[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:05.34,0:00:07.15,Default,,0000,0000,0000,,Hi, how'ya doing, Justin here.
Dialogue: 0,0:00:07.15,0:00:10.40,Default,,0000,0000,0000,,Welcome to this lesson on \Nbasic Travis picking.
Dialogue: 0,0:00:10.40,0:00:14.27,Default,,0000,0000,0000,,Now Travis picking gets it's name from\Nthe great Merle Travis,
Dialogue: 0,0:00:14.27,0:00:18.64,Default,,0000,0000,0000,,a country guitar picker and his\Npicking style was subsequently stolen
Dialogue: 0,0:00:18.64,0:00:22.61,Default,,0000,0000,0000,,by anyone who played fingerstyle\Naccoustic guitar. It sounds really cool
Dialogue: 0,0:00:22.62,0:00:24.52,Default,,0000,0000,0000,,and it's a great technique to learn.
Dialogue: 0,0:00:24.52,0:00:28.64,Default,,0000,0000,0000,,Now it's basically a little bit more\Ncomplicated version of the thumb
Dialogue: 0,0:00:28.64,0:00:32.07,Default,,0000,0000,0000,,moving around that we've looked at\Npreviously, but in order to help your
Dialogue: 0,0:00:32.07,0:00:35.21,Default,,0000,0000,0000,,development overall as well, we're now\Ngoing to be applying this to
Dialogue: 0,0:00:35.21,0:00:38.86,Default,,0000,0000,0000,,some barre chords. To really make sure\Nthat you got your barre chords good as well.
Dialogue: 0,0:00:38.86,0:00:44.19,Default,,0000,0000,0000,,So, let's get to a close-up, we're gonna be\Nusing a C, A-shape barre chord.
Dialogue: 0,0:00:44.19,0:00:46.22,Default,,0000,0000,0000,,Which is {\i1}(plays){\i0} this one,\Nyou're gonna see it in the close-up
Dialogue: 0,0:00:46.22,0:00:50.81,Default,,0000,0000,0000,,in a second; I'm gonna show you a close-up\Nfirst of all of the fretting hand and then
Dialogue: 0,0:00:50.82,0:00:54.54,Default,,0000,0000,0000,,we'll go to the close-up of the picking \Nhand to see what all the fuss is about.
Dialogue: 0,0:00:54.84,0:00:58.98,Default,,0000,0000,0000,,Ok, here we are for our C chord.\NNow this is of course an A-shape
Dialogue: 0,0:00:58.98,0:01:02.70,Default,,0000,0000,0000,,barre chord,-with the 1st finger on the\Nroot note C,- at the 3rd fret,
Dialogue: 0,0:01:02.70,0:01:06.56,Default,,0000,0000,0000,,you don't tuck your 2nd finger like that,\NI'm just doing it to keep things nice and
Dialogue: 0,0:01:06.56,0:01:12.11,Default,,0000,0000,0000,,simple for you to see. Now, what we want\Nto get used to the idea of here is the 1st
Dialogue: 0,0:01:12.11,0:01:17.12,Default,,0000,0000,0000,,finger moving between the note C and the\Nnote G. The pattern we're learning is this:
Dialogue: 0,0:01:17.12,0:01:23.62,Default,,0000,0000,0000,,♪
Dialogue: 0,0:01:23.62,0:01:26.78,Default,,0000,0000,0000,,So, just get use to the idea of this 1st\Nfinger moving
Dialogue: 0,0:01:26.78,0:01:34.55,Default,,0000,0000,0000,,♪
Dialogue: 0,0:01:34.55,0:01:36.03,Default,,0000,0000,0000,,Let's check out the picking hand!
Dialogue: 0,0:01:36.63,0:01:40.11,Default,,0000,0000,0000,,The big deal with this Travis picking is\Nthe movement of the thumb.
