[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:10.22,0:00:11.96,Default,,0000,0000,0000,,Hi, how're you doing? \NJustin here.
Dialogue: 0,0:00:11.96,0:00:14.12,Default,,0000,0000,0000,,Welcome to IM-145,
Dialogue: 0,0:00:14.12,0:00:17.14,Default,,0000,0000,0000,,where we're going to be checking out \Nhow to do a snare drum hit
Dialogue: 0,0:00:17.14,0:00:20.06,Default,,0000,0000,0000,,and add a bit of percussive element \Nto your rhythm guitar.
Dialogue: 0,0:00:20.50,0:00:23.83,Default,,0000,0000,0000,,Now the snare drum is normally played \Non beats 2 and 4,
Dialogue: 0,0:00:23.83,0:00:26.41,Default,,0000,0000,0000,,and if you'll excuse my really rubbish beat-boxing,
Dialogue: 0,0:00:26.41,0:00:29.41,Default,,0000,0000,0000,,a kind of real basic drum groove goes like:
Dialogue: 0,0:00:29.41,0:00:34.14,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:00:34.14,0:00:37.09,Default,,0000,0000,0000,,and it's the little "ka!" \Nthat we're gonna try and emulate
Dialogue: 0,0:00:37.09,0:00:38.79,Default,,0000,0000,0000,,as part of our rhythm guitar.
Dialogue: 0,0:00:38.79,0:00:41.83,Default,,0000,0000,0000,,Now if I play it for you, \Nit sounds like this:
Dialogue: 0,0:00:41.83,0:00:47.56,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:00:47.56,0:00:49.92,Default,,0000,0000,0000,,And you can hear \Nit really kind of brings a bit of life
Dialogue: 0,0:00:49.92,0:00:51.57,Default,,0000,0000,0000,,and a bit of groove into your rhythm guitar.
Dialogue: 0,0:00:51.57,0:00:54.01,Default,,0000,0000,0000,,If I play it first, \Nbut without the little "chuck"
Dialogue: 0,0:00:54.01,0:00:57.03,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:00:57.03,0:00:57.86,Default,,0000,0000,0000,,It's fine,
Dialogue: 0,0:00:57.86,0:00:59.11,Default,,0000,0000,0000,,nothing wrong with that
Dialogue: 0,0:00:59.11,0:01:02.26,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:01:02.26,0:01:03.85,Default,,0000,0000,0000,,But as soon as you bring that in
Dialogue: 0,0:01:03.85,0:01:08.13,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:01:08.13,0:01:09.73,Default,,0000,0000,0000,,you'll find that all of your mates \Nare tapping their feet
Dialogue: 0,0:01:09.73,0:01:11.72,Default,,0000,0000,0000,,and clapping their hands \Nin no time.
Dialogue: 0,0:01:11.72,0:01:14.09,Default,,0000,0000,0000,,Really good if you're doing\Nan acoustic guitar thing
Dialogue: 0,0:01:14.09,0:01:15.66,Default,,0000,0000,0000,,at a party or at a barbeque,
Dialogue: 0,0:01:15.66,0:01:17.96,Default,,0000,0000,0000,,you'll really find that it makes \Nall of the difference
Dialogue: 0,0:01:17.96,0:01:19.75,Default,,0000,0000,0000,,between a regular strumming pattern
Dialogue: 0,0:01:19.75,0:01:21.82,Default,,0000,0000,0000,,and a bit of this in it.
Dialogue: 0,0:01:21.82,0:01:24.14,Default,,0000,0000,0000,,It really moves things along really well.
Dialogue: 0,0:01:24.68,0:01:26.36,Default,,0000,0000,0000,,Now the most important thing here
Dialogue: 0,0:01:26.36,0:01:28.14,Default,,0000,0000,0000,,is that you get the technique right.
