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Hello, Manchester.
I'm so happy to be here.

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(Responses) (Cheers)

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My name is Sophia Wallace.

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I'm an artist.

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And I'm here today
to share with you a project

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that I hope will empower you personally,

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and by extension those that you love,

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especially if they have a clitoris.

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(Cheers)

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(Laughter)

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To make this work,

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I have to talk about
independent female desire.

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I have to speak about a universal taboo -

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female genitals.

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This is not easy.

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It taints the speaker.

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I want to thank TEDxSalford

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for having me here
and hosting this conversation.

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All bodies are entitled
to experience the pleasure

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that they are capable of.

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This is a core pillar of cliteracy.

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In making this work,

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I had to say that the clitoris,

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first, as an organ, has a right to being,

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and that this right
is not just about not being cut off.

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Sadly, to this day,

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over a 140 million women

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have had their external
clitorises cut off.

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This doesn't make it
into the news very often,

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and this doesn't come up
in foreign policy discussion.

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So number one,

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the clitoris has a right to exist,
free of harm, like any other organ.

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But secondly, I argue with cliteracy

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that the clitoris has a right to pleasure,

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and this is part
of its primary right of being.

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How is it possible
that we landed on the Moon

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and walked around 29 years

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before we discovered
the anatomy of the clitoris?

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(Laughter)

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We actually cloned sheep,
identified the Higgs boson particle,

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and only discovered
the clitoris 29 years ago.

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Unfortunately, this discovery
has not been adopted,

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so most people don't know
the actual anatomy of the clitoris.

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The clitoris is not a button.
It is an iceberg.

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Like many in the room
who are hearing this for the first time,

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I was shocked to find out

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that I didn't know the actual anatomy
of half of the population,

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that I didn't know my own anatomy.

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In fact, the clitoris is not a button,
it is like an iceberg.

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Most of the organ is internal.

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This slide is an anatomical example

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of the penis and the clitoris
side by side.

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Now, we've all been taught

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that male bodies
and female bodies are opposites:

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the male body sort of sticks out,
the female body is solely internal.

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Well, in fact,

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there're so many similarities
between the penis and the clitoris.

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So, if you'll see,

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both the glans and -

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The glans of the penis
and the glans of the clitoris -

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both organs have a glans.

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There are 3000 nerves
in the glans of the penis.

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There are 8000 nerves
in the glans of the clitoris.

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Both organs have a corpus cavernosum.

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Both organs have crura,
like two little legs or wings.

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Both organs have bulbs of erectile tissue.

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Both organs get erect.

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The penis is outside of the body mostly,

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and the clitoris
is inside the body mostly.

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That's the biggest difference.

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In fact, they're very similar.

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Actually, fetuses have the same tissue,

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and in boys it develops as a penis,
in girls it develops as a clitoris.

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Some people have small penises,
some people have very large clitorises.

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If one has a clitoris
and takes testosterone,

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their clitoris can expand.

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What I'm saying is that
these organs are actually quite similar.

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And, while we are different,
while we are unique as men and women,

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our differences
are not a sign of opposition.

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In fact, we're related to each other,
we're connected.

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And that's an exciting fact.

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With Cliteracy, I started with language.

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Language has been a place

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that so much of sort of
the division of men and women

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and the subjugation of women has been
entrenched with the language itself.

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'Vagina' - the single most misused word
in the English language.

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This is one of the laws of Cliteracy.

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It's intentionally hyperbolic.

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But unfortunately, it's more true
than I wish it was.

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'Vagina' is a Latin word.
It means 'sword holder'.

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(Laughter)

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Vagina, medically, technically,
only includes the opening.

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This term is used almost universally
in doctor's offices.

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It's also used in feminism
to sort of advocate.

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But it's a term that ignores the clitoris,

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which is the female sexual organ.

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And secondly, it reduces the female body
to being a receptacle, a sword holder.

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If you want to use a term
that addresses all the female genitals,

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both the reproductive
and the sexual parts of it,

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the word is 'vulva'.

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This is a word that almost no one uses,

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but this is the word if you want to
talk about female genitals - vulva.

