1 00:00:00,000 --> 00:00:05,390 2 00:00:05,390 --> 00:00:06,750 CHRIS: Hi, I'm Chris. 3 00:00:06,750 --> 00:00:09,840 I'm an editor and a DaVinci Resolve master trainer. 4 00:00:09,840 --> 00:00:12,800 Today I'm going to look at some of the editing functionality 5 00:00:12,800 --> 00:00:15,240 that you can access in DaVinci Resolve. 6 00:00:15,240 --> 00:00:17,240 We've been sent some footage to put together 7 00:00:17,240 --> 00:00:19,310 a short trailer for a documentary film 8 00:00:19,310 --> 00:00:21,300 by the filmmaker Brian Terwilliger, 9 00:00:21,300 --> 00:00:23,420 and so to do that, we're going to start 10 00:00:23,420 --> 00:00:25,340 by creating a new project. 11 00:00:25,340 --> 00:00:27,322 So here I am in the project manager. 12 00:00:27,322 --> 00:00:29,030 I'll just click on the New Project button 13 00:00:29,030 --> 00:00:32,000 to create that and give this project a name. 14 00:00:32,000 --> 00:00:34,333 Age of Airplanes Trailer. 15 00:00:34,333 --> 00:00:36,890 16 00:00:36,890 --> 00:00:40,880 Choose to create, and DaVinci Resolve 17 00:00:40,880 --> 00:00:42,810 opens directly in the Cut page. 18 00:00:42,810 --> 00:00:46,460 Now the best place for me to do importing and organization 19 00:00:46,460 --> 00:00:49,350 is actually in the Media page, so down 20 00:00:49,350 --> 00:00:50,850 at the bottom of the interface here, 21 00:00:50,850 --> 00:00:52,790 just click on the Media page. 22 00:00:52,790 --> 00:00:55,050 Now in the top left of the media page, 23 00:00:55,050 --> 00:00:58,380 it gives me access to all of my system storage locations, 24 00:00:58,380 --> 00:01:01,800 so I'm just going to right click here in the side 25 00:01:01,800 --> 00:01:03,920 and choose Add New Location. 26 00:01:03,920 --> 00:01:07,020 27 00:01:07,020 --> 00:01:10,030 I'm going to navigate to the location where my footage is. 28 00:01:10,030 --> 00:01:13,200 In this case, it's actually in my Documents folder. 29 00:01:13,200 --> 00:01:15,840 Go to the editing folder and then choose 30 00:01:15,840 --> 00:01:19,680 Open, and that creates a new storage location for me 31 00:01:19,680 --> 00:01:22,470 to access here. 32 00:01:22,470 --> 00:01:25,050 Now, the video and the audio clips that have been sent to me 33 00:01:25,050 --> 00:01:26,980 are actually in separate folders, 34 00:01:26,980 --> 00:01:29,700 and to a certain extent, I want to preserve that folder 35 00:01:29,700 --> 00:01:32,980 structure, so when I import the footage into Resolve, 36 00:01:32,980 --> 00:01:37,320 I actually want to import and also to create a series of bins. 37 00:01:37,320 --> 00:01:42,160 Simply select these two folders in the media storage location, 38 00:01:42,160 --> 00:01:46,500 right click, and then choose the third option, which in this case 39 00:01:46,500 --> 00:01:51,275 is Add folder and Subfolders into Media Pool, creating bins. 40 00:01:51,275 --> 00:01:54,150 41 00:01:54,150 --> 00:01:56,190 Now, at this point, DaVinci Resolve 42 00:01:56,190 --> 00:01:58,690 is asking me to change the project frame rate. 43 00:01:58,690 --> 00:02:00,370 This is so that the project frame 44 00:02:00,370 --> 00:02:02,770 rate will match the frame rate of the footage 45 00:02:02,770 --> 00:02:03,830 that I'm bringing in. 46 00:02:03,830 --> 00:02:06,420 So in this case, I need to accept the change. 47 00:02:06,420 --> 00:02:10,840 48 00:02:10,840 --> 00:02:14,030 So now the footage has been imported into the media pool. 49 00:02:14,030 --> 00:02:17,560 It's ready for me to start working on and organizing. 50 00:02:17,560 --> 00:02:19,510 The first thing I'm going to do is just 51 00:02:19,510 --> 00:02:21,880 access the audio clips bin, and you 52 00:02:21,880 --> 00:02:24,370 can see that although I've got a folder of sound effects 53 00:02:24,370 --> 00:02:26,950 that actually contains a series of sound effects 54 00:02:26,950 --> 00:02:29,080 that I'm going to use within the trailer, 55 00:02:29,080 --> 00:02:32,360 the other clips aren't organized into bins. 56 00:02:32,360 --> 00:02:34,300 So let's create a couple of other bins 57 00:02:34,300 --> 00:02:36,410 so that we know where this footage is. 58 00:02:36,410 --> 00:02:39,140 So first of all, with the Audio Clips bin selected, 59 00:02:39,140 --> 00:02:42,250 I'm going to come to the File menu and choose the option here, 60 00:02:42,250 --> 00:02:43,580 New Bin. 61 00:02:43,580 --> 00:02:45,310 There are also a series of shortcuts 62 00:02:45,310 --> 00:02:48,190 that you can employ here as well, such as Shift and Command 63 00:02:48,190 --> 00:02:50,620 N because I'm on a Mac. 64 00:02:50,620 --> 00:02:52,570 That then creates the new bin, and I'm just 65 00:02:52,570 --> 00:02:55,030 going to call this Music. 66 00:02:55,030 --> 00:02:58,180 And then take the clip Music for Trailer 67 00:02:58,180 --> 00:03:02,110 and just drag and drop that into the Music folder. 68 00:03:02,110 --> 00:03:04,420 So organizing clips into bins is very 69 00:03:04,420 --> 00:03:08,620 similar to organizing files in folders on your operating 70 00:03:08,620 --> 00:03:09,880 system. 71 00:03:09,880 --> 00:03:12,560 I've also got two voiceover clips here. 72 00:03:12,560 --> 00:03:14,420 I'm just going to select both of those, 73 00:03:14,420 --> 00:03:16,720 and this time right click and choose 74 00:03:16,720 --> 00:03:21,040 Create Bin with Selected Clips. 75 00:03:21,040 --> 00:03:22,843 I'm going to call this VO. 76 00:03:22,843 --> 00:03:26,410 77 00:03:26,410 --> 00:03:28,570 So that's got all of my audio clips organized 78 00:03:28,570 --> 00:03:29,810 into separate bins. 79 00:03:29,810 --> 00:03:32,420 I now need to do the same with the video clips. 80 00:03:32,420 --> 00:03:35,270 But in this case, rather than just using simple bins, 81 00:03:35,270 --> 00:03:39,940 I'm going to use a series of smart bins. 82 00:03:39,940 --> 00:03:41,778 So selecting the video clips folder, 83 00:03:41,778 --> 00:03:43,570 you can see I've got a series of thumbnails 84 00:03:43,570 --> 00:03:44,780 for each of the clips. 85 00:03:44,780 --> 00:03:47,440 If I actually just take my mouse and run the mouse 86 00:03:47,440 --> 00:03:51,550 across the clips, you can see that each of the video clips 87 00:03:51,550 --> 00:03:53,410 is previewed for me. 88 00:03:53,410 --> 00:03:56,800 If I get to a clip that actually has audio, 89 00:03:56,800 --> 00:04:01,720 you can also hear that I've also got audio scrubbing as well. 90 00:04:01,720 --> 00:04:04,350 I'm just going to turn that off for the moment 91 00:04:04,350 --> 00:04:07,385 just by pressing Shift S on my computer. 92 00:04:07,385 --> 00:04:11,070 93 00:04:11,070 --> 00:04:13,370 Now, we're not hearing the audio scrub. 94 00:04:13,370 --> 00:04:16,470 95 00:04:16,470 --> 00:04:19,050 Obviously, these three clips that I have here 96 00:04:19,050 --> 00:04:20,470 are interview clips. 97 00:04:20,470 --> 00:04:23,700 So I'm actually going to tag them with a keyword called 98 00:04:23,700 --> 00:04:24,990 Interview. 99 00:04:24,990 --> 00:04:28,800 I'm going to shift click to select all of those three clips, 100 00:04:28,800 --> 00:04:32,190 and then in the Metadata panel down in the bottom right hand 101 00:04:32,190 --> 00:04:34,080 corner of the interface, I'm just 102 00:04:34,080 --> 00:04:37,740 going to display the keyword metadata field that I need. 103 00:04:37,740 --> 00:04:40,840 Clicking in the Sort menu for the Metadata panel, 104 00:04:40,840 --> 00:04:44,260 I'm just going to choose the option shot and scene. 105 00:04:44,260 --> 00:04:46,230 And this will actually show the metadata 106 00:04:46,230 --> 00:04:49,515 for the shot and the scene information for these clips. 107 00:04:49,515 --> 00:04:51,390 You can see, scrolling down through this view 108 00:04:51,390 --> 00:04:54,820 here, that we actually have a field for keywords. 109 00:04:54,820 --> 00:04:57,580 So I'm going to enter the keyword Interview. 110 00:04:57,580 --> 00:05:00,120 Just typing Interview or beginning 111 00:05:00,120 --> 00:05:02,783 to type Interview in the Metadata field 112 00:05:02,783 --> 00:05:04,200 means that it'll actually bring up 113 00:05:04,200 --> 00:05:07,330 a list of options for different keywords, 114 00:05:07,330 --> 00:05:09,910 but you can always put in your own keywords in there. 115 00:05:09,910 --> 00:05:15,480 Let's choose the option for Interview and choose Save. 116 00:05:15,480 --> 00:05:17,370 So that's how easy it is in order 117 00:05:17,370 --> 00:05:20,980 to be able to add keywords to any clip within your project. 118 00:05:20,980 --> 00:05:23,620 Now that we've added the keywords to the clip, 119 00:05:23,620 --> 00:05:25,950 it's actually really easy because DaVinci Resolve 120 00:05:25,950 --> 00:05:29,610 will automatically display any keyword clips 121 00:05:29,610 --> 00:05:32,010 in their own smart bin. 122 00:05:32,010 --> 00:05:35,080 Down in the bottom left hand corner of your bin list, 123 00:05:35,080 --> 00:05:37,200 simply select the Keywords option 124 00:05:37,200 --> 00:05:41,260 and then toggle it open using the disclosure arrow, 125 00:05:41,260 --> 00:05:44,520 and you'll see in there, there is a smart bin for Interview. 126 00:05:44,520 --> 00:05:46,650 So my three interview clips are now 127 00:05:46,650 --> 00:05:48,960 being displayed within that smart bin. 128 00:05:48,960 --> 00:05:52,510 Just to show you how easy it is to keep adding keywords, 129 00:05:52,510 --> 00:05:54,820 I'm just going to select the Video Clips bin 130 00:05:54,820 --> 00:05:58,990 and select the clip called Credits. 131 00:05:58,990 --> 00:06:03,553 In the keywords, I'm going to add the keyword Credits. 132 00:06:03,553 --> 00:06:07,630 133 00:06:07,630 --> 00:06:11,240 And now that is actually tagged that clip with that keyword, 134 00:06:11,240 --> 00:06:15,250 you'll see that I have a credits smart bin available to me. 135 00:06:15,250 --> 00:06:18,070 So now you can carry on adding whatever 136 00:06:18,070 --> 00:06:21,820 keywords you want to any of the clips within your project 137 00:06:21,820 --> 00:06:23,420 and organize them. 138 00:06:23,420 --> 00:06:27,100 However, there's much more to the metadata than this. 139 00:06:27,100 --> 00:06:29,960 If we select the Video Clips bin, for example, 140 00:06:29,960 --> 00:06:31,720 and then select this first clip here 141 00:06:31,720 --> 00:06:37,960 for the aerial shot for this Kenya clip, if I come up here 142 00:06:37,960 --> 00:06:41,590 and select the inspector in the top right hand corner 143 00:06:41,590 --> 00:06:45,230 and then choose the File tab in the inspector, 144 00:06:45,230 --> 00:06:48,760 you can see that we've actually got a series of metadata fields 145 00:06:48,760 --> 00:06:51,190 that we can easily access. 146 00:06:51,190 --> 00:06:53,210 These are the same metadata fields 147 00:06:53,210 --> 00:06:55,430 that you'll be able to see in the actual Metadata 148 00:06:55,430 --> 00:06:56,550 panel itself. 149 00:06:56,550 --> 00:06:59,150 It just means that they're easier to access here 150 00:06:59,150 --> 00:07:01,070 inside the inspector. 151 00:07:01,070 --> 00:07:04,850 Now, I can actually populate this with a series of metadata 152 00:07:04,850 --> 00:07:06,800 just by simply clicking in these fields 153 00:07:06,800 --> 00:07:09,240 and start to type in the information. 154 00:07:09,240 --> 00:07:13,040 However, if you've got somebody on the production team that 155 00:07:13,040 --> 00:07:14,960 might be logging these shots, it's 156 00:07:14,960 --> 00:07:17,210 actually easier to import the metadata 157 00:07:17,210 --> 00:07:21,290 rather than to add every single piece of metadata individually. 158 00:07:21,290 --> 00:07:24,500 So let's go to the File menu and we'll choose 159 00:07:24,500 --> 00:07:27,460 Import Metadata to Media Pool. 160 00:07:27,460 --> 00:07:31,100 161 00:07:31,100 --> 00:07:35,240 Navigate to where your editing footage is on your system 162 00:07:35,240 --> 00:07:40,290 and choose to select the aoalogging.csv file. 163 00:07:40,290 --> 00:07:44,010 A CSV file is a comma separated values file. 164 00:07:44,010 --> 00:07:49,370 It's very simple to create in any spreadsheet application. 165 00:07:49,370 --> 00:07:51,350 I'm going to choose to open that, 166 00:07:51,350 --> 00:07:54,230 and you'll see that when I'm importing this login 167 00:07:54,230 --> 00:07:56,360 information, you can see that it is also 168 00:07:56,360 --> 00:07:59,640 asking me for a series of things that it's trying to match to. 169 00:07:59,640 --> 00:08:01,970 Now in this information, we don't actually 170 00:08:01,970 --> 00:08:05,880 have time code information for these clips, so in this case, 171 00:08:05,880 --> 00:08:10,580 I'm just going to uncheck Match Using Clips Start and End Time 172 00:08:10,580 --> 00:08:12,590 Code. 173 00:08:12,590 --> 00:08:14,370 I'm going to uncheck that option. 174 00:08:14,370 --> 00:08:16,850 And then choose OK. 175 00:08:16,850 --> 00:08:19,280 And you'll see that the information has actually 176 00:08:19,280 --> 00:08:23,230 been imported, and now 27 media pool clips have been updated. 177 00:08:23,230 --> 00:08:25,790 178 00:08:25,790 --> 00:08:28,410 If I select any of these clips again, 179 00:08:28,410 --> 00:08:31,110 you'll now see, in the File tab in the inspector, 180 00:08:31,110 --> 00:08:33,620 I've now got additional information 181 00:08:33,620 --> 00:08:38,390 in terms of the scene number, also a shot number, and quite 182 00:08:38,390 --> 00:08:41,900 often, sometimes whether this is a good shot or a good take 183 00:08:41,900 --> 00:08:43,010 or not. 184 00:08:43,010 --> 00:08:46,350 Just scrolling down to the bottom of the file inspector, 185 00:08:46,350 --> 00:08:49,710 you can also see a comments field has also been added. 186 00:08:49,710 --> 00:08:53,010 So having added all of that metadata to these clips, 187 00:08:53,010 --> 00:08:54,930 how can I actually use it? 188 00:08:54,930 --> 00:08:57,350 Well, I can actually use it in order 189 00:08:57,350 --> 00:09:01,430 to be able to do very quick searches across the project. 