Dialogue: 0,0:01:28.14,0:01:30.44,Default,,0000,0000,0000,,And I've seen a couple of people explain it by
Dialogue: 0,0:01:30.44,0:01:33.69,Default,,0000,0000,0000,,kind of relaxing your hand on the neck \Nand hitting the strings,
Dialogue: 0,0:01:33.69,0:01:36.62,Default,,0000,0000,0000,,which kind of works, but it doesn't then work \Nfor open chords
Dialogue: 0,0:01:36.62,0:01:37.64,Default,,0000,0000,0000,,and a lot of the times,
Dialogue: 0,0:01:37.64,0:01:39.93,Default,,0000,0000,0000,,if you're in that kind of party \Nacoustic guitar thing,
Dialogue: 0,0:01:39.93,0:01:41.68,Default,,0000,0000,0000,,you're going to be using open chords.
Dialogue: 0,0:01:41.68,0:01:44.28,Default,,0000,0000,0000,,So it's really important \Nthat you learn how to perform this
Dialogue: 0,0:01:44.28,0:01:47.54,Default,,0000,0000,0000,,without having any hand \Non the guitar at all
Dialogue: 0,0:01:47.54,0:01:48.86,Default,,0000,0000,0000,,other than your picking hand.
Dialogue: 0,0:01:48.86,0:01:51.71,Default,,0000,0000,0000,,So you can do this snare drum hit like this:
Dialogue: 0,0:01:51.71,0:01:53.73,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:01:53.74,0:01:57.35,Default,,0000,0000,0000,,And it's important too to realize \Nthat there are actually two elements.
Dialogue: 0,0:01:57.35,0:01:59.30,Default,,0000,0000,0000,,There's two things going on here, which
Dialogue: 0,0:01:59.30,0:02:02.39,Default,,0000,0000,0000,,when I'm doing it sounds just like one motion
Dialogue: 0,0:02:02.39,0:02:04.86,Default,,0000,0000,0000,,because I am using just one movement.
Dialogue: 0,0:02:04.86,0:02:06.69,Default,,0000,0000,0000,,But the two parts are:
Dialogue: 0,0:02:06.69,0:02:09.51,Default,,0000,0000,0000,,First of all the hand hitting on the strings,
Dialogue: 0,0:02:10.73,0:02:13.44,Default,,0000,0000,0000,,and you get the strings hitting on the wire frets
Dialogue: 0,0:02:13.44,0:02:16.72,Default,,0000,0000,0000,,You get this kind of metallic crunching sound.
Dialogue: 0,0:02:16.72,0:02:18.44,Default,,0000,0000,0000,,So that's kinda the first part.
Dialogue: 0,0:02:18.44,0:02:20.60,Default,,0000,0000,0000,,And the second part \Nis once the hand is on the strings,
Dialogue: 0,0:02:21.33,0:02:23.98,Default,,0000,0000,0000,,the pick plays through the strings,
Dialogue: 0,0:02:25.10,0:02:26.65,Default,,0000,0000,0000,,and you get a little bit of a "thud" there.
Dialogue: 0,0:02:26.65,0:02:28.73,Default,,0000,0000,0000,,So when you're practicing it,
Dialogue: 0,0:02:28.73,0:02:30.85,Default,,0000,0000,0000,,you have to learn it \Nby doing it in two motions:
Dialogue: 0,0:02:30.85,0:02:37.67,Default,,0000,0000,0000,,Hand, pick. Hand, pick. \NHand, pick. Hand, pick.
Dialogue: 0,0:02:37.67,0:02:40.41,Default,,0000,0000,0000,,And then, it becomes one motion.
Dialogue: 0,0:02:40.41,0:02:43.85,Default,,0000,0000,0000,,And it's really the sound of those two things \Nhappening at the same time
Dialogue: 0,0:02:43.85,0:02:47.88,Default,,0000,0000,0000,,that gives it that really strong \Nkind of snare drum-like sound.
