[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:16.04,0:00:17.64,Default,,0000,0000,0000,,MIKE KELLEY: Right now I'm working on about the
Dialogue: 0,0:00:17.67,0:00:21.68,Default,,0000,0000,0000,,30th tape in a projected series of 365.
Dialogue: 0,0:00:22.48,0:00:24.65,Default,,0000,0000,0000,,And so, it's supposed to be one tape
Dialogue: 0,0:00:24.69,0:00:26.11,Default,,0000,0000,0000,,for every day of the year.
Dialogue: 0,0:00:26.29,0:00:43.36,Default,,0000,0000,0000,,[rhythmic drumming and clapping]
Dialogue: 0,0:00:44.16,0:00:50.44,Default,,0000,0000,0000,,[women screaming]
Dialogue: 0,0:00:50.44,0:00:58.09,Default,,0000,0000,0000,,[rhythmic drumming and clapping]
Dialogue: 0,0:00:58.37,0:01:01.09,Default,,0000,0000,0000,,I knew by the time I was a teenager
Dialogue: 0,0:01:01.09,0:01:03.16,Default,,0000,0000,0000,,that I was going to be an artist.
Dialogue: 0,0:01:03.49,0:01:04.92,Default,,0000,0000,0000,,There was no doubt about that.
Dialogue: 0,0:01:04.96,0:01:06.71,Default,,0000,0000,0000,,There was nothing else for me to be.
Dialogue: 0,0:01:07.46,0:01:10.47,Default,,0000,0000,0000,,I think coming out of Catholicism,
Dialogue: 0,0:01:11.35,0:01:13.53,Default,,0000,0000,0000,,I have a real interest in ritual.
Dialogue: 0,0:01:13.64,0:01:15.18,Default,,0000,0000,0000,,I mean, ritual is beautiful,
Dialogue: 0,0:01:15.63,0:01:18.53,Default,,0000,0000,0000,,but I never was a believer.
Dialogue: 0,0:01:25.84,0:01:26.55,Default,,0000,0000,0000,,Yet...
Dialogue: 0,0:01:26.98,0:01:29.56,Default,,0000,0000,0000,,I think my interest in art all along
Dialogue: 0,0:01:29.59,0:01:31.61,Default,,0000,0000,0000,,has been in trying to develop a kind of
Dialogue: 0,0:01:31.61,0:01:32.94,Default,,0000,0000,0000,,materialist ritual.
Dialogue: 0,0:01:33.68,0:01:35.26,Default,,0000,0000,0000,,And I see all art as being
Dialogue: 0,0:01:35.28,0:01:37.57,Default,,0000,0000,0000,,a kind of materialist ritual.
Dialogue: 0,0:01:45.26,0:01:46.61,Default,,0000,0000,0000,,When I first started working
Dialogue: 0,0:01:46.61,0:01:47.66,Default,,0000,0000,0000,,with stuffed animals,
Dialogue: 0,0:01:47.66,0:01:49.34,Default,,0000,0000,0000,,I was responding to a lot of the
Dialogue: 0,0:01:49.35,0:01:50.97,Default,,0000,0000,0000,,dialogue in the '80s about
Dialogue: 0,0:01:50.97,0:01:52.83,Default,,0000,0000,0000,,commodity culture.
Dialogue: 0,0:01:55.22,0:01:57.36,Default,,0000,0000,0000,,But I was really surprised that
Dialogue: 0,0:01:57.36,0:01:59.45,Default,,0000,0000,0000,,when everybody looked \Nat these works I made
Dialogue: 0,0:01:59.45,0:02:01.76,Default,,0000,0000,0000,,they all thought it was about\Nchild abuse
Dialogue: 0,0:02:02.18,0:02:04.56,Default,,0000,0000,0000,,Now, that wasn't anything I expected
Dialogue: 0,0:02:04.56,0:02:07.18,Default,,0000,0000,0000,,and not only did they think, \Nit was about child abuse,
Dialogue: 0,0:02:07.18,0:02:09.33,Default,,0000,0000,0000,,they thought it was about my abuse.
Dialogue: 0,0:02:10.78,0:02:12.79,Default,,0000,0000,0000,,So I said, well that's really interesting,
Dialogue: 0,0:02:12.79,0:02:14.26,Default,,0000,0000,0000,,I have to go with that.
