WEBVTT 00:00:07.180 --> 00:00:12.440 [Kara Walker: 开始起步] 00:00:14.260 --> 00:00:19.620 [Sikkema Jenkins & Co. 纽约] 00:00:26.520 --> 00:00:27.800 好吧,我觉得 00:00:27.810 --> 00:00:29.030 我可能需要用梯子 00:00:29.580 --> 00:00:31.320 你可以稍微移过去一点吗? 00:00:32.140 --> 00:00:33.300 还有,嗯。。。 00:00:40.850 --> 00:00:41.530 其实。。。 00:00:47.120 --> 00:00:49.940 我或许应该感谢24岁的自己 00:00:50.149 --> 00:00:52.520 可以做出一些明智之举。 00:00:52.520 --> 00:00:53.989 [The Drawing Center, 纽约] 00:00:53.989 --> 00:00:56.149 当我开始展示我的作品时, 00:00:56.149 --> 00:00:57.739 我当时在罗德岛州的普罗维登斯 00:00:57.739 --> 00:00:59.290 还是个学生。 00:00:59.290 --> 00:01:01.110 我那时是24岁。 00:01:01.110 --> 00:01:03.149 当时我有一件非常大突破的作品 00:01:03.149 --> 00:01:06.469 摆在纽约素描中心。 00:01:09.000 --> 00:01:11.540 它非常的柔弱因为只有的两个 00:01:11.540 --> 00:01:12.740 把他们保持着在一起的 00:01:12.740 --> 00:01:13.619 都在指尖。 00:01:14.540 --> 00:01:16.299 这是穿着裙子的Huck Finn, 00:01:16.299 --> 00:01:19.499 他的脚应该会在这里着落。 00:01:21.350 --> 00:01:23.810 当时的人们都很感兴趣,也很好奇。 00:01:23.810 --> 00:01:25.670 很多画廊的人都打电话来 00:01:25.670 --> 00:01:27.390 而且都想更加了解作品, 00:01:27.390 --> 00:01:29.560 还有艺术家,他们都来告诫我不要 00:01:29.560 --> 00:01:32.369 在这么年轻的时候就取得很大的成就。 00:01:33.340 --> 00:01:34.479 我当时的感觉是, 00:01:34.479 --> 00:01:36.419 ”我都还不了解我自己,“ 00:01:36.420 --> 00:01:38.180 “他们也不还没了解我,” 00:01:38.180 --> 00:01:40.680 “但如果我继续呆在普罗维登斯,” 00:01:40.680 --> 00:01:43.240 “当有机会来的时候就抓住,” 00:01:43.240 --> 00:01:44.200 “也挺好的。” 00:01:48.090 --> 00:01:51.009 我当时知道我还没有准好去纽约生活。 00:01:51.009 --> 00:01:53.500 但我知道改变是必然的, 00:01:53.500 --> 00:01:56.900 而且我也的确想要在准备好的时候来到这个城市。 00:01:57.900 --> 00:02:00.620 我教书也教了差不多12年左右, 00:02:00.630 --> 00:02:02.230 在哥伦比亚大学里教。 00:02:03.430 --> 00:02:06.329 我开始教课时也是个名副其实的小孩, 00:02:06.329 --> 00:02:09.098 而且当时我的年龄和很多毕业生都相同, 00:02:09.098 --> 00:02:11.038 感觉实在是太尴尬了。 00:02:12.400 --> 00:02:13.810 当我来到这个城市, 00:02:13.810 --> 00:02:18.370 我感觉我新的自我 00:02:18.370 --> 00:02:21.010 被撕成了碎片。 00:02:21.529 --> 00:02:23.730 我觉得我不想成为 00:02:23.730 --> 00:02:25.159 那种他们聘请的角色, 00:02:25.159 --> 00:02:28.499 那种“非常年轻就取得成功的成功艺术家”, 00:02:28.499 --> 00:02:30.409 “只是告诉人们怎样才能像我一样。” 00:02:32.180 --> 00:02:35.120 但我觉得我今年选择开始接受 00:02:35.129 --> 00:02:37.809 我应该懂些什么,因为毕竟已经有20年了, 00:02:45.219 --> 00:02:46.439 我不清楚那是些什么, 00:02:46.439 --> 00:02:47.709 但如果我不停的说, 00:02:47.709 --> 00:02:50.120 有意义的东西可能就会脱口而出。 00:02:50.120 --> 00:02:51.199 [Frieze Art Fair, 纽约] 00:02:51.199 --> 00:02:52.849 00:02:52.849 --> 00:02:54.519 00:02:54.519 --> 00:02:56.169 00:02:56.169 --> 00:02:57.779 00:02:57.779 --> 00:03:00.359 00:03:07.080 --> 00:03:11.799 00:03:12.480 --> 00:03:14.260 00:03:14.269 --> 00:03:16.400 00:03:16.400 --> 00:03:19.080 00:03:20.209 --> 00:03:22.959 00:03:22.959 --> 00:03:26.379 00:03:26.380 --> 00:03:28.680 00:03:30.520 --> 00:03:34.239 00:03:34.239 --> 00:03:38.659 00:03:38.659 --> 00:03:42.709 00:03:42.709 --> 00:03:43.579 00:03:43.579 --> 00:03:44.699 00:03:44.699 --> 00:03:47.199 00:03:47.900 --> 00:03:50.260 00:03:50.260 --> 00:03:52.660 00:03:52.660 --> 00:03:54.680 00:03:54.680 --> 00:03:55.859 00:03:55.859 --> 00:03:57.979 00:03:57.979 --> 00:04:00.409 00:04:00.409 --> 00:04:04.729 00:04:04.729 --> 00:04:07.549 00:04:09.299 --> 00:04:11.139 00:04:11.139 --> 00:04:13.409 00:04:13.409 --> 00:04:16.428