1 00:00:00,000 --> 00:00:02,000 我是个学者 2 00:00:02,000 --> 00:00:04,000 或者更准确地说, 3 00:00:04,000 --> 00:00:06,000 一个高功能 4 00:00:06,000 --> 00:00:08,000 自闭症学者。 5 00:00:08,000 --> 00:00:10,000 这是一种少见的情况。 6 00:00:10,000 --> 00:00:13,000 更罕见的是, 7 00:00:13,000 --> 00:00:15,000 我的这种状况, 8 00:00:15,000 --> 00:00:17,000 还伴随自我感知意识 9 00:00:17,000 --> 00:00:20,000 而且还精通语言。 10 00:00:20,000 --> 00:00:23,000 比较常见的是,当我遇到一些人 11 00:00:23,000 --> 00:00:25,000 他们知道我的这些情况, 12 00:00:25,000 --> 00:00:28,000 这就会有点尴尬。 13 00:00:28,000 --> 00:00:31,000 我能从他们的眼里看出来 14 00:00:31,000 --> 00:00:34,000 他们想问我一些事情 15 00:00:34,000 --> 00:00:36,000 经常是到了最后 16 00:00:36,000 --> 00:00:39,000 他们的强烈好奇就绷不住了 17 00:00:39,000 --> 00:00:41,000 他们会脱口而问: 18 00:00:41,000 --> 00:00:43,000 “如果我告诉你我的生日, 19 00:00:43,000 --> 00:00:45,000 你能告诉我,我是星期几出生的吗?” 20 00:00:45,000 --> 00:00:48,000 (笑声) 21 00:00:48,000 --> 00:00:51,000 或者他们会提到立方根 22 00:00:51,000 --> 00:00:55,000 又或者让我背一个很长的数字或文字。 23 00:00:55,000 --> 00:00:57,000 请你们原谅我 24 00:00:57,000 --> 00:01:00,000 今天我不会在这儿展示 25 00:01:00,000 --> 00:01:04,000 这类似的“学者表演” 26 00:01:04,000 --> 00:01:07,000 今天我不谈这些 27 00:01:07,000 --> 00:01:09,000 说点其它的 28 00:01:09,000 --> 00:01:11,000 更有趣的话题 29 00:01:11,000 --> 00:01:14,000 而不是生日和立方根之类的-- 30 00:01:14,000 --> 00:01:16,000 会有一点深奥 31 00:01:16,000 --> 00:01:19,000 会比我的天赋更接近我的思想。 32 00:01:19,000 --> 00:01:21,000 我想简单的和你们谈谈 33 00:01:21,000 --> 00:01:24,000 关于感知。 34 00:01:24,000 --> 00:01:27,000 契诃夫写那些让他扬名的 35 00:01:27,000 --> 00:01:29,000 剧本和小故事时, 36 00:01:29,000 --> 00:01:32,000 他习惯随身带着笔记本, 37 00:01:32,000 --> 00:01:34,000 随手记录 38 00:01:34,000 --> 00:01:36,000 记录下他的观察 39 00:01:36,000 --> 00:01:38,000 记录下他周围的世界 40 00:01:38,000 --> 00:01:40,000 那些都是些小细节 41 00:01:40,000 --> 00:01:43,000 可其他人易忽略那些细节。 42 00:01:43,000 --> 00:01:46,000 每次我读契诃夫的作品 43 00:01:46,000 --> 00:01:50,000 以及他对人们生活的独特见解 44 00:01:50,000 --> 00:01:52,000 我都认识到 45 00:01:52,000 --> 00:01:54,000 为什么我也能成为一个作家。 46 00:01:54,000 --> 00:01:56,000 在我的书里, 47 00:01:56,000 --> 00:01:58,000 我探索了感知的本质, 48 00:01:58,000 --> 00:02:01,000 以及不同的感觉 49 00:02:01,000 --> 00:02:03,000 如何创造出不同的感知 50 00:02:03,000 --> 00:02:06,000 和不同的理解。 51 00:02:08,000 --> 00:02:10,000 下面有三个问题 52 00:02:10,000 --> 00:02:12,000 源于我的研究。 53 00:02:12,000 --> 00:02:14,000 与其说要解决这些问题, 54 00:02:14,000 --> 00:02:17,000 我更想邀请你们感受一下 55 00:02:17,000 --> 00:02:19,000 那种直觉 56 00:02:19,000 --> 00:02:21,000 和那种本能 57 00:02:21,000 --> 00:02:23,000 那些当你看到题目时 58 00:02:23,000 --> 00:02:26,000 在你的头脑和内心里出现的直觉和本能。 59 00:02:26,000 --> 00:02:29,000 例如这个计算题, 60 00:02:29,000 --> 00:02:31,000 你能感知到那行数字 61 00:02:31,000 --> 00:02:34,000 答案可能是多少吗? 