEAKING IN REVERSE]
Dialogue: 0,0:33:48.01,0:33:49.22,Default,,0000,0000,0000,,we wanted to go shoot it.
Dialogue: 0,0:33:49.22,0:33:49.72,Default,,0000,0000,0000,,If--
Dialogue: 0,0:33:49.72,0:33:51.10,Default,,0000,0000,0000,,CHRIS: The shot\Nthat I'm actually
Dialogue: 0,0:33:51.10,0:33:53.09,Default,,0000,0000,0000,,looking for is in\Nmy B-Roll smart bin,
Dialogue: 0,0:33:53.09,0:33:58.04,Default,,0000,0000,0000,,and it's the clip\Nof AOA_10_Maldives.
Dialogue: 0,0:33:58.04,0:34:01.01,Default,,0000,0000,0000,,So double click that to open\Nit into the source viewer.
Dialogue: 0,0:34:01.01,0:34:02.75,Default,,0000,0000,0000,,I love this shot.
Dialogue: 0,0:34:02.75,0:34:05.35,Default,,0000,0000,0000,,It's this wonderful\Nin and out shot
Dialogue: 0,0:34:05.35,0:34:07.91,Default,,0000,0000,0000,,where the camera is half\Nsubmerged in the water,
Dialogue: 0,0:34:07.91,0:34:11.89,Default,,0000,0000,0000,,and there is a plane that comes\Nin over the top of the camera.
Dialogue: 0,0:34:11.89,0:34:14.32,Default,,0000,0000,0000,,I'm actually just going\Nto set an endpoint
Dialogue: 0,0:34:14.32,0:34:18.10,Default,,0000,0000,0000,,just as the shadow of the\Nplane appears over the coral.
Dialogue: 0,0:34:18.10,0:34:21.19,Default,,0000,0000,0000,,
Dialogue: 0,0:34:21.19,0:34:23.26,Default,,0000,0000,0000,,And now, I actually\Nwant to specify around
Dialogue: 0,0:34:23.26,0:34:24.86,Default,,0000,0000,0000,,about a three second clip.
Dialogue: 0,0:34:24.86,0:34:26.77,Default,,0000,0000,0000,,So one way that we can\Ndo that is actually
Dialogue: 0,0:34:26.77,0:34:30.07,Default,,0000,0000,0000,,to use timecode information\Nto be able to move forwards
Dialogue: 0,0:34:30.07,0:34:31.87,Default,,0000,0000,0000,,and backwards through the clip.
Dialogue: 0,0:34:31.87,0:34:35.56,Default,,0000,0000,0000,,In this case, I'm just going to\Nhit the Plus key on my keyboard
Dialogue: 0,0:34:35.56,0:34:40.87,Default,,0000,0000,0000,,and type in 300, which you can\Nactually see in the top timecode
Dialogue: 0,0:34:40.87,0:34:42.70,Default,,0000,0000,0000,,field in the source\Nviewer actually
Dialogue: 0,0:34:42.70,0:34:46.03,Default,,0000,0000,0000,,translates to three seconds.
Dialogue: 0,0:34:46.03,0:34:47.45,Default,,0000,0000,0000,,Hit the Return key.
Dialogue: 0,0:34:47.45,0:34:50.02,Default,,0000,0000,0000,,Press O to set the\Noutpoint in order
Dialogue: 0,0:34:50.02,0:34:52.45,Default,,0000,0000,0000,,to set a three second clip.
Dialogue: 0,0:34:52.45,0:34:55.46,Default,,0000,0000,0000,,Actually, technically, it's\Nthree seconds and one frame.
Dialogue: 0,0:34:55.46,0:34:57.56,Default,,0000,0000,0000,,As you can see from\Nthe duration field,
Dialogue: 0,0:34:57.56,0:35:00.91,Default,,0000,0000,0000,,however, the playhead is\Ninclusive of the frame
Dialogue: 0,0:35:00.91,0:35:03.40,Default,,0000,0000,0000,,that you're currently on,\Nso the outpoint is always
Dialogue: 0,0:35:03.40,0:35:05.47,Default,,0000,0000,0000,,set at the tail of\Nthat frame if you
Dialogue: 0,0:35:05.47,0:35:07.48,Default,,0000,0000,0000,,need it to be three\Nseconds exactly,
Dialogue: 0,0:35:07.48,0:35:08.98,Default,,0000,0000,0000,,you just need to\Ncome back one frame
Dialogue: 0,0:35:08.98,0:35:10.84,Default,,0000,0000,0000,,before you set the outpoint.
Dialogue: 0,0:35:10.84,0:35:15.25,Default,,0000,0000,0000,,But now I can do an Insert\Nedit by pressing F9.
Dialogue: 0,0:35:15.25,0:35:18.72,Default,,0000,0000,0000,,Excellent, so now, we've\Ngot the edit really starting
Dialogue: 0,0:35:18.72,0:35:19.90,Default,,0000,0000,0000,,to come together.
Dialogue: 0,0:35:19.90,0:35:21.93,Default,,0000,0000,0000,,However, at this\Npoint, you're probably
Dialogue: 0,0:35:21.93,0:35:25.93,Default,,0000,0000,0000,,wanting to get a little bit\Nmore control of the timeline,
Dialogue: 0,0:35:25.93,0:35:28.71,Default,,0000,0000,0000,,particularly when\Nit comes to zooming.
Dialogue: 0,0:35:28.71,0:35:32.19,Default,,0000,0000,0000,,Also, you might want to start\Nrefining parts of the timeline
Dialogue: 0,0:35:32.19,0:35:34.18,Default,,0000,0000,0000,,by removing sections.
Dialogue: 0,0:35:34.18,0:35:36.00,Default,,0000,0000,0000,,Zooming in the\Ntimeline is actually
Dialogue: 0,0:35:36.00,0:35:39.55,Default,,0000,0000,0000,,much simpler in DaVinci\NResolve 17 than it's ever been.
Dialogue: 0,0:35:39.55,0:35:44.53,Default,,0000,0000,0000,,We've already encountered\Ntwo fixed zoom functions.
Dialogue: 0,0:35:44.53,0:35:47.28,Default,,0000,0000,0000,,These are the Full Extent\NZoom, which will always
Dialogue: 0,0:35:47.28,0:35:49.68,Default,,0000,0000,0000,,show the full length\Nof your timeline
Dialogue: 0,0:35:49.68,0:35:52.84,Default,,0000,0000,0000,,irrespective of how much\Ncontent is in the timeline.
Dialogue: 0,0:35:52.84,0:35:55.75,Default,,0000,0000,0000,,And you've also got\Nthe Detail Zoom button,
Dialogue: 0,0:35:55.75,0:36:00.24,Default,,0000,0000,0000,,which allows you to Zoom in to\Na fixed point on the timeline
Dialogue: 0,0:36:00.24,0:36:02.91,Default,,0000,0000,0000,,wherever your playhead\Nhappens to be.
Dialogue: 0,0:36:02.91,0:36:07.51,Default,,0000,0000,0000,,However, you've also got a\Ncustom zoom option as well,
Dialogue: 0,0:36:07.51,0:36:11.91,Default,,0000,0000,0000,,so this button allows you to set\Nyour own zoom level, which you
Dialogue: 0,0:36:11.91,0:36:14.88,Default,,0000,0000,0000,,can do by just simply\Ndragging the slider
Dialogue: 0,0:36:14.88,0:36:20.22,Default,,0000,0000,0000,,or using the Plus and Minus\Nbuttons to zoom in and out.
Dialogue: 0,0:36:20.22,0:36:22.98,Default,,0000,0000,0000,,Or you could use\Nkeyboard shortcuts.
Dialogue: 0,0:36:22.98,0:36:26.68,Default,,0000,0000,0000,,Command Equals allows you\Nto Zoom in on your playhead.
Dialogue: 0,0:36:26.68,0:36:29.68,Default,,0000,0000,0000,,Command Minus allows\Nyou to Zoom out.
Dialogue: 0,0:36:29.68,0:36:32.23,Default,,0000,0000,0000,,If you're on a PC,\Ninstead of using command,
Dialogue: 0,0:36:32.23,0:36:34.92,Default,,0000,0000,0000,,you'd just simply use\NControl, and you can also
Dialogue: 0,0:36:34.92,0:36:39.79,Default,,0000,0000,0000,,use Shift Z in order to be able\Nto fill the timeline window.
Dialogue: 0,0:36:39.79,0:36:43.68,Default,,0000,0000,0000,,This isn't the same as actually\Nusing the Full Extent Zoom
Dialogue: 0,0:36:43.68,0:36:44.77,Default,,0000,0000,0000,,button, however.
Dialogue: 0,0:36:44.77,0:36:48.97,Default,,0000,0000,0000,,The Shift Z function allows you\Nto see the full timeline zoom,
Dialogue: 0,0:36:48.97,0:36:52.18,Default,,0000,0000,0000,,but it doesn't remain fixed\Nat the full timeline Zoom,
Dialogue: 0,0:36:52.18,0:36:54.61,Default,,0000,0000,0000,,so if you add any other\Nclips to the timeline,
Dialogue: 0,0:36:54.61,0:36:56.82,Default,,0000,0000,0000,,you'll have to manually\Nchange the zoom in order
Dialogue: 0,0:36:56.82,0:36:59.19,Default,,0000,0000,0000,,to be able to focus on\Nthe parts of the timeline
Dialogue: 0,0:36:59.19,0:37:01.12,Default,,0000,0000,0000,,that you actually\Nwant to work with.
Dialogue: 0,0:37:01.12,0:37:04.38,Default,,0000,0000,0000,,However, Shift Z is very\Nuseful if you actually
Dialogue: 0,0:37:04.38,0:37:08.44,Default,,0000,0000,0000,,want to return to a previous\NZoom level in the timeline.
Dialogue: 0,0:37:08.44,0:37:11.22,Default,,0000,0000,0000,,Just simply toggling Shift\NZ is a very useful way
Dialogue: 0,0:37:11.22,0:37:14.55,Default,,0000,0000,0000,,of being able to step in\Nand out of the timeline.
Dialogue: 0,0:37:14.55,0:37:18.10,Default,,0000,0000,0000,,If you've got a three button\Nmouse with a scroll wheel on it,
Dialogue: 0,0:37:18.10,0:37:20.70,Default,,0000,0000,0000,,then what you can do is\Njust hold down the Shift key
Dialogue: 0,0:37:20.70,0:37:22.65,Default,,0000,0000,0000,,and use the scroll\Nwheel in order
Dialogue: 0,0:37:22.65,0:37:25.83,Default,,0000,0000,0000,,to be able to dynamically\Nadjust the height of each
Dialogue: 0,0:37:25.83,0:37:27.10,Default,,0000,0000,0000,,of the tracks.
Dialogue: 0,0:37:27.10,0:37:31.02,Default,,0000,0000,0000,,And you can also change\Nthe bias between the video
Dialogue: 0,0:37:31.02,0:37:32.58,Default,,0000,0000,0000,,and the audio part\Nin order to be
Dialogue: 0,0:37:32.58,0:37:35.20,Default,,0000,0000,0000,,able to get a\Nlarger audio track,
Dialogue: 0,0:37:35.20,0:37:36.99,Default,,0000,0000,0000,,and you can actually\Nsee how easy it is now
Dialogue: 0,0:37:36.99,0:37:40.62,Default,,0000,0000,0000,,to see the waveform\Nfor those clips.
Dialogue: 0,0:37:40.62,0:37:43.45,Default,,0000,0000,0000,,If you don't have a\Nwheeled three button mouse,
Dialogue: 0,0:37:43.45,0:37:47.50,Default,,0000,0000,0000,,then you can always use the\NTimeline View Options menu here,
Dialogue: 0,0:37:47.50,0:37:49.98,Default,,0000,0000,0000,,and then actually use\Nthe Track Height sliders
Dialogue: 0,0:37:49.98,0:37:51.90,Default,,0000,0000,0000,,at the bottom of\Nthat menu in order
Dialogue: 0,0:37:51.90,0:37:55.77,Default,,0000,0000,0000,,to be able to adjust the height\Nof your video and audio tracks.
Dialogue: 0,0:37:55.77,0:37:57.48,Default,,0000,0000,0000,,So now that we've\Nlooked at how to adjust
Dialogue: 0,0:37:57.48,0:38:00.57,Default,,0000,0000,0000,,the timeline zoom level so\Nthat you can comfortably
Dialogue: 0,0:38:00.57,0:38:03.81,Default,,0000,0000,0000,,view the timeline depending\Non what you need to do, let's
Dialogue: 0,0:38:03.81,0:38:06.12,Default,,0000,0000,0000,,look at how we can remove\Nsome of these clips
Dialogue: 0,0:38:06.12,0:38:09.00,Default,,0000,0000,0000,,and start to refine the\NEdit a little bit further.
Dialogue: 0,0:38:09.00,0:38:11.64,Default,,0000,0000,0000,,To begin with, you might\Nwant to actually remove
Dialogue: 0,0:38:11.64,0:38:14.22,Default,,0000,0000,0000,,just a simple portion of a clip.