Dialogue: 0,0:01:40.11,0:01:44.01,Default,,0000,0000,0000,,And instead of just alternating between\Ntwo strings that we've had before
Dialogue: 0,0:01:44.01,0:01:51.30,Default,,0000,0000,0000,,when we looked at our pattern, (♪)\Nour thumb is now gonna go:
Dialogue: 0,0:01:51.30,0:01:56.22,Default,,0000,0000,0000,,5th string, 4th string, \N6th string, 4th string.
Dialogue: 0,0:01:56.22,0:01:59.71,Default,,0000,0000,0000,,♪
Dialogue: 0,0:01:59.71,0:02:02.36,Default,,0000,0000,0000,,Which is why we had a look at the\N1st finger moving over between the
Dialogue: 0,0:02:02.36,0:02:04.68,Default,,0000,0000,0000,,5th string and the 6th string.
Dialogue: 0,0:02:04.68,0:02:07.14,Default,,0000,0000,0000,,Now but don't use a barre, move\Nyour 1st finger!
Dialogue: 0,0:02:07.14,0:02:08.47,Default,,0000,0000,0000,,♪
Dialogue: 0,0:02:08.47,0:02:13.28,Default,,0000,0000,0000,,So, the 1st pattern we're going to look at\Nis basically our very simple pattern 1:
Dialogue: 0,0:02:13.28,0:02:15.95,Default,,0000,0000,0000,,♪
Dialogue: 0,0:02:15.95,0:02:17.96,Default,,0000,0000,0000,,That was the original one,
Dialogue: 0,0:02:17.96,0:02:19.29,Default,,0000,0000,0000,,but now we're gonna be going:
Dialogue: 0,0:02:19.29,0:02:23.82,Default,,0000,0000,0000,,♪
Dialogue: 0,0:02:23.82,0:02:26.80,Default,,0000,0000,0000,,Again, you'd gonna have to probably do \Nthis very slowly, I really struggled
Dialogue: 0,0:02:26.81,0:02:30.23,Default,,0000,0000,0000,,the first time I learned this, so I'd\Nexpect you guys, to at least have a
Dialogue: 0,0:02:30.23,0:02:31.75,Default,,0000,0000,0000,,bit of fun with it. Really slowly:
Dialogue: 0,0:02:31.75,0:02:33.00,Default,,0000,0000,0000,,together:
Dialogue: 0,0:02:33.00,0:02:39.14,Default,,0000,0000,0000,,Thumb, 1, thumb on the thickest string,\N2nd finger, thumb back on the 4th string.
Dialogue: 0,0:02:39.14,0:02:49.02,Default,,0000,0000,0000,,♪
Dialogue: 0,0:02:49.02,0:02:52.29,Default,,0000,0000,0000,,If you're really struggling to hold your\Nbarre chord down, and you see a barre chord,
Dialogue: 0,0:02:52.29,0:02:54.68,Default,,0000,0000,0000,,just use our regular open A chord:
Dialogue: 0,0:02:54.68,0:02:59.26,Default,,0000,0000,0000,,♪
Dialogue: 0,0:02:59.26,0:03:02.16,Default,,0000,0000,0000,,you will get the kind of the bottom 2\Nstring ringing out a little bit,
Dialogue: 0,0:03:02.16,0:03:05.57,Default,,0000,0000,0000,,which sounds a bit funny to my ear,\Nbut at least you can kind of get used to
Dialogue: 0,0:03:05.57,0:03:08.92,Default,,0000,0000,0000,,the thumb movement there, that's what's\Nreally important is,...getting this:
Dialogue: 0,0:03:08.92,0:03:11.31,Default,,0000,0000,0000,,♪
Dialogue: 0,0:03:11.31,0:03:15.08,Default,,0000,0000,0000,,you know, just practicing that is a really\Ngood idea for this kind of pattern.
