WEBVTT 00:00:07.691 --> 00:00:12.691 (melodious music) (computer keys tapping) 00:00:23.321 --> 00:00:26.520 - I write my movies, and books, 00:00:26.520 --> 00:00:28.800 and performances, and everything, 00:00:28.800 --> 00:00:30.720 obviously here at this table, 00:00:30.720 --> 00:00:33.900 but then also sometimes here. 00:00:33.900 --> 00:00:36.273 And I put this cushion on my lap. 00:00:37.667 --> 00:00:40.710 I mean, this is over the course of 19 years, 00:00:40.710 --> 00:00:44.490 so I've got all these systems for like, 00:00:44.490 --> 00:00:46.290 making it feel like everything's new. 00:00:46.290 --> 00:00:48.423 I write at this kitchen table, 00:00:49.530 --> 00:00:51.350 and then I just feel like... 00:00:52.440 --> 00:00:54.570 I feel like a woman at her kitchen table, 00:00:54.570 --> 00:00:56.270 you know, there's a kind of like a 00:00:57.300 --> 00:00:59.943 timeless writer, woman writer feeling. 00:01:01.110 --> 00:01:06.110 You know, I started so young, I started when I was 16, 00:01:06.150 --> 00:01:08.313 writing and directing my first play. 00:01:09.285 --> 00:01:12.390 - I can't say it, I can't say it in words 00:01:12.390 --> 00:01:14.970 and there's no way you can know. 00:01:14.970 --> 00:01:18.262 You can't know how I feel unless you can read it. 00:01:18.262 --> 00:01:21.570 - And that had an audience reaction to it, 00:01:21.570 --> 00:01:24.210 which was quite a high. 00:01:24.210 --> 00:01:26.880 Like, I knew that the play wasn't perfect 00:01:26.880 --> 00:01:29.670 and like, the audience was, 00:01:29.670 --> 00:01:32.010 you know, maybe confused, whatever. 00:01:32.010 --> 00:01:36.120 But just that experience I'd never had before, of that high, 00:01:36.120 --> 00:01:41.120 and I kind of lived my life for that. 00:01:43.320 --> 00:01:47.400 If you agree to live here with me in this theater forever 00:01:47.400 --> 00:01:50.233 and form a new society, aye! 00:01:50.233 --> 00:01:51.566 - [Audience] Aye! 00:01:53.010 --> 00:01:56.310 - In a certain way, like, okay, I will retreat into myself, 00:01:56.310 --> 00:01:59.550 work really hard to make something, 00:01:59.550 --> 00:02:04.550 sometimes with a lot of misery in my life or in the project, 00:02:05.220 --> 00:02:07.800 and then I'll come out and I'll present it. 00:02:07.800 --> 00:02:11.400 And because I am also a performer, that's part of my work, 00:02:11.400 --> 00:02:13.800 that is this kind of beautiful altered state. 00:02:13.800 --> 00:02:16.230 Do it with the reckless part of your heart. 00:02:16.230 --> 00:02:19.260 You know, do it like you're drunk, 00:02:19.260 --> 00:02:22.920 'cause that is the only way this sort of thing ever happens. 00:02:22.920 --> 00:02:25.260 You know, it's not by like, thinking it through 00:02:25.260 --> 00:02:27.240 and, oh, but what about the dog? 00:02:27.240 --> 00:02:29.472 And, you know... (audience laughing) 00:02:29.472 --> 00:02:30.305 No. 00:02:30.305 --> 00:02:33.660 No, it's always with anger, and lust, 00:02:33.660 --> 00:02:35.970 and hope like an anthem, you know? 00:02:35.970 --> 00:02:38.693 We can have an anthem, we can do that. 00:02:38.693 --> 00:02:41.430 (computer keys tapping) 00:02:41.430 --> 00:02:46.430 And then with the pandemic I remember thinking, 00:02:46.447 --> 00:02:48.990 "Oh, if that could not happen, 00:02:48.990 --> 00:02:52.200 that you could not have that moment, 00:02:52.200 --> 00:02:55.407 then the rest of my life has to be better." 00:02:56.820 --> 00:02:59.400 Like, just my daily life. 00:02:59.400 --> 00:03:02.670 You know, it's like living for heaven, you know? 00:03:02.670 --> 00:03:04.920 Like, it's all right if I'm miserable in this life 00:03:04.920 --> 00:03:06.000 'cause one day I'll go to heaven. 00:03:06.000 --> 00:03:08.250 Like, I can't live like that. 00:03:08.250 --> 00:03:13.150 And I actually made some huge changes to my life 00:03:14.070 --> 00:03:14.903 because of that. 00:03:16.140 --> 00:03:19.490 (gentle music) (birds chirping) 00:03:19.490 --> 00:03:23.460 And then I write often in this bed here, you know, 00:03:23.460 --> 00:03:26.343 and this is the bed where I sleep on Wednesday nights. 