1 00:00:00,143 --> 00:00:02,893 (cheerful music) 2 00:00:06,490 --> 00:00:08,640 - [Speaker 1] We're looking at a beautiful painting 3 00:00:08,640 --> 00:00:12,180 of an astounding cactus by the great landscape painter, 4 00:00:12,180 --> 00:00:13,730 Jose Maria Velasco. 5 00:00:13,730 --> 00:00:17,000 And we're here in the National Museum of Art in Mexico City. 6 00:00:17,000 --> 00:00:18,370 - [Speaker 2] The painting that we're looking at 7 00:00:18,370 --> 00:00:21,430 is the famous "Candelabrum" cactus from Oaxaca. 8 00:00:21,430 --> 00:00:24,210 This particular Candelabrum cactus that Velasco 9 00:00:24,210 --> 00:00:28,240 has painted is near the town of Tecomavaca in Oaxaca state. 10 00:00:28,240 --> 00:00:31,970 - [Speaker 1] It fills the entire canvas, which is vertical, 11 00:00:31,970 --> 00:00:34,930 which is an unusual format for a landscape painting. 12 00:00:34,930 --> 00:00:37,100 You can see that he's carefully studied 13 00:00:37,100 --> 00:00:40,300 the way that the light falls on each of the branches 14 00:00:40,300 --> 00:00:41,470 of the cactus. 15 00:00:41,470 --> 00:00:43,950 - [Speaker 2] We know Velasco saw this on his travels 16 00:00:43,950 --> 00:00:45,710 and he became fascinated by it. 17 00:00:45,710 --> 00:00:49,170 And so, returned to it and did studies of the cactus 18 00:00:49,170 --> 00:00:51,720 to then create the painting that we're seeing here. 19 00:00:51,720 --> 00:00:54,200 - [Speaker 1] And yet, for all it's capturing 20 00:00:54,200 --> 00:00:57,010 perfectly of the light on the branches, 21 00:00:57,010 --> 00:01:01,900 it's also loosely painted in some areas along the tree, 22 00:01:01,900 --> 00:01:03,960 especially on the shady side. 23 00:01:03,960 --> 00:01:05,760 Those purple-ish pinks. 24 00:01:05,760 --> 00:01:09,700 You can feel a love of the Mexican countryside here. 25 00:01:09,700 --> 00:01:10,960 - [Speaker 2] Which is something that we can see 26 00:01:10,960 --> 00:01:13,220 throughout his paintings in the late 19th century, 27 00:01:13,220 --> 00:01:16,040 where there is this love of landscape as a symbol 28 00:01:16,040 --> 00:01:17,900 of the national identity of Mexico. 29 00:01:17,900 --> 00:01:19,820 - [Speaker 1] He's included a figure, so we have a sense 30 00:01:19,820 --> 00:01:23,360 of the enormous scale of the Candelabrum cactus, 31 00:01:23,360 --> 00:01:27,210 and also the smallness of man in relationship 32 00:01:27,210 --> 00:01:30,690 to the landscape, a sense of the age of this tree 33 00:01:30,690 --> 00:01:32,900 that's reached this enormous height, 34 00:01:32,900 --> 00:01:35,530 and the many generations of human beings 35 00:01:35,530 --> 00:01:38,600 that have passed while this cactus has endured. 36 00:01:38,600 --> 00:01:40,770 - [Speaker 2] Jose Maria Velasco, as a painter, 37 00:01:40,770 --> 00:01:43,190 was doing many of these different preparatory drawings, 38 00:01:43,190 --> 00:01:45,930 and was interested in the scientific accuracy 39 00:01:45,930 --> 00:01:46,970 of his paintings. 40 00:01:46,970 --> 00:01:48,480 As we look around the gallery here, 41 00:01:48,480 --> 00:01:51,930 we can see numerous examples of his studies of wildlife, 42 00:01:51,930 --> 00:01:55,160 of his studies of even the pre-Hispanic past. 43 00:01:55,160 --> 00:01:57,560 - [Speaker 1] This interest in Mexico 44 00:01:57,560 --> 00:02:00,510 in his own time, but also in Mexico looking back 45 00:02:00,510 --> 00:02:02,950 historically, archeological sites. 46 00:02:02,950 --> 00:02:06,500 There's a watercolor here that he did of an Aztec pot. 47 00:02:06,500 --> 00:02:08,880 Although the subject matter is Mexican, 48 00:02:08,880 --> 00:02:12,750 to me these landscapes really speak of the beauty of nature. 49 00:02:12,750 --> 00:02:14,230 - [Speaker 2] Endowing nature with this 50 00:02:14,230 --> 00:02:16,960 monumental, grandiose quality. 51 00:02:16,960 --> 00:02:19,710 (cheerful music)