62 00:02:34,000 --> 00:02:37,000 或者看看这个外语单词和读音 63 00:02:37,000 --> 00:02:39,000 你能猜到大概的意思吗 64 00:02:39,000 --> 00:02:42,000 那种直觉给出的答案? 65 00:02:42,000 --> 00:02:45,000 这行诗, 66 00:02:45,000 --> 00:02:47,000 诗人为什么用hare (兔)这个词 67 00:02:47,000 --> 00:02:50,000 而不是用rabbit(兔)? 68 00:02:51,000 --> 00:02:53,000 我请你们思考这些 69 00:02:53,000 --> 00:02:57,000 因为我相信我们的个人感知 70 00:02:57,000 --> 00:02:59,000 是我们如何获取知识的 71 00:02:59,000 --> 00:03:01,000 核心 72 00:03:01,000 --> 00:03:03,000 感知判断, 73 00:03:03,000 --> 00:03:06,000 而非抽象推理, 74 00:03:06,000 --> 00:03:08,000 指导并塑造了我们了解事物的过程 75 00:03:08,000 --> 00:03:11,000 由此我们都会了解到 76 00:03:11,000 --> 00:03:13,000 我们所感知的东西。 77 00:03:13,000 --> 00:03:16,000 我是一个极端的例子。 78 00:03:16,000 --> 00:03:19,000 在我的文字和数字世界里, 79 00:03:19,000 --> 00:03:21,000 色彩,情感 80 00:03:21,000 --> 00:03:23,000 和个性都是混合在一起的。 81 00:03:23,000 --> 00:03:25,000 就像Juan胡安所说的, 82 00:03:25,000 --> 00:03:28,000 科学家们称这种情况是联觉, 83 00:03:28,000 --> 00:03:30,000 一种不常见的通感 84 00:03:30,000 --> 00:03:33,000 连结各种感觉。 85 00:03:36,000 --> 00:03:38,000 这里是数字1到12 86 00:03:38,000 --> 00:03:40,000 在我眼里 87 00:03:40,000 --> 00:03:44,000 每个数字都有着自己的形状和特点。 88 00:03:44,000 --> 00:03:46,000 1是一闪的白光 89 00:03:46,000 --> 00:03:51,000 6是微小而悲伤的黑洞 90 00:03:51,000 --> 00:03:54,000 这些速写是黑白的 91 00:03:54,000 --> 00:03:56,000 但是在我眼里他们是有色彩的。 92 00:03:56,000 --> 00:03:58,000 3是绿色的 93 00:03:58,000 --> 00:04:00,000 4是蓝色的 94 00:04:00,000 --> 00:04:03,000 5是黄色的 95 00:04:05,000 --> 00:04:07,000 我把它们画下来 96 00:04:07,000 --> 00:04:10,000 这是我的一幅画。 97 00:04:10,000 --> 00:04:14,000 这是两个素数的乘法 98 00:04:14,000 --> 00:04:16,000 呈三维形状 99 00:04:16,000 --> 00:04:19,000 和中间形成的空间 100 00:04:19,000 --> 00:04:21,000 又组成了一个新的形状, 101 00:04:21,000 --> 00:04:24,000 就是他们的总和。 102 00:04:24,000 --> 00:04:26,000 更"大"的数字会怎么样呢? 103 00:04:26,000 --> 00:04:30,000 你不能得到一个比圆周率派Pi更“大”的数字了, 104 00:04:30,000 --> 00:04:32,000 它是数学常数。 105 00:04:32,000 --> 00:04:34,000 是一个无限的数字-- 106 00:04:34,000 --> 00:04:36,000 就是说它永远不会结束。 107 00:04:36,000 --> 00:04:38,000 在我画的这个图里, 108 00:04:38,000 --> 00:04:42,000 是派Pi的前20位数字, 109 00:04:42,000 --> 00:04:44,000 我使用颜色, 110 00:04:44,000 --> 00:04:47,000 情感和纹理 111 00:04:47,000 --> 00:04:49,000 我把这些组合到一起, 112 00:04:49,000 --> 00:04:54,000 就成了一个起伏的数字风景画。 113 00:04:54,000 --> 00:04:57,000 在我眼里不仅数字是有颜色的, 114 00:04:57,000 --> 00:04:59,000 对我来说,文字也一样 115 00:04:59,000 --> 00:05:01,000 有颜色,情感, 116 00:05:01,000 --> 00:05:03,000 和纹理。 117 00:05:03,000 --> 00:05:05,000 这是 118 00:05:05,000 --> 00:05:07,000 出自小说《洛丽塔》的开场白(Lolita, light of my life)。 119 00:05:07,000 --> 00:05:11,000 作者纳博科夫本身就是有联觉的 120 00:05:11,000 --> 00:05:13,000 你从这里可以看出来, 121 00:05:13,000 --> 00:05:16,000 我对L这个音的感觉 122 00:05:16,000 --> 00:05:18,000 使得字头押韵 123 00:05:18,000 --> 00:05:21,000 能突出感觉。 