1 00:00:14,507 --> 00:00:16,852 Why do we cringe when we hear "Shakespeare?" 2 00:00:16,876 --> 00:00:19,914 If you ask me, it's usually because of his words. 3 00:00:19,938 --> 00:00:23,006 All those thines and thous and therefores 4 00:00:23,030 --> 00:00:26,802 and wherefore-art-thous can be more than a little annoying. 5 00:00:26,826 --> 00:00:30,298 But you have to wonder, why is he so popular? 6 00:00:30,322 --> 00:00:34,534 Why have his plays been made and remade more than any other playwright? 7 00:00:35,393 --> 00:00:36,874 It's because of his words. 8 00:00:37,712 --> 00:00:40,745 Back in the late 1500s and early 1600s, 9 00:00:40,769 --> 00:00:43,528 that was the best tool that a person had, 10 00:00:43,552 --> 00:00:45,529 and there was a lot to talk about. 11 00:00:45,553 --> 00:00:48,560 However, most of it was pretty depressing. 12 00:00:48,584 --> 00:00:50,641 You know, with the Black Plague and all. 13 00:00:51,855 --> 00:00:54,622 Shakespeare does use a lot of words. 14 00:00:54,646 --> 00:00:58,868 One of his most impressive accomplishments is his use of insults. 15 00:00:58,892 --> 00:01:01,674 They would unify the entire audience; 16 00:01:01,699 --> 00:01:06,292 and no matter where you sat, you could laugh at what was going on onstage. 17 00:01:06,315 --> 00:01:09,694 Words, specifically dialogue in a drama setting, 18 00:01:09,718 --> 00:01:11,976 are used for many different reasons: 19 00:01:12,000 --> 00:01:13,976 to set the mood of the scene, 20 00:01:14,000 --> 00:01:16,976 to give some more atmosphere to the setting, 21 00:01:17,000 --> 00:01:20,320 and to develop relationships between characters. 22 00:01:20,995 --> 00:01:24,708 Insults do this in a very short and sharp way. 23 00:01:25,749 --> 00:01:27,776 Let's first go to "Hamlet." 24 00:01:27,800 --> 00:01:29,468 Right before this dialogue, 25 00:01:29,492 --> 00:01:33,801 Polonius is the father of Ophelia, who is in love with Prince Hamlet. 26 00:01:34,703 --> 00:01:39,600 King Claudius is trying to figure out why Prince Hamlet is acting so crazy 27 00:01:39,624 --> 00:01:42,253 since the king married Prince Hamlet's mother. 28 00:01:42,277 --> 00:01:48,002 Polonius offers to use his daughter to get information from Prince Hamlet. 29 00:01:48,026 --> 00:01:50,729 Then we go into Act II Scene 2. 30 00:01:50,753 --> 00:01:54,022 Polonius: "Do you know me, my lord?" 31 00:01:54,046 --> 00:01:58,176 Hamlet: "Excellent well. You're a fishmonger." 32 00:01:58,200 --> 00:02:01,022 Polonius: "Not I, my lord." 33 00:02:01,046 --> 00:02:03,987 Hamlet: "Then I would you were so honest a man." 34 00:02:04,916 --> 00:02:08,037 Now, even if you did not know what "fishmonger" meant, 35 00:02:08,061 --> 00:02:11,021 you can use some contextual clues. 36 00:02:11,045 --> 00:02:16,031 One: Polonius reacted in a negative way, so it must be bad. 37 00:02:16,055 --> 00:02:19,468 Two: Fish smell bad, so it must be bad. 38 00:02:19,492 --> 00:02:23,914 And three: "monger" just doesn't sound like a good word. 39 00:02:23,938 --> 00:02:26,160 So from not even knowing the meaning, 40 00:02:26,184 --> 00:02:28,976 you're beginning to construct some characterization 41 00:02:29,000 --> 00:02:31,976 of the relationship between Hamlet and Polonius, 42 00:02:32,000 --> 00:02:33,976 which was not good. 43 00:02:34,000 --> 00:02:38,499 But if you dig some more, "fishmonger" means a broker of some type, 44 00:02:38,523 --> 00:02:41,976 and in this setting, would mean like a pimp, 45 00:02:42,000 --> 00:02:45,760 like Polonius is brokering out his daughter for money, 46 00:02:45,784 --> 00:02:47,976 which he is doing for the king's favor. 47 00:02:48,799 --> 00:02:52,560 This allows you to see that Hamlet is not as crazy as he's claiming to be, 48 00:02:52,584 --> 00:02:56,604 and intensifies the animosity between these two characters. 49 00:02:57,191 --> 00:02:58,745 Want another example? 50 00:02:58,769 --> 00:03:03,668 "Romeo and Juliet" has some of the best insults of any of Shakespeare's plays. 51 00:03:04,217 --> 00:03:05,976 It's a play about two gangs, 52 00:03:06,000 --> 00:03:08,806 and the star-crossed lovers that take their own lives. 53 00:03:08,830 --> 00:03:10,924 Well, with any fisticuffs 54 00:03:10,948 --> 00:03:13,776 you know that there is some serious smack talk going on. 55 00:03:13,800 --> 00:03:15,576 And you are not disappointed. 