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If you want to talk about pleasure,
'clitoris' is the term.

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The clitoris is both
internal and external.

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So, when the clitoris is engaged,

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internal stimulation feels great.

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If the clitoris is not engaged,
it can feel not great,

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or it can feel painful.

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It's all about what's happening
with the clitoris.

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If it was about the vagina,

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there would be so many nerves
that childbirth would be impossible.

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There're very few nerves in the vagina.

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All of the nerves inside
are from the internal clitoris,

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which gets stimulated
both from external and internal portions.

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With Cliteracy I felt that -

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Yes, language has been this way

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of restricting and confining
the female body,

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but if language can do these thing,

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it can also liberate,
it can also be expansive.

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It's also an opportunity to come together.

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And so I sought to use language
as a way to shift the discourse

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and create new space and more alignment.

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With Cliteracy,
I first began with the term,

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and then a definition of the term,

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and then an eye chart.

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The aesthetics of this project

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were also extremely
important and intentional.

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I avoided any kind of pink and purple;

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I didn't use flowers;

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I didn't use any fabric or yarn,

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anything soft and fluffy.

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I also didn't make any small works
that you could hold in your hand

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or eat off of like plates.

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I also intentionally avoided
any kind of sexual imagery,

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any kind of graphic, close-up,
literal depictions.

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I think that everywhere we see
the exposed female body,

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and yet we don't know the actual
female sexual organ, the clitoris.

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So showing it is not the point, right?

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Understanding it is the point.

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Literacy of it, knowledge
of it is the point.

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[The hole is not the whole]

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(Laughter)

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The hole is not the whole.

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With Cliteracy I had a lot of fun
with word-play.

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There was just so much
material to work with

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and so much to talk about.

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I also am making
the radical claim with Cliteracy

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that we can't truly be free

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if our bodies are assailed.

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We can't truly be fully
enjoying our democracy

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when half of the population

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can't speak about their own body,
is censored when they say the words

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because these words are taboo,

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or are regularly having sex
without orgasms.

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And we don't talk about this.

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I'm making the radical claim
that freedom in society

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can also be measured
by the distribution of orgasms.

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This could be one indicator that we use

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when we look at education,
access to health care,

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economics.

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We could also say: How
are orgasms being distributed?

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That tells us something about a society.

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There is no lack.

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Truly.

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Freud invented the paradigm
of the phallus versus the lack.

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He said that men have the phallus,
they have the penis, they have agency;

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women have a lack,
they have a vagina, they have a void.

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In fact, Freud was wrong,

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the vagina is not the female
sexual organ, it is the clitoris.

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There is no lack, none of us have lack,
none of us are lacking, we're all whole.

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And none of us need to be depicted
in terms solely of a void.

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[Girls are taught it's normal
for sex to hurt. Phallusy.]

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In many ways, all of us have had
a psychological clitoridectomy

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because the clitoris is never taught.

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In sex education it is taught that
boys are both sexual and reproductive,

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boys have erections, boys have wet dreams,

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boys ejaculate,

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and then the semen fertilizes the egg.

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Girls, we're taught,
have reproductive organs,

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they menstruate, menstruation is painful.

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Girls should not get pregnant
if they don't mean to.

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Girls should not get
sexually transmitted diseases.

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We never learn about the clitoris.

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We never learn that girls have desire,

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that this is natural,

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that girls have sexual dreams,
that girls have fantasies.

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So already, as a culture,
I would say we all have clitoridectomies.

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'Clitoris, say my name, say my name.'

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I really enjoyed using word-play

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and putting the clitoris
into popular culture and song lyrics.

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So much of popular culture, music -
the female genitals are kind of riffed on

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but almost always in a negative way.

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If you want to humiliate a man,

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call him a word
for female genitals, right?

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But this is also an opportunity,
you can just pop in the clit,

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and suddenly the whole song changes;
it's very powerful.

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So, this is a Destiny's Child song,

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there're many more
in the Laws of Cliteracy

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like 'Ain't no half-stepping to the clit,'

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'Sleeping on the clit? That shit cray',

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which it is.