Dialogue: 0,0:03:15.08,0:03:17.82,Default,,0000,0000,0000,,♪
Dialogue: 0,0:03:17.82,0:03:20.02,Default,,0000,0000,0000,,Then introduce the other fingers.
Dialogue: 0,0:03:20.02,0:03:23.52,Default,,0000,0000,0000,,♪
Dialogue: 0,0:03:23.52,0:03:25.58,Default,,0000,0000,0000,,So that's pattern 13.
Dialogue: 0,0:03:25.58,0:03:26.72,Default,,0000,0000,0000,,Pattern 14:
Dialogue: 0,0:03:26.72,0:03:29.90,Default,,0000,0000,0000,,♪
Dialogue: 0,0:03:29.90,0:03:32.32,Default,,0000,0000,0000,,Exactly like our pattern 2,
Dialogue: 0,0:03:32.32,0:03:34.02,Default,,0000,0000,0000,,but with this new Travis Picking.
Dialogue: 0,0:03:34.02,0:03:37.51,Default,,0000,0000,0000,,♪
Dialogue: 0,0:03:37.51,0:03:41.29,Default,,0000,0000,0000,,And of course, you would then start to\Nmerge 13 and 14 together.
Dialogue: 0,0:03:41.30,0:03:43.04,Default,,0000,0000,0000,,♪
Dialogue: 0,0:03:49.100,0:03:50.93,Default,,0000,0000,0000,,You can really hear...
Dialogue: 0,0:03:50.93,0:03:52.08,Default,,0000,0000,0000,,♪
Dialogue: 0,0:03:52.08,0:03:54.16,Default,,0000,0000,0000,,just sounds cool.
Dialogue: 0,0:03:54.16,0:03:56.80,Default,,0000,0000,0000,,A lot of the times these guys have a \Nlittle bit of kinda mute on there as well.
Dialogue: 0,0:03:56.80,0:03:58.90,Default,,0000,0000,0000,,♪
Dialogue: 0,0:03:58.90,0:04:02.32,Default,,0000,0000,0000,,So you get that... I'm just resting my\Npalm of my hand there:
Dialogue: 0,0:04:02.32,0:04:04.63,Default,,0000,0000,0000,,♪
Dialogue: 0,0:04:10.49,0:04:13.67,Default,,0000,0000,0000,,Ok, pattern 15 and 16 where I'm to now,
Dialogue: 0,0:04:13.67,0:04:15.94,Default,,0000,0000,0000,,I'm using a G barre chord
Dialogue: 0,0:04:15.94,0:04:18.32,Default,,0000,0000,0000,,An E-shape barre chord at the 3rd fret.
Dialogue: 0,0:04:18.32,0:04:19.82,Default,,0000,0000,0000,,Hopefully you know how to play that,
Dialogue: 0,0:04:19.82,0:04:24.58,Default,,0000,0000,0000,,now, all of the 6th string root patterns\Nwe've checked out so far,
Dialogue: 0,0:04:24.58,0:04:28.41,Default,,0000,0000,0000,,had the thumb bouncing between\Nthe 6th string and the 4th string.
Dialogue: 0,0:04:28.41,0:04:30.22,Default,,0000,0000,0000,,♪
Dialogue: 0,0:04:34.98,0:04:37.86,Default,,0000,0000,0000,,Now what we're doing for our\NTravis picking is, we're going:
Dialogue: 0,0:04:37.86,0:04:45.16,Default,,0000,0000,0000,,6th string, 4, 5, 4\N6, 4, 5, 4
Dialogue: 0,0:04:45.16,0:04:47.65,Default,,0000,0000,0000,,So that's where it starts\Nto get a bit more complicated.
Dialogue: 0,0:04:47.65,0:04:49.40,Default,,0000,0000,0000,,♪
Dialogue: 0,0:04:55.03,0:04:57.13,Default,,0000,0000,0000,,Again, you gonna have to just do these\Nreally slowly.
