1 00:00:00,080 --> 00:00:06,110 [COSTCO SUBS PRESENTS] 2 00:00:06,222 --> 00:00:12,479 [Previously unaired footage] 3 00:00:13,160 --> 00:00:20,050 Yesterday, I went to see Professor Yamanaka to talk about what my next step should be. 4 00:00:20,350 --> 00:00:21,790 What did he say? 5 00:00:22,650 --> 00:00:25,539 I bet you can relate to this too. 6 00:00:25,630 --> 00:00:30,740 There are probably many female freelancers among Prof. Yamanaka's students, 7 00:00:30,850 --> 00:00:38,800 Many of us resent that we're seen as relying on our appeal as young women. 8 00:00:38,960 --> 00:00:41,260 That’s the case for me, and I bet for you too, 9 00:00:41,460 --> 00:00:44,550 -especially since you’re surrounded by male designers. / -Yeah. 10 00:00:44,780 --> 00:00:47,400 Maybe sometimes you think so too. 11 00:00:48,640 --> 00:00:53,420 He said that my work may just be swept away over the years, 12 00:00:53,440 --> 00:00:55,560 but he said I don’t have to worry about that. 13 00:00:55,670 --> 00:00:59,230 Or rather, that there’s no helping it. 14 00:00:59,510 --> 00:01:03,740 He said I was lucky to have made it this far-- I mean, I think so too. 15 00:01:03,960 --> 00:01:09,040 He said people may ask to work with me just because I’m easy to do business with, including personality-wise. 16 00:01:09,040 --> 00:01:15,030 It’s not necessarily the case that people contact me because they value my work. 17 00:01:15,030 --> 00:01:19,320 He said it’s okay to accept that, rather than just worry about it. 18 00:01:19,440 --> 00:01:22,390 That really made me think. 19 00:01:22,660 --> 00:01:27,830 I realized that I need to build the foundation of my work and make a change in order to get to the next level. 20 00:01:28,590 --> 00:01:34,160 To do that, I should try a totally different field to gain new perspective. 21 00:01:34,448 --> 00:01:37,560 -He said I shouldn’t wait around to do it. -What are you considering? 22 00:01:37,760 --> 00:01:40,110 I might get totally chewed up and spat out, 23 00:01:40,150 --> 00:01:43,530 but I’m thinking about working in London or New York at some point. 24 00:01:43,590 --> 00:01:51,000 I’m not sure doing what exactly, but I might try going abroad. 25 00:01:51,100 --> 00:01:53,030 You might have an easier time abroad. 26 00:01:53,190 --> 00:01:57,650 Yeah. Overseas, it probably doesn’t matter whether I graduated from an arts college or not. 27 00:01:57,659 --> 00:02:02,460 I’ll actually be judged based on my ability, so I’m scared in a different way. 28 00:02:02,460 --> 00:02:06,600 I really think I can grow more in that kind of environment. 29 00:02:06,600 --> 00:02:09,949 -You seem like you’re in a big hurry. -I feel a lot of pressure. 30 00:02:10,060 --> 00:02:14,290 I don't want my work to be just consumed temporarily then cast aside. 31 00:02:14,290 --> 00:02:22,050 I’m so scared that I’ll have to give up on everything I’ve worked so hard on since I left my company. 32 00:02:22,110 --> 00:02:23,950 It’s so... 33 00:02:24,110 --> 00:02:27,070 Even though I worked so hard... The next ... 34 00:02:30,190 --> 00:02:31,750 I don’t know what to do. 35 00:02:31,940 --> 00:02:34,220 I'm sorry. 36 00:02:34,870 --> 00:02:36,140 I know it’s tough. 37 00:02:36,870 --> 00:02:39,020 But you know, 38 00:02:39,890 --> 00:02:43,390 even if us illustrators, writers, and designers have huge failures, 39 00:02:43,390 --> 00:02:46,050 we just go back to the starting line. 40 00:02:47,350 --> 00:02:51,380 I’m not brave enough to start again. Even though I may have to. 41 00:02:51,580 --> 00:02:54,280 I was once told by our professor that, 42 00:02:54,330 --> 00:02:55,890 at the very worst, 43 00:02:55,990 --> 00:02:59,100 this isn’t the kind of business you need to go into debt for. 44 00:02:59,300 --> 00:03:02,080 -At the very worst, you start at zero. -I see. 45 00:03:02,210 --> 00:03:05,710 That means you can always start something new, 46 00:03:06,150 --> 00:03:07,190 and I totally agree. 47 00:03:07,270 --> 00:03:10,440 Yeah, you’re right. 48 00:03:10,540 --> 00:03:13,690 Not many people understand what it's like, so I’m glad you reached out. 49 00:03:13,690 --> 00:03:16,250 Thanks so much for listening. 50 00:03:16,330 --> 00:03:18,020 Any time. 51 00:03:18,600 --> 00:03:23,620 [Translated by hiro] [Timed & Reviewed by koma]