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Here's an example from looking below
at the 100 Laws of Cliteracy.

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So this work spans 13 feet long
by 10 feet tall.

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It dwarfs anyone's body.

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When I first showed this work,
I had no idea what the response would be.

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Of course, I was hoping
it would be positive,

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but I didn't know.

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And I have to say, I was overwhelmed
with the way audiences responded.

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They really wanted
to have this conversation.

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They would stay with the work
for 15 minutes.

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I would come back,
they would still be there,

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they would have friends with them.

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And I felt like this work was needed.

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I was invited to speak about it a lot,

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and I was also contacted privately.

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People shared secrets with me,

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people told me for the first time
they didn't feel ashamed about their body,

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or they went home with this knowledge

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and are having a great time
with their girlfriend,

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and wanted to thank me for that.

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So this was extremely gratifying.

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I think for me, what made me feel
like I was onto something

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was that such a diverse group of people
supported this project:

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men and women, young and old,
religious and secular, queer and straight.

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So many people came together
to support this project.

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And I was contacted by people
from as far as New Zealand, Egypt, Brazil,

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saying: 'How can we help you
with this project?

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Can you translate this project
into Arabic or into Portuguese,

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like, we need this here in our country.'

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I wanted Cliteracy to go everywhere,
but I didn't know how to do that yet,

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and I'm still figuring that out.

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But I know that it's needed.

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And I know that it can't just stay
within the walls of the art world.

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I don't consider myself a street artist,
but I began making work on the street

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for the same reason
that I think a lot of artist do -

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I wanted to communicate more broadly.

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This is an example from a documentary
of just me putting up some pieces.

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These are prints
that I made on a news print,

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then I'm putting them up with wheat paste
just like old posters were put up.

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I'm just doing this in Brooklyn.

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Some people like to do street art
at the night time,

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I do it in the day
because I feel like it's a little safer,

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the anonymity of the crowd in New York.

244
00:12:49,883 --> 00:12:51,257
So far so good.

245
00:12:52,324 --> 00:12:54,606
And one of the cool things
about doing street art

246
00:12:54,646 --> 00:12:56,604
is that people will comment on your work.

247
00:12:56,614 --> 00:12:58,857
Sometimes they cross it out or destroy it,

248
00:12:58,877 --> 00:13:01,808
but other times
they put their art on top of it.

249
00:13:01,838 --> 00:13:03,849
And in this case that happened.

250
00:13:03,880 --> 00:13:06,588
Again, like when I showed
the work in the gallery,

251
00:13:06,608 --> 00:13:08,545
on the street there was a big response,

252
00:13:08,568 --> 00:13:09,851
people would photograph it,

253
00:13:09,881 --> 00:13:11,931
they would post it
on Twitter and Instagram.

254
00:13:11,944 --> 00:13:14,083
And it felt like I was talking
about something

255
00:13:14,093 --> 00:13:15,570
that needed to be talked about,

256
00:13:15,600 --> 00:13:18,560
that the project was needed
and people were grateful to find it

257
00:13:18,689 --> 00:13:20,845
and to keep pushing it out there more.

258
00:13:23,741 --> 00:13:29,332
Doing the street work emboldened me
to take on even crazier ideas

259
00:13:29,360 --> 00:13:31,822
that I never thought
I would find myself doing.

260
00:13:32,297 --> 00:13:38,322
And I actually, together with an artist
named Clit Eastwood, or Ken Thomas,

261
00:13:38,350 --> 00:13:41,770
held the world's first-ever
clit rodeo last summer.

262
00:13:42,397 --> 00:13:45,317
We created a rideable golden clit.

263
00:13:45,347 --> 00:13:47,340
(Laughter)

264
00:13:47,370 --> 00:13:50,196
And we held the first clit rodeo.

265
00:13:50,471 --> 00:13:53,469
And, you know, there
were two rules to the rodeo.

266
00:13:53,509 --> 00:13:55,958
Basically, one: respect the clit.

267
00:13:56,088 --> 00:13:57,188
Respect it.

268
00:13:57,219 --> 00:13:58,134
Two: have fun.