190 00:09:01,430 --> 00:09:04,560 If I select the master bin, for example, 191 00:09:04,560 --> 00:09:08,390 and let's say I wanted to do a search across this information 192 00:09:08,390 --> 00:09:12,030 for any shots that were shot at San Francisco airport, 193 00:09:12,030 --> 00:09:13,050 for example. 194 00:09:13,050 --> 00:09:18,350 I can actually click on the Search option here. 195 00:09:18,350 --> 00:09:21,450 Under this little dropdown arrow at the side, 196 00:09:21,450 --> 00:09:23,570 I can also choose whether or not I 197 00:09:23,570 --> 00:09:27,000 want to search the selected bin or all bins. 198 00:09:27,000 --> 00:09:30,440 So in this case, I actually want to search the whole project, 199 00:09:30,440 --> 00:09:33,530 so I'm going to select all bins. 200 00:09:33,530 --> 00:09:36,590 And now I need to choose which fields 201 00:09:36,590 --> 00:09:39,060 I'm actually trying to match. 202 00:09:39,060 --> 00:09:41,510 So you can see here, the Filter By 203 00:09:41,510 --> 00:09:44,510 is actually based on the file name of the clip, which 204 00:09:44,510 --> 00:09:46,400 is absolutely fine if you know the file 205 00:09:46,400 --> 00:09:48,060 name that you're searching for. 206 00:09:48,060 --> 00:09:49,990 In this case, though, I actually want 207 00:09:49,990 --> 00:09:52,600 to match to the scene information. 208 00:09:52,600 --> 00:09:57,380 So if I just tap S on my keyboard and keep tapping S, 209 00:09:57,380 --> 00:09:59,920 it will cycle through all the metadata fields 210 00:09:59,920 --> 00:10:01,990 until I get to the scene. 211 00:10:01,990 --> 00:10:05,920 Selecting that I can now type in SFO, 212 00:10:05,920 --> 00:10:08,740 and you can see that all of the clips in the project that 213 00:10:08,740 --> 00:10:12,490 have actually got that scene information, SFO, will now 214 00:10:12,490 --> 00:10:13,630 be revealed. 215 00:10:13,630 --> 00:10:15,850 Let's say I want to find a clip that actually 216 00:10:15,850 --> 00:10:18,220 has the comment for Kenya. 217 00:10:18,220 --> 00:10:24,310 From the Filter By, I can choose the Comments field 218 00:10:24,310 --> 00:10:28,610 just by tapping C many times until Comments appears. 219 00:10:28,610 --> 00:10:31,490 And now highlight the text for the search. 220 00:10:31,490 --> 00:10:34,790 And again, type in what I'm actually looking for. 221 00:10:34,790 --> 00:10:37,750 That's the power of metadata in order 222 00:10:37,750 --> 00:10:39,280 to be able to search right the way 223 00:10:39,280 --> 00:10:42,590 across your project to find the clips that you're looking for, 224 00:10:42,590 --> 00:10:44,930 but we can go one step further. 225 00:10:44,930 --> 00:10:48,310 If you clear the Search field and close down the search field 226 00:10:48,310 --> 00:10:52,120 by clicking the Search button, now 227 00:10:52,120 --> 00:10:55,140 go to your DaVinci Resolve Preferences menu. 228 00:10:55,140 --> 00:10:58,030 229 00:10:58,030 --> 00:11:03,700 Choose User, Editing. 230 00:11:03,700 --> 00:11:06,220 You can see that there's a category of preferences 231 00:11:06,220 --> 00:11:10,270 for automatic smart bins. 232 00:11:10,270 --> 00:11:14,750 By default, the automatic smart bins for keywords is already on. 233 00:11:14,750 --> 00:11:16,330 However, you can also see that we 234 00:11:16,330 --> 00:11:19,120 can create automatic smart bins for anything 235 00:11:19,120 --> 00:11:22,810 with shot or scene metadata. 236 00:11:22,810 --> 00:11:25,630 Click the automatic smart bins for the scene metadata 237 00:11:25,630 --> 00:11:29,450 and click Save, and now, in your list of smart bins, 238 00:11:29,450 --> 00:11:32,260 you've now got a new scene category. 239 00:11:32,260 --> 00:11:34,850 Use the disclosure arrow to open that up, 240 00:11:34,850 --> 00:11:38,320 and you can now see that the information for each scene 241 00:11:38,320 --> 00:11:42,010 is displayed as its own smart bin. 242 00:11:42,010 --> 00:11:43,750 Just simply select the smart bin in order 243 00:11:43,750 --> 00:11:45,270 to be able to access the contents. 244 00:11:45,270 --> 00:11:47,820 245 00:11:47,820 --> 00:11:52,920 But you're not simply limited to the default automatic smart bins 246 00:11:52,920 --> 00:11:55,090 that you can have within DaVinci Resolve. 247 00:11:55,090 --> 00:11:58,740 You can actually create your own custom smart bin. 248 00:11:58,740 --> 00:12:01,860 In this case, I'm going to go back to the File menu 249 00:12:01,860 --> 00:12:06,750 and choose the option New Smart Bin. 250 00:12:06,750 --> 00:12:08,790 This field then opens up, and it's 251 00:12:08,790 --> 00:12:12,450 asking me for a variety of rules that I can actually 252 00:12:12,450 --> 00:12:16,080 input in order to be able to narrow down the footage 253 00:12:16,080 --> 00:12:18,370 that I actually want to locate. 254 00:12:18,370 --> 00:12:21,613 Let's rename this smart bin B-Roll. 255 00:12:21,613 --> 00:12:24,750 256 00:12:24,750 --> 00:12:28,540 So now, I need to choose my first rule, so in this case, 257 00:12:28,540 --> 00:12:30,910 I'm going to say Media Pool Properties. 258 00:12:30,910 --> 00:12:33,070 But I don't want to match on the file name. 259 00:12:33,070 --> 00:12:35,610 I actually want to match on the keyword information 260 00:12:35,610 --> 00:12:36,820 to begin with. 261 00:12:36,820 --> 00:12:45,870 So keywords do not contain interview. 262 00:12:45,870 --> 00:12:49,230 So now my smart bin search is automatically 263 00:12:49,230 --> 00:12:54,360 filtering out any clip that has the interview keyword. 264 00:12:54,360 --> 00:12:58,200 I'm going to add another rule for this. 265 00:12:58,200 --> 00:13:01,380 Media Pool Properties for keywords 266 00:13:01,380 --> 00:13:05,940 does not contain credits. 267 00:13:05,940 --> 00:13:10,410 This was the other keyword that I actually added to my title 268 00:13:10,410 --> 00:13:13,650 that I actually don't want to see in the B-Roll bin. 269 00:13:13,650 --> 00:13:16,260 You can also choose to add a subset of rules 270 00:13:16,260 --> 00:13:18,240 to your smart bins as well. 271 00:13:18,240 --> 00:13:20,730 Holding down the Option or the Alt key 272 00:13:20,730 --> 00:13:23,880 on your system when I click on this plus button 273 00:13:23,880 --> 00:13:26,760 actually turns it into an Options menu. 274 00:13:26,760 --> 00:13:29,430 And now, I actually have a subset of rules 275 00:13:29,430 --> 00:13:32,200 that I just want to match any two. 276 00:13:32,200 --> 00:13:36,280 And in this case, I actually want to specify clip types, 277 00:13:36,280 --> 00:13:39,070 so I'm going to choose Media Pool Properties. 278 00:13:39,070 --> 00:13:42,360 Change the second drop down to Clip Type 279 00:13:42,360 --> 00:13:45,660 just by tapping C on my keyboard. 280 00:13:45,660 --> 00:13:48,150 Clip Type is video. 281 00:13:48,150 --> 00:13:53,250 This means that only video clips, not audio clips or still 282 00:13:53,250 --> 00:13:56,190 image files or timelines will find 283 00:13:56,190 --> 00:13:59,340 their way into this smart bin. 284 00:13:59,340 --> 00:14:01,240 But that's just video. 285 00:14:01,240 --> 00:14:04,000 What if I have video with audio? 286 00:14:04,000 --> 00:14:08,730 Well, in this case, I'm going to add another rule to this subrule 287 00:14:08,730 --> 00:14:15,570 and set and specify the clip type is video and audio. 288 00:14:15,570 --> 00:14:19,420 Now I can choose to create my smart bin. 289 00:14:19,420 --> 00:14:21,270 And the results of that smart bin 290 00:14:21,270 --> 00:14:23,500 will be automatically updated. 291 00:14:23,500 --> 00:14:27,040 So if I add any additional clips to this project, 292 00:14:27,040 --> 00:14:30,570 providing those clips meet the criteria, 293 00:14:30,570 --> 00:14:33,450 I'll be able to find them in this smart bin. 294 00:14:33,450 --> 00:14:37,170 If you want to edit a smart bin for any reason, just simply 295 00:14:37,170 --> 00:14:40,470 double click on the smart bin and the rules of that smart bin 296 00:14:40,470 --> 00:14:43,520 will open up, allowing you to change them. 297 00:14:43,520 --> 00:14:46,100 There's one other thing that we can actually 298 00:14:46,100 --> 00:14:49,250 use the metadata for in Resolve, and that's 299 00:14:49,250 --> 00:14:51,740 to actually use the information in the metadata 300 00:14:51,740 --> 00:14:55,650 in order to be able to rename the clip within the project. 301 00:14:55,650 --> 00:14:57,890 This can be very useful if you actually 302 00:14:57,890 --> 00:15:00,120 want to do a search across a clip name, 303 00:15:00,120 --> 00:15:02,570 or you just want to simply have a sanity check 304 00:15:02,570 --> 00:15:04,410 as to what that actual clip is. 305 00:15:04,410 --> 00:15:06,900 By naming the clip in an appropriate way, 306 00:15:06,900 --> 00:15:09,680 it's easy to check that. 307 00:15:09,680 --> 00:15:12,350 So here in the B-Roll smart bin, I'm 308 00:15:12,350 --> 00:15:14,090 just going to select all of those clips 309 00:15:14,090 --> 00:15:17,450 just by dragging a Lasso across them. 310 00:15:17,450 --> 00:15:24,140 Then I'm going to right click and choose clip attributes. 311 00:15:24,140 --> 00:15:26,930 Choose the name panel from clip attributes 312 00:15:26,930 --> 00:15:30,620 and highlight the default clip name. 313 00:15:30,620 --> 00:15:33,920 So in this case, I actually want all of my B-Roll clips 314 00:15:33,920 --> 00:15:37,980 to start with the initials AOA for Age of Airplanes, 315 00:15:37,980 --> 00:15:42,920 so I'm just going to type in AOA underscore in order 316 00:15:42,920 --> 00:15:45,410 to separate the next information. 317 00:15:45,410 --> 00:15:48,810 Now, I want to take information from the metadata. 318 00:15:48,810 --> 00:15:53,340 And in order to do this, I need to add what we call a variable. 319 00:15:53,340 --> 00:15:55,970 To add the variable, all you need to do 320 00:15:55,970 --> 00:15:58,380 is put in the percentage symbol. 321 00:15:58,380 --> 00:16:00,530 And now, it'll give you an option 322 00:16:00,530 --> 00:16:03,630 to choose whichever metadata field that you want to add. 323 00:16:03,630 --> 00:16:08,010 In this case, we want to choose the Shot metadata field. 324 00:16:08,010 --> 00:16:11,180 So I'm just going to type the word Shot after the percentage 325 00:16:11,180 --> 00:16:13,340 value, and you can see here in the menu 326 00:16:13,340 --> 00:16:14,910 I've got the Shot option. 327 00:16:14,910 --> 00:16:18,260 So I'm going to select that, and that has now 328 00:16:18,260 --> 00:16:22,220 added a tag to my clip name based on the shot information 329 00:16:22,220 --> 00:16:24,530 for each of these clips. 330 00:16:24,530 --> 00:16:28,310 Again, I'm going to use underscore percentage 331 00:16:28,310 --> 00:16:29,955 and then use comments. 332 00:16:29,955 --> 00:16:34,010 333 00:16:34,010 --> 00:16:37,700 Now, when I click OK, the clips are now all 334 00:16:37,700 --> 00:16:42,470 renamed in the media pool using AOA, underscore, the shot 335 00:16:42,470 --> 00:16:45,600 number, underscore, the comments field. 336 00:16:45,600 --> 00:16:47,960 This is going to make it easier for me 337 00:16:47,960 --> 00:16:50,480 to be able to locate each of the clips 338 00:16:50,480 --> 00:16:52,530 and actually use them in my edit. 339 00:16:52,530 --> 00:16:54,840 I want to do the same with the interview clips, 340 00:16:54,840 --> 00:16:57,120 so I'm going to select the Interview smart bin, 341 00:16:57,120 --> 00:17:02,270 select the interview clips, right click clip attributes. 342 00:17:02,270 --> 00:17:05,960 In the name, highlight the Name field, and this time, 343 00:17:05,960 --> 00:17:09,079 I'm going to type in INT underscore 344 00:17:09,079 --> 00:17:18,440 percentage shot underscore percentage comments 345 00:17:18,440 --> 00:17:21,530 and then choose OK. 346 00:17:21,530 --> 00:17:24,260 And now, you can see that the interview 347 00:17:24,260 --> 00:17:26,990 clips have been named with the appropriate soundbite 348 00:17:26,990 --> 00:17:29,030 information. 349 00:17:29,030 --> 00:17:32,700 Now that I've got all of the clips organized for the project, 350 00:17:32,700 --> 00:17:34,340 I'm now going to go to the Edit Page 351 00:17:34,340 --> 00:17:36,620 that I can actually start editing. 352 00:17:36,620 --> 00:17:39,080 Just simply click on the Edit Page button. 353 00:17:39,080 --> 00:17:41,380 And all of the information that you've just 354 00:17:41,380 --> 00:17:44,440 organized inside the media pool on the Media page 355 00:17:44,440 --> 00:17:47,590 is now available to me. 356 00:17:47,590 --> 00:17:51,850 And the great thing is that I can keep organizing this footage 357 00:17:51,850 --> 00:17:53,150 as I'm working. 358 00:17:53,150 --> 00:17:56,290 And the organization process when you're editing never really 359 00:17:56,290 --> 00:18:00,135 stops, it just gets refined the more that you do. 360 00:18:00,135 --> 00:18:02,260 I'm actually going to start by selecting the master 361 00:18:02,260 --> 00:18:05,950 bin in the media pool and creating a new bin, just 362 00:18:05,950 --> 00:18:08,990 a regular bin that I'm going to call Timelines. 363 00:18:08,990 --> 00:18:12,460 In this case, it's often useful to keep your timelines organized 364 00:18:12,460 --> 00:18:16,090 in separate bins so that you know where they all are. 365 00:18:16,090 --> 00:18:19,100 Make sure you've got the Timeline bin selected, 366 00:18:19,100 --> 00:18:24,790 and then go to the File menu and choose New Timeline. 367 00:18:24,790 --> 00:18:27,490 Let's just change the name of this timeline to something 368 00:18:27,490 --> 00:18:30,790 a little bit more appropriate for this project. 369 00:18:30,790 --> 00:18:36,100 AOA Trailer, and we'll just call it version 1. 370 00:18:36,100 --> 00:18:38,740 Quite often you'll go through a number of different versions 371 00:18:38,740 --> 00:18:40,630 for all of your edits. 372 00:18:40,630 --> 00:18:44,050 If you wish to you can actually override the default project 373 00:18:44,050 --> 00:18:46,130 settings for any timeline. 