Dialogue: 0,0:02:15.20,0:02:18.18,Default,,0000,0000,0000,,I have to make all my work about my abuse,
Dialogue: 0,0:02:20.09,0:02:21.12,Default,,0000,0000,0000,,and not only that,
Dialogue: 0,0:02:21.40,0:02:23.37,Default,,0000,0000,0000,,about everybody's abuse,
Dialogue: 0,0:02:23.48,0:02:26.21,Default,,0000,0000,0000,,like that this is our shared culture.
Dialogue: 0,0:02:30.49,0:02:32.06,Default,,0000,0000,0000,,This is the presumption
Dialogue: 0,0:02:32.39,0:02:35.40,Default,,0000,0000,0000,,that all motivation is based
Dialogue: 0,0:02:35.40,0:02:37.60,Default,,0000,0000,0000,,on some kind of repressed trauma.
Dialogue: 0,0:02:38.94,0:02:40.64,Default,,0000,0000,0000,,My work is very reactive.
Dialogue: 0,0:02:40.66,0:02:42.20,Default,,0000,0000,0000,,I'd make something,
Dialogue: 0,0:02:42.58,0:02:44.24,Default,,0000,0000,0000,,I get a response that I'm not...
Dialogue: 0,0:02:44.38,0:02:46.65,Default,,0000,0000,0000,,...I had no idea I was going to get,
Dialogue: 0,0:02:46.79,0:02:49.07,Default,,0000,0000,0000,,I don't reject it; I embrace it.
Dialogue: 0,0:02:49.36,0:02:51.76,Default,,0000,0000,0000,,I run with it, y'know?
Dialogue: 0,0:02:51.97,0:02:53.78,Default,,0000,0000,0000,,That tells me what to do.
Dialogue: 0,0:02:54.16,0:02:56.01,Default,,0000,0000,0000,,I decided to go back to
Dialogue: 0,0:02:56.07,0:02:57.72,Default,,0000,0000,0000,,my originating trauma, which was
Dialogue: 0,0:02:57.72,0:02:59.12,Default,,0000,0000,0000,,my student training,
Dialogue: 0,0:02:59.12,0:03:01.42,Default,,0000,0000,0000,,and so I took all these drawings
Dialogue: 0,0:03:01.91,0:03:04.04,Default,,0000,0000,0000,,that I did in college
Dialogue: 0,0:03:04.22,0:03:07.32,Default,,0000,0000,0000,,as an undergraduate, which are perversions
Dialogue: 0,0:03:07.46,0:03:10.56,Default,,0000,0000,0000,,of Hoffmanesque compositional principles,
Dialogue: 0,0:03:11.33,0:03:13.94,Default,,0000,0000,0000,,and I relearned to paint that way.
Dialogue: 0,0:03:20.21,0:03:21.28,Default,,0000,0000,0000,,And I did this series,
Dialogue: 0,0:03:21.28,0:03:23.32,Default,,0000,0000,0000,,this is the first series \Nof paintings I did
Dialogue: 0,0:03:23.32,0:03:25.13,Default,,0000,0000,0000,,in this regressive manner.
Dialogue: 0,0:03:26.48,0:03:28.66,Default,,0000,0000,0000,,They're called "The Thirteen Seasons."
Dialogue: 0,0:03:28.75,0:03:30.94,Default,,0000,0000,0000,,They're oval-\NI broke from the rectangular form
Dialogue: 0,0:03:30.94,0:03:33.44,Default,,0000,0000,0000,,because the oval, again, has no end.
Dialogue: 0,0:03:34.22,0:03:35.49,Default,,0000,0000,0000,,And so it's eternal.
Dialogue: 0,0:03:35.78,0:03:38.09,Default,,0000,0000,0000,,It's eternally recurring abuse.
Dialogue: 0,0:03:43.26,0:03:45.06,Default,,0000,0000,0000,,In this kind of trauma literature,
Dialogue: 0,0:03:45.36,0:03:47.89,Default,,0000,0000,0000,,the parts you can't remember is called
Dialogue: 0,0:03:47.94,0:03:49.90,Default,,0000,0000,0000,,"missing time" and then you recover it.