269
00:13:58,153 --> 00:13:59,714
Those were the rules.

270
00:13:59,946 --> 00:14:04,721
We had so many riders who wanted to ride,
more than we could host for our event.

271
00:14:04,833 --> 00:14:08,106
But the riders were judged
on three categories:

272
00:14:08,135 --> 00:14:11,392
dexterity, style and generosity.

273
00:14:11,652 --> 00:14:13,893
And they were really
good riders, I have to say.

274
00:14:13,923 --> 00:14:16,150
I was worried that it might
get a little boring

275
00:14:16,180 --> 00:14:19,127
because as you saw on the previous slide,
it was just a spring.

276
00:14:19,147 --> 00:14:21,480
But people were reading
erotica to the clit,

277
00:14:21,522 --> 00:14:25,363
someone did a striptease for the clit,
someone surfed the clit,

278
00:14:25,392 --> 00:14:28,487
someone offered a cigarette to the clit,
and then, like -

279
00:14:28,509 --> 00:14:31,889
There was a couple where
the woman was nine-months-pregnant;

280
00:14:31,919 --> 00:14:32,928
she was riding,

281
00:14:32,938 --> 00:14:37,136
and her husband was in the background
as her backup dancer, dancing around ...

282
00:14:37,252 --> 00:14:40,425
So, it was way better
than I ever expected.

283
00:14:42,000 --> 00:14:45,161
I just was thrilled because
the clit was the star of the show.

284
00:14:45,185 --> 00:14:46,354
Finally!

285
00:14:49,262 --> 00:14:52,001
I've always wanted Cliteracy
to be in the public space,

286
00:14:52,025 --> 00:14:55,872
to be at large scale,
to be seen over time,

287
00:14:55,905 --> 00:14:58,297
not to have to be hidden away
or be a secret.

288
00:14:58,335 --> 00:15:00,934
And I had the opportunity last fall.

289
00:15:00,955 --> 00:15:06,234
Together with Center and Santa Fe we
put up a 35 feet billboard of Cliteracy,

290
00:15:06,273 --> 00:15:07,858
or 11 metre billboard.

291
00:15:07,998 --> 00:15:09,063
The text says:

292
00:15:09,093 --> 00:15:11,907
'Democracy without cliteracy - phallusy'.

293
00:15:12,223 --> 00:15:14,134
And I was thrilled to do this,

294
00:15:14,422 --> 00:15:16,630
especially because where it was
on this highway

295
00:15:16,660 --> 00:15:19,643
is travelled by such
a broad range of people,

296
00:15:19,668 --> 00:15:25,913
from long-haul truck drivers
to art collectors and everyone in between.

297
00:15:26,229 --> 00:15:28,694
The billboard company
was a little bit less psyched

298
00:15:28,714 --> 00:15:31,195
about how much feedback
they got about the billboard,

299
00:15:31,225 --> 00:15:32,613
but I thought this was great.

300
00:15:32,643 --> 00:15:34,927
A lot of people were like:
'What are you selling?

301
00:15:34,967 --> 00:15:36,273
I don't understand.'

302
00:15:37,573 --> 00:15:41,479
I actually got a call that I'll never
forget from a mom, saying:

303
00:15:41,708 --> 00:15:44,129
'I have to drive this route
with my son every day,

304
00:15:44,165 --> 00:15:46,405
and I don't know what to tell him.'

305
00:15:48,120 --> 00:15:51,414
But I was thrilled because she's going
to talk to him about cliteracy,

306
00:15:51,434 --> 00:15:53,815
and this is something
that he needs to know about.

307
00:15:55,995 --> 00:15:58,072
Cliteracy needs more than text though,

308
00:15:58,092 --> 00:16:00,906
and I always knew that
I wanted to explore the form as well.

309
00:16:00,936 --> 00:16:03,974
None of us know this form, right?
I didn't know this form.

310
00:16:04,136 --> 00:16:05,383
So I set about making

311
00:16:05,383 --> 00:16:09,175
the world's first anatomically correct
sculpture of the clitoris.