374 00:18:46,130 --> 00:18:49,670 Just simply uncheck the Use Project settings option, 375 00:18:49,670 --> 00:18:51,400 and then you can go into the format 376 00:18:51,400 --> 00:18:53,320 to change the timeline resolution 377 00:18:53,320 --> 00:18:55,280 and the timeline frame rate. 378 00:18:55,280 --> 00:18:57,220 However, in this case, because we already 379 00:18:57,220 --> 00:18:59,210 changed the frame rate for the project, 380 00:18:59,210 --> 00:19:01,610 we know that this is actually the correct setting, 381 00:19:01,610 --> 00:19:04,000 so I'm just going to re-enable the project settings 382 00:19:04,000 --> 00:19:06,280 and choose Create. 383 00:19:06,280 --> 00:19:08,140 Now, I have a timeline, I can actually 384 00:19:08,140 --> 00:19:11,600 start assembling the material directly in the timeline, 385 00:19:11,600 --> 00:19:13,210 and start putting together this edit 386 00:19:13,210 --> 00:19:16,900 and making some sort of sense of the material that I've got. 387 00:19:16,900 --> 00:19:19,460 So let's go to the Interview smart bin, 388 00:19:19,460 --> 00:19:22,555 so that we can actually see the interview clips. 389 00:19:22,555 --> 00:19:25,220 From the Sort menu in the media pool, 390 00:19:25,220 --> 00:19:27,580 just click and make sure that you're organizing 391 00:19:27,580 --> 00:19:29,510 these clips by clip name. 392 00:19:29,510 --> 00:19:32,320 This will put them in the order that we're roughly interested 393 00:19:32,320 --> 00:19:33,580 in. 394 00:19:33,580 --> 00:19:36,430 In this case, we actually have INT_01, 395 00:19:36,430 --> 00:19:38,230 and it's called Shoot the Real World, 396 00:19:38,230 --> 00:19:40,260 based on the naming convention that we're 397 00:19:40,260 --> 00:19:41,940 using for this project. 398 00:19:41,940 --> 00:19:44,040 You can see that, as I'm scrubbing backwards 399 00:19:44,040 --> 00:19:46,320 and forwards, my live media preview 400 00:19:46,320 --> 00:19:50,020 is on so that I can actually see the content of that clip. 401 00:19:50,020 --> 00:19:52,750 If my audio scrubbing was also turned on, 402 00:19:52,750 --> 00:19:55,620 I would also be able to hear the audio scrub as I 403 00:19:55,620 --> 00:19:57,990 move my mouse back and forth. 404 00:19:57,990 --> 00:20:00,250 To turn the audio scrubbing on and off. 405 00:20:00,250 --> 00:20:02,020 You can use Shift S. 406 00:20:02,020 --> 00:20:04,260 PRESENTER 1: [SPEAKING IN FAST FORWARD] 407 00:20:04,260 --> 00:20:08,780 408 00:20:08,780 --> 00:20:10,530 CHRIS: I'm going to double click this clip 409 00:20:10,530 --> 00:20:14,790 and that will actually open it directly into the source viewer. 410 00:20:14,790 --> 00:20:17,190 Now I can use the scrubber bar here 411 00:20:17,190 --> 00:20:20,520 in order to be able to return to the beginning of that clip, 412 00:20:20,520 --> 00:20:22,470 and I'm just going to play the clip through 413 00:20:22,470 --> 00:20:25,080 just so that we can all listen to the interview. 414 00:20:25,080 --> 00:20:29,580 You could use the spacebar or the L key. 415 00:20:29,580 --> 00:20:31,182 PRESENTER 1: So in this film, I'm 416 00:20:31,182 --> 00:20:33,390 making a documentary about how the airplane's changed 417 00:20:33,390 --> 00:20:34,150 the world. 418 00:20:34,150 --> 00:20:38,420 It was really important to go out and shoot the real world, 419 00:20:38,420 --> 00:20:40,990 and how the airplane is connecting and making 420 00:20:40,990 --> 00:20:43,630 all the things possible that I want to convey in the film. 421 00:20:43,630 --> 00:20:45,190 CHRIS: Well, obviously, I don't want 422 00:20:45,190 --> 00:20:48,380 to use all of that interview, but in this case, 423 00:20:48,380 --> 00:20:50,530 as a good starting point, I'm actually 424 00:20:50,530 --> 00:20:53,300 just going to bring the whole clip into the timeline. 425 00:20:53,300 --> 00:20:55,910 Now, there are several ways in which we can do that. 426 00:20:55,910 --> 00:20:59,350 For example, I can just pick the clip up from the source viewer 427 00:20:59,350 --> 00:21:02,620 and drag it and drop it into the timeline. 428 00:21:02,620 --> 00:21:05,900 This is often a manual way of being able to edit, 429 00:21:05,900 --> 00:21:08,380 but it's very limiting on what I can actually 430 00:21:08,380 --> 00:21:11,320 do when it comes to editing footage together. 431 00:21:11,320 --> 00:21:14,410 So in this case, I'm just going to press Command or Control 432 00:21:14,410 --> 00:21:17,890 Z just to be able to undo those changes, 433 00:21:17,890 --> 00:21:20,860 and this time, instead of dragging and dropping the clip 434 00:21:20,860 --> 00:21:22,810 into the timeline, I'm actually going 435 00:21:22,810 --> 00:21:26,660 to pick the clip up and drag across to the timeline viewer. 436 00:21:26,660 --> 00:21:28,750 And you'll notice, on the right hand 437 00:21:28,750 --> 00:21:30,430 side of the timeline viewer, I've 438 00:21:30,430 --> 00:21:32,590 actually got all of the editing functions 439 00:21:32,590 --> 00:21:35,200 that I can perform inside the Edit page. 440 00:21:35,200 --> 00:21:37,920 So this is a useful way of being able to remind yourself 441 00:21:37,920 --> 00:21:40,050 of the different functions that we have. 442 00:21:40,050 --> 00:21:43,690 The default is actually Overwrite Edit. 443 00:21:43,690 --> 00:21:46,230 If I now let go of the mouse, the clip 444 00:21:46,230 --> 00:21:50,250 is edited instantly to the beginning of the timeline. 445 00:21:50,250 --> 00:21:53,410 The timeline viewer has automatically become active, 446 00:21:53,410 --> 00:21:56,260 so if I use the up arrow on the keyboard, 447 00:21:56,260 --> 00:21:59,400 I can return to the beginning of the timeline. 448 00:21:59,400 --> 00:22:01,140 I'm just going to play forward, just 449 00:22:01,140 --> 00:22:04,760 like I did in the source viewer, using the L key on my keyboard. 450 00:22:04,760 --> 00:22:07,830 451 00:22:07,830 --> 00:22:09,245 PRESENTER 1: So in this film, I'm 452 00:22:09,245 --> 00:22:12,040 making a documentary about how the airplanes changed the world. 453 00:22:12,040 --> 00:22:16,740 It was really important to go out and shoot the real world. 454 00:22:16,740 --> 00:22:19,853 CHRIS: That's a good place for this soundbite to end. 455 00:22:19,853 --> 00:22:21,270 Now, you can see, in the timeline, 456 00:22:21,270 --> 00:22:23,910 I've got a good guide with the image of the waveform where 457 00:22:23,910 --> 00:22:26,760 he starts and stops speaking, and you can actually 458 00:22:26,760 --> 00:22:28,410 use this as a guide when you actually 459 00:22:28,410 --> 00:22:31,110 want to position the playhead for the next edit. 460 00:22:31,110 --> 00:22:35,430 And in this case, I'm actually going to click the Detail Zoom 461 00:22:35,430 --> 00:22:38,940 button just to be able to step into the timeline a little bit 462 00:22:38,940 --> 00:22:44,730 clearer, and then use the J and L keys in order to be able 463 00:22:44,730 --> 00:22:48,150 to find the exact point within that interview where 464 00:22:48,150 --> 00:22:50,920 he's finished that line, "real world." 465 00:22:50,920 --> 00:22:52,750 And you can see from the waveform, 466 00:22:52,750 --> 00:22:55,170 this is very clear where he stops speaking 467 00:22:55,170 --> 00:22:58,140 and where he starts again. 468 00:22:58,140 --> 00:23:03,120 Now, I'm going to return to my full extent Zoom function. 469 00:23:03,120 --> 00:23:07,230 This allows me to see the whole timeline from beginning to end, 470 00:23:07,230 --> 00:23:09,330 and the playhead is now the location 471 00:23:09,330 --> 00:23:12,330 that I'm actually going to perform the next edit. 472 00:23:12,330 --> 00:23:14,620 So let's find an interview clip. 473 00:23:14,620 --> 00:23:18,570 Let's go to interview 02, double click from the media pool 474 00:23:18,570 --> 00:23:21,210 to open it into the source viewer, and now, 475 00:23:21,210 --> 00:23:23,890 I'm going to return the playhead to the very beginning, 476 00:23:23,890 --> 00:23:26,092 and I'm going to play through the interview. 477 00:23:26,092 --> 00:23:28,300 PRESENTER 1: With all seven continents, 18 countries. 478 00:23:28,300 --> 00:23:31,240 It was very important that everything was real. 479 00:23:31,240 --> 00:23:33,810 If it was possible to shoot it, we wanted to go shoot it. 480 00:23:33,810 --> 00:23:36,392 If we couldn't get the shot or the weather wasn't right, 481 00:23:36,392 --> 00:23:38,100 we would either go back to that location, 482 00:23:38,100 --> 00:23:40,517 stay at that location longer, or it didn't make the movie. 483 00:23:40,517 --> 00:23:42,758 It was really important every shot was original 484 00:23:42,758 --> 00:23:45,050 and that everything was real, but there's a few things. 485 00:23:45,050 --> 00:23:46,340 Only-- 486 00:23:46,340 --> 00:23:49,140 CHRIS: And again, I don't want to use all the interview. 487 00:23:49,140 --> 00:23:51,320 I only want to use a portion of the relevant part 488 00:23:51,320 --> 00:23:52,440 of the interview. 489 00:23:52,440 --> 00:23:55,970 So in order to be able to see the parts of the soundbite 490 00:23:55,970 --> 00:23:57,890 that I actually want to use, I'm actually 491 00:23:57,890 --> 00:24:00,650 going to use a feature inside DaVinci Resolve, which 492 00:24:00,650 --> 00:24:03,950 I find very useful on a day to day basis. 493 00:24:03,950 --> 00:24:07,010 If you come up to the top of the source viewer 494 00:24:07,010 --> 00:24:09,350 and click the Options menu, that's 495 00:24:09,350 --> 00:24:12,920 the three dots that you see at the top of the viewer, 496 00:24:12,920 --> 00:24:17,690 we can actually choose to show the zoomed audio waveform. 497 00:24:17,690 --> 00:24:21,840 You can also choose to show a full clip audio waveform. 498 00:24:21,840 --> 00:24:25,640 Let's try that first, and that actually 499 00:24:25,640 --> 00:24:28,610 shows me a waveform very similar to the waveform 500 00:24:28,610 --> 00:24:30,600 that I have for the clip in the timeline. 501 00:24:30,600 --> 00:24:33,690 But because it's actually shown me the whole interview, 502 00:24:33,690 --> 00:24:35,240 it's actually a little bit difficult 503 00:24:35,240 --> 00:24:39,210 to actually focus on where I want to concentrate on. 504 00:24:39,210 --> 00:24:42,440 So in this case, I'm going to click back in the Options menu 505 00:24:42,440 --> 00:24:47,420 again and choose Show Zoomed Audio Waveform. 506 00:24:47,420 --> 00:24:50,180 Now, as I scrub through the clip, 507 00:24:50,180 --> 00:24:52,040 you can see that it will actually 508 00:24:52,040 --> 00:24:55,250 show me a detailed waveform view depending 509 00:24:55,250 --> 00:24:57,290 where I am within the clip. 510 00:24:57,290 --> 00:24:59,953 I'm going to return the playhead to the beginning of that clip. 511 00:24:59,953 --> 00:25:01,370 I'm just going to play it through, 512 00:25:01,370 --> 00:25:05,200 and I'm listening for the first line for his soundbite. 513 00:25:05,200 --> 00:25:07,200 PRESENTER 1: All seven continents, 18 countries. 514 00:25:07,200 --> 00:25:10,140 It was very important that everything was real. 515 00:25:10,140 --> 00:25:12,853 If it was possible to shoot it, we wanted to go shoot it. 516 00:25:12,853 --> 00:25:15,270 CHRIS: So that's where I want him to start, where he says, 517 00:25:15,270 --> 00:25:18,330 "if it was possible to shoot it, we wanted to go shoot it." 518 00:25:18,330 --> 00:25:20,360 So I'm now just going to press the J key just 519 00:25:20,360 --> 00:25:24,610 to be able to back that up to the beginning of that soundbite. 520 00:25:24,610 --> 00:25:25,610 PRESENTER 1: If it was-- 521 00:25:25,610 --> 00:25:27,470 CHRIS: And listening to it closely, there's 522 00:25:27,470 --> 00:25:30,020 an ah at the beginning that I actually 523 00:25:30,020 --> 00:25:32,370 don't want to include within the soundbite. 524 00:25:32,370 --> 00:25:35,180 PRESENTER 1: [SPEAKING IN REVERSE] 525 00:25:35,180 --> 00:25:37,890 CHRIS: So now, I can actually jog through 526 00:25:37,890 --> 00:25:40,170 if I turn on my audio scrubbing. 527 00:25:40,170 --> 00:25:44,990 528 00:25:44,990 --> 00:25:47,550 I can jog through one frame at a time. 529 00:25:47,550 --> 00:25:50,100 You can use the left and right arrow keys for this, 530 00:25:50,100 --> 00:25:53,330 but I actually find it's really useful holding down the K key 531 00:25:53,330 --> 00:25:55,885 and tapping the J or the L keys. 532 00:25:55,885 --> 00:26:02,450 533 00:26:02,450 --> 00:26:05,330 So at this point, I want to add an endpoint 534 00:26:05,330 --> 00:26:06,990 into my source viewer. 535 00:26:06,990 --> 00:26:09,990 There's only one way you really need to know how to do this, 536 00:26:09,990 --> 00:26:13,340 and that's by pressing I on your keyboard. 537 00:26:13,340 --> 00:26:15,650 So I'm now going to play the interview through 538 00:26:15,650 --> 00:26:18,597 to find the end of the soundbite that I'm interested in. 539 00:26:18,597 --> 00:26:20,430 PRESENTER 1: If it was possible to shoot it, 540 00:26:20,430 --> 00:26:21,480 we wanted to go shoot it. 541 00:26:21,480 --> 00:26:24,062 If we couldn't get the shot, or the weather wasn't right, 542 00:26:24,062 --> 00:26:25,770 we would either go back to that location, 543 00:26:25,770 --> 00:26:28,187 stay at that location longer, or it didn't make the movie. 544 00:26:28,187 --> 00:26:30,430 It was really important every shot was original, 545 00:26:30,430 --> 00:26:31,730 and that everything was real. 546 00:26:31,730 --> 00:26:32,470 But there's-- 547 00:26:32,470 --> 00:26:34,330 CHRIS: And that's the word, "real," 548 00:26:34,330 --> 00:26:36,500 where I actually want this soundbite to end. 549 00:26:36,500 --> 00:26:39,250 So I'm just going to back the playhead up. 550 00:26:39,250 --> 00:26:41,000 PRESENTER 1: And that everything was real. 551 00:26:41,000 --> 00:26:43,330 CHRIS: And again, you heard a little bit 552 00:26:43,330 --> 00:26:45,160 of the but at the beginning, so I'm just 553 00:26:45,160 --> 00:26:51,340 going to come back just a few frames, find that gap that you 554 00:26:51,340 --> 00:26:53,120 can see there in the waveform. 555 00:26:53,120 --> 00:26:55,430 And that's where I want to add my outpoint. 