[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:06.68,0:00:10.57,Default,,0000,0000,0000,,Simona de Bovuar 21 yoshida Fransiyadagi\Neng martabali universitetning
Dialogue: 0,0:00:10.57,0:00:15.04,Default,,0000,0000,0000,,falsafa tanlovida ishtirok etgan \Neng yosh talabaga aylanadi.
Dialogue: 0,0:00:15.04,0:00:17.05,Default,,0000,0000,0000,,Tanlovdan muvaffaqiyatli o'tadi.
Dialogue: 0,0:00:17.05,0:00:19.58,Default,,0000,0000,0000,,Ammo falsafa qoidalarini\Npuxta o'zlashtirishi bilanoq,
Dialogue: 0,0:00:19.58,0:00:21.35,Default,,0000,0000,0000,,ularni buzmoqchi bo'ladi.
Dialogue: 0,0:00:21.35,0:00:24.38,Default,,0000,0000,0000,,U Aflotunning fizik dunyo oliy haqiqatlar
Dialogue: 0,0:00:24.38,0:00:27.28,Default,,0000,0000,0000,,va o'zgarmas ideallarning soyasi sifatida
Dialogue: 0,0:00:27.28,0:00:30.22,Default,,0000,0000,0000,,talqin etilgan \NG'oyalar nazariyasini o'rganadi.
Dialogue: 0,0:00:30.22,0:00:34.07,Default,,0000,0000,0000,,Ammo de Bovuar uchun \Nyerdagi hayot zavqli,
Dialogue: 0,0:00:34.07,0:00:36.02,Default,,0000,0000,0000,,his-tuyg'uga boy, \No'zgaruvchan dunyo edi.
Dialogue: 0,0:00:36.02,0:00:40.36,Default,,0000,0000,0000,,Fizik dunyoni to'la-to'kis tadqiq etish\Nistagi uning hayot yo'lini belgilab beradi
Dialogue: 0,0:00:40.36,0:00:44.66,Default,,0000,0000,0000,,va fanda keskin burilish yasagan \Nyangi falsafalarga ilhomlantiradi.
Dialogue: 0,0:00:44.66,0:00:49.04,Default,,0000,0000,0000,,Intellektual do'sti va sevgan kishisi Jan\NPol Sartr bilan oxiri yo'q munozaralarga
Dialogue: 0,0:00:49.04,0:00:53.28,Default,,0000,0000,0000,,kirishishgan de Bovuar iroda erkinligi, \Nxohish, huquq va majburiyatlar hamda
Dialogue: 0,0:00:53.28,0:00:56.10,Default,,0000,0000,0000,,shaxsiy tajribaning ahamiyati\Nhaqida mushohada yuritadi.
Dialogue: 0,0:00:56.10,0:00:58.22,Default,,0000,0000,0000,,Ikkinchi Jahon Urushidan keyingi yillarda
Dialogue: 0,0:00:58.22,0:01:00.82,Default,,0000,0000,0000,,bu g'oyalar ularning \Nilmiy faoliyati bilan chambarchas
Dialogue: 0,0:01:00.82,0:01:05.46,Default,,0000,0000,0000,,bog'liq bo'lgan falsafiy oqim –\Nekzistensializmga aylandi. Yahudiy-
Dialogue: 0,0:01:05.46,0:01:07.63,Default,,0000,0000,0000,,-nasroniylik an'analari\Nodamlar oldindan tayin
Dialogue: 0,0:01:07.63,0:01:10.18,Default,,0000,0000,0000,,etilgan maqsad bilan dunyoga \Nkeladilar deb o'rgatgan
Dialogue: 0,0:01:10.18,0:01:14.10,Default,,0000,0000,0000,,bir vaqtda de Bovuar va Sartr \Ninqilobiy g'oyani o'rtaga tashlaydi.
Dialogue: 0,0:01:14.10,0:01:16.32,Default,,0000,0000,0000,,Ular inson erkin bo'lib tug'iladi va
Dialogue: 0,0:01:16.32,0:01:19.54,Default,,0000,0000,0000,,hech qanday ilohiy muddaosiz yaratiladi, \Ndeya munozara yuritadilar.
Dialogue: 0,0:01:19.54,0:01:24.34,Default,,0000,0000,0000,,De Bovuar e'tirof etganidek, bu erkinlik \Nham baxt, ham tashvish keltiradi.
Dialogue: 0,0:01:24.34,0:01:28.99,Default,,0000,0000,0000,,"Mujmallik etikasi" asarida u bizning eng\Nkatta axloqiy majburiyatimiz o'z hayotimiz
Dialogue: 0,0:01:28.99,0:01:31.41,Default,,0000,0000,0000,,mohiyatini o'zimiz yaratishimiz\Nva boshqalarning
Dialogue: 0,0:01:31.41,0:01:34.45,Default,,0000,0000,0000,,bu erkinligini himoya qilishimizdan \Niborat, deb ta'kidlaydi.
Dialogue: 0,0:01:34.45,0:01:36.14,Default,,0000,0000,0000,,De Bovuar qayd etganidek:
Dialogue: 0,0:01:36.14,0:01:41.52,Default,,0000,0000,0000,,"O'zgalar erkinligini inkor etuvchi \Nerkinlikdan voz kechish lozim."
