1 00:00:00,467 --> 00:00:02,767 And then I asked for the probabilities 2 00:00:02,767 --> 00:00:04,534 of his being able to commit murder 3 00:00:04,534 --> 00:00:07,134 under any circumstances. 4 00:00:12,567 --> 00:00:17,201 "Subject capability of committing murder: 5 00:00:17,201 --> 00:00:19,201 98 percent negative." 6 00:00:19,201 --> 00:00:21,268 No comment, lieutenant? 7 00:00:23,467 --> 00:00:26,201 Just one: 8 00:00:26,201 --> 00:00:30,235 The remaining 2 percent is enough for me. 9 00:00:30,235 --> 00:00:31,601 Shall we get to work? 10 00:00:40,400 --> 00:00:42,001 ( dramatic theme playing ) 11 00:00:44,767 --> 00:00:47,335 ( typewriter clacking ) 12 00:00:53,667 --> 00:00:56,434 RYDER: Flood control in Portland. 13 00:00:57,767 --> 00:01:00,201 Evidently this time he didn't run. 14 00:01:00,201 --> 00:01:04,168 Uh, he's been in Portland before. 15 00:01:04,168 --> 00:01:06,868 Knows his way around. Probably feels more secure. 16 00:01:06,868 --> 00:01:10,500 Also, there'd be more job opportunities there. 17 00:01:10,500 --> 00:01:12,301 Well, there are your probables. 18 00:01:12,301 --> 00:01:15,500 Uh, you programmed all that additional employment data? 19 00:01:15,500 --> 00:01:18,801 Everything back to 11 years old 20 00:01:18,801 --> 00:01:21,301 when he was mowing lawns for a quarter. 21 00:01:21,301 --> 00:01:25,734 Well, this ought to be as accurate as we can get. 22 00:01:27,734 --> 00:01:29,767 I'm gonna call the attorney general's office 23 00:01:29,767 --> 00:01:32,168 and then I'm going up there myself. 24 00:01:32,168 --> 00:01:33,801 If Kimble hasn't seen a newspaper yet, 25 00:01:33,801 --> 00:01:36,367 we may still have a chance. 26 00:01:36,367 --> 00:01:39,400 ( ominous theme playing ) 27 00:01:41,400 --> 00:01:44,235 Cole, John, in the truck. 28 00:01:44,235 --> 00:01:46,335 Johnson, James. 29 00:01:46,335 --> 00:01:48,834 Smith, William. 30 00:01:48,834 --> 00:01:50,901 Smith, William! 31 00:01:52,734 --> 00:01:56,034 Brown, Max. 32 00:01:56,034 --> 00:01:58,434 Gamble, Arthur. 33 00:01:58,434 --> 00:02:00,801 Savory, Robert. 34 00:02:00,801 --> 00:02:03,801 ( dramatic theme playing ) 35 00:02:20,701 --> 00:02:23,068 All right, relax. We got a long ride. 36 00:02:23,068 --> 00:02:26,101 ( dramatic theme playing ) 37 00:02:56,068 --> 00:02:58,968 MAN: Head's up buddy, let's go. 38 00:03:24,834 --> 00:03:26,434 Well, there's a truckload of workers due 39 00:03:26,434 --> 00:03:27,701 in about ten minutes. 40 00:03:27,701 --> 00:03:29,601 I think we'll get home in time for dinner. 41 00:03:54,400 --> 00:03:56,335 KIMBLE: Can I take a look at your paper? 42 00:03:56,335 --> 00:03:57,901 What's it worth to you? 43 00:03:57,901 --> 00:04:00,500 A couple of cigarettes? 44 00:04:00,500 --> 00:04:01,500 I'm all out. 45 00:04:01,500 --> 00:04:03,068 Sorry. 46 00:04:04,400 --> 00:04:06,235 What if I give you the price of the paper? 47 00:04:06,235 --> 00:04:08,168 And I get the paper back. 48 00:04:08,168 --> 00:04:10,101 Yeah. 49 00:04:11,734 --> 00:04:13,201 I wanna work the crossword. 50 00:04:13,201 --> 00:04:15,134 ( chuckles ) 51 00:04:17,101 --> 00:04:18,801 ( paper rustling ) 52 00:04:25,667 --> 00:04:27,534 Hey, buddy. 53 00:04:27,534 --> 00:04:30,335 ( suspenseful theme playing ) 54 00:04:33,101 --> 00:04:35,434 Hey, some guy just jumped ship. 55 00:04:43,534 --> 00:04:45,134 MAN: That's him all right. 