556 00:26:55,430 --> 00:27:00,790 And of course, magic shortcut is O for out. 557 00:27:00,790 --> 00:27:03,103 Now, that I've got in and out points set, 558 00:27:03,103 --> 00:27:05,020 I might want to just double check that they're 559 00:27:05,020 --> 00:27:06,380 in the right position. 560 00:27:06,380 --> 00:27:09,550 So I can actually press Shift I to jump directly 561 00:27:09,550 --> 00:27:14,260 to an endpoint, Shift O to jump directly to an out point. 562 00:27:14,260 --> 00:27:16,780 If I actually want to preview the soundbite 563 00:27:16,780 --> 00:27:20,590 between in and the out point, I can hold down the Option key 564 00:27:20,590 --> 00:27:23,627 and press the forward slash key on my keyboard. 565 00:27:23,627 --> 00:27:25,460 PRESENTER 1: If it was possible to shoot it, 566 00:27:25,460 --> 00:27:26,502 we wanted to go shoot it. 567 00:27:26,502 --> 00:27:29,112 If we couldn't get the shot, or the weather wasn't right, 568 00:27:29,112 --> 00:27:30,820 we would either go back to that location, 569 00:27:30,820 --> 00:27:33,237 stay at that location longer, or it didn't make the movie. 570 00:27:33,237 --> 00:27:34,240 It was really important. 571 00:27:34,240 --> 00:27:37,800 Every shot was original and that everything was real. 572 00:27:37,800 --> 00:27:40,210 CHRIS: And it's a little bit tight on the output there, 573 00:27:40,210 --> 00:27:42,840 so I'm just going to jog forward just a frame 574 00:27:42,840 --> 00:27:46,300 and reset the outpoint by pressing O. However, 575 00:27:46,300 --> 00:27:48,960 sometimes, you don't want to listen to the whole soundbite 576 00:27:48,960 --> 00:27:50,320 from beginning to end. 577 00:27:50,320 --> 00:27:52,240 It could actually be quite long. 578 00:27:52,240 --> 00:27:55,450 So if you actually just want to preview where the outpoint is, 579 00:27:55,450 --> 00:27:57,840 just simply bring your playhead a few seconds 580 00:27:57,840 --> 00:28:01,780 to before the outpoint, and then from the playback menu, 581 00:28:01,780 --> 00:28:07,560 you can choose Play Around To, Play To Out, 582 00:28:07,560 --> 00:28:09,900 and you can see here keyboard shortcut is 583 00:28:09,900 --> 00:28:13,200 Option Command forward slash. 584 00:28:13,200 --> 00:28:14,950 PRESENTER 1: And that everything was real. 585 00:28:14,950 --> 00:28:17,160 CHRIS: So now that I've got in and the out point set 586 00:28:17,160 --> 00:28:20,250 for this soundbite, I'm going to edit it into the timeline using 587 00:28:20,250 --> 00:28:21,610 an overwrite edit. 588 00:28:21,610 --> 00:28:24,630 Now, I can pick the clip up again and drag and drop 589 00:28:24,630 --> 00:28:27,850 over the timeline viewer to access the overwrite. 590 00:28:27,850 --> 00:28:30,280 I don't need to drag to the actual overlay. 591 00:28:30,280 --> 00:28:34,240 However, if I just come down here to the top of the timeline, 592 00:28:34,240 --> 00:28:37,240 you'll see that there are three editing function buttons. 593 00:28:37,240 --> 00:28:40,047 These buttons are probably the most common used editing 594 00:28:40,047 --> 00:28:41,880 features, which is why they've been included 595 00:28:41,880 --> 00:28:43,462 at the top of the timeline. 596 00:28:43,462 --> 00:28:45,420 You'll see that the middle one of those buttons 597 00:28:45,420 --> 00:28:48,750 is actually overwrite clip, and my keyboard shortcut for this 598 00:28:48,750 --> 00:28:49,930 is F10. 599 00:28:49,930 --> 00:28:51,990 Now, if you're on a Mac, you may find 600 00:28:51,990 --> 00:28:56,050 that the F10 key doesn't perform an overwrite edit by default, 601 00:28:56,050 --> 00:28:59,010 in which case, you'll need to go into your System Preferences 602 00:28:59,010 --> 00:29:01,500 and change the keyboard settings so 603 00:29:01,500 --> 00:29:07,140 that it uses all the F1 and F2 keys as standard function keys. 604 00:29:07,140 --> 00:29:10,410 If I just press F10, you'll see that the clip is 605 00:29:10,410 --> 00:29:12,430 overwritten into the timeline. 606 00:29:12,430 --> 00:29:15,180 It's actually overwritten the tail end of the first interview 607 00:29:15,180 --> 00:29:16,020 clip. 608 00:29:16,020 --> 00:29:19,080 If I use the up arrow key to navigate back 609 00:29:19,080 --> 00:29:21,930 to the previous edit point, and then preview the Edit 610 00:29:21,930 --> 00:29:24,240 using the forward slash key, 611 00:29:24,240 --> 00:29:25,980 PRESENTER 1: Shoot the real world. 612 00:29:25,980 --> 00:29:29,145 If it was possible to shoot it, we wanted to go-- 613 00:29:29,145 --> 00:29:31,990 CHRIS: The first interview clip now ends at the right point, 614 00:29:31,990 --> 00:29:35,290 and the second interview clip starts at the right point, 615 00:29:35,290 --> 00:29:37,180 but it's a little bit too tight. 616 00:29:37,180 --> 00:29:39,990 We've also got a very nasty visual jump 617 00:29:39,990 --> 00:29:43,020 cut between two interview clips, so we now 618 00:29:43,020 --> 00:29:45,120 want to start to insert some of the b-roll 619 00:29:45,120 --> 00:29:48,180 in, just to be able to pace out those interviews. 620 00:29:48,180 --> 00:29:50,620 Let's go to the B-Roll smart bin. 621 00:29:50,620 --> 00:29:55,750 Let's go for this second clip here of this A380 taking off. 622 00:29:55,750 --> 00:29:59,080 Let's double click to open it up into the source viewer, 623 00:29:59,080 --> 00:30:01,320 and then use J, K, and L keys in order 624 00:30:01,320 --> 00:30:04,380 to be able to preview this clip. 625 00:30:04,380 --> 00:30:09,750 That's fine, just as the wheels are about to leave the tarmac. 626 00:30:09,750 --> 00:30:13,100 Let's set an endpoint a second or so before that. 627 00:30:13,100 --> 00:30:16,170 628 00:30:16,170 --> 00:30:22,050 And let's set an outpoint just after the plane has left frame 629 00:30:22,050 --> 00:30:26,260 before we get a very horrible camera movement there. 630 00:30:26,260 --> 00:30:29,460 So let's set an out point as the tail of the frame 631 00:30:29,460 --> 00:30:31,290 has left the shot. 632 00:30:31,290 --> 00:30:34,355 Because the playhead is in the right place in the timeline. 633 00:30:34,355 --> 00:30:35,730 I don't need to worry about where 634 00:30:35,730 --> 00:30:37,310 this shot is going to end up. 635 00:30:37,310 --> 00:30:39,060 Make sure that the playhead is on the Edit 636 00:30:39,060 --> 00:30:41,520 point in the timeline so that you're inserting it 637 00:30:41,520 --> 00:30:43,420 in the right place, and in this case, 638 00:30:43,420 --> 00:30:45,630 I'm just going to pick the clip up and drag across 639 00:30:45,630 --> 00:30:49,660 to my overlays, and this time, to perform an Insert edit, 640 00:30:49,660 --> 00:30:53,640 I just drag it to the Insert overlay. 641 00:30:53,640 --> 00:30:56,160 And that inserts the clip in the timeline 642 00:30:56,160 --> 00:30:59,100 and moves the second interview clip out of the way. 643 00:30:59,100 --> 00:31:02,170 This is one of the advantages for using those overlays, 644 00:31:02,170 --> 00:31:04,690 rather than the drag and drop approach to editing. 645 00:31:04,690 --> 00:31:06,560 Using a drag and drop approach, you 646 00:31:06,560 --> 00:31:09,010 wouldn't be able to insert the clip as efficiently. 647 00:31:09,010 --> 00:31:12,810 So again, one reason for using these functions. 648 00:31:12,810 --> 00:31:14,170 In the timeline. 649 00:31:14,170 --> 00:31:16,960 Let's move the playhead back to the start of that clip. 650 00:31:16,960 --> 00:31:19,770 So we're on the first frame of the Lufthansa plane. 651 00:31:19,770 --> 00:31:23,520 And in this case, let's go to this clip here. 652 00:31:23,520 --> 00:31:27,350 It's called AOA01 A380 Taxi. 653 00:31:27,350 --> 00:31:29,160 Let's double click that to open it up. 654 00:31:29,160 --> 00:31:32,750 Now you'll notice straight away that this clip has audio 655 00:31:32,750 --> 00:31:35,840 PRESENTER 2: [INAUDIBLE] 656 00:31:35,840 --> 00:31:37,800 CHRIS: It's not great audio, however. 657 00:31:37,800 --> 00:31:40,730 So what we need to do here is we need to actually make sure 658 00:31:40,730 --> 00:31:42,990 that when we insert this into the timeline, 659 00:31:42,990 --> 00:31:45,390 that we're not actually going to use the audio. 660 00:31:45,390 --> 00:31:48,090 Now, there are a couple of ways that we can do this. 661 00:31:48,090 --> 00:31:52,130 A simple way would be if we were using drag and drop editing 662 00:31:52,130 --> 00:31:54,000 over the timeline viewer. 663 00:31:54,000 --> 00:31:56,360 We can actually come here to the source viewer 664 00:31:56,360 --> 00:31:59,820 and actually specify, using one of these overlays, 665 00:31:59,820 --> 00:32:03,570 whether we want to edit just picture or just sound. 666 00:32:03,570 --> 00:32:06,000 So in this case, I can click on the overlay, 667 00:32:06,000 --> 00:32:07,730 drag across to the timeline viewer 668 00:32:07,730 --> 00:32:11,270 and choose Insert in order to be able to just insert 669 00:32:11,270 --> 00:32:14,360 the picture and not the audio for this clip. 670 00:32:14,360 --> 00:32:17,880 However, I'm just going to undo that with Command Z, 671 00:32:17,880 --> 00:32:20,690 because if I want to use my keyboard shortcuts 672 00:32:20,690 --> 00:32:25,020 or my editing buttons at the top of the timeline, unfortunately, 673 00:32:25,020 --> 00:32:27,170 I can't specify using that overlay 674 00:32:27,170 --> 00:32:30,480 whether I'm using just the picture or just the sound. 675 00:32:30,480 --> 00:32:35,550 For example, if I come here and use the Insert editing function, 676 00:32:35,550 --> 00:32:39,110 you'll see it will actually edit the audio in as well 677 00:32:39,110 --> 00:32:40,370 as the picture. 678 00:32:40,370 --> 00:32:42,660 Again, I'm just going to undo that. 679 00:32:42,660 --> 00:32:44,330 So there's actually another control 680 00:32:44,330 --> 00:32:47,210 that we can use in order to be able to specify whether we're 681 00:32:47,210 --> 00:32:49,850 editing, just picture or just sound directly 682 00:32:49,850 --> 00:32:51,210 into the timeline. 683 00:32:51,210 --> 00:32:53,390 It's these two buttons that appear 684 00:32:53,390 --> 00:32:57,740 with red borders along the left hand side of the timeline. 685 00:32:57,740 --> 00:33:00,240 These are your source controls. 686 00:33:00,240 --> 00:33:03,230 I'm actually going to come down to the audio source control 687 00:33:03,230 --> 00:33:06,020 here, and I'm just going to simply click once 688 00:33:06,020 --> 00:33:09,396 in order to disable that button in the timeline. 689 00:33:09,396 --> 00:33:12,410 690 00:33:12,410 --> 00:33:17,190 Now, when I perform an Insert edit using the Timeline button, 691 00:33:17,190 --> 00:33:20,270 no audio is brought into the timeline, 692 00:33:20,270 --> 00:33:23,260 and this also means I can use my keyboard shortcuts efficiently 693 00:33:23,260 --> 00:33:24,880 as well. 694 00:33:24,880 --> 00:33:27,220 Another insert edit that we're now going to want to do 695 00:33:27,220 --> 00:33:30,460 is actually within this interview clip here. 696 00:33:30,460 --> 00:33:32,800 So I'm going to move the playhead to the beginning 697 00:33:32,800 --> 00:33:34,452 of that interview clip, and I'm just 698 00:33:34,452 --> 00:33:36,160 going to play through the beginning of it 699 00:33:36,160 --> 00:33:37,487 for the first soundbite. 700 00:33:37,487 --> 00:33:39,320 PRESENTER 1: If it was possible to shoot it, 701 00:33:39,320 --> 00:33:40,370 we wanted to go shoot it. 702 00:33:40,370 --> 00:33:42,590 CHRIS: If it was possible to shoot it, 703 00:33:42,590 --> 00:33:44,030 we wanted to go shoot it. 704 00:33:44,030 --> 00:33:46,495 That's where I actually want to insert the next shot. 705 00:33:46,495 --> 00:33:48,010 PRESENTER 1: [SPEAKING IN REVERSE] 706 00:33:48,010 --> 00:33:49,220 we wanted to go shoot it. 707 00:33:49,220 --> 00:33:49,720 If-- 708 00:33:49,720 --> 00:33:51,095 CHRIS: The shot that I'm actually 709 00:33:51,095 --> 00:33:53,090 looking for is in my B-Roll smart bin, 710 00:33:53,090 --> 00:33:58,040 and it's the clip of AOA_10_Maldives. 711 00:33:58,040 --> 00:34:01,010 So double click that to open it into the source viewer. 712 00:34:01,010 --> 00:34:02,750 I love this shot. 713 00:34:02,750 --> 00:34:05,350 It's this wonderful in and out shot 714 00:34:05,350 --> 00:34:07,910 where the camera is half submerged in the water, 715 00:34:07,910 --> 00:34:11,889 and there is a plane that comes in over the top of the camera. 716 00:34:11,889 --> 00:34:14,320 I'm actually just going to set an endpoint 717 00:34:14,320 --> 00:34:18,105 just as the shadow of the plane appears over the coral. 718 00:34:18,105 --> 00:34:21,190 719 00:34:21,190 --> 00:34:23,260 And now, I actually want to specify around 720 00:34:23,260 --> 00:34:24,860 about a three second clip. 721 00:34:24,860 --> 00:34:26,770 So one way that we can do that is actually 722 00:34:26,770 --> 00:34:30,070 to use timecode information to be able to move forwards 723 00:34:30,070 --> 00:34:31,870 and backwards through the clip. 724 00:34:31,870 --> 00:34:35,560 In this case, I'm just going to hit the Plus key on my keyboard 725 00:34:35,560 --> 00:34:40,870 and type in 300, which you can actually see in the top timecode 726 00:34:40,870 --> 00:34:42,699 field in the source viewer actually 727 00:34:42,699 --> 00:34:46,030 translates to three seconds. 728 00:34:46,030 --> 00:34:47,449 Hit the Return key. 729 00:34:47,449 --> 00:34:50,020 Press O to set the outpoint in order 730 00:34:50,020 --> 00:34:52,449 to set a three second clip. 731 00:34:52,449 --> 00:34:55,460 Actually, technically, it's three seconds and one frame. 732 00:34:55,460 --> 00:34:57,560 As you can see from the duration field, 733 00:34:57,560 --> 00:35:00,910 however, the playhead is inclusive of the frame 734 00:35:00,910 --> 00:35:03,400 that you're currently on, so the outpoint is always 735 00:35:03,400 --> 00:35:05,470 set at the tail of that frame if you 736 00:35:05,470 --> 00:35:07,480 need it to be three seconds exactly, 737 00:35:07,480 --> 00:35:08,980 you just need to come back one frame 738 00:35:08,980 --> 00:35:10,840 before you set the outpoint. 