Dialogue: 0,0:38:14.22,0:38:17.36,Default,,0000,0000,0000,,For example, you might want\Nto remove the video or audio
Dialogue: 0,0:38:17.36,0:38:19.01,Default,,0000,0000,0000,,part of a clip.
Dialogue: 0,0:38:19.01,0:38:22.62,Default,,0000,0000,0000,,If I actually concentrate on\Nthis middle interview here,
Dialogue: 0,0:38:22.62,0:38:25.01,Default,,0000,0000,0000,,I'm just going to move\Nthe playhead over that
Dialogue: 0,0:38:25.01,0:38:28.94,Default,,0000,0000,0000,,and hit my Detail Zoom button\Nso that I can focus on this.
Dialogue: 0,0:38:28.94,0:38:32.40,Default,,0000,0000,0000,,You should notice, on the\Nleft hand side of the clip,
Dialogue: 0,0:38:32.40,0:38:35.87,Default,,0000,0000,0000,,in both the video and the audio,\Nthere are two little chain link
Dialogue: 0,0:38:35.87,0:38:36.81,Default,,0000,0000,0000,,icons.
Dialogue: 0,0:38:36.81,0:38:39.68,Default,,0000,0000,0000,,This indicates that this\Nclip is linked in both
Dialogue: 0,0:38:39.68,0:38:41.82,Default,,0000,0000,0000,,these video and audio portions.
Dialogue: 0,0:38:41.82,0:38:44.42,Default,,0000,0000,0000,,Using linked clips\Nis very, very useful
Dialogue: 0,0:38:44.42,0:38:47.24,Default,,0000,0000,0000,,because it means that you can\Nmove them around very easily
Dialogue: 0,0:38:47.24,0:38:49.80,Default,,0000,0000,0000,,when you select the video\Nportion of a link clip,
Dialogue: 0,0:38:49.80,0:38:52.77,Default,,0000,0000,0000,,the audio portion is also\Nselected automatically,
Dialogue: 0,0:38:52.77,0:38:55.98,Default,,0000,0000,0000,,so it means it's very hard to\Nmove these things out of sync.
Dialogue: 0,0:38:55.98,0:38:57.62,Default,,0000,0000,0000,,However, in this\Ncase, I just want
Dialogue: 0,0:38:57.62,0:39:00.80,Default,,0000,0000,0000,,to remove a video\Nportion of this clip.
Dialogue: 0,0:39:00.80,0:39:04.25,Default,,0000,0000,0000,,To override the link temporarily\Non the timeline, just simply
Dialogue: 0,0:39:04.25,0:39:07.53,Default,,0000,0000,0000,,hold down the Option or\NAlt key on your keyboard,
Dialogue: 0,0:39:07.53,0:39:10.10,Default,,0000,0000,0000,,and then click on the\Nvideo clip in order
Dialogue: 0,0:39:10.10,0:39:11.67,Default,,0000,0000,0000,,to be able to select it.
Dialogue: 0,0:39:11.67,0:39:13.91,Default,,0000,0000,0000,,Alternatively, you\Ncan actually turn off
Dialogue: 0,0:39:13.91,0:39:15.80,Default,,0000,0000,0000,,the linking for\Nthe whole timeline
Dialogue: 0,0:39:15.80,0:39:21.32,Default,,0000,0000,0000,,by just coming up and choosing\Nyour link selection button here.
Dialogue: 0,0:39:21.32,0:39:23.99,Default,,0000,0000,0000,,And with that turned off, if\Nyou hold down the Option key
Dialogue: 0,0:39:23.99,0:39:25.85,Default,,0000,0000,0000,,and select a clip,\Nit will actually
Dialogue: 0,0:39:25.85,0:39:28.68,Default,,0000,0000,0000,,select any linked parts\Nof the clip automatically.
Dialogue: 0,0:39:28.68,0:39:30.56,Default,,0000,0000,0000,,So basically, the\NOption or Alt key
Dialogue: 0,0:39:30.56,0:39:33.44,Default,,0000,0000,0000,,just simply reverses\Nwhatever your link selection
Dialogue: 0,0:39:33.44,0:39:35.27,Default,,0000,0000,0000,,is set to for your timeline.
Dialogue: 0,0:39:35.27,0:39:37.49,Default,,0000,0000,0000,,With the video clip\Nselected, I'm just
Dialogue: 0,0:39:37.49,0:39:39.56,Default,,0000,0000,0000,,going to go back to\Nmy full extent Zoom,
Dialogue: 0,0:39:39.56,0:39:41.94,Default,,0000,0000,0000,,so you can see what\Nhappens to the timeline,
Dialogue: 0,0:39:41.94,0:39:44.34,Default,,0000,0000,0000,,and I now want to\Nripple delete the clip.
Dialogue: 0,0:39:44.34,0:39:46.91,Default,,0000,0000,0000,,So in this case, I'm going\Nto hold down Shift and use
Dialogue: 0,0:39:46.91,0:39:50.31,Default,,0000,0000,0000,,the Delete key in order to\Nbe able to remove that clip.
Dialogue: 0,0:39:50.31,0:39:52.56,Default,,0000,0000,0000,,And you'll see it\Nremove a video clip,
Dialogue: 0,0:39:52.56,0:39:55.44,Default,,0000,0000,0000,,but it didn't remove the\Naudio portion of the clip.
Dialogue: 0,0:39:55.44,0:39:57.68,Default,,0000,0000,0000,,More importantly, it's\Nalso closed the gap
Dialogue: 0,0:39:57.68,0:39:59.81,Default,,0000,0000,0000,,and rippled the\Ntimeline in order
Dialogue: 0,0:39:59.81,0:40:01.89,Default,,0000,0000,0000,,to make the timeline\Nslightly shorter.
Dialogue: 0,0:40:01.89,0:40:04.07,Default,,0000,0000,0000,,And the full extent\NZoom is actually still
Dialogue: 0,0:40:04.07,0:40:06.39,Default,,0000,0000,0000,,showing me the full\Nlength of that timeline.
Dialogue: 0,0:40:06.39,0:40:08.60,Default,,0000,0000,0000,,However, something else\Nthat you may need to do
Dialogue: 0,0:40:08.60,0:40:11.21,Default,,0000,0000,0000,,is actually be able to\Nremove a portion of a clip
Dialogue: 0,0:40:11.21,0:40:12.92,Default,,0000,0000,0000,,from within the clip.
Dialogue: 0,0:40:12.92,0:40:14.89,Default,,0000,0000,0000,,And a good example\Nof this is if you're
Dialogue: 0,0:40:14.89,0:40:17.02,Default,,0000,0000,0000,,working with interview clips.
Dialogue: 0,0:40:17.02,0:40:19.93,Default,,0000,0000,0000,,Let's move the playhead to the\Nstart of the last interview
Dialogue: 0,0:40:19.93,0:40:23.62,Default,,0000,0000,0000,,clip in the timeline, and then\Nuse the Detail Zoom button
Dialogue: 0,0:40:23.62,0:40:25.96,Default,,0000,0000,0000,,in order to be able to zoom in.
Dialogue: 0,0:40:25.96,0:40:29.06,Default,,0000,0000,0000,,There's a line in this clip\Nthat I actually want to remove,
Dialogue: 0,0:40:29.06,0:40:31.70,Default,,0000,0000,0000,,so I'm just going to preview\Nthe clip just by playing it.
Dialogue: 0,0:40:31.70,0:40:32.74,Default,,0000,0000,0000,,PRESENTER 1: If we\Ncouldn't get the shot,
Dialogue: 0,0:40:32.74,0:40:34.78,Default,,0000,0000,0000,,or the weather wasn't\Nright, we would either
Dialogue: 0,0:40:34.78,0:40:37.19,Default,,0000,0000,0000,,go back to that location,\Nstay at that location longer,
Dialogue: 0,0:40:37.19,0:40:38.14,Default,,0000,0000,0000,,or it didn't make the movie.
Dialogue: 0,0:40:38.14,0:40:38.65,Default,,0000,0000,0000,,It was--
Dialogue: 0,0:40:38.65,0:40:41.78,Default,,0000,0000,0000,,CHRIS: So he says, we either\Ngo back to that location,
Dialogue: 0,0:40:41.78,0:40:45.53,Default,,0000,0000,0000,,stay at that location longer,\Nor it didn't make the movie.
Dialogue: 0,0:40:45.53,0:40:47.54,Default,,0000,0000,0000,,It's a little bit repetitious.
Dialogue: 0,0:40:47.54,0:40:49.69,Default,,0000,0000,0000,,It's not quite, but\Nthe director actually
Dialogue: 0,0:40:49.69,0:40:52.96,Default,,0000,0000,0000,,wants to take the second\Nline out there, stay
Dialogue: 0,0:40:52.96,0:40:54.62,Default,,0000,0000,0000,,at that location longer.
Dialogue: 0,0:40:54.62,0:40:57.04,Default,,0000,0000,0000,,So let's look at\Nhow we can do that.
Dialogue: 0,0:40:57.04,0:41:01.27,Default,,0000,0000,0000,,First of all, we can\Nactually see the waveform
Dialogue: 0,0:41:01.27,0:41:03.55,Default,,0000,0000,0000,,where the portion\Nof the dialogue
Dialogue: 0,0:41:03.55,0:41:05.42,Default,,0000,0000,0000,,is that we actually\Nwant to take out.
Dialogue: 0,0:41:05.42,0:41:08.18,Default,,0000,0000,0000,,Again, using the Shift\Nkey and the scroll mouse,
Dialogue: 0,0:41:08.18,0:41:10.85,Default,,0000,0000,0000,,I can actually make\Nthat even bigger.
Dialogue: 0,0:41:10.85,0:41:12.59,Default,,0000,0000,0000,,I'm going to move\Nthe playhead back,
Dialogue: 0,0:41:12.59,0:41:15.60,Default,,0000,0000,0000,,and my audio scrubbing is\Ngoing to come into handy here.
Dialogue: 0,0:41:15.60,0:41:17.48,Default,,0000,0000,0000,,So I'm just going\Nto play forward.
Dialogue: 0,0:41:17.48,0:41:18.98,Default,,0000,0000,0000,,PRESENTER 1: Stay\Nat that location--
Dialogue: 0,0:41:18.98,0:41:23.48,Default,,0000,0000,0000,,[SPEAKING IN REVERSE]\N--that location, stay--
Dialogue: 0,0:41:23.48,0:41:27.20,Default,,0000,0000,0000,,CHRIS: And I can hear the\Nbeginning of the word stay,
Dialogue: 0,0:41:27.20,0:41:29.58,Default,,0000,0000,0000,,making sure that my\Nplayhead is on that point.
Dialogue: 0,0:41:29.58,0:41:31.70,Default,,0000,0000,0000,,You can see from the\Nwaveform in the timeline
Dialogue: 0,0:41:31.70,0:41:34.74,Default,,0000,0000,0000,,that I look as though I'm\Nat the correct location.
Dialogue: 0,0:41:34.74,0:41:37.92,Default,,0000,0000,0000,,And now what I want to do is I\Nwant to cut this section out.
Dialogue: 0,0:41:37.92,0:41:40.52,Default,,0000,0000,0000,,So I'm actually going to\Nuse the blade edit mode
Dialogue: 0,0:41:40.52,0:41:44.12,Default,,0000,0000,0000,,for the timeline, coming here\Nto these first four buttons
Dialogue: 0,0:41:44.12,0:41:45.51,Default,,0000,0000,0000,,at the top of the timeline.
Dialogue: 0,0:41:45.51,0:41:48.48,Default,,0000,0000,0000,,These are my different\Ntimeline editing modes.
Dialogue: 0,0:41:48.48,0:41:52.05,Default,,0000,0000,0000,,The first of these is the\Ndefault selection mode.
Dialogue: 0,0:41:52.05,0:41:54.18,Default,,0000,0000,0000,,This allows me to\Nclick on clips,
Dialogue: 0,0:41:54.18,0:41:57.32,Default,,0000,0000,0000,,move them around,\Nand delete clips.
Dialogue: 0,0:41:57.32,0:41:59.78,Default,,0000,0000,0000,,I've also got my\NBlade edit mode,
Dialogue: 0,0:41:59.78,0:42:02.79,Default,,0000,0000,0000,,featuring a very frightening\Nlooking razor blade icon,
Dialogue: 0,0:42:02.79,0:42:04.40,Default,,0000,0000,0000,,I have to say.
Dialogue: 0,0:42:04.40,0:42:07.26,Default,,0000,0000,0000,,If I select that or use\Nthe keyboard shortcut B,
Dialogue: 0,0:42:07.26,0:42:11.64,Default,,0000,0000,0000,,I can then bring that blade\Ndown into the timeline here.
Dialogue: 0,0:42:11.64,0:42:14.43,Default,,0000,0000,0000,,Making sure that\Nmy snapping is on,
Dialogue: 0,0:42:14.43,0:42:17.18,Default,,0000,0000,0000,,you can see how easily\Nthat line will actually
Dialogue: 0,0:42:17.18,0:42:19.91,Default,,0000,0000,0000,,snap to where my\Nplayhead is, and I'm just
Dialogue: 0,0:42:19.91,0:42:23.85,Default,,0000,0000,0000,,going to click once in order\Nto be able to add an edit.