Dialogue: 0,0:04:57.13,0:04:59.90,Default,,0000,0000,0000,,It's still then same pattern with the rest\Nof the fingers as we've been looking,
Dialogue: 0,0:04:59.90,0:05:04.15,Default,,0000,0000,0000,,as same as pattern 1 for the C chord, or\Npattern 3 for the G chord would've been
Dialogue: 0,0:05:04.15,0:05:09.34,Default,,0000,0000,0000,,having this 2nd finger on the beat and\Nthen the 1st finger on the end after 2 and then
Dialogue: 0,0:05:09.34,0:05:11.37,Default,,0000,0000,0000,,back to that finger; That pattern.
Dialogue: 0,0:05:11.37,0:05:12.89,Default,,0000,0000,0000,,♪
Dialogue: 0,0:05:12.90,0:05:14.87,Default,,0000,0000,0000,,That's the original pattern we would\Nhave had on the G.
Dialogue: 0,0:05:14.87,0:05:16.79,Default,,0000,0000,0000,,Then just try and break out that...
Dialogue: 0,0:05:16.79,0:05:21.29,Default,,0000,0000,0000,,the thumb, into moving over doing\Nto the 5th string.
Dialogue: 0,0:05:21.29,0:05:23.84,Default,,0000,0000,0000,,I would highly recommend doing\Nwhat I'm doing now.
Dialogue: 0,0:05:23.84,0:05:27.05,Default,,0000,0000,0000,,I've just...doing 6th, 4, 5, 4
Dialogue: 0,0:05:27.05,0:05:31.48,Default,,0000,0000,0000,,Just doing that quite a few times\Nto get the thumb used to moving
Dialogue: 0,0:05:31.48,0:05:33.70,Default,,0000,0000,0000,,onto the 5th string.
Dialogue: 0,0:05:33.70,0:05:35.92,Default,,0000,0000,0000,,♪
Dialogue: 0,0:05:35.92,0:05:37.90,Default,,0000,0000,0000,,And then introduce those other notes.
Dialogue: 0,0:05:37.90,0:05:41.34,Default,,0000,0000,0000,,♪
Dialogue: 0,0:05:41.34,0:05:44.28,Default,,0000,0000,0000,,Again, really slowly and gradually\Nbuild up the speed is what you want.
Dialogue: 0,0:05:44.29,0:05:49.37,Default,,0000,0000,0000,,Now, pattern 16: exactly the same as\Nour pattern 4 was originally.
Dialogue: 0,0:05:49.37,0:05:51.95,Default,,0000,0000,0000,,There's pattern 4: ♪
Dialogue: 0,0:05:56.12,0:05:58.80,Default,,0000,0000,0000,,And 16 now, we're now just again
Dialogue: 0,0:05:58.80,0:06:00.32,Default,,0000,0000,0000,,moving it onto our Travis picking
Dialogue: 0,0:06:00.32,0:06:03.73,Default,,0000,0000,0000,,♪
Dialogue: 0,0:06:12.46,0:06:14.94,Default,,0000,0000,0000,,I'm sure you're gonna have a whole\Nlot of fun with your Travis picking,
Dialogue: 0,0:06:14.94,0:06:18.12,Default,,0000,0000,0000,,It {\i1}is{\i0} a little bit tricky and it takes a \Nlittle bit of practice, but nearly all
Dialogue: 0,0:06:18.12,0:06:20.98,Default,,0000,0000,0000,,of the things that sound really cool\Nrequire quite a bit of practice and
Dialogue: 0,0:06:20.98,0:06:25.32,Default,,0000,0000,0000,,this is one of them. I'm gonna show you\Na cool little country trick as well,
Dialogue: 0,0:06:25.32,0:06:27.01,Default,,0000,0000,0000,,that I think you might enjoy.
Dialogue: 0,0:06:28.19,0:06:30.30,Default,,0000,0000,0000,,I was really stoked when I\Ndiscovered this thing.