Dialogue: 0,0:01:41.52,0:01:45.75,Default,,0000,0000,0000,,Mazkur falsafa talabalarni xohishlarimiz \Ntufayli yuzaga keluvchi muammolarni
Dialogue: 0,0:01:45.75,0:01:49.55,Default,,0000,0000,0000,,zohiriy hamda botiniy jihatdan \No'rganishga undaydi.
Dialogue: 0,0:01:49.55,0:01:52.49,Default,,0000,0000,0000,,De Bovuar o'z hayotiy maslagini \Nizlashga kirishar ekan,
Dialogue: 0,0:01:52.49,0:01:54.02,Default,,0000,0000,0000,,o'ziga savol bera boshlaydi:
Dialogue: 0,0:01:54.02,0:01:56.100,Default,,0000,0000,0000,,agar har kim hayot mohiyatini\Nmustaqil belgilashga haqli
Dialogue: 0,0:01:56.100,0:02:01.59,Default,,0000,0000,0000,,bo'lsa, nega jamiyat uni ayollar haqidagi \Nideallari bilan cheklab qo'ydi?
Dialogue: 0,0:02:01.59,0:02:04.84,Default,,0000,0000,0000,,Yozuvchi, o'qituvchi va faol jamoatchi\Nsifatida sermahsul ijodiga
Dialogue: 0,0:02:04.84,0:02:08.41,Default,,0000,0000,0000,,qaramay, erkak tengdoshlari uning \Nqarashlarini jiddiy qabul qilmaydi.
Dialogue: 0,0:02:08.41,0:02:11.85,Default,,0000,0000,0000,,Universitetda o'qish, memuar,\Nbadiiy va falsafiy asarlar yozishni maqsad
Dialogue: 0,0:02:11.85,0:02:16.16,Default,,0000,0000,0000,,qilgan de Bovar o'zining katolik tarbiyasi\Nva turmush qurish niyatidan voz kechadi.
Dialogue: 0,0:02:16.16,0:02:18.88,Default,,0000,0000,0000,,Ammo shaxs erkinligini \Nqadrlamagan erkaklar
Dialogue: 0,0:02:18.88,0:02:21.30,Default,,0000,0000,0000,,bu hayot tarzi keltirgan \Ntavakkalchiliklarga
Dialogue: 0,0:02:21.30,0:02:23.50,Default,,0000,0000,0000,,yetarlicha baho bermaydi.
Dialogue: 0,0:02:23.50,0:02:26.57,Default,,0000,0000,0000,,Ayollarning ichki dunyosi, qolaversa,
Dialogue: 0,0:02:26.57,0:02:28.78,Default,,0000,0000,0000,,muallifning oshkora munosabati \Nva biseksualizm
Dialogue: 0,0:02:28.78,0:02:32.80,Default,,0000,0000,0000,,tadqiq etilgan asarlarga \Nerkak faylasuflar qiziqish bildirmaydi.
Dialogue: 0,0:02:32.80,0:02:35.07,Default,,0000,0000,0000,,O'z qarashlarining ahamiyatini\Nnamoyish etish
Dialogue: 0,0:02:35.07,0:02:38.60,Default,,0000,0000,0000,,maqsadida de Bovuar eng murakkab \Nkitobini yozishga kirishadi.
Dialogue: 0,0:02:38.60,0:02:41.91,Default,,0000,0000,0000,,Ekzistensializm asoslarini \Nyaratgani sinagri endi u
Dialogue: 0,0:02:41.91,0:02:45.37,Default,,0000,0000,0000,,gender chegaralarini \Nyangidan izohlab beradi.
Dialogue: 0,0:02:45.37,0:02:50.67,Default,,0000,0000,0000,,1949-yilda nashr etilgan "Ikkinchi jins"da\Njins ham hayot mazmunidek taqdir tomonidan
Dialogue: 0,0:02:50.67,0:02:52.69,Default,,0000,0000,0000,,belgilanmasligi fikri ilgari suriladi.
Dialogue: 0,0:02:52.69,0:02:54.79,Default,,0000,0000,0000,,De Bovuarning mashhur\Niborasi bilan aytganda,
Dialogue: 0,0:02:54.79,0:02:58.41,Default,,0000,0000,0000,,"kishi ayol bo'lib tug'ilmaydi, \Nbalki ayolga aylanadi".
Dialogue: 0,0:02:58.41,0:03:02.67,Default,,0000,0000,0000,,Uning fikricha, ayolga aylanish uchun\Nodam "O'zga"ga aylanishiga to'g'ri keladi.
Dialogue: 0,0:03:02.67,0:03:06.39,Default,,0000,0000,0000,,De Bovuar ayollarni tarixan \Nideal inson deb hisoblangan
Dialogue: 0,0:03:06.39,0:03:10.53,Default,,0000,0000,0000,,erkaklar bilan teng ko'rmaslik jarayonini
Dialogue: 0,0:03:10.53,0:03:13.01,Default,,0000,0000,0000,,«O'zgaga aylantirish» deb ataydi.\N"O'zga"ga aylangan
Dialogue: 0,0:03:13.01,0:03:17.18,Default,,0000,0000,0000,,kishi sifatida u ayollarga 2-darajali\Ninson deb munosabat bildirilgani va
Dialogue: 0,0:03:17.18,0:03:21.55,Default,,0000,0000,0000,,shuning uchun ularning erkinligi \Ndoim cheklanib kelinganini tanqid qiladi.
