0:00:05.332,0:00:07.163 My Name is David Burns 0:00:07.163,0:00:10.954 I am a professional videographer, editor and media production professor. 0:00:10.954,0:00:15.749 In a previous tutorial we discussed how to shoot a visual sequence to use in a story. 0:00:15.749,0:00:21.124 In this tutorial we will discuss how to edit these sequences into an effective storyline. 0:00:21.124,0:00:26.410 The effective use of basic sequencing of visual clips is a foundation for good story-telling. 0:00:26.410,0:00:28.835 Sequences condense time. 0:00:28.835,0:00:31.836 Maintain the viewer interest by providing a variety of shots. 0:00:31.836,0:00:35.646 and they provide context and detail for advancing the story. 0:00:35.646,0:00:39.829 I like to think of a single visual shot as a complete sentence or thought 0:00:39.829,0:00:42.949 and a series of shots as a paragraph. 0:00:42.949,0:00:46.553 Effective visual editing uses wide shots, medium shots 0:00:46.553,0:00:49.409 and close ups to weave a coherence story-line 0:00:49.409,0:00:54.331 The human brain prefers to process images first by taking a wide vista, 0:00:54.331,0:00:57.918 then, segmenting that wide shots into smaller areas of interest 0:00:57.918,0:01:01.750 and lastly by examining the details in the scene. 0:01:01.750,0:01:05.252 Alfred Hitchcock, the well-known producer of many psychological thrillers 0:01:05.252,0:01:10.680 often started a scene with a close up or extreme close up 0:01:10.680,0:01:14.435 to initially confuse the viewer 0:01:14.435,0:01:15.848 and to start an internal dialogue in the viewer's mind, 0:01:15.848,0:01:17.607 what's happening? why I am seeing this? [br] 0:01:17.607,0:01:20.727 This is an effective way to capture the viewer attention, 0:01:20.727,0:01:25.086 but since it involves disrupting a natural human need, 0:01:25.086,0:01:27.000 the need for context and meaning, 0:01:27.000,0:01:29.580 it also means the viewer will not be listening to other messages 0:01:29.580,0:01:32.831 you might be conveying to the viewer at the same time. 0:01:32.831,0:01:36.530 So if your goal is to present context and information at the same time, 0:01:36.530,0:01:40.917 stick with the traditional wide shot, medium shot and close up 0:01:40.917,0:01:43.938 sequence to effectively convey meaning to your viewer.[br] 0:01:43.938,0:01:47.548 When editing a visual sequence keep the pace moving with a series of edits 0:01:47.548,0:01:54.004 that use a variety of shots, various camera angles and many many close ups. [br] 0:01:54.004,0:01:57.228 Take several seconds to establish the scene with a wide shot, 0:01:57.228,0:02:00.991 bring the viewer attention to a portion of the scene with a medium shot, 0:02:00.991,0:02:04.595 then provide detail of the action using close up. 0:02:04.595,0:02:07.235 The close up's are the key to good story telling, 0:02:07.235,0:02:12.041 your story should have four to five times more close ups than wide shots or medium shots, 0:02:12.041,0:02:17.169 when editing be very conscious of jump cuts, a disruption of continuity 0:02:17.169,0:02:21.881 an action that confuses the viewer or violates the rule of time or logic. 0:02:21.881,0:02:27.065 Close ups help avoid jump cuts since they only show a small portion of the overall scene 0:02:27.065,0:02:31.058 jump cuts can be used effectively to purposely disorient the viewer. 0:02:31.058,0:02:35.931 Here is an example, see how jump cuts disrupt continuity, and disorients the viewer. 0:02:35.931,0:02:39.505 Editing visual sequences into your stories allows you to 0:02:39.505,0:02:43.808 efficiently and effectively condense complex actions into a few shots 0:02:43.808,0:02:48.075 and keeps the viewer's interest by presenting a variety of shots and angles, 0:02:48.075,0:02:51.882 using visual sequences also allows you to satisfy 0:02:51.882,0:02:56.275 or manipulate the viewer's human desire for context and detail. 0:02:56.275,0:03:00.275 Good luck and have fun.