Dialogue: 0,0:03:53.68,0:03:55.03,Default,,0000,0000,0000,,Because I work so much
Dialogue: 0,0:03:55.03,0:03:57.96,Default,,0000,0000,0000,,with various kinds of tropes-
Dialogue: 0,0:03:58.28,0:04:00.42,Default,,0000,0000,0000,,and they're image tropes or music tropes
Dialogue: 0,0:04:00.42,0:04:01.63,Default,,0000,0000,0000,,or performative tropes,
Dialogue: 0,0:04:03.10,0:04:05.09,Default,,0000,0000,0000,,it interests me to try to
Dialogue: 0,0:04:05.09,0:04:06.97,Default,,0000,0000,0000,,bring them into my system
Dialogue: 0,0:04:07.54,0:04:10.79,Default,,0000,0000,0000,,in certain ways, y'know, incorporate them.
Dialogue: 0,0:04:12.58,0:04:14.34,Default,,0000,0000,0000,,It's part of this whole process
Dialogue: 0,0:04:14.34,0:04:16.21,Default,,0000,0000,0000,,of working through things.
Dialogue: 0,0:04:21.06,0:04:23.78,Default,,0000,0000,0000,,Things start simple and get more complex.
Dialogue: 0,0:04:26.57,0:04:28.82,Default,,0000,0000,0000,,Sense always comes after the fact
Dialogue: 0,0:04:29.00,0:04:30.20,Default,,0000,0000,0000,,in my work-
Dialogue: 0,0:04:31.14,0:04:33.74,Default,,0000,0000,0000,,to make it, at first glance, acceptable,
Dialogue: 0,0:04:33.74,0:04:36.62,Default,,0000,0000,0000,,like I've seen some of that before \Nor I understand that.
Dialogue: 0,0:04:37.60,0:04:40.19,Default,,0000,0000,0000,,So it has to operate on multiple levels.
Dialogue: 0,0:04:40.19,0:04:41.50,Default,,0000,0000,0000,,It has to be
Dialogue: 0,0:04:41.59,0:04:44.05,Default,,0000,0000,0000,,available to the laziest viewer
Dialogue: 0,0:04:44.44,0:04:45.71,Default,,0000,0000,0000,,on a certain level...
Dialogue: 0,0:04:48.38,0:04:50.45,Default,,0000,0000,0000,,and then on a more sophisticated
Dialogue: 0,0:04:50.76,0:04:52.10,Default,,0000,0000,0000,,viewer as well.
Dialogue: 0,0:05:00.10,0:05:02.13,Default,,0000,0000,0000,,I think what I make is beautiful.
Dialogue: 0,0:05:03.14,0:05:04.94,Default,,0000,0000,0000,,I think it's beautiful because
Dialogue: 0,0:05:05.01,0:05:07.21,Default,,0000,0000,0000,,terms are confused and divisions between
Dialogue: 0,0:05:07.25,0:05:08.85,Default,,0000,0000,0000,,categories start to slip.
Dialogue: 0,0:05:10.08,0:05:11.38,Default,,0000,0000,0000,,And that produces,
Dialogue: 0,0:05:12.08,0:05:13.77,Default,,0000,0000,0000,,what I think is a sublime effect,
Dialogue: 0,0:05:13.81,0:05:15.29,Default,,0000,0000,0000,,or it produces humor,
Dialogue: 0,0:05:16.03,0:05:17.70,Default,,0000,0000,0000,,and both things interest me.
Dialogue: 0,0:05:19.23,0:05:20.59,Default,,0000,0000,0000,,And I...
Dialogue: 0,0:05:20.78,0:05:23.59,Default,,0000,0000,0000,,I guess I'm interested in a kind of
Dialogue: 0,0:05:23.64,0:05:25.94,Default,,0000,0000,0000,,sublime play or sublime humor.
Dialogue: 0,0:05:26.01,0:05:27.06,Default,,0000,0000,0000,,-- Well, behind-
Dialogue: 0,0:05:27.06,0:05:29.95,Default,,0000,0000,0000,,Behind the mule is a man,
Dialogue: 0,0:05:30.24,0:05:32.37,Default,,0000,0000,0000,,and then the fake horse.
Dialogue: 0,0:05:32.64,0:05:33.63,Default,,0000,0000,0000,,- Oh, that's better.
Dialogue: 0,0:05:33.95,0:05:35.67,Default,,0000,0000,0000,,- That's even better.\N- Kelley: Yeah.
Dialogue: 0,0:05:35.68,0:05:38.44,Default,,0000,0000,0000,,- You got a man in there to fill up the\Ngap, that's better.
Dialogue: 0,0:05:38.44,0:05:41.57,Default,,0000,0000,0000,,- The man is the pitchfork demon?\N- Kelley: It's the pitchfork guy.