Dialogue: 0,0:02:47.88,0:02:50.14,Default,,0000,0000,0000,,So, let's have a bit of look at a close up at this
Dialogue: 0,0:02:50.14,0:02:51.75,Default,,0000,0000,0000,,because it's quite an interesting technique,
Dialogue: 0,0:02:51.75,0:02:55.17,Default,,0000,0000,0000,,and if you don't get it exactly right \Nit's frustrating.
Dialogue: 0,0:02:56.04,0:02:58.01,Default,,0000,0000,0000,,OK, let's look at these two motions.
Dialogue: 0,0:02:58.01,0:03:02.12,Default,,0000,0000,0000,,So the first one, it's the outside part \Nof your hand,
Dialogue: 0,0:03:02.12,0:03:03.32,Default,,0000,0000,0000,,after your little finger,
Dialogue: 0,0:03:03.32,0:03:05.36,Default,,0000,0000,0000,,-- so that kind of the outer palm part --
Dialogue: 0,0:03:05.36,0:03:07.12,Default,,0000,0000,0000,,that's landing on the strings.
Dialogue: 0,0:03:07.12,0:03:09.64,Default,,0000,0000,0000,,And it has to cover all six strings.
Dialogue: 0,0:03:09.64,0:03:13.54,Default,,0000,0000,0000,,It's really important that it lands firmly \Non those six strings,
Dialogue: 0,0:03:13.54,0:03:17.95,Default,,0000,0000,0000,,it should be, I don't know, \N3 or 4 inches away from the bridge.
Dialogue: 0,0:03:17.95,0:03:21.98,Default,,0000,0000,0000,,So somewhere kind of at the back end \Nof the sound hole is where it should be landing.
Dialogue: 0,0:03:21.98,0:03:25.54,Default,,0000,0000,0000,,And it's important that you realize \Nthat it lands from above
Dialogue: 0,0:03:25.54,0:03:27.23,Default,,0000,0000,0000,,because it's part of a strum, really.
Dialogue: 0,0:03:27.23,0:03:29.56,Default,,0000,0000,0000,,It's that strumming motion, so
Dialogue: 0,0:03:29.56,0:03:32.67,Default,,0000,0000,0000,,practice, first of all, \Njust moving your hand from above,
Dialogue: 0,0:03:32.67,0:03:35.35,Default,,0000,0000,0000,,falling down, \Nso it's almost like part of a strum,
Dialogue: 0,0:03:35.35,0:03:39.08,Default,,0000,0000,0000,,and then it rolls out \Nand it should just be falling like that
Dialogue: 0,0:03:39.08,0:03:41.32,Default,,0000,0000,0000,,with the outside part of your palm.
Dialogue: 0,0:03:41.34,0:03:44.26,Default,,0000,0000,0000,,So try and get used to that, \Nfirst of all, the motion.
Dialogue: 0,0:03:44.29,0:03:49.44,Default,,0000,0000,0000,,Now you can hear already \Nthe strings hitting against the frets.
Dialogue: 0,0:03:49.44,0:03:51.78,Default,,0000,0000,0000,,That's the noise.\NThey're just up here somewhere.
Dialogue: 0,0:03:51.78,0:03:53.08,Default,,0000,0000,0000,,The strings are hitting the frets.
Dialogue: 0,0:03:53.08,0:03:55.18,Default,,0000,0000,0000,,And you get a bit of that click noise.
Dialogue: 0,0:03:55.66,0:03:57.85,Default,,0000,0000,0000,,So that's the first thing \Nyou should be trying to work on.
Dialogue: 0,0:03:57.85,0:04:02.67,Default,,0000,0000,0000,,It's just trying to get that hit \Nto come down like that onto the strings.
Dialogue: 0,0:04:02.67,0:04:06.08,Default,,0000,0000,0000,,Making sure it's not too noisy and \Nthere's not too many strings ringing out.
Dialogue: 0,0:04:06.08,0:04:09.14,Default,,0000,0000,0000,,Sometimes my little finger \Nis hitting on the finger board there.