739 00:35:10,840 --> 00:35:15,250 But now I can do an Insert edit by pressing F9. 740 00:35:15,250 --> 00:35:18,720 Excellent, so now, we've got the edit really starting 741 00:35:18,720 --> 00:35:19,900 to come together. 742 00:35:19,900 --> 00:35:21,930 However, at this point, you're probably 743 00:35:21,930 --> 00:35:25,930 wanting to get a little bit more control of the timeline, 744 00:35:25,930 --> 00:35:28,710 particularly when it comes to zooming. 745 00:35:28,710 --> 00:35:32,190 Also, you might want to start refining parts of the timeline 746 00:35:32,190 --> 00:35:34,180 by removing sections. 747 00:35:34,180 --> 00:35:36,000 Zooming in the timeline is actually 748 00:35:36,000 --> 00:35:39,550 much simpler in DaVinci Resolve 17 than it's ever been. 749 00:35:39,550 --> 00:35:44,530 We've already encountered two fixed zoom functions. 750 00:35:44,530 --> 00:35:47,280 These are the Full Extent Zoom, which will always 751 00:35:47,280 --> 00:35:49,680 show the full length of your timeline 752 00:35:49,680 --> 00:35:52,840 irrespective of how much content is in the timeline. 753 00:35:52,840 --> 00:35:55,750 And you've also got the Detail Zoom button, 754 00:35:55,750 --> 00:36:00,240 which allows you to Zoom in to a fixed point on the timeline 755 00:36:00,240 --> 00:36:02,910 wherever your playhead happens to be. 756 00:36:02,910 --> 00:36:07,510 However, you've also got a custom zoom option as well, 757 00:36:07,510 --> 00:36:11,910 so this button allows you to set your own zoom level, which you 758 00:36:11,910 --> 00:36:14,880 can do by just simply dragging the slider 759 00:36:14,880 --> 00:36:20,220 or using the Plus and Minus buttons to zoom in and out. 760 00:36:20,220 --> 00:36:22,980 Or you could use keyboard shortcuts. 761 00:36:22,980 --> 00:36:26,680 Command Equals allows you to Zoom in on your playhead. 762 00:36:26,680 --> 00:36:29,680 Command Minus allows you to Zoom out. 763 00:36:29,680 --> 00:36:32,230 If you're on a PC, instead of using command, 764 00:36:32,230 --> 00:36:34,920 you'd just simply use Control, and you can also 765 00:36:34,920 --> 00:36:39,790 use Shift Z in order to be able to fill the timeline window. 766 00:36:39,790 --> 00:36:43,680 This isn't the same as actually using the Full Extent Zoom 767 00:36:43,680 --> 00:36:44,770 button, however. 768 00:36:44,770 --> 00:36:48,970 The Shift Z function allows you to see the full timeline zoom, 769 00:36:48,970 --> 00:36:52,180 but it doesn't remain fixed at the full timeline Zoom, 770 00:36:52,180 --> 00:36:54,610 so if you add any other clips to the timeline, 771 00:36:54,610 --> 00:36:56,820 you'll have to manually change the zoom in order 772 00:36:56,820 --> 00:36:59,190 to be able to focus on the parts of the timeline 773 00:36:59,190 --> 00:37:01,120 that you actually want to work with. 774 00:37:01,120 --> 00:37:04,380 However, Shift Z is very useful if you actually 775 00:37:04,380 --> 00:37:08,440 want to return to a previous Zoom level in the timeline. 776 00:37:08,440 --> 00:37:11,220 Just simply toggling Shift Z is a very useful way 777 00:37:11,220 --> 00:37:14,550 of being able to step in and out of the timeline. 778 00:37:14,550 --> 00:37:18,100 If you've got a three button mouse with a scroll wheel on it, 779 00:37:18,100 --> 00:37:20,700 then what you can do is just hold down the Shift key 780 00:37:20,700 --> 00:37:22,650 and use the scroll wheel in order 781 00:37:22,650 --> 00:37:25,830 to be able to dynamically adjust the height of each 782 00:37:25,830 --> 00:37:27,100 of the tracks. 783 00:37:27,100 --> 00:37:31,020 And you can also change the bias between the video 784 00:37:31,020 --> 00:37:32,580 and the audio part in order to be 785 00:37:32,580 --> 00:37:35,198 able to get a larger audio track, 786 00:37:35,198 --> 00:37:36,990 and you can actually see how easy it is now 787 00:37:36,990 --> 00:37:40,620 to see the waveform for those clips. 788 00:37:40,620 --> 00:37:43,450 If you don't have a wheeled three button mouse, 789 00:37:43,450 --> 00:37:47,500 then you can always use the Timeline View Options menu here, 790 00:37:47,500 --> 00:37:49,980 and then actually use the Track Height sliders 791 00:37:49,980 --> 00:37:51,900 at the bottom of that menu in order 792 00:37:51,900 --> 00:37:55,770 to be able to adjust the height of your video and audio tracks. 793 00:37:55,770 --> 00:37:57,480 So now that we've looked at how to adjust 794 00:37:57,480 --> 00:38:00,570 the timeline zoom level so that you can comfortably 795 00:38:00,570 --> 00:38:03,810 view the timeline depending on what you need to do, let's 796 00:38:03,810 --> 00:38:06,120 look at how we can remove some of these clips 797 00:38:06,120 --> 00:38:09,000 and start to refine the Edit a little bit further. 798 00:38:09,000 --> 00:38:11,640 To begin with, you might want to actually remove 799 00:38:11,640 --> 00:38:14,220 just a simple portion of a clip. 800 00:38:14,220 --> 00:38:17,360 For example, you might want to remove the video or audio 801 00:38:17,360 --> 00:38:19,010 part of a clip. 802 00:38:19,010 --> 00:38:22,620 If I actually concentrate on this middle interview here, 803 00:38:22,620 --> 00:38:25,010 I'm just going to move the playhead over that 804 00:38:25,010 --> 00:38:28,940 and hit my Detail Zoom button so that I can focus on this. 805 00:38:28,940 --> 00:38:32,400 You should notice, on the left hand side of the clip, 806 00:38:32,400 --> 00:38:35,870 in both the video and the audio, there are two little chain link 807 00:38:35,870 --> 00:38:36,810 icons. 808 00:38:36,810 --> 00:38:39,680 This indicates that this clip is linked in both 809 00:38:39,680 --> 00:38:41,820 these video and audio portions. 810 00:38:41,820 --> 00:38:44,420 Using linked clips is very, very useful 811 00:38:44,420 --> 00:38:47,240 because it means that you can move them around very easily 812 00:38:47,240 --> 00:38:49,800 when you select the video portion of a link clip, 813 00:38:49,800 --> 00:38:52,770 the audio portion is also selected automatically, 814 00:38:52,770 --> 00:38:55,980 so it means it's very hard to move these things out of sync. 815 00:38:55,980 --> 00:38:57,620 However, in this case, I just want 816 00:38:57,620 --> 00:39:00,800 to remove a video portion of this clip. 817 00:39:00,800 --> 00:39:04,250 To override the link temporarily on the timeline, just simply 818 00:39:04,250 --> 00:39:07,530 hold down the Option or Alt key on your keyboard, 819 00:39:07,530 --> 00:39:10,100 and then click on the video clip in order 820 00:39:10,100 --> 00:39:11,670 to be able to select it. 821 00:39:11,670 --> 00:39:13,910 Alternatively, you can actually turn off 822 00:39:13,910 --> 00:39:15,800 the linking for the whole timeline 823 00:39:15,800 --> 00:39:21,320 by just coming up and choosing your link selection button here. 824 00:39:21,320 --> 00:39:23,990 And with that turned off, if you hold down the Option key 825 00:39:23,990 --> 00:39:25,850 and select a clip, it will actually 826 00:39:25,850 --> 00:39:28,680 select any linked parts of the clip automatically. 827 00:39:28,680 --> 00:39:30,560 So basically, the Option or Alt key 828 00:39:30,560 --> 00:39:33,440 just simply reverses whatever your link selection 829 00:39:33,440 --> 00:39:35,270 is set to for your timeline. 830 00:39:35,270 --> 00:39:37,490 With the video clip selected, I'm just 831 00:39:37,490 --> 00:39:39,560 going to go back to my full extent Zoom, 832 00:39:39,560 --> 00:39:41,940 so you can see what happens to the timeline, 833 00:39:41,940 --> 00:39:44,340 and I now want to ripple delete the clip. 834 00:39:44,340 --> 00:39:46,910 So in this case, I'm going to hold down Shift and use 835 00:39:46,910 --> 00:39:50,310 the Delete key in order to be able to remove that clip. 836 00:39:50,310 --> 00:39:52,560 And you'll see it remove a video clip, 837 00:39:52,560 --> 00:39:55,440 but it didn't remove the audio portion of the clip. 838 00:39:55,440 --> 00:39:57,680 More importantly, it's also closed the gap 839 00:39:57,680 --> 00:39:59,810 and rippled the timeline in order 840 00:39:59,810 --> 00:40:01,890 to make the timeline slightly shorter. 841 00:40:01,890 --> 00:40:04,070 And the full extent Zoom is actually still 842 00:40:04,070 --> 00:40:06,390 showing me the full length of that timeline. 843 00:40:06,390 --> 00:40:08,600 However, something else that you may need to do 844 00:40:08,600 --> 00:40:11,210 is actually be able to remove a portion of a clip 845 00:40:11,210 --> 00:40:12,920 from within the clip. 846 00:40:12,920 --> 00:40:14,890 And a good example of this is if you're 847 00:40:14,890 --> 00:40:17,020 working with interview clips. 848 00:40:17,020 --> 00:40:19,930 Let's move the playhead to the start of the last interview 849 00:40:19,930 --> 00:40:23,620 clip in the timeline, and then use the Detail Zoom button 850 00:40:23,620 --> 00:40:25,960 in order to be able to zoom in. 851 00:40:25,960 --> 00:40:29,060 There's a line in this clip that I actually want to remove, 852 00:40:29,060 --> 00:40:31,700 so I'm just going to preview the clip just by playing it. 853 00:40:31,700 --> 00:40:32,740 PRESENTER 1: If we couldn't get the shot, 854 00:40:32,740 --> 00:40:34,780 or the weather wasn't right, we would either 855 00:40:34,780 --> 00:40:37,190 go back to that location, stay at that location longer, 856 00:40:37,190 --> 00:40:38,140 or it didn't make the movie. 857 00:40:38,140 --> 00:40:38,650 It was-- 858 00:40:38,650 --> 00:40:41,780 CHRIS: So he says, we either go back to that location, 859 00:40:41,780 --> 00:40:45,530 stay at that location longer, or it didn't make the movie. 860 00:40:45,530 --> 00:40:47,540 It's a little bit repetitious. 861 00:40:47,540 --> 00:40:49,690 It's not quite, but the director actually 862 00:40:49,690 --> 00:40:52,960 wants to take the second line out there, stay 863 00:40:52,960 --> 00:40:54,620 at that location longer. 864 00:40:54,620 --> 00:40:57,040 So let's look at how we can do that. 865 00:40:57,040 --> 00:41:01,270 First of all, we can actually see the waveform 866 00:41:01,270 --> 00:41:03,550 where the portion of the dialogue 867 00:41:03,550 --> 00:41:05,420 is that we actually want to take out. 868 00:41:05,420 --> 00:41:08,180 Again, using the Shift key and the scroll mouse, 869 00:41:08,180 --> 00:41:10,850 I can actually make that even bigger. 870 00:41:10,850 --> 00:41:12,590 I'm going to move the playhead back, 871 00:41:12,590 --> 00:41:15,600 and my audio scrubbing is going to come into handy here. 872 00:41:15,600 --> 00:41:17,480 So I'm just going to play forward. 873 00:41:17,480 --> 00:41:18,980 PRESENTER 1: Stay at that location-- 874 00:41:18,980 --> 00:41:23,480 [SPEAKING IN REVERSE] --that location, stay-- 875 00:41:23,480 --> 00:41:27,200 CHRIS: And I can hear the beginning of the word stay, 876 00:41:27,200 --> 00:41:29,580 making sure that my playhead is on that point. 877 00:41:29,580 --> 00:41:31,700 You can see from the waveform in the timeline 878 00:41:31,700 --> 00:41:34,740 that I look as though I'm at the correct location. 879 00:41:34,740 --> 00:41:37,920 And now what I want to do is I want to cut this section out. 880 00:41:37,920 --> 00:41:40,520 So I'm actually going to use the blade edit mode 881 00:41:40,520 --> 00:41:44,120 for the timeline, coming here to these first four buttons 882 00:41:44,120 --> 00:41:45,510 at the top of the timeline. 883 00:41:45,510 --> 00:41:48,480 These are my different timeline editing modes. 884 00:41:48,480 --> 00:41:52,050 The first of these is the default selection mode. 885 00:41:52,050 --> 00:41:54,180 This allows me to click on clips, 886 00:41:54,180 --> 00:41:57,320 move them around, and delete clips. 887 00:41:57,320 --> 00:41:59,780 I've also got my Blade edit mode, 888 00:41:59,780 --> 00:42:02,790 featuring a very frightening looking razor blade icon, 889 00:42:02,790 --> 00:42:04,400 I have to say. 890 00:42:04,400 --> 00:42:07,260 If I select that or use the keyboard shortcut B, 891 00:42:07,260 --> 00:42:11,640 I can then bring that blade down into the timeline here. 892 00:42:11,640 --> 00:42:14,430 Making sure that my snapping is on, 893 00:42:14,430 --> 00:42:17,180 you can see how easily that line will actually 894 00:42:17,180 --> 00:42:19,910 snap to where my playhead is, and I'm just 895 00:42:19,910 --> 00:42:23,850 going to click once in order to be able to add an edit. 896 00:42:23,850 --> 00:42:25,610 That's the beginning part of the clip 897 00:42:25,610 --> 00:42:27,870 that I actually want to lose from the timeline. 898 00:42:27,870 --> 00:42:29,803 I now need to find the end. 899 00:42:29,803 --> 00:42:31,220 PRESENTER 1: Stay at that location 900 00:42:31,220 --> 00:42:32,510 longer, or it didn't make-- 901 00:42:32,510 --> 00:42:34,670 [SPEAKING IN REVERSE] longer, or-- 902 00:42:34,670 --> 00:42:36,900 CHRIS: And I'm looking for the word or. 903 00:42:36,900 --> 00:42:40,400 PRESENTER 1: [WALKING THROUGH THE AUDIO FRAME BY FRAME] 904 00:42:40,400 --> 00:42:45,170 905 00:42:45,170 --> 00:42:46,200 CHRIS: About there. 906 00:42:46,200 --> 00:42:49,430 It's taken a little bit of jogging back and forward 907 00:42:49,430 --> 00:42:52,495 one frame at a time, just in order to be able to hear that. 908 00:42:52,495 --> 00:42:53,870 But I was actually trying to find 909 00:42:53,870 --> 00:42:55,910 the beginning of the word or. 910 00:42:55,910 --> 00:42:59,150 Again, I just want to take my blade, 911 00:42:59,150 --> 00:43:02,810 and just come near the playhead and click once more in order 912 00:43:02,810 --> 00:43:05,670 to be able to add a second edit point. 913 00:43:05,670 --> 00:43:08,130 This is now isolated the portion of the clip 914 00:43:08,130 --> 00:43:10,330 that I actually want to remove from the timeline. 915 00:43:10,330 --> 00:43:13,750 However, I don't want to use the blade mode again, 916 00:43:13,750 --> 00:43:15,960 so I'm going to switch back to the selection mode 917 00:43:15,960 --> 00:43:18,420 just by pressing a on the keyboard. 