00:03:27.192 --> 00:03:28.680 (gentle music) 00:03:28.680 --> 00:03:33.000 I decided I would spend one night a week in this studio, 00:03:33.000 --> 00:03:35.400 that on Wednesday nights, I would sleep here, 00:03:35.400 --> 00:03:36.420 and I would wake up here, 00:03:36.420 --> 00:03:39.356 and I would spend the day here. 00:03:39.356 --> 00:03:41.670 (computer keys tapping) 00:03:41.670 --> 00:03:43.230 Which doesn't sound like much, 00:03:43.230 --> 00:03:45.810 but keep in mind, like I have a child 00:03:45.810 --> 00:03:48.393 who at that time was eight, 00:03:49.440 --> 00:03:52.560 and a partner who also has a busy life. 00:03:52.560 --> 00:03:53.760 And so it seemed like... 00:03:53.760 --> 00:03:56.160 And I haven't heard of that, I haven't heard of... 00:03:56.160 --> 00:03:58.620 Like, the other moms aren't doing that, you know? 00:03:58.620 --> 00:04:01.830 And the other artist moms, frankly, weren't either. 00:04:01.830 --> 00:04:04.130 So it was one of those things where it's like, 00:04:05.430 --> 00:04:06.660 this is no big deal. 00:04:06.660 --> 00:04:09.270 Like, my partner didn't think it was a big deal. 00:04:09.270 --> 00:04:11.520 My child was like, "Yes! 00:04:11.520 --> 00:04:13.020 We're gonna have pizza on those nights." 00:04:13.020 --> 00:04:16.743 Like, you know, they just liked the variation, sort of. 00:04:18.480 --> 00:04:19.447 And so I had to be like, 00:04:19.447 --> 00:04:22.020 "Well, why does that feel so dangerous?" 00:04:22.020 --> 00:04:25.710 And I think it's dangerous because if you're gonna do that, 00:04:25.710 --> 00:04:28.233 then what else might you do, you know? 00:04:29.880 --> 00:04:31.710 Well, I think what would happen is 00:04:31.710 --> 00:04:34.920 the pandemic started and I'd be on these Zoom calls, 00:04:34.920 --> 00:04:39.920 and I would just throw on something for the call, you know? 00:04:39.990 --> 00:04:42.269 'Cause you could do that so easily. 00:04:42.269 --> 00:04:45.630 And then I'd be like, "Well, this was a costume, 00:04:45.630 --> 00:04:47.310 but who is this?" 00:04:47.310 --> 00:04:52.310 Just start to like see, you know, like what...? 00:04:53.820 --> 00:04:56.033 Like, what is this? 00:04:56.033 --> 00:04:58.700 (gentle music) 00:05:05.280 --> 00:05:08.910 And then once you have this new perspective 00:05:08.910 --> 00:05:11.850 on your life and your family, 00:05:11.850 --> 00:05:13.563 and how these things interact, 00:05:14.730 --> 00:05:16.694 I mean, it just goes on from there. 00:05:16.694 --> 00:05:18.570 (gentle music) 00:05:18.570 --> 00:05:21.150 Come around. Yes, that's it. 00:05:21.150 --> 00:05:22.590 Come around. 00:05:22.590 --> 00:05:25.563 Come forward, forward. 00:05:25.563 --> 00:05:29.190 I will not hurt you. I will not hurt you. 00:05:29.190 --> 00:05:33.330 I may hurt you, not very badly. 00:05:33.330 --> 00:05:36.488 No one will be injured today. 00:05:36.488 --> 00:05:40.410 Not in this house, not by me. 00:05:40.410 --> 00:05:45.410 I work so hard to keep asking every day, like, 00:05:45.930 --> 00:05:50.930 no, but, really, like, what really is interesting? 00:05:51.697 --> 00:05:54.364 (gentle music) 00:06:05.920 --> 00:06:07.710 I remember being in my twenties and like, 00:06:07.710 --> 00:06:11.160 shaking myself and being like, "You're asleep at the wheel." 00:06:11.160 --> 00:06:14.400 Like, "Remember, you're absolutely free." 00:06:14.400 --> 00:06:17.444 Like, "What do you want to do today?" 00:06:17.444 --> 00:06:20.111 (gentle music) 00:06:21.870 --> 00:06:23.490 And like, "Wake up." 00:06:23.490 --> 00:06:26.010 Like, "You're here. You're actually here." 00:06:26.010 --> 00:06:29.493 New as the day is young. As a babe. 00:06:32.370 --> 00:06:35.190 So I doubt anyone would be able to catch that 00:06:35.190 --> 00:06:36.810 as the running theme in my work, 00:06:36.810 --> 00:06:40.237 but maybe it'd be nice if someone did. 00:06:42.545 --> 00:06:47.545 (melodious music) (computer keys tapping)