Dialogue: 0,0:42:23.85,0:42:25.61,Default,,0000,0000,0000,,That's the beginning\Npart of the clip
Dialogue: 0,0:42:25.61,0:42:27.87,Default,,0000,0000,0000,,that I actually want to\Nlose from the timeline.
Dialogue: 0,0:42:27.87,0:42:29.80,Default,,0000,0000,0000,,I now need to find the end.
Dialogue: 0,0:42:29.80,0:42:31.22,Default,,0000,0000,0000,,PRESENTER 1: Stay\Nat that location
Dialogue: 0,0:42:31.22,0:42:32.51,Default,,0000,0000,0000,,longer, or it didn't make--
Dialogue: 0,0:42:32.51,0:42:34.67,Default,,0000,0000,0000,,[SPEAKING IN REVERSE]\Nlonger, or--
Dialogue: 0,0:42:34.67,0:42:36.90,Default,,0000,0000,0000,,CHRIS: And I'm looking\Nfor the word or.
Dialogue: 0,0:42:36.90,0:42:40.40,Default,,0000,0000,0000,,PRESENTER 1: [WALKING THROUGH\NTHE AUDIO FRAME BY FRAME]
Dialogue: 0,0:42:40.40,0:42:45.17,Default,,0000,0000,0000,,
Dialogue: 0,0:42:45.17,0:42:46.20,Default,,0000,0000,0000,,CHRIS: About there.
Dialogue: 0,0:42:46.20,0:42:49.43,Default,,0000,0000,0000,,It's taken a little bit of\Njogging back and forward
Dialogue: 0,0:42:49.43,0:42:52.50,Default,,0000,0000,0000,,one frame at a time, just in\Norder to be able to hear that.
Dialogue: 0,0:42:52.50,0:42:53.87,Default,,0000,0000,0000,,But I was actually\Ntrying to find
Dialogue: 0,0:42:53.87,0:42:55.91,Default,,0000,0000,0000,,the beginning of the word or.
Dialogue: 0,0:42:55.91,0:42:59.15,Default,,0000,0000,0000,,Again, I just want\Nto take my blade,
Dialogue: 0,0:42:59.15,0:43:02.81,Default,,0000,0000,0000,,and just come near the playhead\Nand click once more in order
Dialogue: 0,0:43:02.81,0:43:05.67,Default,,0000,0000,0000,,to be able to add a\Nsecond edit point.
Dialogue: 0,0:43:05.67,0:43:08.13,Default,,0000,0000,0000,,This is now isolated\Nthe portion of the clip
Dialogue: 0,0:43:08.13,0:43:10.33,Default,,0000,0000,0000,,that I actually want to\Nremove from the timeline.
Dialogue: 0,0:43:10.33,0:43:13.75,Default,,0000,0000,0000,,However, I don't want to\Nuse the blade mode again,
Dialogue: 0,0:43:13.75,0:43:15.96,Default,,0000,0000,0000,,so I'm going to switch\Nback to the selection mode
Dialogue: 0,0:43:15.96,0:43:18.42,Default,,0000,0000,0000,,just by pressing\Na on the keyboard.
Dialogue: 0,0:43:18.42,0:43:22.95,Default,,0000,0000,0000,,I can now select that clip\Nand then press Shift Backspace
Dialogue: 0,0:43:22.95,0:43:25.47,Default,,0000,0000,0000,,or Shift Delete in order\Nto be able to remove
Dialogue: 0,0:43:25.47,0:43:27.64,Default,,0000,0000,0000,,the clip from the timeline.
Dialogue: 0,0:43:27.64,0:43:30.55,Default,,0000,0000,0000,,That's got rid of the portion\Nof the clip that I isolated,
Dialogue: 0,0:43:30.55,0:43:33.28,Default,,0000,0000,0000,,but I now need to hear\Nhow that edit is working.
Dialogue: 0,0:43:33.28,0:43:35.43,Default,,0000,0000,0000,,So if I press the\Nforward slash key--
Dialogue: 0,0:43:35.43,0:43:37.38,Default,,0000,0000,0000,,PRESENTER 1: --right, we would\Neither go back to that location,
Dialogue: 0,0:43:37.38,0:43:38.55,Default,,0000,0000,0000,,or it didn't make the movie.
Dialogue: 0,0:43:38.55,0:43:40.50,Default,,0000,0000,0000,,It was really important--
Dialogue: 0,0:43:40.50,0:43:42.97,Default,,0000,0000,0000,,CHRIS: It's probably not\Nthe tidiest of edits,
Dialogue: 0,0:43:42.97,0:43:44.35,Default,,0000,0000,0000,,but don't worry.
Dialogue: 0,0:43:44.35,0:43:47.25,Default,,0000,0000,0000,,Only the very skilled\Nand experienced editors
Dialogue: 0,0:43:47.25,0:43:49.57,Default,,0000,0000,0000,,will be able to get\Nthat right first off.
Dialogue: 0,0:43:49.57,0:43:52.18,Default,,0000,0000,0000,,More often than not, when\Nyou're editing something,
Dialogue: 0,0:43:52.18,0:43:56.35,Default,,0000,0000,0000,,you just need to make your best\Nguess and then refine it later.
Dialogue: 0,0:43:56.35,0:43:58.57,Default,,0000,0000,0000,,So we'll leave this\Nfor the moment,
Dialogue: 0,0:43:58.57,0:44:01.05,Default,,0000,0000,0000,,but we'll come back to\Nit in a few minutes.
Dialogue: 0,0:44:01.05,0:44:02.85,Default,,0000,0000,0000,,In the meantime, I'm\Nactually just going
Dialogue: 0,0:44:02.85,0:44:05.55,Default,,0000,0000,0000,,to go back into my\NFull Extent Zoom
Dialogue: 0,0:44:05.55,0:44:07.69,Default,,0000,0000,0000,,so that I can see\Nthe whole timeline.
Dialogue: 0,0:44:07.69,0:44:11.76,Default,,0000,0000,0000,,And now what I want to\Ndo is remove this portion
Dialogue: 0,0:44:11.76,0:44:13.66,Default,,0000,0000,0000,,of the first interview clip.
Dialogue: 0,0:44:13.66,0:44:16.54,Default,,0000,0000,0000,,You remember that we overwrote\Nthe tail end of that clip.
Dialogue: 0,0:44:16.54,0:44:18.18,Default,,0000,0000,0000,,However, the beginning\Npart of the clip
Dialogue: 0,0:44:18.18,0:44:21.24,Default,,0000,0000,0000,,is still in the timeline,\Nso I want to remove that.
Dialogue: 0,0:44:21.24,0:44:25.24,Default,,0000,0000,0000,,Now, if I use my\Nselection edit mode here,
Dialogue: 0,0:44:25.24,0:44:28.68,Default,,0000,0000,0000,,I can select the beginning\Npart of that interview.
Dialogue: 0,0:44:28.68,0:44:32.46,Default,,0000,0000,0000,,And if I trim that, you can\Nsee that it will actually
Dialogue: 0,0:44:32.46,0:44:34.60,Default,,0000,0000,0000,,trim and remove a\Nportion of the clip,
Dialogue: 0,0:44:34.60,0:44:36.37,Default,,0000,0000,0000,,but it will also leave a gap.
Dialogue: 0,0:44:36.37,0:44:39.30,Default,,0000,0000,0000,,This is not a huge problem,\Nbut there's more efficient ways
Dialogue: 0,0:44:39.30,0:44:42.67,Default,,0000,0000,0000,,that we've got been able to\Ntrim that and not leave a gap.
Dialogue: 0,0:44:42.67,0:44:44.26,Default,,0000,0000,0000,,So I'm just going to undo that.
Dialogue: 0,0:44:44.26,0:44:47.80,Default,,0000,0000,0000,,In order to put the clip back\Nto how I originally had it.
Dialogue: 0,0:44:47.80,0:44:51.99,Default,,0000,0000,0000,,And again, I'm going to change\Nmy timeline editing mode.
Dialogue: 0,0:44:51.99,0:44:55.50,Default,,0000,0000,0000,,I'm going to change it\Nfrom the Selection mode
Dialogue: 0,0:44:55.50,0:44:59.40,Default,,0000,0000,0000,,to my Trim edit mode,\Nand Trim edit mode
Dialogue: 0,0:44:59.40,0:45:01.56,Default,,0000,0000,0000,,is a really powerful\Nway of being
Dialogue: 0,0:45:01.56,0:45:05.14,Default,,0000,0000,0000,,able to manipulate the clips in\Nthe timeline in DaVinci Resolve.
Dialogue: 0,0:45:05.14,0:45:09.04,Default,,0000,0000,0000,,You don't need to keep going in\Nand selecting specific tools.
Dialogue: 0,0:45:09.04,0:45:12.66,Default,,0000,0000,0000,,This one mode will actually do\Nall of the trimming functions
Dialogue: 0,0:45:12.66,0:45:15.06,Default,,0000,0000,0000,,that I need on a\Nday to day basis.
Dialogue: 0,0:45:15.06,0:45:18.67,Default,,0000,0000,0000,,Using T allows me to\Nselect the Trim edit mode,
Dialogue: 0,0:45:18.67,0:45:21.10,Default,,0000,0000,0000,,and now when I go back\Ninto the timeline,
Dialogue: 0,0:45:21.10,0:45:23.82,Default,,0000,0000,0000,,I can click the same\Nedit point and start
Dialogue: 0,0:45:23.82,0:45:27.12,Default,,0000,0000,0000,,to trim just by dragging\Nthe mouse to the right.
Dialogue: 0,0:45:27.12,0:45:30.93,Default,,0000,0000,0000,,As I do so, you can see that\Nthe rest of the timeline
Dialogue: 0,0:45:30.93,0:45:32.71,Default,,0000,0000,0000,,is actually changing.
Dialogue: 0,0:45:32.71,0:45:35.58,Default,,0000,0000,0000,,I'm actually rippling\Nthe rest of the timeline
Dialogue: 0,0:45:35.58,0:45:37.98,Default,,0000,0000,0000,,back, thereby shortening\Nit by the amount
Dialogue: 0,0:45:37.98,0:45:40.60,Default,,0000,0000,0000,,that I'm actually trimming off\Nthe beginning of that clip.
Dialogue: 0,0:45:40.60,0:45:42.91,Default,,0000,0000,0000,,You can also see I can\Ngo the other way as well.
Dialogue: 0,0:45:42.91,0:45:47.42,Default,,0000,0000,0000,,I can actually add footage\Nback to that clip if I need to.
Dialogue: 0,0:45:47.42,0:45:48.66,Default,,0000,0000,0000,,If I keep going--
Dialogue: 0,0:45:48.66,0:45:52.65,Default,,0000,0000,0000,,
Dialogue: 0,0:45:52.65,0:45:57.15,Default,,0000,0000,0000,,And you can hear from\Nthe audio scrubbing
Dialogue: 0,0:45:57.15,0:45:59.59,Default,,0000,0000,0000,,where the actual\Ninterview starts,
Dialogue: 0,0:45:59.59,0:46:01.60,Default,,0000,0000,0000,,so I can now let\Ngo of the mouse.
Dialogue: 0,0:46:01.60,0:46:03.90,Default,,0000,0000,0000,,And you can actually see\Nthe tooltip there actually
Dialogue: 0,0:46:03.90,0:46:06.32,Default,,0000,0000,0000,,says that I'm\Nremoving three seconds
Dialogue: 0,0:46:06.32,0:46:08.46,Default,,0000,0000,0000,,and four frames from the\Nbeginning of this clip.
Dialogue: 0,0:46:08.46,0:46:11.18,Default,,0000,0000,0000,,
Dialogue: 0,0:46:11.18,0:46:15.11,Default,,0000,0000,0000,,Now, if I return the playhead to\Nthe beginning of the timeline,
Dialogue: 0,0:46:15.11,0:46:16.76,Default,,0000,0000,0000,,I can play from the beginning.
Dialogue: 0,0:46:16.76,0:46:18.14,Default,,0000,0000,0000,,PRESENTER 1: In\Nthis film, making
Dialogue: 0,0:46:18.14,0:46:20.75,Default,,0000,0000,0000,,a documentary about how the\Nairplanes changed the world.
Dialogue: 0,0:46:20.75,0:46:23.45,Default,,0000,0000,0000,,CHRIS: And I've actually\Ngot a much sharper start
Dialogue: 0,0:46:23.45,0:46:24.54,Default,,0000,0000,0000,,to the interview.
Dialogue: 0,0:46:24.54,0:46:26.21,Default,,0000,0000,0000,,And I can also use\Nthe Trim edit mode
Dialogue: 0,0:46:26.21,0:46:28.25,Default,,0000,0000,0000,,in order to be able\Nto fix the problem
Dialogue: 0,0:46:28.25,0:46:32.27,Default,,0000,0000,0000,,with the edit in the interview\Nthat I was just doing earlier.
Dialogue: 0,0:46:32.27,0:46:34.76,Default,,0000,0000,0000,,Move the playhead\Nto the edit point
Dialogue: 0,0:46:34.76,0:46:39.11,Default,,0000,0000,0000,,and then use the Detail\NZoom button to zoom in.