918 00:43:18,420 --> 00:43:22,950 I can now select that clip and then press Shift Backspace 919 00:43:22,950 --> 00:43:25,470 or Shift Delete in order to be able to remove 920 00:43:25,470 --> 00:43:27,640 the clip from the timeline. 921 00:43:27,640 --> 00:43:30,550 That's got rid of the portion of the clip that I isolated, 922 00:43:30,550 --> 00:43:33,280 but I now need to hear how that edit is working. 923 00:43:33,280 --> 00:43:35,430 So if I press the forward slash key-- 924 00:43:35,430 --> 00:43:37,380 PRESENTER 1: --right, we would either go back to that location, 925 00:43:37,380 --> 00:43:38,547 or it didn't make the movie. 926 00:43:38,547 --> 00:43:40,500 It was really important-- 927 00:43:40,500 --> 00:43:42,970 CHRIS: It's probably not the tidiest of edits, 928 00:43:42,970 --> 00:43:44,350 but don't worry. 929 00:43:44,350 --> 00:43:47,250 Only the very skilled and experienced editors 930 00:43:47,250 --> 00:43:49,570 will be able to get that right first off. 931 00:43:49,570 --> 00:43:52,180 More often than not, when you're editing something, 932 00:43:52,180 --> 00:43:56,350 you just need to make your best guess and then refine it later. 933 00:43:56,350 --> 00:43:58,570 So we'll leave this for the moment, 934 00:43:58,570 --> 00:44:01,050 but we'll come back to it in a few minutes. 935 00:44:01,050 --> 00:44:02,850 In the meantime, I'm actually just going 936 00:44:02,850 --> 00:44:05,550 to go back into my Full Extent Zoom 937 00:44:05,550 --> 00:44:07,690 so that I can see the whole timeline. 938 00:44:07,690 --> 00:44:11,760 And now what I want to do is remove this portion 939 00:44:11,760 --> 00:44:13,660 of the first interview clip. 940 00:44:13,660 --> 00:44:16,540 You remember that we overwrote the tail end of that clip. 941 00:44:16,540 --> 00:44:18,180 However, the beginning part of the clip 942 00:44:18,180 --> 00:44:21,240 is still in the timeline, so I want to remove that. 943 00:44:21,240 --> 00:44:25,240 Now, if I use my selection edit mode here, 944 00:44:25,240 --> 00:44:28,680 I can select the beginning part of that interview. 945 00:44:28,680 --> 00:44:32,460 And if I trim that, you can see that it will actually 946 00:44:32,460 --> 00:44:34,600 trim and remove a portion of the clip, 947 00:44:34,600 --> 00:44:36,370 but it will also leave a gap. 948 00:44:36,370 --> 00:44:39,300 This is not a huge problem, but there's more efficient ways 949 00:44:39,300 --> 00:44:42,670 that we've got been able to trim that and not leave a gap. 950 00:44:42,670 --> 00:44:44,260 So I'm just going to undo that. 951 00:44:44,260 --> 00:44:47,800 In order to put the clip back to how I originally had it. 952 00:44:47,800 --> 00:44:51,990 And again, I'm going to change my timeline editing mode. 953 00:44:51,990 --> 00:44:55,500 I'm going to change it from the Selection mode 954 00:44:55,500 --> 00:44:59,400 to my Trim edit mode, and Trim edit mode 955 00:44:59,400 --> 00:45:01,560 is a really powerful way of being 956 00:45:01,560 --> 00:45:05,140 able to manipulate the clips in the timeline in DaVinci Resolve. 957 00:45:05,140 --> 00:45:09,040 You don't need to keep going in and selecting specific tools. 958 00:45:09,040 --> 00:45:12,660 This one mode will actually do all of the trimming functions 959 00:45:12,660 --> 00:45:15,060 that I need on a day to day basis. 960 00:45:15,060 --> 00:45:18,670 Using T allows me to select the Trim edit mode, 961 00:45:18,670 --> 00:45:21,100 and now when I go back into the timeline, 962 00:45:21,100 --> 00:45:23,820 I can click the same edit point and start 963 00:45:23,820 --> 00:45:27,120 to trim just by dragging the mouse to the right. 964 00:45:27,120 --> 00:45:30,930 As I do so, you can see that the rest of the timeline 965 00:45:30,930 --> 00:45:32,710 is actually changing. 966 00:45:32,710 --> 00:45:35,580 I'm actually rippling the rest of the timeline 967 00:45:35,580 --> 00:45:37,980 back, thereby shortening it by the amount 968 00:45:37,980 --> 00:45:40,600 that I'm actually trimming off the beginning of that clip. 969 00:45:40,600 --> 00:45:42,910 You can also see I can go the other way as well. 970 00:45:42,910 --> 00:45:47,415 I can actually add footage back to that clip if I need to. 971 00:45:47,415 --> 00:45:48,665 If I keep going-- 972 00:45:48,665 --> 00:45:52,650 973 00:45:52,650 --> 00:45:57,150 And you can hear from the audio scrubbing 974 00:45:57,150 --> 00:45:59,590 where the actual interview starts, 975 00:45:59,590 --> 00:46:01,600 so I can now let go of the mouse. 976 00:46:01,600 --> 00:46:03,900 And you can actually see the tooltip there actually 977 00:46:03,900 --> 00:46:06,320 says that I'm removing three seconds 978 00:46:06,320 --> 00:46:08,455 and four frames from the beginning of this clip. 979 00:46:08,455 --> 00:46:11,180 980 00:46:11,180 --> 00:46:15,110 Now, if I return the playhead to the beginning of the timeline, 981 00:46:15,110 --> 00:46:16,765 I can play from the beginning. 982 00:46:16,765 --> 00:46:18,140 PRESENTER 1: In this film, making 983 00:46:18,140 --> 00:46:20,750 a documentary about how the airplanes changed the world. 984 00:46:20,750 --> 00:46:23,450 CHRIS: And I've actually got a much sharper start 985 00:46:23,450 --> 00:46:24,540 to the interview. 986 00:46:24,540 --> 00:46:26,210 And I can also use the Trim edit mode 987 00:46:26,210 --> 00:46:28,250 in order to be able to fix the problem 988 00:46:28,250 --> 00:46:32,270 with the edit in the interview that I was just doing earlier. 989 00:46:32,270 --> 00:46:34,760 Move the playhead to the edit point 990 00:46:34,760 --> 00:46:39,110 and then use the Detail Zoom button to zoom in. 991 00:46:39,110 --> 00:46:42,350 Sometimes, I only want to be able to trim a frame or two 992 00:46:42,350 --> 00:46:45,500 in either direction, so being able to Zoom in means 993 00:46:45,500 --> 00:46:47,240 that I'm much closer to the footage 994 00:46:47,240 --> 00:46:49,980 and therefore have a little bit more control over it. 995 00:46:49,980 --> 00:46:51,650 In this case, I'm actually just going 996 00:46:51,650 --> 00:46:54,950 to select the outgoing part of this clip 997 00:46:54,950 --> 00:46:56,520 here where the waveform is. 998 00:46:56,520 --> 00:47:00,380 That shows me that probably I'm just catching the outgoing word 999 00:47:00,380 --> 00:47:03,860 there, and now I can actually click and drag 1000 00:47:03,860 --> 00:47:08,450 in order to be able to remove one or two frames at a time. 1001 00:47:08,450 --> 00:47:11,990 If you haven't actually got the level of control 1002 00:47:11,990 --> 00:47:13,910 that you're interested in, you may 1003 00:47:13,910 --> 00:47:17,700 want to turn off your snapping here at the top of the timeline. 1004 00:47:17,700 --> 00:47:20,000 Keyboard shortcut N is always worth 1005 00:47:20,000 --> 00:47:22,710 remembering because you can always do this at any time, 1006 00:47:22,710 --> 00:47:25,050 even if you're in the middle of an operation. 1007 00:47:25,050 --> 00:47:26,810 So in this case, I'm going to click, 1008 00:47:26,810 --> 00:47:29,430 and I'm going to tap N on my keyboard. 1009 00:47:29,430 --> 00:47:34,790 And now, I can actually remove a single frame from that clip. 1010 00:47:34,790 --> 00:47:38,250 But you can also do this using keyboard shortcuts as well. 1011 00:47:38,250 --> 00:47:41,000 For example, if I use the period key, 1012 00:47:41,000 --> 00:47:43,860 I can actually add a frame to that clip, 1013 00:47:43,860 --> 00:47:47,060 and if I use the comma key, I can remove a frame 1014 00:47:47,060 --> 00:47:48,060 from that clip. 1015 00:47:48,060 --> 00:47:49,847 So now, if I press the forward slash key, 1016 00:47:49,847 --> 00:47:52,430 PRESENTER 1: --right, we would either go back to that location 1017 00:47:52,430 --> 00:47:53,597 or it didn't make the movie. 1018 00:47:53,597 --> 00:47:54,650 It was really important. 1019 00:47:54,650 --> 00:47:57,390 CHRIS: And again, it feels a little tight still. 1020 00:47:57,390 --> 00:48:00,290 I think the outgoing portion of that is fine, 1021 00:48:00,290 --> 00:48:02,860 but let's now select the incoming portion, 1022 00:48:02,860 --> 00:48:05,920 and let's just trim it back one frame. 1023 00:48:05,920 --> 00:48:09,700 So I've now added a frame using the comma key in order 1024 00:48:09,700 --> 00:48:12,940 to make that timeline one frame longer, because I'm always 1025 00:48:12,940 --> 00:48:14,155 rippling the footage, 1026 00:48:14,155 --> 00:48:16,780 PRESENTER 1: --right, we would either go back to that location, 1027 00:48:16,780 --> 00:48:17,947 or it didn't make the movie. 1028 00:48:17,947 --> 00:48:19,100 It was really important. 1029 00:48:19,100 --> 00:48:22,330 CHRIS: And that sounded pretty good to me, 1030 00:48:22,330 --> 00:48:26,270 but you might just want to explore this a little bit more. 1031 00:48:26,270 --> 00:48:28,300 What would happen if we added another frame 1032 00:48:28,300 --> 00:48:30,505 to the incoming shot using the comma key? 1033 00:48:30,505 --> 00:48:33,130 PRESENTER 1: --right, we would either go back to that location, 1034 00:48:33,130 --> 00:48:34,220 or it didn't make the movie. 1035 00:48:34,220 --> 00:48:34,910 It was really important. 1036 00:48:34,910 --> 00:48:36,860 CHRIS: Again, it's probably about the same, 1037 00:48:36,860 --> 00:48:39,760 so I'm just going to take that frame off again and probably 1038 00:48:39,760 --> 00:48:40,970 leave it at that point. 1039 00:48:40,970 --> 00:48:43,587 So now, I'm happy with how that edit is working. 1040 00:48:43,587 --> 00:48:45,670 I'm actually just going to start adding a few more 1041 00:48:45,670 --> 00:48:48,250 clips to the timeline, just so we can pace out the Edit 1042 00:48:48,250 --> 00:48:50,210 and see where we're going with things. 1043 00:48:50,210 --> 00:48:53,500 So in the timeline, I'm going to deselect the edit point 1044 00:48:53,500 --> 00:48:56,690 and go back into my Full Extent Zoom, 1045 00:48:56,690 --> 00:48:59,020 and just use the Shift key and the scroll wheel 1046 00:48:59,020 --> 00:49:01,200 on my mouse just to adjust the track height. 1047 00:49:01,200 --> 00:49:03,650 So I've got a little bit more space for the audio, 1048 00:49:03,650 --> 00:49:05,940 and I'm going to return the playhead to the beginning. 1049 00:49:05,940 --> 00:49:09,500 You can either simply drag it or use the home key to go back 1050 00:49:09,500 --> 00:49:11,570 to the top of the timeline. 1051 00:49:11,570 --> 00:49:13,910 So at this point, I'm just going to add some music 1052 00:49:13,910 --> 00:49:15,120 to this timeline. 1053 00:49:15,120 --> 00:49:17,670 Well, we already created a Music bin earlier, 1054 00:49:17,670 --> 00:49:20,570 so we know exactly where to find that piece of music. 1055 00:49:20,570 --> 00:49:21,780 In the bin list. 1056 00:49:21,780 --> 00:49:24,170 Select the music bin, and then I'm 1057 00:49:24,170 --> 00:49:27,870 just going to turn off my audio scrubbing by pressing Shift S, 1058 00:49:27,870 --> 00:49:29,390 and then I'm going to double click 1059 00:49:29,390 --> 00:49:33,020 to open the music into the source viewer. 1060 00:49:33,020 --> 00:49:35,580 Now, when you open audio in the source viewer, 1061 00:49:35,580 --> 00:49:38,070 you actually get an upper waveform, 1062 00:49:38,070 --> 00:49:41,160 which actually represents the whole of the audio clip, 1063 00:49:41,160 --> 00:49:44,270 and a lower waveform, which actually represents a zoomed 1064 00:49:44,270 --> 00:49:45,750 in portion of the clip. 1065 00:49:45,750 --> 00:49:48,110 So it's like having the two waveform displays 1066 00:49:48,110 --> 00:49:51,180 side by side, which is very useful to work with. 1067 00:49:51,180 --> 00:49:54,540 In this case, we actually want to take the whole of the clip, 1068 00:49:54,540 --> 00:49:57,600 so we don't need to set any in or out points to this clip. 1069 00:49:57,600 --> 00:50:01,000 And in this case, I'm just going to pick the clip up, drag it 1070 00:50:01,000 --> 00:50:03,460 across to my timeline viewer, and choose 1071 00:50:03,460 --> 00:50:06,700 the Place on Top function. 1072 00:50:06,700 --> 00:50:09,250 This then simply creates a new audio track 1073 00:50:09,250 --> 00:50:12,440 at the bottom of the timeline, and places the clip in it. 1074 00:50:12,440 --> 00:50:14,920 It may seem counterintuitive that I've actually 1075 00:50:14,920 --> 00:50:17,680 used something called Place on Top to actually place 1076 00:50:17,680 --> 00:50:20,630 the audio at the lower part of the timeline, 1077 00:50:20,630 --> 00:50:23,170 but it just is the way that edit works 1078 00:50:23,170 --> 00:50:25,540 with audio, which typically lives 1079 00:50:25,540 --> 00:50:27,860 below the video in a timeline. 1080 00:50:27,860 --> 00:50:30,920 The audio is actually quite loud, this piece of music is. 1081 00:50:30,920 --> 00:50:33,310 So I'm actually going to move my mouse over the clip 1082 00:50:33,310 --> 00:50:36,880 and actually find the point where I can actually 1083 00:50:36,880 --> 00:50:39,800 locate the volume curve on the timeline. 1084 00:50:39,800 --> 00:50:42,070 If I now click at that point, I can 1085 00:50:42,070 --> 00:50:44,620 grab hold of the volume curve and lower it 1086 00:50:44,620 --> 00:50:47,265 to an appropriate audio level. 1087 00:50:47,265 --> 00:50:49,390 I'm actually just going to take it all the way down 1088 00:50:49,390 --> 00:50:54,640 to around about minus 12 DB in the timeline here. 1089 00:50:54,640 --> 00:50:57,560 Doesn't necessarily mean to say that that's the right level. 1090 00:50:57,560 --> 00:50:59,850 However, it's a useful starting point, 1091 00:50:59,850 --> 00:51:02,950 and I always need to refine the levels later anyways. 1092 00:51:02,950 --> 00:51:05,737 Now that I've got the audio at a reasonable level, 1093 00:51:05,737 --> 00:51:07,320 I should be able to hear the interview 1094 00:51:07,320 --> 00:51:09,535 over the top of the music. 1095 00:51:09,535 --> 00:51:11,910 PRESENTER 1: In this film, making a documentary about how 1096 00:51:11,910 --> 00:51:13,620 the airplanes changed the world, it 1097 00:51:13,620 --> 00:51:17,585 was really important to go out and shoot the real world. 1098 00:51:17,585 --> 00:51:22,415 1099 00:51:22,415 --> 00:51:23,790 CHRIS: That's fine at the moment. 