Dialogue: 0,0:04:09.14,0:04:10.85,Default,,0000,0000,0000,,I can do it deliberately if I want.
Dialogue: 0,0:04:10.85,0:04:13.42,Default,,0000,0000,0000,,That's not a bad thing, \Nit just adds to the click sound,
Dialogue: 0,0:04:13.42,0:04:16.99,Default,,0000,0000,0000,,so don't worry if you do a little bit of that, \Nit's not really the point,
Dialogue: 0,0:04:16.99,0:04:18.77,Default,,0000,0000,0000,,but it doesn't matter \Nif it happens a little bit.
Dialogue: 0,0:04:18.77,0:04:21.23,Default,,0000,0000,0000,,Now I'm making my hand go out this way
Dialogue: 0,0:04:21.23,0:04:23.58,Default,,0000,0000,0000,,a little bit more than I probably should,\Njust to show you,
Dialogue: 0,0:04:23.58,0:04:26.50,Default,,0000,0000,0000,,so normally it's staying \Na little bit squarer than that,
Dialogue: 0,0:04:26.50,0:04:30.82,Default,,0000,0000,0000,,and you can see now that my pick hand \Nis ready to hit the strings.
Dialogue: 0,0:04:30.82,0:04:32.60,Default,,0000,0000,0000,,And, of course, now what's happening is
Dialogue: 0,0:04:32.60,0:04:35.74,Default,,0000,0000,0000,,the hand is going on \Nand then the pick is roughly at the top and:
Dialogue: 0,0:04:35.74,0:04:38.40,Default,,0000,0000,0000,,it picks a few of the strings.
Dialogue: 0,0:04:38.40,0:04:40.02,Default,,0000,0000,0000,,It's doesn't have to pick like all of them,
Dialogue: 0,0:04:40.02,0:04:42.63,Default,,0000,0000,0000,,but probably the first four, \Nthe thickest four strings.
Dialogue: 0,0:04:42.63,0:04:43.67,Default,,0000,0000,0000,,Something like that.
Dialogue: 0,0:04:43.67,0:04:45.30,Default,,0000,0000,0000,,Four or five, it doesn't really matter. So,
Dialogue: 0,0:04:45.30,0:04:49.80,Default,,0000,0000,0000,,try and get used to now : \Nhit, strum. Hit, strum.
Dialogue: 0,0:04:49.80,0:04:51.95,Default,,0000,0000,0000,,And practice just getting that motion,
Dialogue: 0,0:04:51.95,0:04:54.59,Default,,0000,0000,0000,,again this hand is not doing anything, \Nso making sure
Dialogue: 0,0:04:54.59,0:04:57.20,Default,,0000,0000,0000,,because if you cover it like that \Nyou can get away with
Dialogue: 0,0:04:57.20,0:04:59.31,Default,,0000,0000,0000,,not doing any palm muting, \Njust strumming.
Dialogue: 0,0:04:59.31,0:05:02.96,Default,,0000,0000,0000,,So, really, you want this hand \Nnot touching the guitar and:
Dialogue: 0,0:05:02.96,0:05:08.19,Default,,0000,0000,0000,,Mute, strum. Hit, strum. \NHit, strum. Hit, strum.
Dialogue: 0,0:05:08.19,0:05:10.90,Default,,0000,0000,0000,,And eventually, you'll find that you can:
Dialogue: 0,0:05:10.90,0:05:15.30,Default,,0000,0000,0000,,hit-strum, hit-strum \Nand that, then, it's the point.
Dialogue: 0,0:05:15.30,0:05:19.10,Default,,0000,0000,0000,,Now, it isn't something \Nthat's gonna get closer and closer
Dialogue: 0,0:05:19.10,0:05:20.50,Default,,0000,0000,0000,,and then suddenly you'll get it.
Dialogue: 0,0:05:20.50,0:05:22.62,Default,,0000,0000,0000,,You practice going: \Nhit, strum. Hit, strum.