Dialogue: 0,0:05:41.57,0:05:43.48,Default,,0000,0000,0000,,- Stan? It's Stan, if you could get him.
Dialogue: 0,0:05:43.48,0:05:45.77,Default,,0000,0000,0000,,- And tell him not to swing his pitchfork\Naround.
Dialogue: 0,0:05:45.77,0:05:48.58,Default,,0000,0000,0000,,- Kelley: Yeah, do something like that.\NStomp, stomp, stomp.
Dialogue: 0,0:05:48.58,0:05:51.17,Default,,0000,0000,0000,,[whinnies]\NAnd then go.
Dialogue: 0,0:05:51.17,0:05:53.70,Default,,0000,0000,0000,,"Day Is Done"--\Nthe project I'm working on right now,
Dialogue: 0,0:05:53.96,0:05:55.57,Default,,0000,0000,0000,,is kind of built around a mythos
Dialogue: 0,0:05:55.57,0:05:57.63,Default,,0000,0000,0000,,that relates to an earlier sculpture I did
Dialogue: 0,0:05:57.63,0:05:59.79,Default,,0000,0000,0000,,called "The Educational Complex," which is
Dialogue: 0,0:06:00.54,0:06:03.34,Default,,0000,0000,0000,,a model of every school I ever went to,
Dialogue: 0,0:06:03.60,0:06:05.30,Default,,0000,0000,0000,,plus the home I grew up in,
Dialogue: 0,0:06:06.29,0:06:08.75,Default,,0000,0000,0000,,with all the parts \NI can't remember left blank.
Dialogue: 0,0:06:13.81,0:06:17.23,Default,,0000,0000,0000,,- I think I want to try it\Nwhen these cheerleaders get to about here,
Dialogue: 0,0:06:17.30,0:06:19.52,Default,,0000,0000,0000,,to give me a big scream,
Dialogue: 0,0:06:19.68,0:06:21.80,Default,,0000,0000,0000,,you know like, "Whoa!"
Dialogue: 0,0:06:21.88,0:06:24.43,Default,,0000,0000,0000,,Like that's the most wonderful thing\Nyou've ever seen.
Dialogue: 0,0:06:24.43,0:06:26.31,Default,,0000,0000,0000,,- The audience should do a big scream?
Dialogue: 0,0:06:26.31,0:06:28.27,Default,,0000,0000,0000,,- Should they raise their arms like that?
Dialogue: 0,0:06:28.27,0:06:30.50,Default,,0000,0000,0000,,- Kelley: No, no, just, just...\Nwell, let see it
Dialogue: 0,0:06:30.50,0:06:31.60,Default,,0000,0000,0000,,Let's hear a big "Wha!"
Dialogue: 0,0:06:31.60,0:06:33.43,Default,,0000,0000,0000,,ALL: Whoooo!
Dialogue: 0,0:06:33.43,0:06:35.76,Default,,0000,0000,0000,,- Kelley: Yeah, arms is good. \NLift the arms up.
Dialogue: 0,0:06:35.76,0:06:37.04,Default,,0000,0000,0000,,Whoa!
Dialogue: 0,0:06:37.04,0:06:38.62,Default,,0000,0000,0000,,ALL: Whoa!
Dialogue: 0,0:06:40.55,0:06:41.32,Default,,0000,0000,0000,,- Action!
Dialogue: 0,0:06:41.32,0:06:44.61,Default,,0000,0000,0000,,[drum cadence playing]
Dialogue: 0,0:06:44.61,0:06:48.42,Default,,0000,0000,0000,,- Kelley: All these videos are based\Non high school yearbooks.
Dialogue: 0,0:06:48.89,0:06:50.62,Default,,0000,0000,0000,,It's not because I have any interest
Dialogue: 0,0:06:50.62,0:06:52.43,Default,,0000,0000,0000,,in high school or high school culture,
Dialogue: 0,0:06:52.43,0:06:53.87,Default,,0000,0000,0000,,but it's one of the few places
Dialogue: 0,0:06:53.87,0:06:57.10,Default,,0000,0000,0000,,where you can find photographs\Nof these kinds of rituals.
Dialogue: 0,0:06:58.10,0:07:02.07,Default,,0000,0000,0000,,- Kelley: Stand this way, a little bit.\NYeah, let's go for it.
Dialogue: 0,0:07:03.20,0:07:04.57,Default,,0000,0000,0000,,- Kelley: It's really close.