Dialogue: 0,0:03:21.55,0:03:24.94,Default,,0000,0000,0000,,"Ikkinchi jins" ayollarga ko'rsatilgan \Njabr-zulmni behisob
Dialogue: 0,0:03:24.94,0:03:27.56,Default,,0000,0000,0000,,tarixiy voqealar orqali yoritib bergan
Dialogue: 0,0:03:27.56,0:03:29.100,Default,,0000,0000,0000,,muhim feministik traktatga aylanadi.
Dialogue: 0,0:03:29.100,0:03:33.07,Default,,0000,0000,0000,,Shaxsiy tajriba va falsafiy qarashlar
Dialogue: 0,0:03:33.07,0:03:34.89,Default,,0000,0000,0000,,asosiga qurilgan asar tili
Dialogue: 0,0:03:34.89,0:03:38.37,Default,,0000,0000,0000,,feminizm nazariyasiga\Nyangicha ruh bag'ishlaydi.
Dialogue: 0,0:03:38.37,0:03:42.92,Default,,0000,0000,0000,,Bu bahslar bugun ham de Bovuarning \Ntenglik uchun kurashda "falsafa va hayotni
Dialogue: 0,0:03:42.92,0:03:44.78,Default,,0000,0000,0000,,bir-biridan ajratib bo'lmaydi"
Dialogue: 0,0:03:44.78,0:03:48.71,Default,,0000,0000,0000,,degan qarashlarini aks ettiradi.
Dialogue: 0,0:03:48.71,0:03:51.52,Default,,0000,0000,0000,,O'z sohasida yangilik bo'lgan \Nhar qanday asar singari
Dialogue: 0,0:03:51.52,0:03:55.50,Default,,0000,0000,0000,,"Ikkinchi jins" dagi g'oyalar ham nashr \Netilishi bilan keng yoyila boshlaydi.
Dialogue: 0,0:03:55.50,0:03:58.89,Default,,0000,0000,0000,,Ko'plab zamonaviy mutafakkirlar\Nodamlar "O'zgaga aylanish"ning de Bovuar
Dialogue: 0,0:03:58.89,0:04:00.98,Default,,0000,0000,0000,,tan olmagan boshqa \Nusullarini o'rganishadi.
Dialogue: 0,0:04:00.98,0:04:03.77,Default,,0000,0000,0000,,Bular sirasiga irqiy va \Niqtisodiy kelib chiqish,
Dialogue: 0,0:04:03.77,0:04:09.06,Default,,0000,0000,0000,,shuningdek, gender va \Njinsiy o'ziga xosliklar kiradi.
Dialogue: 0,0:04:09.06,0:04:11.33,Default,,0000,0000,0000,,De Bovuar ijodiy merosi\Nuning 2 talabasi qo'ygan
Dialogue: 0,0:04:11.33,0:04:16.00,Default,,0000,0000,0000,,jinsiy zo'ravonlik haqidagi ayblov tufayli\Nkatta bahs-munozaralarga sabab bo'ladi.
Dialogue: 0,0:04:16.00,0:04:17.87,Default,,0000,0000,0000,,O'z lavozimini suiiste'mol qilganlikda
Dialogue: 0,0:04:17.87,0:04:21.97,Default,,0000,0000,0000,,ayblangach uning o'qituvchilik \Nlitsenziyasi bekor qilinadi.
Dialogue: 0,0:04:21.97,0:04:26.29,Default,,0000,0000,0000,,Bu va boshqa sabablarga ko'ra, de Bovuar \Nhayoti munozarali masala bo'lib qoladi,
Dialogue: 0,0:04:26.29,0:04:31.34,Default,,0000,0000,0000,,uning faoliyati esa feminizmda\Ntortishuvli davrni boshlab beradi.
Dialogue: 0,0:04:31.34,0:04:34.86,Default,,0000,0000,0000,,Vafotiga qadar (1986-yil ) u butun umri\Ndavomida badiiy, falsafiy va memuar
Dialogue: 0,0:04:34.86,0:04:39.79,Default,,0000,0000,0000,,asarlari orqali bu bahs-u \Nmunozaralarda ishtirok etadi.
Dialogue: 0,0:04:39.79,0:04:42.62,Default,,0000,0000,0000,,Bugun uning asarlari falsafiy tilini\Nqayta kashf etuvchilar
Dialogue: 0,0:04:42.62,0:04:46.18,Default,,0000,0000,0000,,ham, unga qarshi isyon \Nko'taruvchilar ham topiladi.
Dialogue: 0,0:04:46.18,0:04:49.83,Default,,0000,0000,0000,,Inqilobchi mutaffakir bunday javobni \Nochiq qarshi olsa ajab emas.