Dialogue: 0,0:05:22.62,0:05:25.45,Default,,0000,0000,0000,,Once you feel confident \Nthat you're doing that really well,
Dialogue: 0,0:05:25.45,0:05:29.61,Default,,0000,0000,0000,,just have a go at\Ntrying to throw the whole thing together.
Dialogue: 0,0:05:29.61,0:05:31.36,Default,,0000,0000,0000,,And that's when you get really good.
Dialogue: 0,0:05:31.36,0:05:34.64,Default,,0000,0000,0000,,And it does sound a little -- well, QUITE A LOT --\Nlike a snare drum.
Dialogue: 0,0:05:34.64,0:05:37.10,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:05:37.10,0:05:40.95,Default,,0000,0000,0000,,Next, we have to incorporate it \Ninto some rhythm guitar patterns.
Dialogue: 0,0:05:41.92,0:05:42.94,Default,,0000,0000,0000,,The next thing we're gonna do
Dialogue: 0,0:05:42.94,0:05:45.95,Default,,0000,0000,0000,,is incorporate that now \Ninto a rhythm guitar pattern.
Dialogue: 0,0:05:45.95,0:05:48.06,Default,,0000,0000,0000,,And probably the easiest one \Nto get going with
Dialogue: 0,0:05:48.06,0:05:50.54,Default,,0000,0000,0000,,is to start off with a straight-eight pattern.
Dialogue: 0,0:05:50.54,0:05:52.62,Default,,0000,0000,0000,,So if you remember back to our basic rhythm guitar,
Dialogue: 0,0:05:52.62,0:05:55.16,Default,,0000,0000,0000,,we had one-and two-and three-and four-and,
Dialogue: 0,0:05:55.16,0:05:57.89,Default,,0000,0000,0000,,using down-up, down-up,\Ndown-up, down-up.
Dialogue: 0,0:05:57.89,0:05:59.76,Default,,0000,0000,0000,,I'll just run through it once \Nso you know what's going on.
Dialogue: 0,0:05:59.76,0:06:01.77,Default,,0000,0000,0000,,I'm using a G open chord.
Dialogue: 0,0:06:01.77,0:06:05.16,Default,,0000,0000,0000,,It's a good idea to practice this \Nwith open chords first, so you don't cheat.
Dialogue: 0,0:06:05.16,0:06:07.40,Default,,0000,0000,0000,,If you're using barre chords,\Nyou can lift them up a little bit
Dialogue: 0,0:06:07.40,0:06:09.28,Default,,0000,0000,0000,,and that's kinda cheating a bit. So,
Dialogue: 0,0:06:09.28,0:06:11.31,Default,,0000,0000,0000,,get yourself an open chord -- I'm using G --
Dialogue: 0,0:06:11.31,0:06:12.94,Default,,0000,0000,0000,,you can use whatever you like.
Dialogue: 0,0:06:12.94,0:06:15.41,Default,,0000,0000,0000,,First of all, \Njust get that real basic strumming, so:
Dialogue: 0,0:06:15.41,0:06:19.35,Default,,0000,0000,0000,,One-and two-and three-and four-and,
Dialogue: 0,0:06:19.35,0:06:24.02,Default,,0000,0000,0000,,One-and two-and three-and four-and.
Dialogue: 0,0:06:24.47,0:06:26.02,Default,,0000,0000,0000,,Hopefully you've got that one by now,
Dialogue: 0,0:06:26.02,0:06:27.18,Default,,0000,0000,0000,,So now what we're going to do
Dialogue: 0,0:06:27.18,0:06:31.51,Default,,0000,0000,0000,,is we´re gonna add in that hit \Non beats two and four.
