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Oi, meu nome é Tony[br]E isto é Cada Quadro uma Pintura

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A coisa mais básica que temos[br]na gramática dos filmes provavelmente é isto:

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Tomada

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Tomada reversa

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Quase tudo que você assistir estará

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Quase tudo que você assistir estará repleto disso.

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A maioria dos cineastas parecem usar isto[br]como uma maneira rápida de gravar diálogo

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Mantenha os atores parados,[br]use muitas câmeras

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grave dez tomadas,[br]e tome decisões depois.

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Mas acho que a tomada|tomada reversa[br]ainda é boa, feita precisamente

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Um bom exemplo disto[br]é o trabalho de Joel & Ethan Coen.

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- "Pensávamos que você era..."

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- "... um sapo."

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Porque os Coens são[br]mestres no diálogo

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Chegaram nisso mantendo [br]tomadas simples, mas precisas

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- "Posso compartilhar algo com você?"

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Então hoje, reconsideraremos[br]a tomada | tomada reversa

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Que podemos aprender[br]com o estilo dos Coens?

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-"Mas deixe-me lhe fazer uma pergunta..."

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-"Será que um imbecil sugeria isso?"

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Uma das primeiras coisas que você nota[br]sobre os Coens é isso

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eles gostam de filmar o dialogo no[br]interior do espaço de conversa.

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E isso significa que a câmera costuma[br]ficar entre os dois personagens

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fazendo com que cada um receba[br]tomadas separadas

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-"Eu me fiz claro?"

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Em outras palavras, eles gravam[br]vários singles.

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-"Perdão, não estava escutando."

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Outros cineastas, como Paul Greengrass,[br]preferem a câmera atrás dos personagens

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Costumam usar lentes longas, [br]assim você se sente espiando o momento.

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