Dialogue: 0,0:07:04.64,0:07:07.16,Default,,0000,0000,0000,,- Man: It won't be the same.\N- Kelley: OK, it's fine.
Dialogue: 0,0:07:07.17,0:07:08.76,Default,,0000,0000,0000,,The-, the image is the same.
Dialogue: 0,0:07:08.76,0:07:11.90,Default,,0000,0000,0000,,- Man: The image is...\N- Kelley: The relationships are the same.
Dialogue: 0,0:07:13.07,0:07:15.18,Default,,0000,0000,0000,,Almost all of this comes from writing,
Dialogue: 0,0:07:15.34,0:07:16.14,Default,,0000,0000,0000,,and...
Dialogue: 0,0:07:16.42,0:07:18.64,Default,,0000,0000,0000,,and then later I tried to say, well,
Dialogue: 0,0:07:19.07,0:07:21.35,Default,,0000,0000,0000,,how can it be visually interesting?
Dialogue: 0,0:07:21.48,0:07:23.60,Default,,0000,0000,0000,,It has narrative elements, but it's...
Dialogue: 0,0:07:23.60,0:07:25.35,Default,,0000,0000,0000,,not straight narrative.
Dialogue: 0,0:07:29.57,0:07:30.46,Default,,0000,0000,0000,,- Kelley: Cut!
Dialogue: 0,0:07:30.46,0:07:33.94,Default,,0000,0000,0000,,[laughs]
Dialogue: 0,0:07:34.05,0:07:35.37,Default,,0000,0000,0000,,- Woman: Good job, Stan!
Dialogue: 0,0:07:37.61,0:07:39.88,Default,,0000,0000,0000,,All the writing is...\Nis associative,
Dialogue: 0,0:07:39.88,0:07:42.27,Default,,0000,0000,0000,,and it comes from my own experience, but
Dialogue: 0,0:07:42.81,0:07:45.50,Default,,0000,0000,0000,,it's very hard to, \Nsay, to disentangle memories
Dialogue: 0,0:07:45.50,0:07:50.13,Default,,0000,0000,0000,,of films or books or cartoons or plays
Dialogue: 0,0:07:50.24,0:07:52.90,Default,,0000,0000,0000,,from "real experience."
Dialogue: 0,0:07:52.90,0:07:54.91,Default,,0000,0000,0000,,It all gets mixed up.
Dialogue: 0,0:07:54.91,0:07:57.70,Default,,0000,0000,0000,,So in a way I don't make \Nsuch distinctions.
Dialogue: 0,0:07:58.06,0:08:00.16,Default,,0000,0000,0000,,And I see it all as a kind of fiction.
Dialogue: 0,0:08:00.56,0:08:05.66,Default,,0000,0000,0000,,- I can't walk by myself!\NI'm not responsible!
Dialogue: 0,0:08:05.66,0:08:07.04,Default,,0000,0000,0000,,- Kelley: When I was younger,
Dialogue: 0,0:08:07.04,0:08:10.01,Default,,0000,0000,0000,,all my writing was generated for\Nperformance work.
Dialogue: 0,0:08:10.27,0:08:17.68,Default,,0000,0000,0000,,- I'm the sailor, but I don't have\Nsea legs, sea legs.
Dialogue: 0,0:08:17.79,0:08:22.50,Default,,0000,0000,0000,,But I don't walk and I don't talk.
Dialogue: 0,0:08:24.07,0:08:26.94,Default,,0000,0000,0000,,[whistles]
Dialogue: 0,0:08:26.94,0:08:28.71,Default,,0000,0000,0000,,So this project is very much
Dialogue: 0,0:08:29.07,0:08:32.52,Default,,0000,0000,0000,,a way for me to get back into writing and-
Dialogue: 0,0:08:32.55,0:08:34.60,Default,,0000,0000,0000,,because I don't have the time\Njust to do it.
Dialogue: 0,0:08:34.60,0:08:36.60,Default,,0000,0000,0000,,I have to work it into my work somehow.
Dialogue: 0,0:08:36.60,0:08:37.51,Default,,0000,0000,0000,,It's like music.\NI-
Dialogue: 0,0:08:37.51,0:08:39.47,Default,,0000,0000,0000,,I didn't have time to play music anymore,
Dialogue: 0,0:08:39.47,0:08:40.77,Default,,0000,0000,0000,,so I had to make a project
Dialogue: 0,0:08:40.77,0:08:43.03,Default,,0000,0000,0000,,that had to have music in it, so
Dialogue: 0,0:08:43.08,0:08:45.10,Default,,0000,0000,0000,,I forced myself to make music.
