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[트라이베카의 헌터대학교]

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[뉴욕 클로즈업]

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[예술가 알레한드로 알만사 페레다씨]

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"뉴욕 탈출"은 저의 어린시절을 함께한 영화예요.

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--플리스켄, 나를 뭘로 보는 건가.

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--스네이크라고 하시죠.

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제게 뉴욕은 터프함의 대명사였어요.

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-- 어이 스네이크! 언제 왔나?

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스네이크 플리스켄은 대통령을 구하기 위해

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몸 속 시한폭탄을 안고

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강제로 뉴욕으로 보내져요.

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하지만 뉴욕은 감옥과도 같았죠.

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[보이스오버] 
규칙은 하나, 들어갈 땐 마음대로지만 나올 땐 아닙니다.

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사실 지금 제 상황과 비슷한 것 같아요.

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지금의 맨하튼은 감옥이라기보다

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일부 특권을 가진 사람들의 놀이터가 된 것 같죠.

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제가 뉴욕에 살면서 가장 슬픈 건...

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도시란 그 곳에 사는 사람들로 정의 된다고 생각하거든요.

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많은 동료들이

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스튜디오를 찾는 걸 어려워 해요.

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적당한 가격에는 마음에 드는 스튜디오를

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구할 수 없어서 많이들 우울해하죠.

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문제는,

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다들 무언가를 열정적으로 하고 있어요.

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제가 뉴욕을 좋아하는 이유이기는 하죠.

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모두들 정말 열정적이에요.

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또 다른 열정적인 사람들 속에서

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무언가를 하고 싶기 위해 여기로 모였죠.

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하지만 모두가 그 일을 하고 싶어하기 때문에

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다들 스튜디오에서 일을 하고 있어서

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실제로 교류할 기회가 거의 없어요.

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길을 가다 우연히 마주치거나

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모임을 갖는다거나

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이런 것들이 사실 불가능하죠.

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항상 뭘 해야한다고 하고

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일하는 중이라고 하고

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바쁘다고 하기 일쑤죠.

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시간적 공간적

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접점이 없는 느낌이에요.

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저는 결국 이곳을 떠나기로 했어요.

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저는 뉴욕을 떠나

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멕시코시티에서 새로운 삶을 살아보기로 했죠.

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[알레한드로 알만사 페레다씨의 뉴욕 탈출]

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[윌리엄스버그에 위치한 알레한드로씨의 집]

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이런, 지저분하군!

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저는 계획을 짜는 걸 잘하지 못해요.

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항상 마지막 순간에 하는 편이죠.

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사람 일은 아무도 모르잖아요, 안 그래요?

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그냥 책임감 때문에

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저는 못하겠더라고요.

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책임감이 저를 옥죄요.

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이번에도 멕시코시티 편도행 표를 끊었어요.

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표를 사고 나니 짐을 쌀 시간이

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3주 남더군요.

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팔아넘긴 것들도 있고요.

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떠나기 전까지 시간이 얼마 없었는데

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멕시코에서 전시할

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동영상과 사진 작품을 위해

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온몸을 바쳐야 했어요.

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