Dialogue: 0,0:46:39.11,0:46:42.35,Default,,0000,0000,0000,,Sometimes, I only want to be\Nable to trim a frame or two
Dialogue: 0,0:46:42.35,0:46:45.50,Default,,0000,0000,0000,,in either direction, so\Nbeing able to Zoom in means
Dialogue: 0,0:46:45.50,0:46:47.24,Default,,0000,0000,0000,,that I'm much closer\Nto the footage
Dialogue: 0,0:46:47.24,0:46:49.98,Default,,0000,0000,0000,,and therefore have a little\Nbit more control over it.
Dialogue: 0,0:46:49.98,0:46:51.65,Default,,0000,0000,0000,,In this case, I'm\Nactually just going
Dialogue: 0,0:46:51.65,0:46:54.95,Default,,0000,0000,0000,,to select the outgoing\Npart of this clip
Dialogue: 0,0:46:54.95,0:46:56.52,Default,,0000,0000,0000,,here where the waveform is.
Dialogue: 0,0:46:56.52,0:47:00.38,Default,,0000,0000,0000,,That shows me that probably I'm\Njust catching the outgoing word
Dialogue: 0,0:47:00.38,0:47:03.86,Default,,0000,0000,0000,,there, and now I can\Nactually click and drag
Dialogue: 0,0:47:03.86,0:47:08.45,Default,,0000,0000,0000,,in order to be able to remove\None or two frames at a time.
Dialogue: 0,0:47:08.45,0:47:11.99,Default,,0000,0000,0000,,If you haven't actually\Ngot the level of control
Dialogue: 0,0:47:11.99,0:47:13.91,Default,,0000,0000,0000,,that you're\Ninterested in, you may
Dialogue: 0,0:47:13.91,0:47:17.70,Default,,0000,0000,0000,,want to turn off your snapping\Nhere at the top of the timeline.
Dialogue: 0,0:47:17.70,0:47:20.00,Default,,0000,0000,0000,,Keyboard shortcut\NN is always worth
Dialogue: 0,0:47:20.00,0:47:22.71,Default,,0000,0000,0000,,remembering because you can\Nalways do this at any time,
Dialogue: 0,0:47:22.71,0:47:25.05,Default,,0000,0000,0000,,even if you're in the\Nmiddle of an operation.
Dialogue: 0,0:47:25.05,0:47:26.81,Default,,0000,0000,0000,,So in this case,\NI'm going to click,
Dialogue: 0,0:47:26.81,0:47:29.43,Default,,0000,0000,0000,,and I'm going to tap\NN on my keyboard.
Dialogue: 0,0:47:29.43,0:47:34.79,Default,,0000,0000,0000,,And now, I can actually remove\Na single frame from that clip.
Dialogue: 0,0:47:34.79,0:47:38.25,Default,,0000,0000,0000,,But you can also do this using\Nkeyboard shortcuts as well.
Dialogue: 0,0:47:38.25,0:47:41.00,Default,,0000,0000,0000,,For example, if I\Nuse the period key,
Dialogue: 0,0:47:41.00,0:47:43.86,Default,,0000,0000,0000,,I can actually add a\Nframe to that clip,
Dialogue: 0,0:47:43.86,0:47:47.06,Default,,0000,0000,0000,,and if I use the comma\Nkey, I can remove a frame
Dialogue: 0,0:47:47.06,0:47:48.06,Default,,0000,0000,0000,,from that clip.
Dialogue: 0,0:47:48.06,0:47:49.85,Default,,0000,0000,0000,,So now, if I press\Nthe forward slash key,
Dialogue: 0,0:47:49.85,0:47:52.43,Default,,0000,0000,0000,,PRESENTER 1: --right, we would\Neither go back to that location
Dialogue: 0,0:47:52.43,0:47:53.60,Default,,0000,0000,0000,,or it didn't make the movie.
Dialogue: 0,0:47:53.60,0:47:54.65,Default,,0000,0000,0000,,It was really important.
Dialogue: 0,0:47:54.65,0:47:57.39,Default,,0000,0000,0000,,CHRIS: And again, it feels\Na little tight still.
Dialogue: 0,0:47:57.39,0:48:00.29,Default,,0000,0000,0000,,I think the outgoing\Nportion of that is fine,
Dialogue: 0,0:48:00.29,0:48:02.86,Default,,0000,0000,0000,,but let's now select\Nthe incoming portion,
Dialogue: 0,0:48:02.86,0:48:05.92,Default,,0000,0000,0000,,and let's just trim\Nit back one frame.
Dialogue: 0,0:48:05.92,0:48:09.70,Default,,0000,0000,0000,,So I've now added a frame\Nusing the comma key in order
Dialogue: 0,0:48:09.70,0:48:12.94,Default,,0000,0000,0000,,to make that timeline one frame\Nlonger, because I'm always
Dialogue: 0,0:48:12.94,0:48:14.16,Default,,0000,0000,0000,,rippling the footage,
Dialogue: 0,0:48:14.16,0:48:16.78,Default,,0000,0000,0000,,PRESENTER 1: --right, we would\Neither go back to that location,
Dialogue: 0,0:48:16.78,0:48:17.95,Default,,0000,0000,0000,,or it didn't make the movie.
Dialogue: 0,0:48:17.95,0:48:19.10,Default,,0000,0000,0000,,It was really important.
Dialogue: 0,0:48:19.10,0:48:22.33,Default,,0000,0000,0000,,CHRIS: And that sounded\Npretty good to me,
Dialogue: 0,0:48:22.33,0:48:26.27,Default,,0000,0000,0000,,but you might just want to\Nexplore this a little bit more.
Dialogue: 0,0:48:26.27,0:48:28.30,Default,,0000,0000,0000,,What would happen if\Nwe added another frame
Dialogue: 0,0:48:28.30,0:48:30.50,Default,,0000,0000,0000,,to the incoming shot\Nusing the comma key?
Dialogue: 0,0:48:30.50,0:48:33.13,Default,,0000,0000,0000,,PRESENTER 1: --right, we would\Neither go back to that location,
Dialogue: 0,0:48:33.13,0:48:34.22,Default,,0000,0000,0000,,or it didn't make the movie.
Dialogue: 0,0:48:34.22,0:48:34.91,Default,,0000,0000,0000,,It was really important.
Dialogue: 0,0:48:34.91,0:48:36.86,Default,,0000,0000,0000,,CHRIS: Again, it's\Nprobably about the same,
Dialogue: 0,0:48:36.86,0:48:39.76,Default,,0000,0000,0000,,so I'm just going to take that\Nframe off again and probably
Dialogue: 0,0:48:39.76,0:48:40.97,Default,,0000,0000,0000,,leave it at that point.
Dialogue: 0,0:48:40.97,0:48:43.59,Default,,0000,0000,0000,,So now, I'm happy with\Nhow that edit is working.
Dialogue: 0,0:48:43.59,0:48:45.67,Default,,0000,0000,0000,,I'm actually just going\Nto start adding a few more
Dialogue: 0,0:48:45.67,0:48:48.25,Default,,0000,0000,0000,,clips to the timeline, just\Nso we can pace out the Edit
Dialogue: 0,0:48:48.25,0:48:50.21,Default,,0000,0000,0000,,and see where we're\Ngoing with things.
Dialogue: 0,0:48:50.21,0:48:53.50,Default,,0000,0000,0000,,So in the timeline, I'm going\Nto deselect the edit point
Dialogue: 0,0:48:53.50,0:48:56.69,Default,,0000,0000,0000,,and go back into my\NFull Extent Zoom,
Dialogue: 0,0:48:56.69,0:48:59.02,Default,,0000,0000,0000,,and just use the Shift\Nkey and the scroll wheel
Dialogue: 0,0:48:59.02,0:49:01.20,Default,,0000,0000,0000,,on my mouse just to\Nadjust the track height.
Dialogue: 0,0:49:01.20,0:49:03.65,Default,,0000,0000,0000,,So I've got a little bit\Nmore space for the audio,
Dialogue: 0,0:49:03.65,0:49:05.94,Default,,0000,0000,0000,,and I'm going to return the\Nplayhead to the beginning.
Dialogue: 0,0:49:05.94,0:49:09.50,Default,,0000,0000,0000,,You can either simply drag it\Nor use the home key to go back
Dialogue: 0,0:49:09.50,0:49:11.57,Default,,0000,0000,0000,,to the top of the timeline.
Dialogue: 0,0:49:11.57,0:49:13.91,Default,,0000,0000,0000,,So at this point, I'm just\Ngoing to add some music
Dialogue: 0,0:49:13.91,0:49:15.12,Default,,0000,0000,0000,,to this timeline.
Dialogue: 0,0:49:15.12,0:49:17.67,Default,,0000,0000,0000,,Well, we already created\Na Music bin earlier,
Dialogue: 0,0:49:17.67,0:49:20.57,Default,,0000,0000,0000,,so we know exactly where to\Nfind that piece of music.
Dialogue: 0,0:49:20.57,0:49:21.78,Default,,0000,0000,0000,,In the bin list.
Dialogue: 0,0:49:21.78,0:49:24.17,Default,,0000,0000,0000,,Select the music\Nbin, and then I'm
Dialogue: 0,0:49:24.17,0:49:27.87,Default,,0000,0000,0000,,just going to turn off my audio\Nscrubbing by pressing Shift S,
Dialogue: 0,0:49:27.87,0:49:29.39,Default,,0000,0000,0000,,and then I'm going\Nto double click
Dialogue: 0,0:49:29.39,0:49:33.02,Default,,0000,0000,0000,,to open the music into\Nthe source viewer.
Dialogue: 0,0:49:33.02,0:49:35.58,Default,,0000,0000,0000,,Now, when you open audio\Nin the source viewer,
Dialogue: 0,0:49:35.58,0:49:38.07,Default,,0000,0000,0000,,you actually get\Nan upper waveform,
Dialogue: 0,0:49:38.07,0:49:41.16,Default,,0000,0000,0000,,which actually represents\Nthe whole of the audio clip,
Dialogue: 0,0:49:41.16,0:49:44.27,Default,,0000,0000,0000,,and a lower waveform, which\Nactually represents a zoomed
Dialogue: 0,0:49:44.27,0:49:45.75,Default,,0000,0000,0000,,in portion of the clip.
Dialogue: 0,0:49:45.75,0:49:48.11,Default,,0000,0000,0000,,So it's like having the\Ntwo waveform displays
Dialogue: 0,0:49:48.11,0:49:51.18,Default,,0000,0000,0000,,side by side, which is\Nvery useful to work with.
Dialogue: 0,0:49:51.18,0:49:54.54,Default,,0000,0000,0000,,In this case, we actually want\Nto take the whole of the clip,
Dialogue: 0,0:49:54.54,0:49:57.60,Default,,0000,0000,0000,,so we don't need to set any\Nin or out points to this clip.
Dialogue: 0,0:49:57.60,0:50:01.00,Default,,0000,0000,0000,,And in this case, I'm just going\Nto pick the clip up, drag it
Dialogue: 0,0:50:01.00,0:50:03.46,Default,,0000,0000,0000,,across to my timeline\Nviewer, and choose
Dialogue: 0,0:50:03.46,0:50:06.70,Default,,0000,0000,0000,,the Place on Top function.
Dialogue: 0,0:50:06.70,0:50:09.25,Default,,0000,0000,0000,,This then simply creates\Na new audio track
Dialogue: 0,0:50:09.25,0:50:12.44,Default,,0000,0000,0000,,at the bottom of the timeline,\Nand places the clip in it.
Dialogue: 0,0:50:12.44,0:50:14.92,Default,,0000,0000,0000,,It may seem counterintuitive\Nthat I've actually
Dialogue: 0,0:50:14.92,0:50:17.68,Default,,0000,0000,0000,,used something called Place\Non Top to actually place
Dialogue: 0,0:50:17.68,0:50:20.63,Default,,0000,0000,0000,,the audio at the lower\Npart of the timeline,
Dialogue: 0,0:50:20.63,0:50:23.17,Default,,0000,0000,0000,,but it just is the\Nway that edit works
Dialogue: 0,0:50:23.17,0:50:25.54,Default,,0000,0000,0000,,with audio, which\Ntypically lives
Dialogue: 0,0:50:25.54,0:50:27.86,Default,,0000,0000,0000,,below the video in a timeline.
Dialogue: 0,0:50:27.86,0:50:30.92,Default,,0000,0000,0000,,The audio is actually quite\Nloud, this piece of music is.
Dialogue: 0,0:50:30.92,0:50:33.31,Default,,0000,0000,0000,,So I'm actually going to\Nmove my mouse over the clip
Dialogue: 0,0:50:33.31,0:50:36.88,Default,,0000,0000,0000,,and actually find the\Npoint where I can actually
Dialogue: 0,0:50:36.88,0:50:39.80,Default,,0000,0000,0000,,locate the volume\Ncurve on the timeline.
Dialogue: 0,0:50:39.80,0:50:42.07,Default,,0000,0000,0000,,If I now click at\Nthat point, I can
Dialogue: 0,0:50:42.07,0:50:44.62,Default,,0000,0000,0000,,grab hold of the volume\Ncurve and lower it
Dialogue: 0,0:50:44.62,0:50:47.26,Default,,0000,0000,0000,,to an appropriate audio level.