1100 00:51:23,790 --> 00:51:25,300 It gives me something to work with. 1101 00:51:25,300 --> 00:51:27,090 It might be that the music gets changed 1102 00:51:27,090 --> 00:51:29,640 at some point in the future, or I might need 1103 00:51:29,640 --> 00:51:31,210 to refine it a little bit more. 1104 00:51:31,210 --> 00:51:33,870 So I don't want to spend too long adjusting the levels 1105 00:51:33,870 --> 00:51:35,080 and making them perfect. 1106 00:51:35,080 --> 00:51:36,237 Not at this stage. 1107 00:51:36,237 --> 00:51:38,820 Now that I've got the music into place, that actually gives me 1108 00:51:38,820 --> 00:51:40,150 a time for the Edit. 1109 00:51:40,150 --> 00:51:42,390 So I've now got something to aim for in terms 1110 00:51:42,390 --> 00:51:44,020 of an overall duration. 1111 00:51:44,020 --> 00:51:47,400 Let's move the playhead to the edit point between the two 1112 00:51:47,400 --> 00:51:50,650 interview clips, half way through this piece of music. 1113 00:51:50,650 --> 00:51:53,853 We're going to start by editing a new clip in here, 1114 00:51:53,853 --> 00:51:55,770 and it's actually just going to help us to fix 1115 00:51:55,770 --> 00:51:57,790 that very nasty jump cut. 1116 00:51:57,790 --> 00:52:01,410 Let's go to the B-Roll bin, and let's find 1117 00:52:01,410 --> 00:52:04,290 the clip called South Pole. 1118 00:52:04,290 --> 00:52:05,410 Double click that. 1119 00:52:05,410 --> 00:52:08,730 It's AOA_8, shot 8, and I'm going 1120 00:52:08,730 --> 00:52:12,240 to set an endpoint just as the tail of the plane 1121 00:52:12,240 --> 00:52:15,390 is coming out from behind that yellow sign. 1122 00:52:15,390 --> 00:52:19,990 So an endpoint there, and I'm wanting to take five seconds. 1123 00:52:19,990 --> 00:52:22,540 I don't know if five seconds is the right duration, 1124 00:52:22,540 --> 00:52:24,540 but it's just a good all round number 1125 00:52:24,540 --> 00:52:27,430 that we can tend to work with for putting shots in. 1126 00:52:27,430 --> 00:52:31,920 So I'm going to use plus 500 in order 1127 00:52:31,920 --> 00:52:34,870 to jump the playhead forward by five seconds, 1128 00:52:34,870 --> 00:52:37,860 hit Return, set an outpoint. 1129 00:52:37,860 --> 00:52:42,180 And now I can just make a simple overwrite edit with F10. 1130 00:52:42,180 --> 00:52:44,670 If I back the playhead up in the timeline 1131 00:52:44,670 --> 00:52:46,710 and then hit the forward slash key-- 1132 00:52:46,710 --> 00:52:48,720 PRESENTER 1: --right, we would either go back to that location 1133 00:52:48,720 --> 00:52:49,900 or it didn't make the movie. 1134 00:52:49,900 --> 00:52:51,510 It's really important. 1135 00:52:51,510 --> 00:52:53,800 CHRIS: And I think that edit works nicely. 1136 00:52:53,800 --> 00:52:56,550 The audio of the interview is working very well, 1137 00:52:56,550 --> 00:52:58,830 and the new picture that's overwritten, 1138 00:52:58,830 --> 00:53:02,430 the end of that interview actually covers the jump cut. 1139 00:53:02,430 --> 00:53:04,970 So now, let's add a few extra clips 1140 00:53:04,970 --> 00:53:07,010 to the end of this timeline, and then we 1141 00:53:07,010 --> 00:53:10,460 can actually trim those clips to the correct duration. 1142 00:53:10,460 --> 00:53:16,070 From the B-Roll bin, select the Kenya clip, AOA07. 1143 00:53:16,070 --> 00:53:19,595 Hold down the Command or Control key and select AOA11. 1144 00:53:19,595 --> 00:53:22,130 1145 00:53:22,130 --> 00:53:24,540 That's the St. Martin landing. 1146 00:53:24,540 --> 00:53:27,020 And then again, hold down Command or Control 1147 00:53:27,020 --> 00:53:32,510 in order to select AOA14 Aerial Alaska. 1148 00:53:32,510 --> 00:53:34,430 With those three clips selected, I 1149 00:53:34,430 --> 00:53:38,390 can actually drag those clips directly to the timeline viewer 1150 00:53:38,390 --> 00:53:43,790 and choose the Append at End edit. 1151 00:53:43,790 --> 00:53:46,340 What the Append at End is really useful 1152 00:53:46,340 --> 00:53:49,050 for is throwing clips at the end of your edit, 1153 00:53:49,050 --> 00:53:51,410 so you can use them to quickly assemble footage 1154 00:53:51,410 --> 00:53:53,930 into the timeline, and it doesn't depend 1155 00:53:53,930 --> 00:53:56,010 on where your playhead is. 1156 00:53:56,010 --> 00:53:59,870 It just depends on where the last clip is in your timeline. 1157 00:53:59,870 --> 00:54:03,120 Obviously, those clips are way too long for this edit, 1158 00:54:03,120 --> 00:54:05,975 so I just need to reduce their duration. 1159 00:54:05,975 --> 00:54:09,230 To select the clips, i'm going to switch into my Selection edit 1160 00:54:09,230 --> 00:54:15,920 mode, select the clips, now go back to my Trim edit mode, 1161 00:54:15,920 --> 00:54:21,000 right click any of those clips, choose Change Clip Duration. 1162 00:54:21,000 --> 00:54:24,260 Command or Control D is the shortcut. 1163 00:54:24,260 --> 00:54:27,480 And from the Change Clip Duration box, 1164 00:54:27,480 --> 00:54:31,160 I'm going to choose the five second preset. 1165 00:54:31,160 --> 00:54:33,950 As I said, 5 seconds is not necessarily 1166 00:54:33,950 --> 00:54:36,860 the correct duration, it's just a duration 1167 00:54:36,860 --> 00:54:38,900 that's worth starting at. 1168 00:54:38,900 --> 00:54:41,720 Click Change, and now, my clips have 1169 00:54:41,720 --> 00:54:43,710 been trimmed on the timeline. 1170 00:54:43,710 --> 00:54:47,210 However, I've still got a little bit of work to do here. 1171 00:54:47,210 --> 00:54:50,160 Let's move back to the beginning of the South Pole clip, 1172 00:54:50,160 --> 00:54:52,520 and then let's use the detail Zoom button 1173 00:54:52,520 --> 00:54:55,400 just to zoom in a little bit here. 1174 00:54:55,400 --> 00:54:57,050 I want to make the South Pole clip 1175 00:54:57,050 --> 00:55:00,750 a little bit shorter because nothing really happens in it. 1176 00:55:00,750 --> 00:55:04,020 So a five second shot is a good starting point, 1177 00:55:04,020 --> 00:55:07,280 but let's just make it a little bit shorter from the beginning. 1178 00:55:07,280 --> 00:55:10,670 So if I select the incoming part of that clip 1179 00:55:10,670 --> 00:55:12,350 just to select that clip there, you'll 1180 00:55:12,350 --> 00:55:15,210 notice I haven't selected any audio. 1181 00:55:15,210 --> 00:55:18,320 And I'm using the Trim edit mode here in order 1182 00:55:18,320 --> 00:55:21,090 to be able to select the beginning part of that clip. 1183 00:55:21,090 --> 00:55:23,960 And I'm just going to remove a few frames just to bring it down 1184 00:55:23,960 --> 00:55:26,270 to about four seconds duration. 1185 00:55:26,270 --> 00:55:28,050 You can see that, as I'm trimming it, 1186 00:55:28,050 --> 00:55:31,250 the tooltip is telling me how much I'm actually trimming it 1187 00:55:31,250 --> 00:55:33,470 by, and the gray numbers underneath 1188 00:55:33,470 --> 00:55:35,580 represent an overall duration. 1189 00:55:35,580 --> 00:55:38,810 However, look at what's happening to the underlying 1190 00:55:38,810 --> 00:55:40,920 audio clip of the interview. 1191 00:55:40,920 --> 00:55:44,990 Remember I had the interview working in terms of the audio. 1192 00:55:44,990 --> 00:55:47,720 By changing it like this, I'm actually 1193 00:55:47,720 --> 00:55:52,660 losing parts of the outgoing audio clip. 1194 00:55:52,660 --> 00:55:54,500 I don't want to do that. 1195 00:55:54,500 --> 00:55:58,700 So in this case, I need to undo that change. 1196 00:55:58,700 --> 00:56:01,150 Now, the reason that this is happening 1197 00:56:01,150 --> 00:56:05,170 is because Resolve fights to keep everything in sync 1198 00:56:05,170 --> 00:56:07,970 after the point at which you are trimming. 1199 00:56:07,970 --> 00:56:12,710 So if a clip starts at the trim point or afterwards, 1200 00:56:12,710 --> 00:56:15,770 then it will move in an appropriate direction. 1201 00:56:15,770 --> 00:56:18,430 In this case, we actually need to break 1202 00:56:18,430 --> 00:56:21,520 that functionality that, up until now, 1203 00:56:21,520 --> 00:56:23,480 has actually served us quite well. 1204 00:56:23,480 --> 00:56:25,540 So in this case, I'm actually going 1205 00:56:25,540 --> 00:56:27,040 to come to the track header, and I'm 1206 00:56:27,040 --> 00:56:29,380 going to choose to lock the track. 1207 00:56:29,380 --> 00:56:32,080 That will prevent any additional changes 1208 00:56:32,080 --> 00:56:36,310 being made to any of the clips on this track. 1209 00:56:36,310 --> 00:56:41,590 I'll now trim that clip to the four second duration 1210 00:56:41,590 --> 00:56:44,530 that I was aiming for, and you can 1211 00:56:44,530 --> 00:56:49,300 see that the audio underneath is now no longer moving. 1212 00:56:49,300 --> 00:56:52,960 Let's go back to Full Extent Zoom 1213 00:56:52,960 --> 00:56:54,893 and then play to review the change. 1214 00:56:54,893 --> 00:56:56,560 PRESENTER 1: --go back to that location, 1215 00:56:56,560 --> 00:56:57,727 or it didn't make the movie. 1216 00:56:57,727 --> 00:57:00,010 It's really important every shot was original, 1217 00:57:00,010 --> 00:57:01,290 and that everything was real. 1218 00:57:01,290 --> 00:57:05,410 1219 00:57:05,410 --> 00:57:08,390 CHRIS: That's a nice shot of the Kenya plane. 1220 00:57:08,390 --> 00:57:11,560 However, you'll notice the beginning part of that clip 1221 00:57:11,560 --> 00:57:13,640 was just a little bit untidy. 1222 00:57:13,640 --> 00:57:16,810 So again, I'm just going to ripple a few frames out 1223 00:57:16,810 --> 00:57:18,380 of the beginning of that clip. 1224 00:57:18,380 --> 00:57:20,660 If we move the playhead to the beginning of the clip, 1225 00:57:20,660 --> 00:57:22,520 go into the detail Zoom. 1226 00:57:22,520 --> 00:57:24,550 Use the Trim edit mode in order to be 1227 00:57:24,550 --> 00:57:26,440 able to ripple a few frames out to get 1228 00:57:26,440 --> 00:57:30,140 rid of the yellow part of the plane at the top of the frame 1229 00:57:30,140 --> 00:57:33,340 there, again bringing the duration down to that 1230 00:57:33,340 --> 00:57:37,000 around about four seconds. 1231 00:57:37,000 --> 00:57:40,490 It's not important to get it accurate at this point. 1232 00:57:40,490 --> 00:57:43,990 It just means that just refining the beginning of the shot. 1233 00:57:43,990 --> 00:57:45,015 Let's continue playing. 1234 00:57:45,015 --> 00:57:47,265 PRESENTER 1: --original, and that everything was real. 1235 00:57:47,265 --> 00:57:50,060 [MUSIC PLAYING] 1236 00:57:50,060 --> 00:57:58,808 1237 00:57:58,808 --> 00:57:59,800 CHRIS: Hm. 1238 00:57:59,800 --> 00:58:02,770 Now, there's a few things that we need to do here. 1239 00:58:02,770 --> 00:58:04,210 First of all, we still need to be 1240 00:58:04,210 --> 00:58:07,400 able to bring the duration of those clips down, 1241 00:58:07,400 --> 00:58:09,560 but they're actually in the wrong order. 1242 00:58:09,560 --> 00:58:12,400 I want the Alaska shot to follow the South Pole 1243 00:58:12,400 --> 00:58:13,970 shot on the timeline. 1244 00:58:13,970 --> 00:58:17,750 Then I would actually to finish with the St. Martin shot. 1245 00:58:17,750 --> 00:58:21,010 Now, if I use my Selection edit mode 1246 00:58:21,010 --> 00:58:24,700 to be able to move a clip around the timeline, all I'll simply do 1247 00:58:24,700 --> 00:58:27,590 is overwrite what is currently there. 1248 00:58:27,590 --> 00:58:31,190 So I need to use a different function for this, 1249 00:58:31,190 --> 00:58:34,880 and this is what we would call a Shuffle Insert edit. 1250 00:58:34,880 --> 00:58:37,600 And it's a little bit of a secret function 1251 00:58:37,600 --> 00:58:39,910 that you now know about. 1252 00:58:39,910 --> 00:58:43,630 To perform a Shuffle edit, hold down the Shift and Command 1253 00:58:43,630 --> 00:58:47,410 or Control keys, and then use the comma and period key 1254 00:58:47,410 --> 00:58:50,850 in order to be able to move the clip backwards and forwards 1255 00:58:50,850 --> 00:58:52,920 through the timeline. 1256 00:58:52,920 --> 00:58:55,770 So I can now put the aerial Alaska shot 1257 00:58:55,770 --> 00:58:57,790 after the South Pole shot. 1258 00:58:57,790 --> 00:59:02,070 If I hold down the Command key and use the left and right arrow 1259 00:59:02,070 --> 00:59:05,470 keys, this will allow me to select another clip. 1260 00:59:05,470 --> 00:59:08,650 Hold down Shift and command and use the comma and period keys. 1261 00:59:08,650 --> 00:59:11,910 Allows me to reorder those clips as well. 1262 00:59:11,910 --> 00:59:15,480 And you can actually select multiple clips on the timeline 1263 00:59:15,480 --> 00:59:17,700 and use the same keyboard shortcuts in order 1264 00:59:17,700 --> 00:59:20,250 to be able to shuffle those groups of clips 1265 00:59:20,250 --> 00:59:21,550 around the timeline. 1266 00:59:21,550 --> 00:59:23,460 So this makes it really easy to move 1267 00:59:23,460 --> 00:59:26,730 one scene from one part of the timeline to another. 1268 00:59:26,730 --> 00:59:29,140 So now I've got the shots in the right order. 1269 00:59:29,140 --> 00:59:32,130 I'm just going to trim the aerial Alaska shot before adding 1270 00:59:32,130 --> 00:59:33,930 the credits to the end. 1271 00:59:33,930 --> 00:59:37,710 Let's go into Detail Zoom, make sure I'm in Trim edit mode 1272 00:59:37,710 --> 00:59:39,540 by pressing T, and I'm just going 1273 00:59:39,540 --> 00:59:43,260 to trim the end of that shot again to the magic four 1274 00:59:43,260 --> 00:59:44,045 second duration. 1275 00:59:44,045 --> 00:59:47,610 1276 00:59:47,610 --> 00:59:51,240 I'm going to go back into my Full Extent Zoom, 1277 00:59:51,240 --> 00:59:55,080 and I'm just going to play the timeline just so that I hear 1278 00:59:55,080 --> 00:59:57,190 the last beat of the music. 1279 00:59:57,190 --> 01:00:00,040 [MUSIC PLAYING] 1280 01:00:00,040 --> 01:00:08,370 1281 01:00:08,370 --> 01:00:10,835 I'll use my audio scrubbing. 1282 01:00:10,835 --> 01:00:13,760 [WALKING THROUGH THE AUDIO FRAME BY FRAME] 1283 01:00:13,760 --> 01:00:16,230 1284 01:00:16,230 --> 01:00:19,210 Just to be able to find the beat of that music. 