0:00:05.143,0:00:06.956 My name is David Burns 0:00:06.956,0:00:10.480 I am a professional videographer, editor and media production professor. 0:00:10.480,0:00:13.621 I have also been a judge for the past ten years for the 0:00:13.621,0:00:15.717 prestigious Emmy Awards in the United States. 0:00:15.717,0:00:19.420 In my years of judging the one thing that remains consistent among Emmy Awards winners 0:00:19.420,0:00:23.789 is the effective use of basic sequencing of visual clips 0:00:23.789,0:00:27.964 The sequence is the foundation of all video storytelling. Sequences 0:00:27.964,0:00:32.468 one, help the editor compress time and create an interesting peace in the story 0:00:32.468,0:00:39.012 two, sequences satisfy the viewer basic human need for context and detail and 0:00:39.012,0:00:43.151 three, sequences allow the storyteller to efficiently and effectively 0:00:43.151,0:00:47.070 reinforce the narrative elements in his or her video story 0:00:47.070,0:00:52.224 To incorporate sequences in your stories should a variety of wide, medium and tight shots 0:00:52.224,0:00:56.736 this helps move the viewer through a story while keeping the viewer's interest 0:00:56.736,0:01:00.269 by changing shots and shot angels.[br]Here is how to do it[br] 0:01:00.269,0:01:03.203 Sequencing helps compress time in a video 0:01:03.203,0:01:08.362 you can condense something that take several minutes, hours or days into a very brief time 0:01:08.362,0:01:12.193 Shoot a few establishing shots of the action to provide context 0:01:12.193,0:01:16.741 use medium shots from different angles to give the viewer a variety of perspectives 0:01:16.741,0:01:22.452 then, shoot about four times as many close up's as wide shots or medium shots 0:01:22.452,0:01:26.729 to produce the detail necessary to satisfy the viewer desire for detail 0:01:26.729,0:01:31.282 As its name imply, a close up shows a small portion of the larger scene 0:01:31.282,0:01:34.967 that means close ups help avoid continuity jumps in action 0:01:34.967,0:01:37.971 also known as jump cuts which confuse the viewer 0:01:37.971,0:01:40.153 Here is an example of a jump cut 0:01:40.153,0:01:43.779 You see can how it disrupts continuity and disorients the viewer 0:01:43.779,0:01:47.902 Another way to condense time and avoid jump cuts in your stories 0:01:47.902,0:01:51.568 is to make sure that people performing the action leave the screen 0:01:51.568,0:01:55.124 once a person leaves the frame you can show them again doing something else 0:01:55.124,0:02:00.228 or even show them in a different location without breaking continuity or creating jump cuts 0:02:00.228,0:02:01.824 Here is a suggestion 0:02:01.824,0:02:07.317 when shooting visual sequences avoid using camera movements like pants, tilts and zooms 0:02:07.317,0:02:11.318 Keep the camera still and let the action occur within the frame 0:02:11.318,0:02:13.743 Don't feel compelled to follow the action 0:02:13.743,0:02:17.159 remember it's ok to let the action leave and enter the frame 0:02:17.159,0:02:20.576 One reason to avoid camera movements is a camera movements 0:02:20.576,0:02:24.468 take time to present and they can disrupt the pacing of your story telling 0:02:24.468,0:02:28.828 once you take these shots to the edit room to assemble these visuals together 0:02:28.828,0:02:35.367 The best film makers, documentarians and news videographers utilize sequencing to tell stories 0:02:35.367,0:02:39.410 since you can make a video sequence as long or as short as you want 0:02:39.410,0:02:43.141 a series of ten shots oryou can tell the same story in two or three shots 0:02:43.141,0:02:46.848 video sequencing allows the editor tremendous latitude 0:02:46.848,0:02:50.885 We will talk about editing the visual sequence together in a different tutorial 0:02:50.885,0:02:55.014 but now you know the fundamentals of shooting a sequence of video shots. 0:02:55.014,0:02:56.901 Good luck and have fun.