Dialogue: 0,0:50:47.26,0:50:49.39,Default,,0000,0000,0000,,I'm actually just going to\Ntake it all the way down
Dialogue: 0,0:50:49.39,0:50:54.64,Default,,0000,0000,0000,,to around about minus 12\NDB in the timeline here.
Dialogue: 0,0:50:54.64,0:50:57.56,Default,,0000,0000,0000,,Doesn't necessarily mean to say\Nthat that's the right level.
Dialogue: 0,0:50:57.56,0:50:59.85,Default,,0000,0000,0000,,However, it's a\Nuseful starting point,
Dialogue: 0,0:50:59.85,0:51:02.95,Default,,0000,0000,0000,,and I always need to refine\Nthe levels later anyways.
Dialogue: 0,0:51:02.95,0:51:05.74,Default,,0000,0000,0000,,Now that I've got the audio\Nat a reasonable level,
Dialogue: 0,0:51:05.74,0:51:07.32,Default,,0000,0000,0000,,I should be able to\Nhear the interview
Dialogue: 0,0:51:07.32,0:51:09.54,Default,,0000,0000,0000,,over the top of the music.
Dialogue: 0,0:51:09.54,0:51:11.91,Default,,0000,0000,0000,,PRESENTER 1: In this film,\Nmaking a documentary about how
Dialogue: 0,0:51:11.91,0:51:13.62,Default,,0000,0000,0000,,the airplanes\Nchanged the world, it
Dialogue: 0,0:51:13.62,0:51:17.58,Default,,0000,0000,0000,,was really important to go\Nout and shoot the real world.
Dialogue: 0,0:51:17.58,0:51:22.42,Default,,0000,0000,0000,,
Dialogue: 0,0:51:22.42,0:51:23.79,Default,,0000,0000,0000,,CHRIS: That's fine\Nat the moment.
Dialogue: 0,0:51:23.79,0:51:25.30,Default,,0000,0000,0000,,It gives me something\Nto work with.
Dialogue: 0,0:51:25.30,0:51:27.09,Default,,0000,0000,0000,,It might be that the\Nmusic gets changed
Dialogue: 0,0:51:27.09,0:51:29.64,Default,,0000,0000,0000,,at some point in the\Nfuture, or I might need
Dialogue: 0,0:51:29.64,0:51:31.21,Default,,0000,0000,0000,,to refine it a little bit more.
Dialogue: 0,0:51:31.21,0:51:33.87,Default,,0000,0000,0000,,So I don't want to spend too\Nlong adjusting the levels
Dialogue: 0,0:51:33.87,0:51:35.08,Default,,0000,0000,0000,,and making them perfect.
Dialogue: 0,0:51:35.08,0:51:36.24,Default,,0000,0000,0000,,Not at this stage.
Dialogue: 0,0:51:36.24,0:51:38.82,Default,,0000,0000,0000,,Now that I've got the music into\Nplace, that actually gives me
Dialogue: 0,0:51:38.82,0:51:40.15,Default,,0000,0000,0000,,a time for the Edit.
Dialogue: 0,0:51:40.15,0:51:42.39,Default,,0000,0000,0000,,So I've now got something\Nto aim for in terms
Dialogue: 0,0:51:42.39,0:51:44.02,Default,,0000,0000,0000,,of an overall duration.
Dialogue: 0,0:51:44.02,0:51:47.40,Default,,0000,0000,0000,,Let's move the playhead to\Nthe edit point between the two
Dialogue: 0,0:51:47.40,0:51:50.65,Default,,0000,0000,0000,,interview clips, half way\Nthrough this piece of music.
Dialogue: 0,0:51:50.65,0:51:53.85,Default,,0000,0000,0000,,We're going to start by\Nediting a new clip in here,
Dialogue: 0,0:51:53.85,0:51:55.77,Default,,0000,0000,0000,,and it's actually just\Ngoing to help us to fix
Dialogue: 0,0:51:55.77,0:51:57.79,Default,,0000,0000,0000,,that very nasty jump cut.
Dialogue: 0,0:51:57.79,0:52:01.41,Default,,0000,0000,0000,,Let's go to the B-Roll\Nbin, and let's find
Dialogue: 0,0:52:01.41,0:52:04.29,Default,,0000,0000,0000,,the clip called South Pole.
Dialogue: 0,0:52:04.29,0:52:05.41,Default,,0000,0000,0000,,Double click that.
Dialogue: 0,0:52:05.41,0:52:08.73,Default,,0000,0000,0000,,It's AOA_8, shot\N8, and I'm going
Dialogue: 0,0:52:08.73,0:52:12.24,Default,,0000,0000,0000,,to set an endpoint just\Nas the tail of the plane
Dialogue: 0,0:52:12.24,0:52:15.39,Default,,0000,0000,0000,,is coming out from\Nbehind that yellow sign.
Dialogue: 0,0:52:15.39,0:52:19.99,Default,,0000,0000,0000,,So an endpoint there, and I'm\Nwanting to take five seconds.
Dialogue: 0,0:52:19.99,0:52:22.54,Default,,0000,0000,0000,,I don't know if five seconds\Nis the right duration,
Dialogue: 0,0:52:22.54,0:52:24.54,Default,,0000,0000,0000,,but it's just a good\Nall round number
Dialogue: 0,0:52:24.54,0:52:27.43,Default,,0000,0000,0000,,that we can tend to work\Nwith for putting shots in.
Dialogue: 0,0:52:27.43,0:52:31.92,Default,,0000,0000,0000,,So I'm going to use\Nplus 500 in order
Dialogue: 0,0:52:31.92,0:52:34.87,Default,,0000,0000,0000,,to jump the playhead\Nforward by five seconds,
Dialogue: 0,0:52:34.87,0:52:37.86,Default,,0000,0000,0000,,hit Return, set an outpoint.
Dialogue: 0,0:52:37.86,0:52:42.18,Default,,0000,0000,0000,,And now I can just make a\Nsimple overwrite edit with F10.
Dialogue: 0,0:52:42.18,0:52:44.67,Default,,0000,0000,0000,,If I back the playhead\Nup in the timeline
Dialogue: 0,0:52:44.67,0:52:46.71,Default,,0000,0000,0000,,and then hit the\Nforward slash key--
Dialogue: 0,0:52:46.71,0:52:48.72,Default,,0000,0000,0000,,PRESENTER 1: --right, we would\Neither go back to that location
Dialogue: 0,0:52:48.72,0:52:49.90,Default,,0000,0000,0000,,or it didn't make the movie.
Dialogue: 0,0:52:49.90,0:52:51.51,Default,,0000,0000,0000,,It's really important.
Dialogue: 0,0:52:51.51,0:52:53.80,Default,,0000,0000,0000,,CHRIS: And I think\Nthat edit works nicely.
Dialogue: 0,0:52:53.80,0:52:56.55,Default,,0000,0000,0000,,The audio of the interview\Nis working very well,
Dialogue: 0,0:52:56.55,0:52:58.83,Default,,0000,0000,0000,,and the new picture\Nthat's overwritten,
Dialogue: 0,0:52:58.83,0:53:02.43,Default,,0000,0000,0000,,the end of that interview\Nactually covers the jump cut.
Dialogue: 0,0:53:02.43,0:53:04.97,Default,,0000,0000,0000,,So now, let's add\Na few extra clips
Dialogue: 0,0:53:04.97,0:53:07.01,Default,,0000,0000,0000,,to the end of this\Ntimeline, and then we
Dialogue: 0,0:53:07.01,0:53:10.46,Default,,0000,0000,0000,,can actually trim those clips\Nto the correct duration.
Dialogue: 0,0:53:10.46,0:53:16.07,Default,,0000,0000,0000,,From the B-Roll bin, select\Nthe Kenya clip, AOA07.
Dialogue: 0,0:53:16.07,0:53:19.60,Default,,0000,0000,0000,,Hold down the Command or\NControl key and select AOA11.
Dialogue: 0,0:53:19.60,0:53:22.13,Default,,0000,0000,0000,,
Dialogue: 0,0:53:22.13,0:53:24.54,Default,,0000,0000,0000,,That's the St. Martin landing.
Dialogue: 0,0:53:24.54,0:53:27.02,Default,,0000,0000,0000,,And then again, hold\Ndown Command or Control
Dialogue: 0,0:53:27.02,0:53:32.51,Default,,0000,0000,0000,,in order to select\NAOA14 Aerial Alaska.
Dialogue: 0,0:53:32.51,0:53:34.43,Default,,0000,0000,0000,,With those three\Nclips selected, I
Dialogue: 0,0:53:34.43,0:53:38.39,Default,,0000,0000,0000,,can actually drag those clips\Ndirectly to the timeline viewer
Dialogue: 0,0:53:38.39,0:53:43.79,Default,,0000,0000,0000,,and choose the\NAppend at End edit.
Dialogue: 0,0:53:43.79,0:53:46.34,Default,,0000,0000,0000,,What the Append at\NEnd is really useful
Dialogue: 0,0:53:46.34,0:53:49.05,Default,,0000,0000,0000,,for is throwing clips\Nat the end of your edit,
Dialogue: 0,0:53:49.05,0:53:51.41,Default,,0000,0000,0000,,so you can use them to\Nquickly assemble footage
Dialogue: 0,0:53:51.41,0:53:53.93,Default,,0000,0000,0000,,into the timeline,\Nand it doesn't depend
Dialogue: 0,0:53:53.93,0:53:56.01,Default,,0000,0000,0000,,on where your playhead is.
Dialogue: 0,0:53:56.01,0:53:59.87,Default,,0000,0000,0000,,It just depends on where the\Nlast clip is in your timeline.
Dialogue: 0,0:53:59.87,0:54:03.12,Default,,0000,0000,0000,,Obviously, those clips are\Nway too long for this edit,
Dialogue: 0,0:54:03.12,0:54:05.98,Default,,0000,0000,0000,,so I just need to\Nreduce their duration.
Dialogue: 0,0:54:05.98,0:54:09.23,Default,,0000,0000,0000,,To select the clips, i'm going\Nto switch into my Selection edit
Dialogue: 0,0:54:09.23,0:54:15.92,Default,,0000,0000,0000,,mode, select the clips, now\Ngo back to my Trim edit mode,
Dialogue: 0,0:54:15.92,0:54:21.00,Default,,0000,0000,0000,,right click any of those clips,\Nchoose Change Clip Duration.
Dialogue: 0,0:54:21.00,0:54:24.26,Default,,0000,0000,0000,,Command or Control\ND is the shortcut.
Dialogue: 0,0:54:24.26,0:54:27.48,Default,,0000,0000,0000,,And from the Change\NClip Duration box,
Dialogue: 0,0:54:27.48,0:54:31.16,Default,,0000,0000,0000,,I'm going to choose\Nthe five second preset.
Dialogue: 0,0:54:31.16,0:54:33.95,Default,,0000,0000,0000,,As I said, 5 seconds\Nis not necessarily
Dialogue: 0,0:54:33.95,0:54:36.86,Default,,0000,0000,0000,,the correct duration,\Nit's just a duration
Dialogue: 0,0:54:36.86,0:54:38.90,Default,,0000,0000,0000,,that's worth starting at.
Dialogue: 0,0:54:38.90,0:54:41.72,Default,,0000,0000,0000,,Click Change, and\Nnow, my clips have
Dialogue: 0,0:54:41.72,0:54:43.71,Default,,0000,0000,0000,,been trimmed on the timeline.
Dialogue: 0,0:54:43.71,0:54:47.21,Default,,0000,0000,0000,,However, I've still got a\Nlittle bit of work to do here.
Dialogue: 0,0:54:47.21,0:54:50.16,Default,,0000,0000,0000,,Let's move back to the beginning\Nof the South Pole clip,
Dialogue: 0,0:54:50.16,0:54:52.52,Default,,0000,0000,0000,,and then let's use\Nthe detail Zoom button
Dialogue: 0,0:54:52.52,0:54:55.40,Default,,0000,0000,0000,,just to zoom in a\Nlittle bit here.
Dialogue: 0,0:54:55.40,0:54:57.05,Default,,0000,0000,0000,,I want to make the\NSouth Pole clip
Dialogue: 0,0:54:57.05,0:55:00.75,Default,,0000,0000,0000,,a little bit shorter because\Nnothing really happens in it.
Dialogue: 0,0:55:00.75,0:55:04.02,Default,,0000,0000,0000,,So a five second shot is\Na good starting point,
Dialogue: 0,0:55:04.02,0:55:07.28,Default,,0000,0000,0000,,but let's just make it a little\Nbit shorter from the beginning.
Dialogue: 0,0:55:07.28,0:55:10.67,Default,,0000,0000,0000,,So if I select the\Nincoming part of that clip
Dialogue: 0,0:55:10.67,0:55:12.35,Default,,0000,0000,0000,,just to select that\Nclip there, you'll
Dialogue: 0,0:55:12.35,0:55:15.21,Default,,0000,0000,0000,,notice I haven't\Nselected any audio.