1285 01:00:19,210 --> 01:00:21,600 So using the audio beats for the music 1286 01:00:21,600 --> 01:00:24,840 is a good way of being able to guide the edit. 1287 01:00:24,840 --> 01:00:26,440 Now, we need the credits. 1288 01:00:26,440 --> 01:00:29,280 So let's go to our credits smart bin. 1289 01:00:29,280 --> 01:00:33,190 Let's double click to select the credits in the source viewer. 1290 01:00:33,190 --> 01:00:36,760 And in this case, we actually want to take all of the credits. 1291 01:00:36,760 --> 01:00:39,190 So we're not going to set any in or out points. 1292 01:00:39,190 --> 01:00:40,710 Instead we're just going to perform 1293 01:00:40,710 --> 01:00:43,920 an overwrite edit with F10. 1294 01:00:43,920 --> 01:00:46,390 If I use the up arrow key in the timeline, 1295 01:00:46,390 --> 01:00:48,136 use the forward slash key. 1296 01:00:48,136 --> 01:00:50,985 [MUSIC PLAYING] 1297 01:00:50,985 --> 01:00:52,970 1298 01:00:52,970 --> 01:00:56,400 Now, that I've got those shots in at the end of the timeline, 1299 01:00:56,400 --> 01:00:59,480 I just need to go back through and refine which parts 1300 01:00:59,480 --> 01:01:01,050 of the shots that I'm using. 1301 01:01:01,050 --> 01:01:05,330 So I need to use the trim edit function for that as well. 1302 01:01:05,330 --> 01:01:08,210 Let's position the playhead over the St. Martin shot 1303 01:01:08,210 --> 01:01:11,030 at the end of this timeline, and use the Detail Zoom 1304 01:01:11,030 --> 01:01:12,560 button to zoom in. 1305 01:01:12,560 --> 01:01:15,980 If we preview the shot by selecting it and pressing 1306 01:01:15,980 --> 01:01:17,922 the forward slash key-- 1307 01:01:17,922 --> 01:01:20,300 [MUSIC PLAYING] 1308 01:01:20,300 --> 01:01:25,375 1309 01:01:25,375 --> 01:01:27,500 You can see that we're actually using the beginning 1310 01:01:27,500 --> 01:01:31,130 part of the shot where actually the plane is quite far away. 1311 01:01:31,130 --> 01:01:35,150 So instead of that, if we use the Trim edit mode and actually 1312 01:01:35,150 --> 01:01:38,250 click on the upper part of the clip on the timeline, 1313 01:01:38,250 --> 01:01:42,450 this will enable us to slip the actual content of the shot. 1314 01:01:42,450 --> 01:01:45,590 You can see how the clip is slipping on the timeline 1315 01:01:45,590 --> 01:01:48,060 and how the thumbnails are being updated. 1316 01:01:48,060 --> 01:01:52,140 If I keep on dragging, if you look at the timeline viewer, 1317 01:01:52,140 --> 01:01:54,000 you can see in the upper right corner, 1318 01:01:54,000 --> 01:01:57,980 you can see the outgoing frame as the plane disappears 1319 01:01:57,980 --> 01:02:00,060 overhead and out of shot. 1320 01:02:00,060 --> 01:02:03,590 And that is where I want that shot to end. 1321 01:02:03,590 --> 01:02:05,450 This is called a Slip edit. 1322 01:02:05,450 --> 01:02:08,026 [MUSIC PLAYING] 1323 01:02:08,026 --> 01:02:14,270 1324 01:02:14,270 --> 01:02:17,000 The Slip edit is one of the most powerful trimming functions 1325 01:02:17,000 --> 01:02:18,740 that we have in the timeline. 1326 01:02:18,740 --> 01:02:22,040 I'm going to return to my Full Extent Zoom 1327 01:02:22,040 --> 01:02:25,890 and just position my playhead over this Alaska shot. 1328 01:02:25,890 --> 01:02:29,630 Again, I'll select that and just press the forward slash key just 1329 01:02:29,630 --> 01:02:30,297 to preview it. 1330 01:02:30,297 --> 01:02:31,880 PRESENTER 1: --every shot was original 1331 01:02:31,880 --> 01:02:33,130 and that everything was real. 1332 01:02:33,130 --> 01:02:38,840 1333 01:02:38,840 --> 01:02:41,210 CHRIS: It's a nice shot, but it's lacking 1334 01:02:41,210 --> 01:02:43,500 a certain amount of dynamism. 1335 01:02:43,500 --> 01:02:45,980 So another thing that we can often do with shots 1336 01:02:45,980 --> 01:02:48,350 is we can adjust the speed of them. 1337 01:02:48,350 --> 01:02:50,540 With that clip selected, I'll just 1338 01:02:50,540 --> 01:02:52,610 come up here to the top right hand corner 1339 01:02:52,610 --> 01:02:54,740 and open up the inspector. 1340 01:02:54,740 --> 01:02:57,770 Scrolling through the inspector, I actually 1341 01:02:57,770 --> 01:03:00,830 have a category called Speed Change. 1342 01:03:00,830 --> 01:03:03,810 If I just simply click on that to open it up, 1343 01:03:03,810 --> 01:03:06,680 I can now specify the speed of this clip. 1344 01:03:06,680 --> 01:03:09,920 Speeding the clip up should give us something more 1345 01:03:09,920 --> 01:03:12,920 to actually see, as it looks as though probably the plane is 1346 01:03:12,920 --> 01:03:15,500 actually going to be flying a little bit faster. 1347 01:03:15,500 --> 01:03:19,430 Selecting the speed percentage, type in 200 1348 01:03:19,430 --> 01:03:21,240 and hit the Return key. 1349 01:03:21,240 --> 01:03:23,160 That then adjusts the speed of the clip, 1350 01:03:23,160 --> 01:03:27,770 so it's now playing at 200% or twice as fast. 1351 01:03:27,770 --> 01:03:29,215 If I hit the forward slash key-- 1352 01:03:29,215 --> 01:03:30,320 PRESENTER 1: --every shot was original, 1353 01:03:30,320 --> 01:03:31,555 and that everything was real. 1354 01:03:31,555 --> 01:03:37,040 1355 01:03:37,040 --> 01:03:40,020 CHRIS: There's now a little bit more movement in that shot. 1356 01:03:40,020 --> 01:03:43,390 So in this case, I can now slip the clip 1357 01:03:43,390 --> 01:03:46,060 in order to use a later part of the shot 1358 01:03:46,060 --> 01:03:49,310 as the camera pans around the plane, 1359 01:03:49,310 --> 01:03:52,240 so that we now get this shot in the top right 1360 01:03:52,240 --> 01:03:55,070 quadrant of that timeline view. 1361 01:03:55,070 --> 01:03:57,940 As you can see, the end frame is now 1362 01:03:57,940 --> 01:04:02,225 the plane with the mountains in the background. 1363 01:04:02,225 --> 01:04:03,850 PRESENTER 1: --every shot was original, 1364 01:04:03,850 --> 01:04:05,100 and that everything was real. 1365 01:04:05,100 --> 01:04:07,780 [MUSIC PLAYING] 1366 01:04:07,780 --> 01:04:10,540 1367 01:04:10,540 --> 01:04:14,350 CHRIS: Another way of using a different part of the same shot 1368 01:04:14,350 --> 01:04:19,360 is actually to use a Match Frame and Replace function. 1369 01:04:19,360 --> 01:04:21,430 In this case, if I move the playhead 1370 01:04:21,430 --> 01:04:24,230 to the first frame of the Kenya clip, 1371 01:04:24,230 --> 01:04:27,400 if I actually want to reveal the original source 1372 01:04:27,400 --> 01:04:31,900 clip for that clip, I can just press F on the keyboard 1373 01:04:31,900 --> 01:04:34,160 in order to be able to do a match frame. 1374 01:04:34,160 --> 01:04:37,180 This actually brings the original source clip up 1375 01:04:37,180 --> 01:04:38,630 into the source viewer. 1376 01:04:38,630 --> 01:04:43,120 This means I can now see all of the rest of the clip 1377 01:04:43,120 --> 01:04:45,790 without actually having to manipulate it directly 1378 01:04:45,790 --> 01:04:47,560 on the timeline. 1379 01:04:47,560 --> 01:04:51,590 If I now choose a new starting frame for this clip, 1380 01:04:51,590 --> 01:04:57,310 just as the plane is coming over this shot of the flamingos here, 1381 01:04:57,310 --> 01:05:00,950 I've now got the playhead in the correct position, 1382 01:05:00,950 --> 01:05:03,910 and now I can use the Replace edit function 1383 01:05:03,910 --> 01:05:07,780 in order to be able to match the two play heads together. 1384 01:05:07,780 --> 01:05:11,140 You can use the Replace edit by simply dragging 1385 01:05:11,140 --> 01:05:13,150 the clip over the timeline viewer 1386 01:05:13,150 --> 01:05:18,370 to the Replace edit overlay, or alternatively, you've 1387 01:05:18,370 --> 01:05:21,280 actually got a Replace Clip button 1388 01:05:21,280 --> 01:05:24,430 at the top of your timeline, or you can use 1389 01:05:24,430 --> 01:05:26,550 your keyboard shortcut of F11. 1390 01:05:26,550 --> 01:05:29,230 1391 01:05:29,230 --> 01:05:31,270 And in this case, the Replace edit 1392 01:05:31,270 --> 01:05:34,390 has actually replaced the clip by matching the two play 1393 01:05:34,390 --> 01:05:35,450 heads together. 1394 01:05:35,450 --> 01:05:38,950 So the playhead here in the source viewer 1395 01:05:38,950 --> 01:05:40,630 is actually placed at the location 1396 01:05:40,630 --> 01:05:44,290 of the playhead in the timeline, and then the clip 1397 01:05:44,290 --> 01:05:47,950 is actually replaced based on the source media clip 1398 01:05:47,950 --> 01:05:49,250 after the playhead. 1399 01:05:49,250 --> 01:05:51,310 It's a very, very powerful function 1400 01:05:51,310 --> 01:05:54,620 if you actually want to be able to synchronize clips together. 1401 01:05:54,620 --> 01:05:56,800 It's useful for being able to edit 1402 01:05:56,800 --> 01:05:59,110 sound effects into the timeline, or to be 1403 01:05:59,110 --> 01:06:03,190 able to match two images together with different actions, 1404 01:06:03,190 --> 01:06:07,900 for example, here, if we go to the last clip 1405 01:06:07,900 --> 01:06:11,110 here in the timeline where we actually have the St. Martin 1406 01:06:11,110 --> 01:06:13,460 landing plane flying overhead. 1407 01:06:13,460 --> 01:06:16,066 [MUSIC PLAYING] 1408 01:06:16,066 --> 01:06:19,660 1409 01:06:19,660 --> 01:06:23,000 Sometimes, instead of match framing to the same clip, 1410 01:06:23,000 --> 01:06:25,180 you actually maybe want to reveal the clip 1411 01:06:25,180 --> 01:06:27,380 in its original source bin. 1412 01:06:27,380 --> 01:06:30,190 This is because usually, additional 1413 01:06:30,190 --> 01:06:34,190 takes of the similar sorts of footage would be available, 1414 01:06:34,190 --> 01:06:35,690 usually in that bin. 1415 01:06:35,690 --> 01:06:38,260 So in this case, instead of match framing to the source 1416 01:06:38,260 --> 01:06:41,020 clip, right click the clip in the timeline, 1417 01:06:41,020 --> 01:06:44,825 and there, you can use the Find in Media Pool option. 1418 01:06:44,825 --> 01:06:47,730 1419 01:06:47,730 --> 01:06:51,100 That will then reveal the clip directly in the media pool, 1420 01:06:51,100 --> 01:06:53,730 in the bin, and usually, other clips 1421 01:06:53,730 --> 01:06:56,110 around that will be alternative takes. 1422 01:06:56,110 --> 01:07:01,440 For example, this clip AOA12 actually has the similar plane 1423 01:07:01,440 --> 01:07:04,840 landing, but also has lots of people in the foreground. 1424 01:07:04,840 --> 01:07:08,580 This is a much more dramatic shot than the original one 1425 01:07:08,580 --> 01:07:09,850 that we were using. 1426 01:07:09,850 --> 01:07:13,320 If I double click that clip to open it into the source viewer 1427 01:07:13,320 --> 01:07:16,290 and then actually use my J, K, and L keys in order 1428 01:07:16,290 --> 01:07:20,880 to be able to find a frame, which is visually matching 1429 01:07:20,880 --> 01:07:24,420 the frame that I'm viewing in the timeline viewer, 1430 01:07:24,420 --> 01:07:28,030 with the two play heads in the correct positions, 1431 01:07:28,030 --> 01:07:32,340 I can now simply do a Replace edit and match the action 1432 01:07:32,340 --> 01:07:34,253 across the two shots. 1433 01:07:34,253 --> 01:07:36,920 [MUSIC PLAYING] 1434 01:07:36,920 --> 01:07:39,157 1435 01:07:39,157 --> 01:07:40,740 So these are just some of the trimming 1436 01:07:40,740 --> 01:07:42,240 and some of the editing functions 1437 01:07:42,240 --> 01:07:44,610 that we have within Resolve in terms of being 1438 01:07:44,610 --> 01:07:47,370 able to put an edit together. 1439 01:07:47,370 --> 01:07:50,940 Just before we actually move to the next stage of the editing 1440 01:07:50,940 --> 01:07:54,420 process, I'm just going to make a slight change to some 1441 01:07:54,420 --> 01:07:57,660 of the audio for the interview, and in order 1442 01:07:57,660 --> 01:08:01,740 to do this, of course, I just need to unlock the entire track. 1443 01:08:01,740 --> 01:08:04,440 And in this case, I just want to find 1444 01:08:04,440 --> 01:08:07,180 a beginning of his interview here, 1445 01:08:07,180 --> 01:08:08,978 just at the very end of the interview, 1446 01:08:08,978 --> 01:08:10,770 PRESENTER 1: --or it didn't make the movie. 1447 01:08:10,770 --> 01:08:12,630 CHRIS: Didn't make the movie. 1448 01:08:12,630 --> 01:08:16,560 And I actually want to separate this part of the clip 1449 01:08:16,560 --> 01:08:19,319 here and just move it a little bit further up 1450 01:08:19,319 --> 01:08:20,500 and out of the way. 1451 01:08:20,500 --> 01:08:25,330 So I could use my blade edit mode here to cut that clip, 1452 01:08:25,330 --> 01:08:28,930 or I could use a short keyboard shortcut for this. 1453 01:08:28,930 --> 01:08:32,529 If I select a clip and press Command or Control B, 1454 01:08:32,529 --> 01:08:34,390 that will actually split the clip, 1455 01:08:34,390 --> 01:08:36,859 and now I can move that clip and position it 1456 01:08:36,859 --> 01:08:38,490 where I need it to be. 1457 01:08:38,490 --> 01:08:41,875 About there will do. 1458 01:08:41,875 --> 01:08:44,000 PRESENTER 1: It was really important every shot was 1459 01:08:44,000 --> 01:08:45,804 original and everything was real. 1460 01:08:45,804 --> 01:09:00,872 1461 01:09:00,872 --> 01:09:02,330 CHRIS: So hopefully, this video has 1462 01:09:02,330 --> 01:09:04,939 been useful in showing you some of the editing functionality 1463 01:09:04,939 --> 01:09:07,020 that we have within DaVinci Resolve. 1464 01:09:07,020 --> 01:09:09,330 Don't forget, if you've got any further questions, 1465 01:09:09,330 --> 01:09:11,270 then please feel free to join us on the forum 1466 01:09:11,270 --> 01:09:15,120 pages where questions are answered on a daily basis. 1467 01:09:15,120 --> 01:09:18,260 We've also got a full range of training materials 1468 01:09:18,260 --> 01:09:21,649 available for free as well, so check out the DaVinci Resolve 1469 01:09:21,649 --> 01:09:24,830 training pages, where you can download further videos 1470 01:09:24,830 --> 01:09:28,160 and books to help you get to grips with Resolve. 1471 01:09:28,160 --> 01:09:30,130 Thank you very much. 1472 01:09:30,130 --> 01:09:37,000