Dialogue: 0,0:06:31.51,0:06:37.48,Default,,0000,0000,0000,,So we have one-and TWO-and three-and FOUR-and
Dialogue: 0,0:06:37.48,0:06:41.93,Default,,0000,0000,0000,,One-and TWO-and three-and FOUR-and
Dialogue: 0,0:06:41.93,0:06:45.61,Default,,0000,0000,0000,,One-and TWO-and three-and FOUR-and
Dialogue: 0,0:06:45.61,0:06:49.42,Default,,0000,0000,0000,,One-and TWO-and three-and FOUR-and
Dialogue: 0,0:06:49.42,0:06:55.63,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:06:55.63,0:06:58.06,Default,,0000,0000,0000,,Just practice it slowly, \Nmake sure you've got it right.
Dialogue: 0,0:06:58.06,0:07:01.61,Default,,0000,0000,0000,,That's the most important thing, \Ntrying to get it smooth, because it should.
Dialogue: 0,0:07:01.61,0:07:03.16,Default,,0000,0000,0000,,It really kinda feels like a strum,
Dialogue: 0,0:07:03.16,0:07:06.61,Default,,0000,0000,0000,,it doesn't feel like you suddenly have to do \Nsomething different with your arm.
Dialogue: 0,0:07:06.61,0:07:08.06,Default,,0000,0000,0000,,Your arm should still be flowing:
Dialogue: 0,0:07:08.06,0:07:11.46,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:07:11.46,0:07:12.92,Default,,0000,0000,0000,,I'm not feeling it's any different.
Dialogue: 0,0:07:12.92,0:07:15.66,Default,,0000,0000,0000,,I do feel a little bit like my shoulder \Nis coming forward a bit
Dialogue: 0,0:07:15.66,0:07:18.04,Default,,0000,0000,0000,,and I'm digging into the guitar a little bit,
Dialogue: 0,0:07:18.04,0:07:21.11,Default,,0000,0000,0000,,but it's not changing the way \Nthat the strumming feels.
Dialogue: 0,0:07:21.11,0:07:23.92,Default,,0000,0000,0000,,Because remember, the hand should not stop moving\Nwhen you're strumming,
Dialogue: 0,0:07:23.92,0:07:25.48,Default,,0000,0000,0000,,or it will kind of throw you off.
Dialogue: 0,0:07:25.48,0:07:28.06,Default,,0000,0000,0000,,So, really important then just to practice:
Dialogue: 0,0:07:28.06,0:07:30.47,Default,,0000,0000,0000,,Getting it in the groove, \Ngetting your hit nice.
Dialogue: 0,0:07:30.47,0:07:32.83,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:07:32.83,0:07:35.18,Default,,0000,0000,0000,,It's worth practicing as well sometimes \N
Dialogue: 0,0:07:35.18,0:07:38.100,Default,,0000,0000,0000,,trying to get that hit so it's louder \Nthan you think it should be.
Dialogue: 0,0:07:38.100,0:07:41.05,Default,,0000,0000,0000,,So really try and throw it out.
Dialogue: 0,0:07:41.05,0:07:44.77,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:07:44.77,0:07:46.05,Default,,0000,0000,0000,,Really try and give it some.
Dialogue: 0,0:07:46.05,0:07:49.36,Default,,0000,0000,0000,,Because you'll probably find \Nthat you're doing it a bit too quiet.
Dialogue: 0,0:07:49.36,0:07:52.71,Default,,0000,0000,0000,,So, if you ever record yourself \Nor get a way of listening to yourself,
Dialogue: 0,0:07:52.71,0:07:55.10,Default,,0000,0000,0000,,what you want to do then is \Ntrying to even it out,
Dialogue: 0,0:07:55.10,0:07:56.98,Default,,0000,0000,0000,,so it's at the right volume level.
Dialogue: 0,0:07:56.98,0:08:00.10,Default,,0000,0000,0000,,But that's something you can only do \Nwhen you hear yourself back.