Dialogue: 0,0:55:15.21,0:55:18.32,Default,,0000,0000,0000,,And I'm using the Trim\Nedit mode here in order
Dialogue: 0,0:55:18.32,0:55:21.09,Default,,0000,0000,0000,,to be able to select the\Nbeginning part of that clip.
Dialogue: 0,0:55:21.09,0:55:23.96,Default,,0000,0000,0000,,And I'm just going to remove a\Nfew frames just to bring it down
Dialogue: 0,0:55:23.96,0:55:26.27,Default,,0000,0000,0000,,to about four seconds duration.
Dialogue: 0,0:55:26.27,0:55:28.05,Default,,0000,0000,0000,,You can see that,\Nas I'm trimming it,
Dialogue: 0,0:55:28.05,0:55:31.25,Default,,0000,0000,0000,,the tooltip is telling me how\Nmuch I'm actually trimming it
Dialogue: 0,0:55:31.25,0:55:33.47,Default,,0000,0000,0000,,by, and the gray\Nnumbers underneath
Dialogue: 0,0:55:33.47,0:55:35.58,Default,,0000,0000,0000,,represent an overall duration.
Dialogue: 0,0:55:35.58,0:55:38.81,Default,,0000,0000,0000,,However, look at what's\Nhappening to the underlying
Dialogue: 0,0:55:38.81,0:55:40.92,Default,,0000,0000,0000,,audio clip of the interview.
Dialogue: 0,0:55:40.92,0:55:44.99,Default,,0000,0000,0000,,Remember I had the interview\Nworking in terms of the audio.
Dialogue: 0,0:55:44.99,0:55:47.72,Default,,0000,0000,0000,,By changing it like\Nthis, I'm actually
Dialogue: 0,0:55:47.72,0:55:52.66,Default,,0000,0000,0000,,losing parts of the\Noutgoing audio clip.
Dialogue: 0,0:55:52.66,0:55:54.50,Default,,0000,0000,0000,,I don't want to do that.
Dialogue: 0,0:55:54.50,0:55:58.70,Default,,0000,0000,0000,,So in this case, I need\Nto undo that change.
Dialogue: 0,0:55:58.70,0:56:01.15,Default,,0000,0000,0000,,Now, the reason that\Nthis is happening
Dialogue: 0,0:56:01.15,0:56:05.17,Default,,0000,0000,0000,,is because Resolve fights\Nto keep everything in sync
Dialogue: 0,0:56:05.17,0:56:07.97,Default,,0000,0000,0000,,after the point at\Nwhich you are trimming.
Dialogue: 0,0:56:07.97,0:56:12.71,Default,,0000,0000,0000,,So if a clip starts at the\Ntrim point or afterwards,
Dialogue: 0,0:56:12.71,0:56:15.77,Default,,0000,0000,0000,,then it will move in an\Nappropriate direction.
Dialogue: 0,0:56:15.77,0:56:18.43,Default,,0000,0000,0000,,In this case, we\Nactually need to break
Dialogue: 0,0:56:18.43,0:56:21.52,Default,,0000,0000,0000,,that functionality\Nthat, up until now,
Dialogue: 0,0:56:21.52,0:56:23.48,Default,,0000,0000,0000,,has actually served\Nus quite well.
Dialogue: 0,0:56:23.48,0:56:25.54,Default,,0000,0000,0000,,So in this case,\NI'm actually going
Dialogue: 0,0:56:25.54,0:56:27.04,Default,,0000,0000,0000,,to come to the track\Nheader, and I'm
Dialogue: 0,0:56:27.04,0:56:29.38,Default,,0000,0000,0000,,going to choose\Nto lock the track.
Dialogue: 0,0:56:29.38,0:56:32.08,Default,,0000,0000,0000,,That will prevent any\Nadditional changes
Dialogue: 0,0:56:32.08,0:56:36.31,Default,,0000,0000,0000,,being made to any of\Nthe clips on this track.
Dialogue: 0,0:56:36.31,0:56:41.59,Default,,0000,0000,0000,,I'll now trim that clip to\Nthe four second duration
Dialogue: 0,0:56:41.59,0:56:44.53,Default,,0000,0000,0000,,that I was aiming\Nfor, and you can
Dialogue: 0,0:56:44.53,0:56:49.30,Default,,0000,0000,0000,,see that the audio underneath\Nis now no longer moving.
Dialogue: 0,0:56:49.30,0:56:52.96,Default,,0000,0000,0000,,Let's go back to\NFull Extent Zoom
Dialogue: 0,0:56:52.96,0:56:54.89,Default,,0000,0000,0000,,and then play to\Nreview the change.
Dialogue: 0,0:56:54.89,0:56:56.56,Default,,0000,0000,0000,,PRESENTER 1: --go\Nback to that location,
Dialogue: 0,0:56:56.56,0:56:57.73,Default,,0000,0000,0000,,or it didn't make the movie.
Dialogue: 0,0:56:57.73,0:57:00.01,Default,,0000,0000,0000,,It's really important\Nevery shot was original,
Dialogue: 0,0:57:00.01,0:57:01.29,Default,,0000,0000,0000,,and that everything was real.
Dialogue: 0,0:57:01.29,0:57:05.41,Default,,0000,0000,0000,,
Dialogue: 0,0:57:05.41,0:57:08.39,Default,,0000,0000,0000,,CHRIS: That's a nice\Nshot of the Kenya plane.
Dialogue: 0,0:57:08.39,0:57:11.56,Default,,0000,0000,0000,,However, you'll notice the\Nbeginning part of that clip
Dialogue: 0,0:57:11.56,0:57:13.64,Default,,0000,0000,0000,,was just a little bit untidy.
Dialogue: 0,0:57:13.64,0:57:16.81,Default,,0000,0000,0000,,So again, I'm just going\Nto ripple a few frames out
Dialogue: 0,0:57:16.81,0:57:18.38,Default,,0000,0000,0000,,of the beginning of that clip.
Dialogue: 0,0:57:18.38,0:57:20.66,Default,,0000,0000,0000,,If we move the playhead to\Nthe beginning of the clip,
Dialogue: 0,0:57:20.66,0:57:22.52,Default,,0000,0000,0000,,go into the detail Zoom.
Dialogue: 0,0:57:22.52,0:57:24.55,Default,,0000,0000,0000,,Use the Trim edit\Nmode in order to be
Dialogue: 0,0:57:24.55,0:57:26.44,Default,,0000,0000,0000,,able to ripple a few\Nframes out to get
Dialogue: 0,0:57:26.44,0:57:30.14,Default,,0000,0000,0000,,rid of the yellow part of the\Nplane at the top of the frame
Dialogue: 0,0:57:30.14,0:57:33.34,Default,,0000,0000,0000,,there, again bringing\Nthe duration down to that
Dialogue: 0,0:57:33.34,0:57:37.00,Default,,0000,0000,0000,,around about four seconds.
Dialogue: 0,0:57:37.00,0:57:40.49,Default,,0000,0000,0000,,It's not important to get\Nit accurate at this point.
Dialogue: 0,0:57:40.49,0:57:43.99,Default,,0000,0000,0000,,It just means that just refining\Nthe beginning of the shot.
Dialogue: 0,0:57:43.99,0:57:45.02,Default,,0000,0000,0000,,Let's continue playing.
Dialogue: 0,0:57:45.02,0:57:47.26,Default,,0000,0000,0000,,PRESENTER 1: --original, and\Nthat everything was real.
Dialogue: 0,0:57:47.26,0:57:50.06,Default,,0000,0000,0000,,[MUSIC PLAYING]
Dialogue: 0,0:57:50.06,0:57:58.81,Default,,0000,0000,0000,,
Dialogue: 0,0:57:58.81,0:57:59.80,Default,,0000,0000,0000,,CHRIS: Hm.
Dialogue: 0,0:57:59.80,0:58:02.77,Default,,0000,0000,0000,,Now, there's a few things\Nthat we need to do here.
Dialogue: 0,0:58:02.77,0:58:04.21,Default,,0000,0000,0000,,First of all, we\Nstill need to be
Dialogue: 0,0:58:04.21,0:58:07.40,Default,,0000,0000,0000,,able to bring the duration\Nof those clips down,
Dialogue: 0,0:58:07.40,0:58:09.56,Default,,0000,0000,0000,,but they're actually\Nin the wrong order.
Dialogue: 0,0:58:09.56,0:58:12.40,Default,,0000,0000,0000,,I want the Alaska shot\Nto follow the South Pole
Dialogue: 0,0:58:12.40,0:58:13.97,Default,,0000,0000,0000,,shot on the timeline.
Dialogue: 0,0:58:13.97,0:58:17.75,Default,,0000,0000,0000,,Then I would actually to finish\Nwith the St. Martin shot.
Dialogue: 0,0:58:17.75,0:58:21.01,Default,,0000,0000,0000,,Now, if I use my\NSelection edit mode
Dialogue: 0,0:58:21.01,0:58:24.70,Default,,0000,0000,0000,,to be able to move a clip around\Nthe timeline, all I'll simply do
Dialogue: 0,0:58:24.70,0:58:27.59,Default,,0000,0000,0000,,is overwrite what\Nis currently there.
Dialogue: 0,0:58:27.59,0:58:31.19,Default,,0000,0000,0000,,So I need to use a\Ndifferent function for this,
Dialogue: 0,0:58:31.19,0:58:34.88,Default,,0000,0000,0000,,and this is what we would\Ncall a Shuffle Insert edit.
Dialogue: 0,0:58:34.88,0:58:37.60,Default,,0000,0000,0000,,And it's a little bit\Nof a secret function
Dialogue: 0,0:58:37.60,0:58:39.91,Default,,0000,0000,0000,,that you now know about.
Dialogue: 0,0:58:39.91,0:58:43.63,Default,,0000,0000,0000,,To perform a Shuffle edit,\Nhold down the Shift and Command
Dialogue: 0,0:58:43.63,0:58:47.41,Default,,0000,0000,0000,,or Control keys, and then\Nuse the comma and period key
Dialogue: 0,0:58:47.41,0:58:50.85,Default,,0000,0000,0000,,in order to be able to move\Nthe clip backwards and forwards
Dialogue: 0,0:58:50.85,0:58:52.92,Default,,0000,0000,0000,,through the timeline.
Dialogue: 0,0:58:52.92,0:58:55.77,Default,,0000,0000,0000,,So I can now put the\Naerial Alaska shot
Dialogue: 0,0:58:55.77,0:58:57.79,Default,,0000,0000,0000,,after the South Pole shot.
Dialogue: 0,0:58:57.79,0:59:02.07,Default,,0000,0000,0000,,If I hold down the Command key\Nand use the left and right arrow
Dialogue: 0,0:59:02.07,0:59:05.47,Default,,0000,0000,0000,,keys, this will allow me\Nto select another clip.
Dialogue: 0,0:59:05.47,0:59:08.65,Default,,0000,0000,0000,,Hold down Shift and command and\Nuse the comma and period keys.
Dialogue: 0,0:59:08.65,0:59:11.91,Default,,0000,0000,0000,,Allows me to reorder\Nthose clips as well.
Dialogue: 0,0:59:11.91,0:59:15.48,Default,,0000,0000,0000,,And you can actually select\Nmultiple clips on the timeline
Dialogue: 0,0:59:15.48,0:59:17.70,Default,,0000,0000,0000,,and use the same keyboard\Nshortcuts in order
Dialogue: 0,0:59:17.70,0:59:20.25,Default,,0000,0000,0000,,to be able to shuffle\Nthose groups of clips
Dialogue: 0,0:59:20.25,0:59:21.55,Default,,0000,0000,0000,,around the timeline.
Dialogue: 0,0:59:21.55,0:59:23.46,Default,,0000,0000,0000,,So this makes it\Nreally easy to move
Dialogue: 0,0:59:23.46,0:59:26.73,Default,,0000,0000,0000,,one scene from one part of\Nthe timeline to another.
Dialogue: 0,0:59:26.73,0:59:29.14,Default,,0000,0000,0000,,So now I've got the\Nshots in the right order.
Dialogue: 0,0:59:29.14,0:59:32.13,Default,,0000,0000,0000,,I'm just going to trim the\Naerial Alaska shot before adding
Dialogue: 0,0:59:32.13,0:59:33.93,Default,,0000,0000,0000,,the credits to the end.
Dialogue: 0,0:59:33.93,0:59:37.71,Default,,0000,0000,0000,,Let's go into Detail Zoom,\Nmake sure I'm in Trim edit mode
Dialogue: 0,0:59:37.71,0:59:39.54,Default,,0000,0000,0000,,by pressing T,\Nand I'm just going
Dialogue: 0,0:59:39.54,0:59:43.26,Default,,0000,0000,0000,,to trim the end of that\Nshot again to the magic four
Dialogue: 0,0:59:43.26,0:59:44.04,Default,,0000,0000,0000,,second duration.
Dialogue: 0,0:59:44.04,0:59:47.61,Default,,0000,0000,0000,,
Dialogue: 0,0:59:47.61,0:59:51.24,Default,,0000,0000,0000,,I'm going to go back\Ninto my Full Extent Zoom,
Dialogue: 0,0:59:51.24,0:59:55.08,Default,,0000,0000,0000,,and I'm just going to play the\Ntimeline just so that I hear
Dialogue: 0,0:59:55.08,0:59:57.19,Default,,0000,0000,0000,,the last beat of the music.