56 00:03:15,600 --> 00:03:17,976 In Act I Scene 1, right from the get-go 57 00:03:18,000 --> 00:03:20,622 we are shown the level of distrust and hatred 58 00:03:20,646 --> 00:03:25,591 the members of the two families, the Capulets and Montagues, meet. 59 00:03:25,615 --> 00:03:30,976 Gregory: "I will frown as I pass by, and let them take it as they list." 60 00:03:31,000 --> 00:03:35,389 Sampson: "Nay, as they dare, I will bite my thumb at them, 61 00:03:35,413 --> 00:03:38,883 which is a disgrace to them, if they bear it." 62 00:03:38,907 --> 00:03:40,976 Enter Abraham and Balthasar. 63 00:03:41,000 --> 00:03:44,778 Abraham: "Do you bite your thumb at us, sir?" 64 00:03:44,802 --> 00:03:47,514 Sampson: "I do bite my thumb, sir." 65 00:03:47,538 --> 00:03:51,422 Abraham: "Do you bite your thumb at us, sir?" 66 00:03:51,446 --> 00:03:55,786 Okay, so how does this development help us understand mood or character? 67 00:03:55,810 --> 00:03:57,976 Well, let's break it down to the insult. 68 00:03:58,792 --> 00:04:01,545 Biting your thumb today may not seem like a big deal, 69 00:04:01,569 --> 00:04:04,491 but Sampson says it is an insult to them. 70 00:04:04,515 --> 00:04:06,976 If they take it so, it must have been one. 71 00:04:07,539 --> 00:04:09,976 This begins to show us the level of animosity 72 00:04:10,000 --> 00:04:13,346 between even the men who work for the two Houses. 73 00:04:13,830 --> 00:04:16,344 And you normally would not do anything to someone 74 00:04:16,368 --> 00:04:18,699 unless you wanted to provoke them into a fight, 75 00:04:18,723 --> 00:04:21,418 which is exactly what's about to happen. 76 00:04:21,865 --> 00:04:25,852 Looking deeper, biting your thumb in the time in which the play was written 77 00:04:25,876 --> 00:04:28,394 is like giving someone the finger today. 78 00:04:29,058 --> 00:04:30,986 A pretty strong feeling comes with that, 79 00:04:31,010 --> 00:04:33,976 so we now are beginning to feel the tension in the scene. 80 00:04:34,000 --> 00:04:37,391 Later on in the scene, Tybalt, from the House of the Capulets, 81 00:04:37,415 --> 00:04:40,976 lays a good one on Benvolio from the House of the Montagues. 82 00:04:41,000 --> 00:04:46,618 Tybalt: "What, art thou drawn among these heartless hinds? 83 00:04:46,642 --> 00:04:49,948 Turn thee, Benvolio, and look upon thy death." 84 00:04:49,972 --> 00:04:54,471 Benvolio: "I do but keep the peace; put up thy sword, 85 00:04:54,495 --> 00:04:56,976 or manage it to part these men with me." 86 00:04:57,000 --> 00:05:00,099 Tybalt: "What, drawn and talk of peace! 87 00:05:00,123 --> 00:05:04,591 I hate the word, as I hate hell, all Montagues, and thee. 88 00:05:04,615 --> 00:05:06,446 Have at thee, coward!" 89 00:05:07,986 --> 00:05:09,976 Okay, heartless hinds. 90 00:05:10,000 --> 00:05:13,549 We know that once again, it's not a good thing. 91 00:05:13,573 --> 00:05:17,883 Both families hate each other, and this is just adding fuel to the fire. 92 00:05:18,807 --> 00:05:20,714 But just how bad is this stinger? 93 00:05:20,738 --> 00:05:22,119 A heartless hind is a coward, 94 00:05:22,143 --> 00:05:26,864 and calling someone that in front of his own men, and the rival family, 95 00:05:26,888 --> 00:05:28,509 means there's going to be a fight. 96 00:05:29,136 --> 00:05:30,976 Tybalt basically calls out Benvolio, 97 00:05:31,000 --> 00:05:34,976 and in order to keep his honor, Benvolio has to fight. 98 00:05:35,299 --> 00:05:37,125 This dialogue gives us a good look 99 00:05:37,149 --> 00:05:39,899 at the characterization between these two characters. 100 00:05:39,923 --> 00:05:43,402 Tybalt thinks that the Montagues are nothing but cowardly dogs, 101 00:05:43,426 --> 00:05:45,354 and has no respect for them. 102 00:05:45,378 --> 00:05:48,881 Once again, adding dramatic tension to the scene. 103 00:05:48,905 --> 00:05:50,897 Okay, now here's a spoiler alert. 104 00:05:50,921 --> 00:05:54,456 Tybalt's hotheadedness and severe hatred of the Montagues 105 00:05:54,480 --> 00:05:57,651 is what we literature people call his hamartia, 106 00:05:57,675 --> 00:05:59,920 or what causes his downfall. 107 00:06:00,610 --> 00:06:01,790 Oh, yes. 108 00:06:01,814 --> 00:06:04,287 He goes down at the hands of Romeo. 109 00:06:05,422 --> 00:06:09,501 So when you're looking at Shakespeare, stop and look at the words, 110 00:06:09,525 --> 00:06:12,395 because they really are trying to tell you something.