124 00:05:21,000 --> 00:05:23,000 另一个例子 125 00:05:23,000 --> 00:05:25,000 稍微有一点数学化了。 126 00:05:25,000 --> 00:05:27,000 我想知道你们中的某些人是否会注意到 127 00:05:27,000 --> 00:05:29,000 出自 128 00:05:29,000 --> 00:05:32,000 《了不起的盖茨比》 (又译《大亨小传》)的这个句子结构。 129 00:05:33,000 --> 00:05:36,000 有这么一行音节-- 130 00:05:36,000 --> 00:05:38,000 谷物,一个音节; 131 00:05:38,000 --> 00:05:40,000 大草原,二个音节; 132 00:05:40,000 --> 00:05:43,000 丢失的瑞典人镇,三个音节-- 133 00:05:43,000 --> 00:05:45,000 一,二,三。 134 00:05:45,000 --> 00:05:49,000 这种押韵的效果让人感到身心非常愉悦, 135 00:05:49,000 --> 00:05:51,000 也让我们感到句子 136 00:05:51,000 --> 00:05:54,000 很通畅。 137 00:05:54,000 --> 00:05:56,000 让我们回到 138 00:05:56,000 --> 00:05:59,000 我之前提出的问题上来 139 00:05:59,000 --> 00:06:02,000 64乘以75 140 00:06:02,000 --> 00:06:05,000 如果你们中有人下棋, 141 00:06:05,000 --> 00:06:07,000 你会知道64 142 00:06:07,000 --> 00:06:10,000 是一个平方数 143 00:06:10,000 --> 00:06:12,000 这也是为什么棋盘 144 00:06:12,000 --> 00:06:14,000 边长为8×8 145 00:06:14,000 --> 00:06:17,000 而有了64个方格 146 00:06:17,000 --> 00:06:19,000 这样我们就得到一个表格 147 00:06:19,000 --> 00:06:22,000 用来画图和感知。 148 00:06:22,000 --> 00:06:25,000 那么如果是75呢? 149 00:06:25,000 --> 00:06:27,000 假如是100 150 00:06:27,000 --> 00:06:30,000 如果我们把100想成一个正方形, 151 00:06:30,000 --> 00:06:33,000 75就会是这个样子。 152 00:06:33,000 --> 00:06:35,000 那么我们现在要做的就是 153 00:06:35,000 --> 00:06:37,000 把这两个图组合起 154 00:06:37,000 --> 00:06:39,000 一同放入脑海中- 155 00:06:39,000 --> 00:06:42,000 就是这个样子。 156 00:06:42,000 --> 00:06:46,000 64就成了6,400 157 00:06:46,000 --> 00:06:50,000 在右下角 158 00:06:50,000 --> 00:06:52,000 你不需要任何计算 159 00:06:52,000 --> 00:06:54,000 4个横跨的,4个上下的-- 160 00:06:54,000 --> 00:06:57,000 得到16. 161 00:06:57,000 --> 00:06:59,000 那么你需要做的就是 162 00:06:59,000 --> 00:07:01,000 加总和16, 163 00:07:01,000 --> 00:07:04,000 16, 16。 164 00:07:04,000 --> 00:07:06,000 这简单多了 165 00:07:06,000 --> 00:07:09,000 我相信比学校教给你的方法简单。 166 00:07:09,000 --> 00:07:11,000 16,16,16, 得到48. 167 00:07:11,000 --> 00:07:13,000 那么就是4,800-- 168 00:07:13,000 --> 00:07:15,000 4,800 169 00:07:15,000 --> 00:07:18,000 这就是最后答案。 170 00:07:18,000 --> 00:07:20,000 当你知道怎么做,问题就容易了。 171 00:07:20,000 --> 00:07:23,000 (笑声) 172 00:07:23,000 --> 00:07:26,000 第二个问题是一个冰岛单词。 173 00:07:26,000 --> 00:07:29,000 我相信在座的没有几个人 174 00:07:29,000 --> 00:07:31,000 会说冰岛语的。 175 00:07:31,000 --> 00:07:34,000 那么我把问题缩减成两个。 176 00:07:36,000 --> 00:07:38,000 Hnugginn: 177 00:07:38,000 --> 00:07:40,000 这单词是指快乐的意思 178 00:07:40,000 --> 00:07:42,000 还是指悲伤的? 179 00:07:42,000 --> 00:07:44,000 你怎么认为? 180 00:07:45,000 --> 00:07:47,000 好的。 