Dialogue: 0,0:59:57.19,1:00:00.04,Default,,0000,0000,0000,,[MUSIC PLAYING]
Dialogue: 0,1:00:00.04,1:00:08.37,Default,,0000,0000,0000,,
Dialogue: 0,1:00:08.37,1:00:10.84,Default,,0000,0000,0000,,I'll use my audio scrubbing.
Dialogue: 0,1:00:10.84,1:00:13.76,Default,,0000,0000,0000,,[WALKING THROUGH THE AUDIO FRAME\NBY FRAME]
Dialogue: 0,1:00:13.76,1:00:16.23,Default,,0000,0000,0000,,
Dialogue: 0,1:00:16.23,1:00:19.21,Default,,0000,0000,0000,,Just to be able to find\Nthe beat of that music.
Dialogue: 0,1:00:19.21,1:00:21.60,Default,,0000,0000,0000,,So using the audio\Nbeats for the music
Dialogue: 0,1:00:21.60,1:00:24.84,Default,,0000,0000,0000,,is a good way of being\Nable to guide the edit.
Dialogue: 0,1:00:24.84,1:00:26.44,Default,,0000,0000,0000,,Now, we need the credits.
Dialogue: 0,1:00:26.44,1:00:29.28,Default,,0000,0000,0000,,So let's go to our\Ncredits smart bin.
Dialogue: 0,1:00:29.28,1:00:33.19,Default,,0000,0000,0000,,Let's double click to select the\Ncredits in the source viewer.
Dialogue: 0,1:00:33.19,1:00:36.76,Default,,0000,0000,0000,,And in this case, we actually\Nwant to take all of the credits.
Dialogue: 0,1:00:36.76,1:00:39.19,Default,,0000,0000,0000,,So we're not going to\Nset any in or out points.
Dialogue: 0,1:00:39.19,1:00:40.71,Default,,0000,0000,0000,,Instead we're just\Ngoing to perform
Dialogue: 0,1:00:40.71,1:00:43.92,Default,,0000,0000,0000,,an overwrite edit with F10.
Dialogue: 0,1:00:43.92,1:00:46.39,Default,,0000,0000,0000,,If I use the up arrow\Nkey in the timeline,
Dialogue: 0,1:00:46.39,1:00:48.14,Default,,0000,0000,0000,,use the forward slash key.
Dialogue: 0,1:00:48.14,1:00:50.98,Default,,0000,0000,0000,,[MUSIC PLAYING]
Dialogue: 0,1:00:50.98,1:00:52.97,Default,,0000,0000,0000,,
Dialogue: 0,1:00:52.97,1:00:56.40,Default,,0000,0000,0000,,Now, that I've got those shots\Nin at the end of the timeline,
Dialogue: 0,1:00:56.40,1:00:59.48,Default,,0000,0000,0000,,I just need to go back\Nthrough and refine which parts
Dialogue: 0,1:00:59.48,1:01:01.05,Default,,0000,0000,0000,,of the shots that I'm using.
Dialogue: 0,1:01:01.05,1:01:05.33,Default,,0000,0000,0000,,So I need to use the trim edit\Nfunction for that as well.
Dialogue: 0,1:01:05.33,1:01:08.21,Default,,0000,0000,0000,,Let's position the playhead\Nover the St. Martin shot
Dialogue: 0,1:01:08.21,1:01:11.03,Default,,0000,0000,0000,,at the end of this timeline,\Nand use the Detail Zoom
Dialogue: 0,1:01:11.03,1:01:12.56,Default,,0000,0000,0000,,button to zoom in.
Dialogue: 0,1:01:12.56,1:01:15.98,Default,,0000,0000,0000,,If we preview the shot by\Nselecting it and pressing
Dialogue: 0,1:01:15.98,1:01:17.92,Default,,0000,0000,0000,,the forward slash key--
Dialogue: 0,1:01:17.92,1:01:20.30,Default,,0000,0000,0000,,[MUSIC PLAYING]
Dialogue: 0,1:01:20.30,1:01:25.38,Default,,0000,0000,0000,,
Dialogue: 0,1:01:25.38,1:01:27.50,Default,,0000,0000,0000,,You can see that we're\Nactually using the beginning
Dialogue: 0,1:01:27.50,1:01:31.13,Default,,0000,0000,0000,,part of the shot where actually\Nthe plane is quite far away.
Dialogue: 0,1:01:31.13,1:01:35.15,Default,,0000,0000,0000,,So instead of that, if we use\Nthe Trim edit mode and actually
Dialogue: 0,1:01:35.15,1:01:38.25,Default,,0000,0000,0000,,click on the upper part of\Nthe clip on the timeline,
Dialogue: 0,1:01:38.25,1:01:42.45,Default,,0000,0000,0000,,this will enable us to slip\Nthe actual content of the shot.
Dialogue: 0,1:01:42.45,1:01:45.59,Default,,0000,0000,0000,,You can see how the clip\Nis slipping on the timeline
Dialogue: 0,1:01:45.59,1:01:48.06,Default,,0000,0000,0000,,and how the thumbnails\Nare being updated.
Dialogue: 0,1:01:48.06,1:01:52.14,Default,,0000,0000,0000,,If I keep on dragging, if you\Nlook at the timeline viewer,
Dialogue: 0,1:01:52.14,1:01:54.00,Default,,0000,0000,0000,,you can see in the\Nupper right corner,
Dialogue: 0,1:01:54.00,1:01:57.98,Default,,0000,0000,0000,,you can see the outgoing\Nframe as the plane disappears
Dialogue: 0,1:01:57.98,1:02:00.06,Default,,0000,0000,0000,,overhead and out of shot.
Dialogue: 0,1:02:00.06,1:02:03.59,Default,,0000,0000,0000,,And that is where I\Nwant that shot to end.
Dialogue: 0,1:02:03.59,1:02:05.45,Default,,0000,0000,0000,,This is called a Slip edit.
Dialogue: 0,1:02:05.45,1:02:08.03,Default,,0000,0000,0000,,[MUSIC PLAYING]
Dialogue: 0,1:02:08.03,1:02:14.27,Default,,0000,0000,0000,,
Dialogue: 0,1:02:14.27,1:02:17.00,Default,,0000,0000,0000,,The Slip edit is one of the\Nmost powerful trimming functions
Dialogue: 0,1:02:17.00,1:02:18.74,Default,,0000,0000,0000,,that we have in the timeline.
Dialogue: 0,1:02:18.74,1:02:22.04,Default,,0000,0000,0000,,I'm going to return\Nto my Full Extent Zoom
Dialogue: 0,1:02:22.04,1:02:25.89,Default,,0000,0000,0000,,and just position my playhead\Nover this Alaska shot.
Dialogue: 0,1:02:25.89,1:02:29.63,Default,,0000,0000,0000,,Again, I'll select that and just\Npress the forward slash key just
Dialogue: 0,1:02:29.63,1:02:30.30,Default,,0000,0000,0000,,to preview it.
Dialogue: 0,1:02:30.30,1:02:31.88,Default,,0000,0000,0000,,PRESENTER 1: --every\Nshot was original
Dialogue: 0,1:02:31.88,1:02:33.13,Default,,0000,0000,0000,,and that everything was real.
Dialogue: 0,1:02:33.13,1:02:38.84,Default,,0000,0000,0000,,
Dialogue: 0,1:02:38.84,1:02:41.21,Default,,0000,0000,0000,,CHRIS: It's a nice\Nshot, but it's lacking
Dialogue: 0,1:02:41.21,1:02:43.50,Default,,0000,0000,0000,,a certain amount of dynamism.
Dialogue: 0,1:02:43.50,1:02:45.98,Default,,0000,0000,0000,,So another thing that we\Ncan often do with shots
Dialogue: 0,1:02:45.98,1:02:48.35,Default,,0000,0000,0000,,is we can adjust\Nthe speed of them.
Dialogue: 0,1:02:48.35,1:02:50.54,Default,,0000,0000,0000,,With that clip\Nselected, I'll just
Dialogue: 0,1:02:50.54,1:02:52.61,Default,,0000,0000,0000,,come up here to the\Ntop right hand corner
Dialogue: 0,1:02:52.61,1:02:54.74,Default,,0000,0000,0000,,and open up the inspector.
Dialogue: 0,1:02:54.74,1:02:57.77,Default,,0000,0000,0000,,Scrolling through the\Ninspector, I actually
Dialogue: 0,1:02:57.77,1:03:00.83,Default,,0000,0000,0000,,have a category\Ncalled Speed Change.
Dialogue: 0,1:03:00.83,1:03:03.81,Default,,0000,0000,0000,,If I just simply click\Non that to open it up,
Dialogue: 0,1:03:03.81,1:03:06.68,Default,,0000,0000,0000,,I can now specify the\Nspeed of this clip.
Dialogue: 0,1:03:06.68,1:03:09.92,Default,,0000,0000,0000,,Speeding the clip up should\Ngive us something more
Dialogue: 0,1:03:09.92,1:03:12.92,Default,,0000,0000,0000,,to actually see, as it looks\Nas though probably the plane is
Dialogue: 0,1:03:12.92,1:03:15.50,Default,,0000,0000,0000,,actually going to be\Nflying a little bit faster.
Dialogue: 0,1:03:15.50,1:03:19.43,Default,,0000,0000,0000,,Selecting the speed\Npercentage, type in 200
Dialogue: 0,1:03:19.43,1:03:21.24,Default,,0000,0000,0000,,and hit the Return key.
Dialogue: 0,1:03:21.24,1:03:23.16,Default,,0000,0000,0000,,That then adjusts the\Nspeed of the clip,
Dialogue: 0,1:03:23.16,1:03:27.77,Default,,0000,0000,0000,,so it's now playing at\N200% or twice as fast.
Dialogue: 0,1:03:27.77,1:03:29.22,Default,,0000,0000,0000,,If I hit the forward slash key--
Dialogue: 0,1:03:29.22,1:03:30.32,Default,,0000,0000,0000,,PRESENTER 1: --every\Nshot was original,
Dialogue: 0,1:03:30.32,1:03:31.56,Default,,0000,0000,0000,,and that everything was real.
Dialogue: 0,1:03:31.56,1:03:37.04,Default,,0000,0000,0000,,
Dialogue: 0,1:03:37.04,1:03:40.02,Default,,0000,0000,0000,,CHRIS: There's now a little\Nbit more movement in that shot.
Dialogue: 0,1:03:40.02,1:03:43.39,Default,,0000,0000,0000,,So in this case, I\Ncan now slip the clip
Dialogue: 0,1:03:43.39,1:03:46.06,Default,,0000,0000,0000,,in order to use a\Nlater part of the shot
Dialogue: 0,1:03:46.06,1:03:49.31,Default,,0000,0000,0000,,as the camera pans\Naround the plane,
Dialogue: 0,1:03:49.31,1:03:52.24,Default,,0000,0000,0000,,so that we now get this\Nshot in the top right
Dialogue: 0,1:03:52.24,1:03:55.07,Default,,0000,0000,0000,,quadrant of that timeline view.
Dialogue: 0,1:03:55.07,1:03:57.94,Default,,0000,0000,0000,,As you can see, the\Nend frame is now
Dialogue: 0,1:03:57.94,1:04:02.22,Default,,0000,0000,0000,,the plane with the\Nmountains in the background.
Dialogue: 0,1:04:02.22,1:04:03.85,Default,,0000,0000,0000,,PRESENTER 1: --every\Nshot was original,
Dialogue: 0,1:04:03.85,1:04:05.10,Default,,0000,0000,0000,,and that everything was real.
Dialogue: 0,1:04:05.10,1:04:07.78,Default,,0000,0000,0000,,[MUSIC PLAYING]
Dialogue: 0,1:04:07.78,1:04:10.54,Default,,0000,0000,0000,,
Dialogue: 0,1:04:10.54,1:04:14.35,Default,,0000,0000,0000,,CHRIS: Another way of using a\Ndifferent part of the same shot
Dialogue: 0,1:04:14.35,1:04:19.36,Default,,0000,0000,0000,,is actually to use a Match\NFrame and Replace function.
Dialogue: 0,1:04:19.36,1:04:21.43,Default,,0000,0000,0000,,In this case, if I\Nmove the playhead
Dialogue: 0,1:04:21.43,1:04:24.23,Default,,0000,0000,0000,,to the first frame\Nof the Kenya clip,
Dialogue: 0,1:04:24.23,1:04:27.40,Default,,0000,0000,0000,,if I actually want to\Nreveal the original source
Dialogue: 0,1:04:27.40,1:04:31.90,Default,,0000,0000,0000,,clip for that clip, I can\Njust press F on the keyboard
Dialogue: 0,1:04:31.90,1:04:34.16,Default,,0000,0000,0000,,in order to be able\Nto do a match frame.
Dialogue: 0,1:04:34.16,1:04:37.18,Default,,0000,0000,0000,,This actually brings the\Noriginal source clip up
Dialogue: 0,1:04:37.18,1:04:38.63,Default,,0000,0000,0000,,into the source viewer.