312
00:16:09,209 --> 00:16:11,877
And this was something
that was actually quite hard to do

313
00:16:11,897 --> 00:16:14,973
because there are so few accurate
representations of the anatomy.

314
00:16:14,993 --> 00:16:19,930
And when you find
these very few drawings or scans,

315
00:16:19,961 --> 00:16:22,996
they contradict each other,
they don't make sense.

316
00:16:23,194 --> 00:16:27,978
So, it was actually not that easy to do,
but I set about making this form.

317
00:16:30,877 --> 00:16:36,373
With the form I wanted to not only
explore the anatomy and get it accurate,

318
00:16:36,406 --> 00:16:41,268
but I also wanted to show
the gesture of beauty of this organ

319
00:16:41,309 --> 00:16:43,287
and the gracefulness of it.

320
00:16:47,359 --> 00:16:51,684
Here is the first sculpture that I know of
of the anatomically correct clitoris.

321
00:16:51,712 --> 00:16:55,175
It's six feet tall and five feet wide.

322
00:16:55,360 --> 00:16:59,373
And I wanted to create an iconic form

323
00:17:00,215 --> 00:17:03,968
of this unseen organ half of us have,

324
00:17:03,996 --> 00:17:07,429
all of us were born through the body
of someone that has a clitoris.

325
00:17:07,459 --> 00:17:11,199
Everyone in this room was born through
the body of someone that has a clitoris.

326
00:17:11,229 --> 00:17:13,427
So all of us have been touched
by the clitoris.

327
00:17:13,447 --> 00:17:15,755
This is universal
and yet we don't know about it.

328
00:17:15,775 --> 00:17:18,359
So I wanted to create
an iconic form that's memorable,

329
00:17:18,390 --> 00:17:20,850
that puts this into our consciousness.

330
00:17:22,605 --> 00:17:26,250
And I hope that finally this form
would be treated with honour and respect

331
00:17:26,278 --> 00:17:28,127
and not be treated as obscene.

332
00:17:28,151 --> 00:17:29,631
I think it's a beautiful form,

333
00:17:29,661 --> 00:17:31,758
and I didn't know it,

334
00:17:31,778 --> 00:17:34,638
but once I saw it,
it started to feel familiar in this way.

335
00:17:34,667 --> 00:17:38,470
And I started to see it around
in the natural world, in plants.

336
00:17:38,496 --> 00:17:41,800
I also saw it in engravings,
on architectural sites.

337
00:17:41,837 --> 00:17:44,665
I saw it in weavings
of oriental tapestries.

338
00:17:44,695 --> 00:17:46,272
I started to see it around.

339
00:17:46,292 --> 00:17:48,321
And that was very exciting.

340
00:17:48,425 --> 00:17:51,550
And the form is interesting
not strictly as a sculpture,

341
00:17:51,580 --> 00:17:54,376
but in patterns.

342
00:17:54,617 --> 00:17:56,095
There's something very exciting

343
00:17:56,115 --> 00:18:00,063
about looking into the power of the small,
the power of multiplicity.

344
00:18:00,087 --> 00:18:03,777
Instead of creating just
this singular superior object,

345
00:18:03,813 --> 00:18:06,153
what about putting
all these tiny beautiful forms

346
00:18:06,193 --> 00:18:09,055
that together form a baby-clit army.

347
00:18:09,078 --> 00:18:10,626
The one on the right,

348
00:18:10,656 --> 00:18:11,655
(Laughter)

349
00:18:11,675 --> 00:18:13,298
I call it 'Fleur-de-clits',

350
00:18:13,318 --> 00:18:16,876
and the one on the left
was later used in the intervention

351
00:18:16,906 --> 00:18:18,477
at the Whitney Museum.

352
00:18:19,376 --> 00:18:22,581
So here's a sort of subversive
clit army coming together

353
00:18:22,601 --> 00:18:25,524
to make the 'Fleur-de-clit',
which is this beautiful pattern.

354
00:18:25,552 --> 00:18:27,945
But unfortunately,
if some people knew what it was,

355
00:18:27,975 --> 00:18:29,363
it wouldn't be allowed to be.

