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人們問我我的主要靈感來源是甚麼

2
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我說是古希臘戲劇

3
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例如2300年前寫的 "美狄亞"

4
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講述一個女人因有關丈夫的嫉妒
而謀殺親生兒子

5
00:00:04,815 --> 00:00:05,056
這絕對是犯罪小說

6
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唯一分別是故事中沒有警察

7
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因為當時古希臘沒有警察

8
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不過如果有的話，我擔保戲劇中一定會出現

9
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這故事用罪案反映現實社會的矛盾

10
00:00:23,954 --> 00:00:29,121
所以引起我的興趣

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或在 "馬克白" 中用尼克遜代替馬克白

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(美國前總統)

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也會得出差不多同一個故事

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所以沒錯，我受犯罪小說啟發

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例如說福爾摩斯

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很多故事談及英國社會的矛盾等

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所以我不認為寫犯罪小說或其他故事有甚麼分別

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我膽敢說犯罪小說是最古老的文學類別之一

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不是由愛倫坡發明。年代久遠很多。

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我的祖先都是音樂家，在教會演奏管風琴

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我祖父是作曲家，我小時候覺得我都是音樂家

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但我彈着小提琴，很快就意識到
我永遠不會達到自己希望中那麼好

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所以我可以說是選了另一種樂器，
因為寫作都是一種樂器

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但你亦可以說音樂是寫作必要元素

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就如繪畫、雕塑、任何藝術創作一樣

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我家充滿音樂，亦充滿書本

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我在非常非常自由的家庭長大

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沒有介意我深夜還在讀書

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也沒人問我在看甚麼

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這對我來說就算是非常自由的家庭

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我童年特別之處是我沒有母親

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她離開了，所以我跟爸爸住

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他很忙，但我記得我有時會在晚上
跟他說我看過的書

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他很聰明，會花那兩分鐘聽我說傻話

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聽我談我看的書

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我學到的是，一定要聆聽小孩子的話

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孩子是真正的藝術家。

38
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試回想三、四、五歲時，
你曾相信可把石頭變成車或木頭

39
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然後開始上學後，就變得現實

40
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這可能是必需，但若將來你想當藝術家

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你就要回到那心態

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去連繫小時候那讓你問一些很刁鑽問題的勇氣

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有時我演講時會問

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你覺得誰是我最大偶像? 或是榜樣?

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人們猜測完，我會說

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不對。我牆上有張小照片

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我最大的偶像是12歲的自己

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當我看見12的自己，我就覺得那是我人生巔峰

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那時的我認為人生沒界限

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我相信想像、幻想、現實

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我當時相信沒有爬不到的山，
沒有走不過的沙漠

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所以我嘗試去模仿他，
學像他一樣勇敢

53
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寫下一個一個字，組成句子；
再寫一句一句句子，組成故事

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這種感覺對我來說是個奇蹟

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去明白閱讀，然後驚覺原來自己都能做到

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這是下一個奇蹟

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我記得第一次寫作是
一首關於魯賓遜的詩

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如能找回那張紙，
我願意用一集手指交換

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不過當然再也找不到

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寫的時候我才六歲

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我現在仍覺得魯賓遜漂流記
是世上最棒的小說

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理由很簡單︰星期五出現前，
魯賓遜不是獨自一人

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他是跟讀者兩人一起在島上

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讀者與魯賓遜一起這點很重要

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你在幫助他

66
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這是非常聰明的敘事手法

67
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我沒可能想出更好的故事

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有些故事人物
你可以從故事中拿出來做朋友

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藝術最重要的其中一點就是
你從中得到朋友

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可能你在一幅畫中看到一個人物

71
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你拿出來把他變成伴隨你一生的好友

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要有藝術才能知道世界的模樣

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從看他人怎樣表達這個世界去理解它

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可能是Francis Bacon、Goya、Kienholz

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有時我能馬上理解

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有時完全不明白

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有時我不想去明白

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只想把那感覺吸入我的世界永遠留住

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真正的藝術，不論是畫作還是音樂，
都能給你一定驚喜

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沒有驚喜就會沒落

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