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Dialogue: 0,0:00:13.77,0:00:15.78,Default,,0000,0000,0000,,[MUSIC]. \NThe last point I'd like you to just think
Dialogue: 0,0:00:15.78,0:00:20.92,Default,,0000,0000,0000,,about, again something I've mentioned \Nbefore, is the issue of manipulation.
Dialogue: 0,0:00:20.92,0:00:29.82,Default,,0000,0000,0000,,every personal computer now, has some \Nelementary program built into it that
Dialogue: 0,0:00:29.82,0:00:35.13,Default,,0000,0000,0000,,will allow you to alter images, to one \Ndegree or another.
Dialogue: 0,0:00:35.13,0:00:39.74,Default,,0000,0000,0000,,When you're starting to look at some of \Nthem, professional products, that, that
Dialogue: 0,0:00:39.74,0:00:43.66,Default,,0000,0000,0000,,alteration can be very subtle and \Nsometimes almost completely
Dialogue: 0,0:00:43.66,0:00:48.86,Default,,0000,0000,0000,,imperceptible. \NIt wasn't so long ago that National
Dialogue: 0,0:00:48.86,0:00:54.39,Default,,0000,0000,0000,,Geographic required photographers to \Nguarantee they hadn't used a filter on
Dialogue: 0,0:00:54.39,0:00:57.36,Default,,0000,0000,0000,,their camera before accepting \Nphotographs.
Dialogue: 0,0:00:57.36,0:01:03.11,Default,,0000,0000,0000,,Now we have a more prevalent issue about \Nthe capturing of the images.
Dialogue: 0,0:01:03.11,0:01:08.41,Default,,0000,0000,0000,,How much they are changed for those in \Npublic domain, those that are used in the
Dialogue: 0,0:01:08.41,0:01:14.97,Default,,0000,0000,0000,,media for the immediacy of the event \Nwithout thought about reportage.
Dialogue: 0,0:01:14.97,0:01:22.53,Default,,0000,0000,0000,,Or the legacy of those particular images \Nwill have when viewed in the future by
Dialogue: 0,0:01:22.53,0:01:27.63,Default,,0000,0000,0000,,historians in 20 or 30 years time. \NMost images are now captured digi,
Dialogue: 0,0:01:27.63,0:01:32.19,Default,,0000,0000,0000,,digitally. \NWe don't have the artifact to the same
Dialogue: 0,0:01:32.19,0:01:40.62,Default,,0000,0000,0000,,degree that we had with the film negative \Nand there comes a point in saying, are we
Dialogue: 0,0:01:40.62,0:01:46.94,Default,,0000,0000,0000,,going to be too reliant on the process of \Ntransfer from the camera to the computer.
Dialogue: 0,0:01:46.94,0:01:51.93,Default,,0000,0000,0000,,To the published sphere, that there are \Ntoo many steps in which images can be
Dialogue: 0,0:01:51.93,0:01:55.00,Default,,0000,0000,0000,,altered or manipulated. \NWhat is authentic?
Dialogue: 0,0:01:55.00,0:01:59.54,Default,,0000,0000,0000,,What is the image? \NAnd that's something that I'd like us to
Dialogue: 0,0:01:59.54,0:02:04.73,Default,,0000,0000,0000,,consider by using some of the web \Nreferences.
Dialogue: 0,0:02:04.73,0:02:08.81,Default,,0000,0000,0000,,From four and six. \NAnd we'll talk more about that in the
Dialogue: 0,0:02:08.81,0:02:09.41,Default,,0000,0000,0000,,next section. \N[BLANK_AUDIO]