356
00:18:29,383 --> 00:18:32,011
And that's sort of the rub of it.

357
00:18:32,671 --> 00:18:36,690
Here is an example of more
clit forms and patterns that I created.

358
00:18:36,720 --> 00:18:38,773
This is a clit damask pattern

359
00:18:38,787 --> 00:18:42,934
with clit forms burnished onto wood.

360
00:18:42,960 --> 00:18:45,275
On the left is a new sculpture.

361
00:18:45,807 --> 00:18:49,123
So, this is the first sketch
of an invisible clit sculpture.

362
00:18:49,148 --> 00:18:50,804
It's the same digital form

363
00:18:50,823 --> 00:18:53,632
that I used to make the gold sculpture
I just showed to you.

364
00:18:53,653 --> 00:18:55,585
But this exists in the negative space.

365
00:18:55,615 --> 00:18:58,586
So I used the laser
to actually cut out the form

366
00:18:58,622 --> 00:19:00,277
from clear plexiglass.

367
00:19:00,297 --> 00:19:04,512
And so this invisible sculpture
addresses the fact

368
00:19:04,540 --> 00:19:09,004
that this is omnipresent,
and yet it's negated, it's invisible,

369
00:19:09,034 --> 00:19:11,118
it's not allowed to be spoken of.

370
00:19:12,559 --> 00:19:15,383
I also continued
with this idea of negation

371
00:19:15,406 --> 00:19:17,653
and using the laser to burn away

372
00:19:17,676 --> 00:19:19,968
with laser-cut works on paper.

373
00:19:22,424 --> 00:19:25,270
And I developed a brand new technology.

374
00:19:25,306 --> 00:19:27,251
You might not have heard about it,

375
00:19:27,282 --> 00:19:28,601
but it's very cutting edge.

376
00:19:28,631 --> 00:19:30,169
I'll try to explain.

377
00:19:30,321 --> 00:19:33,729
It's called 'clitglass',
and the way that it works -

378
00:19:33,749 --> 00:19:35,103
anyone can wear it;

379
00:19:35,128 --> 00:19:39,267
anyone who wants neutral vision
can wear a clitglass.

380
00:19:39,287 --> 00:19:41,652
So you put on the clitglass,

381
00:19:41,985 --> 00:19:44,823
and you look through
the perspective of the clit.

382
00:19:44,955 --> 00:19:48,888
And the clit refracts
any kind of phallocentricacy

383
00:19:48,918 --> 00:19:50,218
that's coming back at you.

384
00:19:50,251 --> 00:19:54,364
And so you obtain neutral vision,
or what I like to call 'normal' vision.

385
00:19:54,387 --> 00:19:55,397
(Laughter)

386
00:19:55,435 --> 00:19:59,792
Now, you can use clitglass
at the Whitney Museum,

387
00:19:59,807 --> 00:20:02,280
or you can use it at work,
in front of the TV,

388
00:20:02,305 --> 00:20:04,197
even at a family reunion.

389
00:20:04,227 --> 00:20:05,648
(Laughter)

390
00:20:05,674 --> 00:20:09,542
This is an example of looking through
this cutting edge technology.

391
00:20:11,581 --> 00:20:13,497
So those forms that I showed earlier,

392
00:20:13,519 --> 00:20:17,114
I also played a game at my intervention
at the Whitney Museum,

393
00:20:17,148 --> 00:20:20,056
called 'put a clit on it', or -

394
00:20:20,415 --> 00:20:22,022
'clit-dazzle the Whitney'.

395
00:20:22,052 --> 00:20:26,190
So basically I handed out
these unknown clit forms, and I said:

396
00:20:26,220 --> 00:20:28,621
'Put the clit wherever
you think it needs to go -

397
00:20:28,647 --> 00:20:30,569
put it as a subject in art history,

398
00:20:30,601 --> 00:20:33,387
put into the designs,
put it on the American flag.

399
00:20:33,417 --> 00:20:35,582
Whole country has a problem
with illcliteracy.

400
00:20:35,602 --> 00:20:36,609
Help America out.