Dialogue: 0,0:08:45.10,0:08:52.43,Default,,0000,0000,0000,,[Kelley playing on electric organ]
Dialogue: 0,0:08:54.47,0:08:56.51,Default,,0000,0000,0000,,- Kelley: Never had any musical training.
Dialogue: 0,0:08:57.44,0:09:00.01,Default,,0000,0000,0000,,I grew up in a household \Nwhere there was really,
Dialogue: 0,0:09:00.76,0:09:02.67,Default,,0000,0000,0000,,very little interest in music, and
Dialogue: 0,0:09:02.93,0:09:05.36,Default,,0000,0000,0000,,they didn't teach music in school.
Dialogue: 0,0:09:05.94,0:09:08.19,Default,,0000,0000,0000,,And, um... I
Dialogue: 0,0:09:08.38,0:09:10.78,Default,,0000,0000,0000,,grew up on rock and roll music, \Nand all the
Dialogue: 0,0:09:10.78,0:09:12.78,Default,,0000,0000,0000,,musicians I knew were self-taught.
Dialogue: 0,0:09:13.95,0:09:15.52,Default,,0000,0000,0000,,I've been playing noise music for
Dialogue: 0,0:09:15.52,0:09:16.90,Default,,0000,0000,0000,,many, many years.
Dialogue: 0,0:09:17.67,0:09:19.39,Default,,0000,0000,0000,,But this project's really different
Dialogue: 0,0:09:19.39,0:09:21.83,Default,,0000,0000,0000,,because this is like no other music \NI've ever done,
Dialogue: 0,0:09:21.83,0:09:23.45,Default,,0000,0000,0000,,because it's all based on really,
Dialogue: 0,0:09:23.52,0:09:25.73,Default,,0000,0000,0000,,typical forms, but
Dialogue: 0,0:09:26.16,0:09:29.44,Default,,0000,0000,0000,,I know enough about that\Nwhere I can fake it.
Dialogue: 0,0:09:29.66,0:09:33.47,Default,,0000,0000,0000,,And, I mean, I don't know what I'm doing. \NSay, I can't say, oh that's this chord
Dialogue: 0,0:09:33.47,0:09:35.95,Default,,0000,0000,0000,,or that's this note \Nbut I know what it sounds like.
Dialogue: 0,0:09:35.95,0:09:37.97,Default,,0000,0000,0000,,And so we can piece it all together
Dialogue: 0,0:09:38.35,0:09:39.76,Default,,0000,0000,0000,,and it's believable.
Dialogue: 0,0:09:41.34,0:09:43.13,Default,,0000,0000,0000,,- Am I gonna to hear the, uh...
Dialogue: 0,0:09:43.70,0:09:46.30,Default,,0000,0000,0000,,the orchestra sample too?
Dialogue: 0,0:09:46.30,0:09:49.12,Default,,0000,0000,0000,,- Man: Uh, yeah, you'll hear,\Nyou'll hear what you just did.
Dialogue: 0,0:09:49.12,0:09:50.70,Default,,0000,0000,0000,,- Kelley: OK.\N- Man: Here we go.
Dialogue: 0,0:09:51.89,0:09:53.46,Default,,0000,0000,0000,,- Kelley: With the computer,
Dialogue: 0,0:09:53.71,0:09:55.44,Default,,0000,0000,0000,,we can do everything ourself.
Dialogue: 0,0:09:55.52,0:09:57.44,Default,,0000,0000,0000,,We don't need to get an orchestra;
Dialogue: 0,0:09:57.49,0:09:58.36,Default,,0000,0000,0000,,we can...
Dialogue: 0,0:09:58.81,0:10:00.41,Default,,0000,0000,0000,,do all the editing here.
Dialogue: 0,0:10:00.59,0:10:03.57,Default,,0000,0000,0000,,We can make films by ourselves.
Dialogue: 0,0:10:09.62,0:10:14.73,Default,,0000,0000,0000,,[cymbals resonating]
Dialogue: 0,0:10:14.73,0:10:19.39,Default,,0000,0000,0000,,[drum rolls playing]
Dialogue: 0,0:10:19.69,0:10:23.42,Default,,0000,0000,0000,,[cheering]
Dialogue: 0,0:10:23.42,0:10:26.98,Default,,0000,0000,0000,,[applause]
Dialogue: 0,0:10:27.85,0:10:30.58,Default,,0000,0000,0000,,- Kelley: My dream is to perform it live.