56 00:04:45,134 --> 00:04:47,667 But he must have jumped out about 6 or 8 miles back. 57 00:05:06,001 --> 00:05:07,235 Was he reading this? 58 00:05:07,235 --> 00:05:08,601 MAN: Yeah. 59 00:05:08,601 --> 00:05:11,201 He gave me a dime for it. 60 00:05:13,767 --> 00:05:15,801 Ten cents. 61 00:05:15,801 --> 00:05:19,335 Well, he'll never get a better bargain than that. 62 00:05:19,335 --> 00:05:21,335 ( dramatic theme playing ) 63 00:05:29,268 --> 00:05:31,567 ( suspenseful theme playing ) 64 00:05:34,601 --> 00:05:37,601 I appreciate everything you tried to do, doctor. 65 00:05:37,601 --> 00:05:40,068 For a while it looked as if it was gonna work 66 00:05:40,068 --> 00:05:42,001 and maybe it would have, 67 00:05:42,001 --> 00:05:43,567 if it hadn't been for the human element. 68 00:05:43,567 --> 00:05:45,268 In this case, that reporter. 69 00:05:45,268 --> 00:05:46,534 Well, who knows? 70 00:05:46,534 --> 00:05:47,767 Maybe in a year or two. 71 00:05:47,767 --> 00:05:49,068 You mean we should wait around 72 00:05:49,068 --> 00:05:51,367 until he's established a kind of anti-pattern pattern? 73 00:05:51,367 --> 00:05:53,434 ( chuckles ): I'm afraid not, doctor. 74 00:05:53,434 --> 00:05:54,968 Laurie and I are about to have dinner. 75 00:05:54,968 --> 00:05:56,701 Why don't you take a later plane and join us? 76 00:05:56,701 --> 00:05:58,001 Well, thank you but no. 77 00:05:58,001 --> 00:06:01,168 Uh, I'm afraid I wouldn't be very good company. 78 00:06:01,168 --> 00:06:03,101 Uh, goodbye, doctor. 79 00:06:03,101 --> 00:06:04,868 Goodbye, lieutenant. Goodbye, Miss Ryder. 80 00:06:04,868 --> 00:06:06,567 Goodbye, lieutenant. Have a nice trip back. 81 00:06:06,567 --> 00:06:07,868 Thank you. 82 00:06:16,767 --> 00:06:18,534 Do you think he'll ever catch him? 83 00:06:18,534 --> 00:06:19,634 Possibly. 84 00:06:19,634 --> 00:06:21,467 He knows more about Richard Kimble 85 00:06:21,467 --> 00:06:23,434 than anyone else. 86 00:06:23,434 --> 00:06:25,634 But the 2130 knows just as much. 87 00:06:28,834 --> 00:06:29,934 George. 88 00:06:29,934 --> 00:06:31,301 MAN ( over intercom ): Yes, doctor. 89 00:06:31,301 --> 00:06:33,268 It looks like Kimble reads the papers. 90 00:06:33,268 --> 00:06:36,001 He may know that the computer's tracking him. 91 00:06:36,001 --> 00:06:37,567 You want to program that? 92 00:06:37,567 --> 00:06:40,301 Yes, but suppose he reverses his pattern? 93 00:06:40,301 --> 00:06:41,901 Ask for the probabilities. 94 00:06:41,901 --> 00:06:43,301 Yes, sir. 95 00:06:49,201 --> 00:06:51,367 Cranberry bogs. 96 00:06:51,367 --> 00:06:53,968 What an awful place to be this time of the year. 97 00:06:53,968 --> 00:06:56,767 Do you think he's really there? 98 00:06:56,767 --> 00:06:57,767 I don't know. 99 00:06:57,767 --> 00:06:59,868 I hope not. 100 00:06:59,868 --> 00:07:01,701 Come on, Laurie. 101 00:07:14,701 --> 00:07:16,201 ( dramatic theme playing ) 102 00:07:16,201 --> 00:07:18,235 ( wind gusting ) 103 00:07:24,567 --> 00:07:27,101 NARRATOR: If you are Richard Kimble, fugitive, 104 00:07:27,101 --> 00:07:30,301 your already complicated life has become more so. 105 00:07:30,301 --> 00:07:32,968 You can no longer rely upon your instinct, 106 00:07:32,968 --> 00:07:35,201 because, for all you know, 107 00:07:35,201 --> 00:07:37,767 your pursuers may be machines. 108 00:07:37,767 --> 00:07:40,201 And you are merely a human being.