Dialogue: 0,0:06:31.37,0:06:40.73,Default,,0000,0000,0000,,Hopefully you remember your C7 open chord.\NRight? If you move that C chord up 2 frets
Dialogue: 0,0:06:40.73,0:06:41.85,Default,,0000,0000,0000,,you're on a D chord.
Dialogue: 0,0:06:41.86,0:06:42.51,Default,,0000,0000,0000,,♪
Dialogue: 0,0:06:44.67,0:06:47.33,Default,,0000,0000,0000,,Now, if we use pattern 2:
Dialogue: 0,0:06:47.33,0:06:47.95,Default,,0000,0000,0000,,♪
Dialogue: 0,0:06:50.38,0:06:52.61,Default,,0000,0000,0000,,what I'm doing is moving my 3rd finger
Dialogue: 0,0:06:53.72,0:06:55.28,Default,,0000,0000,0000,,over to the 6th string.
Dialogue: 0,0:06:55.28,0:06:55.86,Default,,0000,0000,0000,,♪
Dialogue: 0,0:06:57.89,0:06:58.48,Default,,0000,0000,0000,,5th string:
Dialogue: 0,0:06:58.48,0:06:59.00,Default,,0000,0000,0000,,♪
Dialogue: 0,0:06:59.00,0:06:59.83,Default,,0000,0000,0000,,6th string:
Dialogue: 0,0:06:59.83,0:07:00.100,Default,,0000,0000,0000,,♪
Dialogue: 0,0:07:03.85,0:07:04.81,Default,,0000,0000,0000,,Sounds pretty cool.
Dialogue: 0,0:07:04.81,0:07:06.04,Default,,0000,0000,0000,,Now, you can do it with the Blues.
Dialogue: 0,0:07:06.04,0:07:13.44,Default,,0000,0000,0000,,Using D, G, back to D
Dialogue: 0,0:07:13.44,0:07:15.27,Default,,0000,0000,0000,,♪
Dialogue: 0,0:07:20.62,0:07:21.69,Default,,0000,0000,0000,,G
Dialogue: 0,0:07:31.48,0:07:32.74,Default,,0000,0000,0000,,It's a really fun little pattern.
Dialogue: 0,0:07:33.05,0:07:33.60,Default,,0000,0000,0000,,A
Dialogue: 0,0:07:35.85,0:07:36.59,Default,,0000,0000,0000,,G
Dialogue: 0,0:07:40.19,0:07:41.38,Default,,0000,0000,0000,,Back down to D
Dialogue: 0,0:07:41.83,0:07:42.98,Default,,0000,0000,0000,,♪
Dialogue: 0,0:07:46.47,0:07:49.24,Default,,0000,0000,0000,,And you can kind of develop this\Nidea quite a lot.
Dialogue: 0,0:07:49.24,0:07:50.20,Default,,0000,0000,0000,,Hope you'll have fun with that,
Dialogue: 0,0:07:50.20,0:07:52.22,Default,,0000,0000,0000,,take care, and I'll see you for
Dialogue: 0,0:07:52.22,0:07:53.58,Default,,0000,0000,0000,,the last lesson in this series,
Dialogue: 0,0:07:53.58,0:07:57.17,Default,,0000,0000,0000,,which is adding in hammer-ons\Nand flick-offs to our patterns.
Dialogue: 0,0:07:57.17,0:07:59.04,Default,,0000,0000,0000,,Just kind of tricky enough already.
Dialogue: 0,0:07:59.04,0:08:00.78,Default,,0000,0000,0000,,And now we're gonna b introducing\Nsome new stuff.
Dialogue: 0,0:08:00.78,0:08:03.10,Default,,0000,0000,0000,,So, I'm sure you're gonna enjoy that too.
Dialogue: 0,0:08:03.11,0:08:04.90,Default,,0000,0000,0000,,See you very soon, bye-bye!