Dialogue: 0,0:10:31.98,0:10:35.21,Default,,0000,0000,0000,,- Man: Let the final procession begin.
Dialogue: 0,0:10:35.97,0:10:38.20,Default,,0000,0000,0000,,- Kelley: So that \Nthe whole thing is performed
Dialogue: 0,0:10:38.20,0:10:40.19,Default,,0000,0000,0000,,like, say, in a 24-hour period,
Dialogue: 0,0:10:40.19,0:10:42.94,Default,,0000,0000,0000,,so the day stands for the year.
Dialogue: 0,0:10:48.52,0:10:50.88,Default,,0000,0000,0000,,It's very much like a passion play.
Dialogue: 0,0:10:51.08,0:10:54.95,Default,,0000,0000,0000,,Though a somewhat formalized\Nand ridiculous passion play,
Dialogue: 0,0:10:54.95,0:10:57.98,Default,,0000,0000,0000,,though its ridiculousness is purposeful.
Dialogue: 0,0:10:57.98,0:11:03.06,Default,,0000,0000,0000,,- CAST (harmonizing): ♪ Mary...♪♪ Mary...♪
Dialogue: 0,0:11:04.65,0:11:08.96,Default,,0000,0000,0000,,♪ Mary...♪
Dialogue: 0,0:11:10.22,0:11:14.61,Default,,0000,0000,0000,,♪ Mary...♪
Dialogue: 0,0:11:14.92,0:11:20.15,Default,,0000,0000,0000,,♪ Mary...♪
Dialogue: 0,0:11:20.59,0:11:24.96,Default,,0000,0000,0000,,♪ Mary...♪
Dialogue: 0,0:11:25.14,0:11:30.05,Default,,0000,0000,0000,,♪ Mary...♪
Dialogue: 0,0:11:30.58,0:11:32.50,Default,,0000,0000,0000,,- Kelley: I think that's
Dialogue: 0,0:11:32.67,0:11:35.09,Default,,0000,0000,0000,,the joyfulness of it.
Dialogue: 0,0:11:37.33,0:11:40.25,Default,,0000,0000,0000,,But then it's a black humor; \Nit's a mean humor,
Dialogue: 0,0:11:40.82,0:11:42.80,Default,,0000,0000,0000,,so it's a critical joy.
Dialogue: 0,0:11:43.72,0:11:44.91,Default,,0000,0000,0000,,It's, y'know...
Dialogue: 0,0:11:45.34,0:11:46.78,Default,,0000,0000,0000,,it's negative joy.
Dialogue: 0,0:11:46.79,0:11:48.86,Default,,0000,0000,0000,,[laughs]
Dialogue: 0,0:11:49.60,0:11:51.71,Default,,0000,0000,0000,,But that's art, I think,
Dialogue: 0,0:11:51.77,0:11:53.20,Default,,0000,0000,0000,,y'know, for me at least.
Dialogue: 0,0:11:53.20,0:11:54.49,Default,,0000,0000,0000,,That's what separates it
Dialogue: 0,0:11:54.49,0:11:56.24,Default,,0000,0000,0000,,from the folk art that I'm going to,
Dialogue: 0,0:11:56.27,0:11:59.14,Default,,0000,0000,0000,,that I still think \Nthe social function of art
Dialogue: 0,0:11:59.19,0:12:00.34,Default,,0000,0000,0000,,is that kind of,
Dialogue: 0,0:12:01.31,0:12:02.62,Default,,0000,0000,0000,,negative aesthetic.
Dialogue: 0,0:12:03.44,0:12:04.91,Default,,0000,0000,0000,,Otherwise there's no
Dialogue: 0,0:12:05.00,0:12:06.32,Default,,0000,0000,0000,,social function for it.
Dialogue: 0,0:12:06.46,0:12:23.73,Default,,0000,0000,0000,,[women screaming]\N[upbeat funky music playing]
Dialogue: 0,0:12:23.78,0:12:33.92,Default,,0000,0000,0000,,[clapping in rhythm]
Dialogue: 0,0:12:35.51,0:12:49.88,Default,,0000,0000,0000,,[applause]