Dialogue: 0,0:08:00.10,0:08:03.12,Default,,0000,0000,0000,,Now, once you've had a go \Nat doing that basic eighth-note one,
Dialogue: 0,0:08:03.12,0:08:05.52,Default,,0000,0000,0000,,maybe you'd like to try \Na sixteenth-note pattern,
Dialogue: 0,0:08:05.52,0:08:08.47,Default,,0000,0000,0000,,and probably the one to go for \Nand to start off with again is
Dialogue: 0,0:08:08.47,0:08:10.57,Default,,0000,0000,0000,,doing "one-and two-and three-and four-and",
Dialogue: 0,0:08:10.57,0:08:12.65,Default,,0000,0000,0000,,but this time using all down strums, so:
Dialogue: 0,0:08:12.65,0:08:17.05,Default,,0000,0000,0000,,One-and two-and three-and four-and.\NAll downs.
Dialogue: 0,0:08:17.05,0:08:18.55,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:08:18.55,0:08:22.36,Default,,0000,0000,0000,,And then adding that snare hit \Non the two and four.
Dialogue: 0,0:08:22.36,0:08:26.17,Default,,0000,0000,0000,,So having: one-and TWO-and three-and FOUR-and
Dialogue: 0,0:08:26.17,0:08:29.42,Default,,0000,0000,0000,,one-and TWO-and three-and FOUR-and
Dialogue: 0,0:08:29.42,0:08:32.81,Default,,0000,0000,0000,,one-and TWO-and three-and FOUR-and
Dialogue: 0,0:08:32.81,0:08:35.87,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:08:35.87,0:08:37.22,Default,,0000,0000,0000,,And if you've got that right,
Dialogue: 0,0:08:37.22,0:08:41.62,Default,,0000,0000,0000,,you might like to try and add something else \Na little bit more funky with the sixteenth-notes:
Dialogue: 0,0:08:41.62,0:08:49.13,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:08:52.41,0:08:54.83,Default,,0000,0000,0000,,It's a really good idea \Nto try to insert this technique
Dialogue: 0,0:08:54.83,0:08:57.29,Default,,0000,0000,0000,,into as many different rhythm patterns as you can.
Dialogue: 0,0:08:57.29,0:09:00.53,Default,,0000,0000,0000,,You'll find that it works really well in some, \Nand not so well in others,
Dialogue: 0,0:09:00.53,0:09:04.21,Default,,0000,0000,0000,,but that's really your call. \NWhat you want to do is to get good at it enough,
Dialogue: 0,0:09:04.21,0:09:06.64,Default,,0000,0000,0000,,that you can just let it flow \Nand start happening\N
Dialogue: 0,0:09:06.64,0:09:07.96,Default,,0000,0000,0000,,whenever you want.
Dialogue: 0,0:09:07.96,0:09:09.89,Default,,0000,0000,0000,,'Cause really with rhythm guitar, \Nit's not really like:
Dialogue: 0,0:09:09.89,0:09:11.63,Default,,0000,0000,0000,,"learn this pattern and learn that pattern"
Dialogue: 0,0:09:11.63,0:09:13.86,Default,,0000,0000,0000,,and numbering them \Nand all that sort of stuff,
Dialogue: 0,0:09:13.86,0:09:16.19,Default,,0000,0000,0000,,it should just be kind of flowing, \Ngoing with the groove,
Dialogue: 0,0:09:16.19,0:09:20.56,Default,,0000,0000,0000,,and then eventually finding the rhythm pattern \Nthat works for that particular song.
Dialogue: 0,0:09:20.56,0:09:25.71,Default,,0000,0000,0000,,So, see how many different rhythm patterns \Nyou can insert this snare drum hit into.
Dialogue: 0,0:09:25.71,0:09:27.84,Default,,0000,0000,0000,,It's lots of fun, \Nhope you've enjoyed it too.
Dialogue: 0,0:09:27.84,0:09:29.71,Default,,0000,0000,0000,,See you for another lesson real soon.
Dialogue: 0,0:09:29.71,0:09:31.89,Default,,0000,0000,0000,,Take care, bye-bye.