401
00:20:36,639 --> 00:20:38,591
Just take the clit where it needs to go.'

402
00:20:38,626 --> 00:20:43,271
So you can see on the lower left,
that's a Clitchtenstein.

403
00:20:44,333 --> 00:20:47,114
On the lower right, Clitsper Johns.

404
00:20:49,303 --> 00:20:52,356
This is the family at the Whitney Museum
during the intervention,

405
00:20:52,396 --> 00:20:55,750
and the boy on the left
who looks to be about 11 years old,

406
00:20:55,777 --> 00:20:57,209
at one point asks his mom -

407
00:20:57,226 --> 00:21:00,936
they'd been wearing the clitglasses
for about 15 minutes, having a great time.

408
00:21:00,936 --> 00:21:02,608
He was like, 'Mom, what's a clit?'

409
00:21:02,628 --> 00:21:04,364
(Laughter)

410
00:21:04,394 --> 00:21:08,006
And she said: 'Oh, it's a really sensitive
part of the woman's body.'

411
00:21:08,031 --> 00:21:10,094
And he was like, 'Okay, cool.'

412
00:21:10,505 --> 00:21:12,396
And I was thrilled because

413
00:21:12,425 --> 00:21:15,050
one: he felt comfortable
asking the question;

414
00:21:15,073 --> 00:21:17,849
two: his mom was supportive
and answered the question.

415
00:21:17,869 --> 00:21:21,029
And it was totally normal -
nothing obscene, nothing secret,

416
00:21:21,059 --> 00:21:25,079
no one had to be dragged out of the room,
no one had to be ashamed.

417
00:21:25,464 --> 00:21:28,766
And that's what I'm hoping
that Cliteracy can continue to do.

418
00:21:30,287 --> 00:21:34,072
Overwhelmingly, the response
to Cliteracy has been positive.

419
00:21:34,095 --> 00:21:37,981
So many people have supported the project
and wanted to help with it.

420
00:21:38,002 --> 00:21:41,859
And there've been a few institutions
who have courageously started showing it.

421
00:21:42,034 --> 00:21:44,636
But there's so much more
that needs to be done.

422
00:21:47,486 --> 00:21:51,854
My dream is to radically change
the way that we think about bodies

423
00:21:51,868 --> 00:21:54,312
so that everyone's body is respected.

424
00:21:54,599 --> 00:21:58,901
I want to do this by creating
large scale permanent public sculptures

425
00:21:58,924 --> 00:22:01,779
that exist for thousands of years.

426
00:22:01,804 --> 00:22:04,274
I want to work with metals and stone

427
00:22:04,307 --> 00:22:07,317
so that these forms don't disappear
in future generations,

428
00:22:07,341 --> 00:22:10,868
and we don't have to have
this conversation again and again.

429
00:22:12,978 --> 00:22:17,041
Democracy without cliteracy is a phallusy.

430
00:22:19,564 --> 00:22:22,610
I want cliteracy to be taught in schools

431
00:22:22,630 --> 00:22:27,548
so that no child has
an unnameable part of their body.

432
00:22:27,995 --> 00:22:31,697
The clit should be a starring role
in any bedroom that it's in.

433
00:22:32,161 --> 00:22:34,841
And it shouldn't be censored
in the Parliament.

434
00:22:36,918 --> 00:22:40,037
So, in closing, I want to ask you

435
00:22:40,284 --> 00:22:41,792
to see the clit.

436
00:22:42,366 --> 00:22:43,891
See it everywhere.

437
00:22:44,304 --> 00:22:45,885
Don't stop seeing it.

438
00:22:46,102 --> 00:22:47,702
And if you need help,

439
00:22:48,873 --> 00:22:51,555
you can borrow
this pair of glasses from me.

440
00:22:52,614 --> 00:22:55,309
And don't just stop with seeing it.

441
00:22:55,348 --> 00:22:58,144
Say it. Say its name.

442
00:23:00,744 --> 00:23:03,514
(Applause) (Cheers)

443
00:23:03,544 --> 00:23:04,620
Thank you.

444
00:23:04,650 --> 00:23:07,410
(Applause)