181 00:07:47,000 --> 00:07:49,000 有人说是快乐的, 182 00:07:49,000 --> 00:07:51,000 但是大多数人 183 00:07:51,000 --> 00:07:53,000 说是悲伤的。 184 00:07:53,000 --> 00:07:57,000 这个词实际意思是悲伤的。 185 00:07:57,000 --> 00:08:00,000 (笑声) 186 00:08:00,000 --> 00:08:03,000 为什么统计下来 187 00:08:03,000 --> 00:08:05,000 在此,大多数人认为 188 00:08:05,000 --> 00:08:07,000 这个词是悲伤的, 189 00:08:07,000 --> 00:08:10,000 而在另一个情景里,是痛苦的意思? 190 00:08:10,000 --> 00:08:13,000 根据我的理论,语言的发展经历了这样的过程 191 00:08:13,000 --> 00:08:15,000 匹配声音 192 00:08:15,000 --> 00:08:18,000 对应主题 193 00:08:18,000 --> 00:08:20,000 同时伴随着 194 00:08:20,000 --> 00:08:22,000 听者个人 195 00:08:22,000 --> 00:08:24,000 的直观经验来发展。 196 00:08:25,000 --> 00:08:28,000 让我们看看第三个问题。 197 00:08:29,000 --> 00:08:32,000 这是约翰·济慈的诗里的一句。 198 00:08:32,000 --> 00:08:35,000 文字像数字, 199 00:08:35,000 --> 00:08:38,000 能够表达本质关系 200 00:08:38,000 --> 00:08:40,000 由外物 201 00:08:40,000 --> 00:08:42,000 事件和力量 202 00:08:42,000 --> 00:08:44,000 组成我们的世界。 203 00:08:44,000 --> 00:08:47,000 显然,我们生存在这个世界上 204 00:08:47,000 --> 00:08:49,000 应该在我们的有生之年 205 00:08:49,000 --> 00:08:52,000 直观地汲取这些关系。 206 00:08:52,000 --> 00:08:55,000 诗人就像其他艺术家一样, 207 00:08:55,000 --> 00:08:58,000 演绎着那些直观的理解。 208 00:08:58,000 --> 00:09:01,000 兔子的那个问题, 209 00:09:01,000 --> 00:09:03,000 hare在英语里是一个有点含糊的词 210 00:09:03,000 --> 00:09:06,000 这个词也可以是头上的毛发的意思。 211 00:09:06,000 --> 00:09:08,000 如果我们考虑到这个-- 212 00:09:08,000 --> 00:09:10,000 让我把这个图拿上来-- 213 00:09:10,000 --> 00:09:13,000 毛发代表着脆弱 214 00:09:14,000 --> 00:09:17,000 他们让步于最轻微的运动 215 00:09:17,000 --> 00:09:20,000 或手势,或情感。 216 00:09:20,000 --> 00:09:24,000 所以你就得到一种 217 00:09:24,000 --> 00:09:26,000 脆弱紧张的感觉气氛。 218 00:09:26,000 --> 00:09:28,000 那个兔子,一个动物- 219 00:09:28,000 --> 00:09:31,000 不是猫,不是狗,而是一只兔子-- 220 00:09:31,000 --> 00:09:33,000 为什么是一只兔子? 221 00:09:33,000 --> 00:09:35,000 因为联想到这副图, 222 00:09:35,000 --> 00:09:37,000 不是这句话,而是这个图。 223 00:09:37,000 --> 00:09:39,000 超长的耳朵 224 00:09:39,000 --> 00:09:41,000 超大的脚 225 00:09:41,000 --> 00:09:44,000 帮助我们描绘、去凭直觉感知 226 00:09:44,000 --> 00:09:47,000 跛脚的感觉 227 00:09:47,000 --> 00:09:50,000 和颤抖的感觉。 228 00:09:50,000 --> 00:09:52,000 在这几分钟里, 229 00:09:52,000 --> 00:09:54,000 我希望我能够分享 230 00:09:54,000 --> 00:09:57,000 一些我的视角 231 00:09:57,000 --> 00:10:00,000 并向你们展现 232 00:10:00,000 --> 00:10:03,000 文字也有颜色,情感 233 00:10:03,000 --> 00:10:06,000 数字,形状和性格。 234 00:10:06,000 --> 00:10:08,000 这世界 235 00:10:08,000 --> 00:10:10,000 比它看起来会更丰富, 236 00:10:10,000 --> 00:10:13,000 更广阔。 237 00:10:13,000 --> 00:10:16,000 希望我给你们带来一种渴望 238 00:10:16,000 --> 00:10:19,000 从新视角来看待这个世界。 239 00:10:19,000 --> 00:10:21,000 谢谢。 240 00:10:21,000 --> 00:10:32,000 (掌声)