Dialogue: 0,1:04:38.63,1:04:43.12,Default,,0000,0000,0000,,This means I can now see\Nall of the rest of the clip
Dialogue: 0,1:04:43.12,1:04:45.79,Default,,0000,0000,0000,,without actually having\Nto manipulate it directly
Dialogue: 0,1:04:45.79,1:04:47.56,Default,,0000,0000,0000,,on the timeline.
Dialogue: 0,1:04:47.56,1:04:51.59,Default,,0000,0000,0000,,If I now choose a new\Nstarting frame for this clip,
Dialogue: 0,1:04:51.59,1:04:57.31,Default,,0000,0000,0000,,just as the plane is coming over\Nthis shot of the flamingos here,
Dialogue: 0,1:04:57.31,1:05:00.95,Default,,0000,0000,0000,,I've now got the playhead\Nin the correct position,
Dialogue: 0,1:05:00.95,1:05:03.91,Default,,0000,0000,0000,,and now I can use the\NReplace edit function
Dialogue: 0,1:05:03.91,1:05:07.78,Default,,0000,0000,0000,,in order to be able to match\Nthe two play heads together.
Dialogue: 0,1:05:07.78,1:05:11.14,Default,,0000,0000,0000,,You can use the Replace\Nedit by simply dragging
Dialogue: 0,1:05:11.14,1:05:13.15,Default,,0000,0000,0000,,the clip over the\Ntimeline viewer
Dialogue: 0,1:05:13.15,1:05:18.37,Default,,0000,0000,0000,,to the Replace edit overlay,\Nor alternatively, you've
Dialogue: 0,1:05:18.37,1:05:21.28,Default,,0000,0000,0000,,actually got a\NReplace Clip button
Dialogue: 0,1:05:21.28,1:05:24.43,Default,,0000,0000,0000,,at the top of your\Ntimeline, or you can use
Dialogue: 0,1:05:24.43,1:05:26.55,Default,,0000,0000,0000,,your keyboard shortcut of F11.
Dialogue: 0,1:05:26.55,1:05:29.23,Default,,0000,0000,0000,,
Dialogue: 0,1:05:29.23,1:05:31.27,Default,,0000,0000,0000,,And in this case,\Nthe Replace edit
Dialogue: 0,1:05:31.27,1:05:34.39,Default,,0000,0000,0000,,has actually replaced the\Nclip by matching the two play
Dialogue: 0,1:05:34.39,1:05:35.45,Default,,0000,0000,0000,,heads together.
Dialogue: 0,1:05:35.45,1:05:38.95,Default,,0000,0000,0000,,So the playhead here\Nin the source viewer
Dialogue: 0,1:05:38.95,1:05:40.63,Default,,0000,0000,0000,,is actually placed\Nat the location
Dialogue: 0,1:05:40.63,1:05:44.29,Default,,0000,0000,0000,,of the playhead in the\Ntimeline, and then the clip
Dialogue: 0,1:05:44.29,1:05:47.95,Default,,0000,0000,0000,,is actually replaced based\Non the source media clip
Dialogue: 0,1:05:47.95,1:05:49.25,Default,,0000,0000,0000,,after the playhead.
Dialogue: 0,1:05:49.25,1:05:51.31,Default,,0000,0000,0000,,It's a very, very\Npowerful function
Dialogue: 0,1:05:51.31,1:05:54.62,Default,,0000,0000,0000,,if you actually want to be able\Nto synchronize clips together.
Dialogue: 0,1:05:54.62,1:05:56.80,Default,,0000,0000,0000,,It's useful for\Nbeing able to edit
Dialogue: 0,1:05:56.80,1:05:59.11,Default,,0000,0000,0000,,sound effects into\Nthe timeline, or to be
Dialogue: 0,1:05:59.11,1:06:03.19,Default,,0000,0000,0000,,able to match two images\Ntogether with different actions,
Dialogue: 0,1:06:03.19,1:06:07.90,Default,,0000,0000,0000,,for example, here, if\Nwe go to the last clip
Dialogue: 0,1:06:07.90,1:06:11.11,Default,,0000,0000,0000,,here in the timeline where we\Nactually have the St. Martin
Dialogue: 0,1:06:11.11,1:06:13.46,Default,,0000,0000,0000,,landing plane flying overhead.
Dialogue: 0,1:06:13.46,1:06:16.07,Default,,0000,0000,0000,,[MUSIC PLAYING]
Dialogue: 0,1:06:16.07,1:06:19.66,Default,,0000,0000,0000,,
Dialogue: 0,1:06:19.66,1:06:23.00,Default,,0000,0000,0000,,Sometimes, instead of match\Nframing to the same clip,
Dialogue: 0,1:06:23.00,1:06:25.18,Default,,0000,0000,0000,,you actually maybe\Nwant to reveal the clip
Dialogue: 0,1:06:25.18,1:06:27.38,Default,,0000,0000,0000,,in its original source bin.
Dialogue: 0,1:06:27.38,1:06:30.19,Default,,0000,0000,0000,,This is because\Nusually, additional
Dialogue: 0,1:06:30.19,1:06:34.19,Default,,0000,0000,0000,,takes of the similar sorts of\Nfootage would be available,
Dialogue: 0,1:06:34.19,1:06:35.69,Default,,0000,0000,0000,,usually in that bin.
Dialogue: 0,1:06:35.69,1:06:38.26,Default,,0000,0000,0000,,So in this case, instead of\Nmatch framing to the source
Dialogue: 0,1:06:38.26,1:06:41.02,Default,,0000,0000,0000,,clip, right click the\Nclip in the timeline,
Dialogue: 0,1:06:41.02,1:06:44.82,Default,,0000,0000,0000,,and there, you can use the\NFind in Media Pool option.
Dialogue: 0,1:06:44.82,1:06:47.73,Default,,0000,0000,0000,,
Dialogue: 0,1:06:47.73,1:06:51.10,Default,,0000,0000,0000,,That will then reveal the clip\Ndirectly in the media pool,
Dialogue: 0,1:06:51.10,1:06:53.73,Default,,0000,0000,0000,,in the bin, and\Nusually, other clips
Dialogue: 0,1:06:53.73,1:06:56.11,Default,,0000,0000,0000,,around that will be\Nalternative takes.
Dialogue: 0,1:06:56.11,1:07:01.44,Default,,0000,0000,0000,,For example, this clip AOA12\Nactually has the similar plane
Dialogue: 0,1:07:01.44,1:07:04.84,Default,,0000,0000,0000,,landing, but also has lots\Nof people in the foreground.
Dialogue: 0,1:07:04.84,1:07:08.58,Default,,0000,0000,0000,,This is a much more dramatic\Nshot than the original one
Dialogue: 0,1:07:08.58,1:07:09.85,Default,,0000,0000,0000,,that we were using.
Dialogue: 0,1:07:09.85,1:07:13.32,Default,,0000,0000,0000,,If I double click that clip to\Nopen it into the source viewer
Dialogue: 0,1:07:13.32,1:07:16.29,Default,,0000,0000,0000,,and then actually use my\NJ, K, and L keys in order
Dialogue: 0,1:07:16.29,1:07:20.88,Default,,0000,0000,0000,,to be able to find a frame,\Nwhich is visually matching
Dialogue: 0,1:07:20.88,1:07:24.42,Default,,0000,0000,0000,,the frame that I'm viewing\Nin the timeline viewer,
Dialogue: 0,1:07:24.42,1:07:28.03,Default,,0000,0000,0000,,with the two play heads\Nin the correct positions,
Dialogue: 0,1:07:28.03,1:07:32.34,Default,,0000,0000,0000,,I can now simply do a Replace\Nedit and match the action
Dialogue: 0,1:07:32.34,1:07:34.25,Default,,0000,0000,0000,,across the two shots.
Dialogue: 0,1:07:34.25,1:07:36.92,Default,,0000,0000,0000,,[MUSIC PLAYING]
Dialogue: 0,1:07:36.92,1:07:39.16,Default,,0000,0000,0000,,
Dialogue: 0,1:07:39.16,1:07:40.74,Default,,0000,0000,0000,,So these are just\Nsome of the trimming
Dialogue: 0,1:07:40.74,1:07:42.24,Default,,0000,0000,0000,,and some of the\Nediting functions
Dialogue: 0,1:07:42.24,1:07:44.61,Default,,0000,0000,0000,,that we have within\NResolve in terms of being
Dialogue: 0,1:07:44.61,1:07:47.37,Default,,0000,0000,0000,,able to put an edit together.
Dialogue: 0,1:07:47.37,1:07:50.94,Default,,0000,0000,0000,,Just before we actually move to\Nthe next stage of the editing
Dialogue: 0,1:07:50.94,1:07:54.42,Default,,0000,0000,0000,,process, I'm just going to\Nmake a slight change to some
Dialogue: 0,1:07:54.42,1:07:57.66,Default,,0000,0000,0000,,of the audio for the\Ninterview, and in order
Dialogue: 0,1:07:57.66,1:08:01.74,Default,,0000,0000,0000,,to do this, of course, I just\Nneed to unlock the entire track.
Dialogue: 0,1:08:01.74,1:08:04.44,Default,,0000,0000,0000,,And in this case,\NI just want to find
Dialogue: 0,1:08:04.44,1:08:07.18,Default,,0000,0000,0000,,a beginning of his\Ninterview here,
Dialogue: 0,1:08:07.18,1:08:08.98,Default,,0000,0000,0000,,just at the very end\Nof the interview,
Dialogue: 0,1:08:08.98,1:08:10.77,Default,,0000,0000,0000,,PRESENTER 1: --or it\Ndidn't make the movie.
Dialogue: 0,1:08:10.77,1:08:12.63,Default,,0000,0000,0000,,CHRIS: Didn't make the movie.
Dialogue: 0,1:08:12.63,1:08:16.56,Default,,0000,0000,0000,,And I actually want to\Nseparate this part of the clip
Dialogue: 0,1:08:16.56,1:08:19.32,Default,,0000,0000,0000,,here and just move it\Na little bit further up
Dialogue: 0,1:08:19.32,1:08:20.50,Default,,0000,0000,0000,,and out of the way.
Dialogue: 0,1:08:20.50,1:08:25.33,Default,,0000,0000,0000,,So I could use my blade edit\Nmode here to cut that clip,
Dialogue: 0,1:08:25.33,1:08:28.93,Default,,0000,0000,0000,,or I could use a short\Nkeyboard shortcut for this.
Dialogue: 0,1:08:28.93,1:08:32.53,Default,,0000,0000,0000,,If I select a clip and\Npress Command or Control B,
Dialogue: 0,1:08:32.53,1:08:34.39,Default,,0000,0000,0000,,that will actually\Nsplit the clip,
Dialogue: 0,1:08:34.39,1:08:36.86,Default,,0000,0000,0000,,and now I can move that\Nclip and position it
Dialogue: 0,1:08:36.86,1:08:38.49,Default,,0000,0000,0000,,where I need it to be.
Dialogue: 0,1:08:38.49,1:08:41.88,Default,,0000,0000,0000,,About there will do.
Dialogue: 0,1:08:41.88,1:08:44.00,Default,,0000,0000,0000,,PRESENTER 1: It was really\Nimportant every shot was
Dialogue: 0,1:08:44.00,1:08:45.80,Default,,0000,0000,0000,,original and\Neverything was real.
Dialogue: 0,1:08:45.80,1:09:00.87,Default,,0000,0000,0000,,
Dialogue: 0,1:09:00.87,1:09:02.33,Default,,0000,0000,0000,,CHRIS: So hopefully,\Nthis video has
Dialogue: 0,1:09:02.33,1:09:04.94,Default,,0000,0000,0000,,been useful in showing you some\Nof the editing functionality
Dialogue: 0,1:09:04.94,1:09:07.02,Default,,0000,0000,0000,,that we have within\NDaVinci Resolve.
Dialogue: 0,1:09:07.02,1:09:09.33,Default,,0000,0000,0000,,Don't forget, if you've\Ngot any further questions,
Dialogue: 0,1:09:09.33,1:09:11.27,Default,,0000,0000,0000,,then please feel free\Nto join us on the forum
Dialogue: 0,1:09:11.27,1:09:15.12,Default,,0000,0000,0000,,pages where questions are\Nanswered on a daily basis.
Dialogue: 0,1:09:15.12,1:09:18.26,Default,,0000,0000,0000,,We've also got a full\Nrange of training materials
Dialogue: 0,1:09:18.26,1:09:21.65,Default,,0000,0000,0000,,available for free as well, so\Ncheck out the DaVinci Resolve
Dialogue: 0,1:09:21.65,1:09:24.83,Default,,0000,0000,0000,,training pages, where you\Ncan download further videos
Dialogue: 0,1:09:24.83,1:09:28.16,Default,,0000,0000,0000,,and books to help you get\Nto grips with Resolve.
Dialogue: 0,1:09:28.16,1:09:30.13,Default,,0000,0000,0000,,Thank you very much.
Dialogue: 0,1:09:30.13,1:09:37.00,Default,,0000,0000,0000,,